View allAll Photos Tagged featuring_art
Nikon FM2n | Nikkor 50mm 1.4 AIS | Ilford Delta 3200 rated at 6400 | Kodak HC110b | Epson V500 | Adobe Photoshop Elements 11
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
This February 25th gathering was one of the historic series of candlelit rallies that led up to the now-imprisoned ex-president's getting the heave-ho from office. The more progressive Moon Jae-in took office immediately following his solid victory in the May 9th snap election.
The "The Gables" has a beautiful, light filled drawing room with an elegant tiled fireplace with a white painted wooden fire surround, high ceilings featuring Art Nouveau mouldings and three lancet windows featuring Art Nouveau stained glass. The fireplace features plain green glazed tiles and feature tiles of stylised pink Art Nouveau roses in the surround. The hearth tiles on the other hand are green and feature a drum and two long trumpets, which symbolises harmony in the home.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
The Buffalo Bill Center of the West, formerly known as the Buffalo Bill Historical Center, is a complex of five museums and a research library featuring art and artifacts of the American West located in Cody, Wyoming. The five museums include the Buffalo Bill Museum, the Plains Indians Museum, the Whitney Western Art Museum, the Draper Natural History Museum, and the Cody Firearms Museum. Founded in 1917 to preserve the legacy and vision of Col. William F. "Buffalo Bill" Cody, the Buffalo Bill Center of the West is the oldest and most comprehensive museum complex of the West.
The complex can be traced to 1917, when the Buffalo Bill Memorial Association was established after the death of William F. Cody, the original Buffalo Bill. Gradually other elements were added to what started as a historical center. The current seven-acre building has more than 50,000 artifacts and holds five museums.
Since 2008, the center has been part of the Smithsonian Affiliates program, the first museum complex in Wyoming to have this status. As an Affiliate, the Center of the West has hosted Smithsonian artifacts. It has also recently loaned some of its own vast collections to a Smithsonian exhibition in Washington, D.C.
The museums are connected by the unifying theme of the history, culture, art, and natural science of the American West. The Center of the West's overall mission is to connect people to the American West. The institution includes the Buffalo Bill Museum, redesigned in 2012, which highlights Western ephemera and historic objects in telling the life story of W. F. "Buffalo Bill" Cody. Edward Rothstein of the New York Times wrote,
The exhibition [on Buffalo Bill] affirms what the center as a whole demonstrates: that behind the mythologizing is something worth cherishing, even if it is flawed, complex and still evolving. The old impulse to demolish the myth has been put aside.
The inaugural museum opened in 1927 in a log cabin across from the current location. It was moved and reinstalled in 1968, and it is now part of a five-museum complex. The museum offers a wide-ranging view of the life and times of William F. Cody, as well as of the "Buffalo Bill" character he created, which made him the world's most celebrated person of his time.
The museum showcases the fame and success Cody attained through his "Buffalo Bill's Wild West show," and addresses his influence on the economic and cultural development of the American West.
The museum features the stories and objects of Plains Indian people, their cultures, traditions, values and histories, as well as the contexts of their lives today. The first curator was George Horse-Capture, an enrolled member of the A'aninin tribe. The majority of the collection is from the early reservation period, ca. 1880-1930. It contains artifacts primarily from Northern Plains tribes, such as the Arapaho, Lakota, Crow, Cheyenne, Blackfeet and Pawnee. The holdings also include important contemporary objects, ranging from abstract art to star quilts.
The museum also sponsors an annual Powwow held on the third weekend in June at the Robbie Powwow Garden at the Center of the West. This event attracts dancers, artisans, and visitors from all over North America.
The museum features paintings and sculptures of the American West. The gallery first opened in 1959 and was later united with the Buffalo Bill Museum.
In June 2009, it re-opened following a re-installation. Replicas of the studios of both Frederic Remington and Alexander Phimister Proctor help visitors learn about the artists and their techniques. Included are works by other classic Western artists: George Catlin, Edgar Samuel Paxson, Alfred Jacob Miller, Thomas Moran, Albert Bierstadt, Alexander Phimister Proctor, Joseph Henry Sharp and N. C. Wyeth. Contemporary Western artists include Harry Jackson, James Bama, Deborah Butterfield, Fritz Scholder, and the sculptor Grant Speed. Interactive stations allow visitors to create their own works of art.
The museum features approximately 20,000 square feet (1,900 m2) of interactive exhibits highlighting geology, wildlife, and human presence in the Greater Yellowstone region. Videos, natural history dioramas, and photography replicate the sights, sounds, and smells of the area. Specimens of grizzlies, wolves, bighorn sheep, moose, elk and other wildlife are on display.
The Cody Firearms Museum was completely redesigned and reinstalled in 2019 and contains the most comprehensive firearms museum in the United States. The collection includes firearms ranging from 16th-century hand cannons to guns of modern manufacture. It explores firearms as "tools of human endeavors" and boasts a collection of 7,000 individual firearms--4,200 of which are on display--with approximately 20,000 additional related artifacts. The core of the museum is the Winchester Repeating Arms Company factory collection, which was transported from New Haven, Connecticut to Cody in 1976. The collection has grown to include firearms from many other manufacturers.
The Center of the West offers a variety of programs for visitors, including lectures, family activities, chuckwagon dinners, based on availability.
The library houses a collection of 36,000 books, more than 600 numbered manuscript collections, and more than a million photographic images. Named in honor of Harold McCracken, writer, artist, and developer of the Buffalo Bill Center of the West, the library supports "inquiry across many disciplines related to the American West." The library has strong collections relating to Buffalo Bill, the Wild West show, Plains Indians, cattle and "dude" ranching, the fishing and hunting industries, the oil industry, Yellowstone National Park, and the Winchester Repeating Arms Company.
Cody is a city in and the county seat of Park County, Wyoming, United States. It is named after Buffalo Bill Cody for his part in the founding of Cody in 1896.
The population was 10,066 at the 2020 census. Cody is served by Yellowstone Regional Airport.
According to the United States Census Bureau, the city has a total area of 10.43 square miles (27.01 km2), of which 10.20 square miles (26.42 km2) is land and 0.23 square miles (0.60 km2) is water.
Cody's elevation is approximately 4,997 feet (1,523 m) above sea level. The main part of the city is split across three levels, separated by about 60 feet (18 m).
The Shoshone River flows through Cody in a canyon. There are four bridges over this river in the Cody vicinity, one at the north edge of town that allows travel to the north, and one about 5 miles (8.0 km) east of Cody that allows passage to Powell and the areas to the north and east. The other two are west of town; one allows access to the East Gate of Yellowstone National Park, and the other is used by fishermen in Shoshone Canyon and as access to the Buffalo Bill Dam.
Cody is located at the western edge of the Bighorn Basin, a depression surrounded by the Big Horn, Owl Creek, Bridger, and Absaroka ranges. At the western edge of Cody, a deep canyon formed by the Shoshone River provides the only passage to Yellowstone's Eastern Entrance. At its mouth and rising above Cody are Rattlesnake Mountain on the north side and Cedar Mountain on the south side. Much of Cody has views of Heart Mountain, whose 8,123 ft (2,500 m) peak is 9 miles (14 km) directly north of Cody, and the Carter Mountain massif, which forms a line with peaks above 12,000 ft (3,700 m), some 15 miles (24 km) to the south.
Cody experiences a semi-arid climate (Köppen BSk), with highly variable conditions. Summers are warm, with some heat spells pushing temperatures above 90 °F (32.2 °C). Winters are cold, with frigid periods alternating with sometimes milder temperatures. Relative humidity is usually a fairly dry 30% or less. Precipitation averages 11.5 inches or 292.1 millimetres annually, including 45.0 inches or 1.14 metres of snow per season. Due to the aridity, snow cover is highly unreliable, with 29.4 days per season with 1 inch or 0.025 metres or more on the ground. Cody enjoys about 300 days of sunshine per year.
Wind is an almost constant presence in the Cody area. Air flow in Cody area is turbulent, but during the winter most storms move in from the north-northwest. During the summer, it is not unusual to see storms move in from the southwest. Throughout a normal day, winds can be experienced as coming from almost any direction, mostly from the north and west, but sometimes from the south and east. The Canyon at the west end of Cody funnels rain and wind across the city from the west. The winds can be quite strong at 30 to 40 miles per hour (48 to 64 km/h) and last for several days.
Because of the dry climate, the entire area is laced with irrigation canals, holding ponds, laterals, and drops. The Buffalo Bill Dam between Rattlesnake and Cedar mountains forms a large reservoir about 10 miles (16 km) to the west of Cody. This reservoir (among others) feeds the Shoshone Project, a large irrigation water distribution system.
The monthly daily average temperature ranges from 27.3 °F or −2.6 °C in December to 70.6 °F or 21.4 °C in July. An average of 16.2 days have highs of 90 °F (32 °C) or higher and an average of 12.3 days have lows of 0 °F (−18 °C) or lower; the average window for freezing temperatures is September 30 thru May 10 and for measurable (≥0.1 inches or 0.25 centimetres snow, October 21 thru April 21. The record high temperature was 105 °F or 40.6 °C on July 14, 1925 and July 15, 1951, and the record low temperature was −46 °F or −43.3 °C on February 8, 1936.
The wettest calendar year has been 2014 with 16.59 inches (421.4 mm) and the driest 1956 with 3.58 inches (90.9 mm). The most rainfall in one month was 5.76 in (146 mm) in June 1992. The most rainfall in 24 hours was 2.51 inches or 64 millimetres on July 22, 1973. There are an average of 72.3 days with measurable precipitation. The most snow in one year was 73.4 inches (1.86 m) between July 1916 and June 1917. The most snow in one month was 29.0 inches (0.74 m) in February 2014.
Buffalo Bill - The Scout statue by Gertrude Vanderbilt Whitney commemorates Buffalo Bill
Themes surrounding Cody's pioneer and Cowboy and Western history are common in the cultural events and activities in the area.
The Buffalo Bill Center of the West is a large and modern facility located near the center of the city. It contains five museums in one, including the Draper Natural History Museum, the Plains Indian Museum, the Cody Firearms Museum, the Whitney Western Art Museum and the Buffalo Bill Museum which chronicles the life of William F. Cody, for whom the historical center is named. The historical center maintains large collections. It is a favorite stopping point for tourists passing through the town, on their way to or from Yellowstone.
Old Trail Town, a restoration of more than 25 historic Western buildings and artifacts, is located in Cody just off the Yellowstone Highway.
Rodeo is important in the culture in Cody, which calls itself the "Rodeo Capital of the World". The Cody Nite Rodeo is an amateur rodeo every night from June 1 through August 31.
Cody is also host to the Cody Stampede Rodeo. The Stampede is a Professional Rodeo Cowboys Association rodeo and is one of the largest rodeos in the nation that is held over the Independence Day Holiday. Many of the top cowboys in the country attend. The stampede has been held from July 1–4 every year since 1919. Cody hosts the Cody Stampede, a weeklong series of events around the 4th of July, featuring several parades where the main street is blocked off, rodeos, fireworks and more. In 2019 Cody Stampede celebrated its 100th year.
The Heart Mountain Relocation Center, was a War Relocation Camp where 14,000 Japanese Americans were interned during World War II (Internment of Japanese Americans). The Interpretive Center is approximately 17 miles east of town and includes surviving buildings from the camp, a war memorial, a walking trail, and a world-class museum.
Cody is also a bustling arts town.
Visual Arts are celebrated and displayed within the Buffalo Bill Center of the West, Whitney Western Arts Museum as well as many other collective local/regional galleries around town such as the Cody Country Art League, By Western Hands and more. Many photographers, painters, sculptors, designers, and artists love to capture the surrounding natural wonder and western aesthetics.
For nearly twenty years Cody has also been the home to the Rendezvous Royale art festival. The week-long festival includes the Buffalo Bill Art Show and Sale, a nationally renowned art show that features a wide range of interpretations of western art from emerging artists and contemporary masters. Rendezvous Royale features the art show sale, lectures, workshops, and a patrons ball.
The live music scene in Cody is especially vibrant in the summer when the City of Cody hosts an annual Concert in the Park series, The Cody Cattle Company does a nightly show, Dan Miller's Cowboy Music Revue is up and running, and several bars in town host touring artists.
Cody is also the home to several theatre and dance companies that promote community theatre and dance education from pre-k through high school. These companies produce many seasonal projects as well as annual productions. Throughout the year various dance recitals from the companies, as well as musical theatre and theatre productions from community members are produced and performed. The annual performing arts events in Cody are produced and The Wild West Spectacular Musical for seven seasons.
Public education in the city of Cody is provided by Park County School District #6. Three elementary schools – Eastside, Glenn Livingston, and Sunset - serve students in grades kindergarten through five. The district's two secondary campuses are Cody Middle School (grades 6-8) and Cody High School (grades 9-12).
Cody has a public library, a branch of the Park County Library System.
The primary industry in Cody is tourism. Hotels, restaurants and shops cater to travelers coming to visit the West and Yellowstone Park. Cody has several art galleries, with some notable local painters and artists living in the area.
Cody is fast becoming a hub for outdoor recreation. The Shoshone River runs through town offering class I-V kayaking and whitewater rafting. Shoshone Canyon offers over 300 rock climbing routes, while Cedar Mountain boasts nearly 600 boulder problems. Cody hosts nearly 50 miles of single track, with a large amount of it accessible by bike from town. A bike park was recently completed with jump and drop lines as well as a pump track. Skiing, both downhill and cross-country are very popular sports in Cody, with the local High School boasting competitive cross-country and downhill ski teams. Sleeping Giant Ski Area & Zipline, about an hour west of Cody, is a popular local downhill ski mountain, in close proximity Yellowstone East Entrance.
Another industry is western style furniture, with several small furniture makers producing custom pieces.
The oil industry seems to wax and wane over the years in the Cody area. Husky Energy was founded in Cody in 1938 (as Husky Refining Company), when Glenn Nielson purchased the assets of Park Refining Company, started four years earlier by area oil developer Valentine M. Kirk. Husky operated as refinery until 1980s, the facility being demolished in the 1990s.
As of the census of 2020, there were 10,066 people, and 4,401 households in the city. The population density was 981.7 people per square mile. The racial makeup of the city was 93.8% White, 0.6% African American, 0.6% Native American, 0.0% Asian, 0.0% Pacific Islander, and 3.8% from two or more races. Those of Hispanic or Latino origin made up 7% of the population.
21.4% of the population were under 18, and 6.6% were under 5. People over 65 made up 19.4% of the population. The gender makeup was 49.9% female and 50.1% male.
The median household income was $59,682, and the per capita income was $34,127. People under the poverty line made up 8.9% of the population.
As of the census of 2010, there were 9,520 people, 4,278 households, and 2,502 families living in the city. The population density was 933.3 inhabitants per square mile (360.3/km2). There were 4,650 housing units at an average density of 455.9 per square mile (176.0/km2). The racial makeup of the city was 95.9% White, 0.2% African American, 0.7% Native American, 0.4% Asian, 0.1% Pacific Islander, 1.0% from other races, and 1.8% from two or more races. Hispanic or Latino residents of any race were 3.1% of the population.
There were 4,278 households, of which 26.5% had children under the age of 18 living with them, 45.0% were married couples living together, 9.5% had a female householder with no husband present, 4.0% had a male householder with no wife present, and 41.5% were non-families. 34.8% of all households were made up of individuals, and 13.2% had someone living alone who was 65 years of age or older. The average household size was 2.19 and the average family size was 2.82.
The median age in the city was 42.4 years. 21.8% of residents were under the age of 18; 7.1% were between the ages of 18 and 24; 24.1% were from 25 to 44; 28.9% were from 45 to 64; and 18.2% were 65 years of age or older. The gender makeup of the city was 48.2% male and 51.8% female.
As of the census of 2000, there were 8,835 people, 3,791 households, and 2,403 families living in the city. The population density was 952.3 people per square mile (367.6/km2). There were 4,113 housing units at an average density of 443.3 per square mile (171.1/km2). The racial makeup of the city was 96.90% White, 0.10% African American, 0.42% Native American, 0.58% Asian, 0.05% Pacific Islander, 0.85% from other races, and 1.11% from two or more races. Hispanic or Latino of any race were 2.22% of the population.
There were 3,791 households, out of which 29.0% had children under the age of 18 living with them, 50.7% were married couples living together, 9.5% had a female householder with no husband present, and 36.6% were non-families. 32.2% of all households were made up of individuals, and 12.4% had someone living alone who was 65 years of age or older. The average household size was 2.27 and the average family size was 2.86.
In the city, the population was spread out, with 24.8% under the age of 18, 7.2% from 18 to 24, 26.4% from 25 to 44, 24.9% from 45 to 64, and 16.6% who were 65 years of age or older. The median age was 40 years. For every 100 females, there were 90.9 males. For every 100 females age 18 and over, there were 88.1 males.
The median income for a household in the city was $34,450, and the median income for a family was $40,554. Males had a median income of $31,395 versus $19,947 for females. The per capita income for the city was $17,813. About 9.4% of families and 13.9% of the population were below the poverty line, including 19.3% of those under age 18 and 11.0% of those age 65 or over.
Cody is governed by a city council and a mayor. The mayor is elected in a citywide vote. The city council consists of six members who are elected from one of three wards. Each ward elects two members.
AM Radio
KZMQ (AM) 1140 (Country), Big Horn Radio Network
KPOW 1260 (Country), MGR Media LLC
KODI 1400 (News/Talk), Big Horn Radio Network
FM Radio
KOFG 91.1 (Religious), Gospel Messengers
KUWP 90.1 (Wyoming Public Radio and NPR), University of Wyoming
KTAG 97.9 (Adult Contemporary), Big Horn Radio Network
KZMQ-FM 100.3 (Country), Big Horn Radio Network
KROW 101.1 (Rock), White Park Broadcasting
KBEN-FM 103.3 (Classic Country), White Park Broadcasting
KCGL 104.1 (Classic rock), Big Horn Radio Network
KWHO 107.1 (80s, 90s & Beyond), White Park Broadcasting
Television
KTVQ - (CBS) from Billings
KULR - (NBC) from Billings
K19LM-D - (PBS) - (translator for KCWC-DT in Lander)
Newspaper
Twice-weekly Cody Enterprise. Founded by "Buffalo Bill" Cody and Col. John Peake in August 1899. The paper has a paid circulation of 7,050, and is owned by SAGE Publishing of Cody.
Highways
- North Fork Highway Westbound / Greybull Highway Eastbound
U.S. 14, U.S. 16 and U.S. 20 run concurrently through Cody.
US 14A west (Burgess Junction) - Powell Highway
WYO 120 - Belfry highway northbound / Meeteetse highway southbound
WYO 291 - South Fork Road
The Yellowstone Regional Airport offers full passenger service. Flights are available through SkyWest (United Airlines), connecting through Denver, Colorado. Air cargo services are provided by FedEx and UPS.
Cody has four local transportation companies: Cody Over Land Transit, Phidippides Shuttle Service, Cody Town Taxi, and the Cody Shuttle. Cody Over Land operates routes within the city of Cody, from June through September. Phidippides is a full service transportation company with service to Cody, Yellowstone National Park, and airports in Cody, Jackson, and Billings. They also have courier and package service available. Cody Town Taxi and Cody Shuttle operate primarily in Cody.
Intercity bus service to the city is provided by Express Arrow.
Cody is served by the Cody Branch of the BNSF Railway, which runs south-west from Frannie for about 46 miles (74 km). The branch terminates in Cody near where WY-120 crosses the Shoshone River.
Notable people
Eric Bischoff (born 1955), Professional wrestling personality; former president of World Championship Wrestling
Larry Echo Hawk (born 1948), former attorney general of Idaho, member of the Idaho House of Representatives, tenth Assistant Secretary of the Interior for Indian Affairs, and current member of the First Quorum of the Seventy of the Church of Jesus Christ of Latter-day Saints; born in Cody
Laura Bell, author
Luke Bell (1990–2022), country musician and singer-songwriter, raised in Cody
William Frederick Cody (1846–1917) a.k.a. "Buffalo Bill", American scout, bison hunter, showman
William Robertson Coe (1869–1955), owner of Buffalo Bill's hunting camp, Irma Lake Lodge; a Cody and Wyoming benefactor
Frank Tenney Johnson (1874–1939), a western artist who had his painting studio in Cody from 1931 to 1939
Mike Leach (born 1961, died 2022) Former Mississippi State University head football coach
John Linebaugh, gunsmith; cartridge inventor
Jackson Pollock (1912–1956) — Abstract expressionist painter
Alan K. Simpson (born 1931), former U.S. Senator
Colin M. Simpson (born 1959), former Wyoming State Representative and Speaker of the House
Milward Simpson (1897–1993), former Governor of Wyoming; former U.S. Senator
Pete Simpson (born 1930), historian; former state representative from Sheridan County; former administrator at the University of Wyoming
Mark Spragg (born 1952), author
Craig L. Thomas (1933–2007), former United States Senator from Wyoming
Kanye West (born 1977) rapper and producer, owned 2 ranches near Cody
Sister cities
Georgia (country) Lanchkhuti, Georgia
Wyoming is a landlocked state in the Mountain West subregion of the Western United States. It borders Montana to the north and northwest, South Dakota and Nebraska to the east, Idaho to the west, Utah to the southwest, and Colorado to the south. With a population of 576,851 in 2020, Wyoming is the least populous state despite being the 10th largest by area, with the second-lowest population density after Alaska. The state capital and most populous city is Cheyenne, which had an estimated population of 63,957 in 2018.
Wyoming's western half consists mostly of the ranges and rangelands of the Rocky Mountains; its eastern half consists of high-elevation prairie, and is referred to as the High Plains. Wyoming's climate is semi-arid in some parts and continental in others, making it drier and windier overall than other states, with greater temperature extremes. The federal government owns just under half of Wyoming's land, generally protecting it for public uses. The state ranks sixth in the amount of land—-and fifth in the proportion of its land—-that is owned by the federal government. Its federal lands include two national parks (Grand Teton and Yellowstone), two national recreation areas, two national monuments, and several national forests, as well as historic sites, fish hatcheries, and wildlife refuges.
Indigenous peoples inhabited the region for thousands of years. Historic and currently federally recognized tribes include the Arapaho, Crow, Lakota, and Shoshone. Part of the land that is now Wyoming came under American sovereignty via the Louisiana Purchase, part via the Oregon Treaty, and, lastly, via the Mexican Cession. With the opening of the Oregon Trail, the Mormon Trail, and the California Trail, vast numbers of pioneers travelled through parts of the state that had once been traversed mainly by fur trappers, and this spurred the establishment of forts, such as Fort Laramie, that today serve as population centers. The Transcontinental Railroad supplanted the wagon trails in 1867 with a route through southern Wyoming, bringing new settlers and the establishment of founding towns, including the state capital of Cheyenne. On March 27, 1890, Wyoming became the union's 44th state.
Farming and ranching, and the attendant range wars, feature prominently in the state's history. Today, Wyoming's economy is largely based on tourism and the extraction of minerals such as coal, natural gas, oil, and trona. Its agricultural commodities include barley, hay, livestock, sugar beets, wheat, and wool.
Wyoming was the first state to allow women the right to vote (not counting New Jersey, which had allowed it until 1807), and the right to assume elected office, as well as the first state to elect a female governor. In honor of this part of its history, its most common nickname is "The Equality State" and its official state motto is "Equal Rights".[1] It is among the least religious states in the country,[15] and is known for having a political culture that leans towards libertarian conservatism.[16] The Republican presidential nominee has carried the state in every election since 1968.
There is evidence of prehistoric human habitation in the region known today as the U.S. state of Wyoming stretching back roughly 13,000 years. Stone projectile points associated with the Clovis, Folsom and Plano cultures have been discovered throughout Wyoming. Evidence from what is now Yellowstone National Park indicates the presence of vast continental trading networks since around 1,000 years ago.
The Union Pacific Railroad played a central role in the European colonization of the area. Wyoming would become a U.S. territory in 1868. It was the first state to grant women the right to vote in 1869 (although it was then still a territory). Wyoming would become a U.S. state on July 10, 1890, as the 44th state.
There is evidence of prehistoric human habitation in the region known today as the U.S. state of Wyoming stretching back roughly 13,000 years. Stone projectile points associated with the Clovis, Folsom and Plano cultures have been discovered throughout Wyoming. In the Big Horn Mountains there is a medicine wheel that has not yet been dated accurately due to disruption of the site prior to the two archaeological excavations of 1958 and 1978. However, the Big Horn Medicine Wheel's design of twenty-eight spokes is similar to the Majorville Medicine Wheel in Canada that has been dated at 3200 BCE (5200 years ago) by careful stratification of known artifact types. Throughout the Bighorn Mountains, south to Medicine Lodge Creek, artifacts of occupation date back 10,000 years. Large ceremonial blades chipped from obsidian rock formations in what is now Yellowstone National Park to the west of the Bighorns, have been found in the Hopewell burial mounds of Southern Ohio, indicative of vast continental trading networks since around 1000 years ago.[1] When White explorers first entered the region, they encountered numerous American Indian tribes including the Arapaho, Bannock, Blackfeet, Cheyenne, Crow, Gros Ventre, Kiowa, Nez Perce, Sioux, Shoshone and Ute.
Europeans may have ventured into the northern sections of the state in the 18th century. Most of the southern part of modern-day Wyoming was nominally claimed by Spain and Mexico until the 1830s, but they had no presence. John Colter, a member of the Lewis and Clark Expedition, was probably the first American to enter the region in 1807.[8] His reports of thermal activity in the Yellowstone area were considered at the time to be fictional. Robert Stuart and a party of five men returning from Astoria, Oregon discovered South Pass in 1812. The route was later followed by the Oregon Trail. In 1850, Jim Bridger located what is now known as Bridger Pass, which was later used by both the Union Pacific Railroad in 1868, and in the 20th century by Interstate 80. Bridger also explored the Yellowstone region and like Colter, most of his reports on that region of the state were considered at the time to be tall tales. During the early 19th century, fur trappers known as mountain men flocked to the mountains of western Wyoming in search of beaver. In 1824, the first mountain man rendezvous was held in Wyoming. The gatherings continued annually until 1840, with the majority of them held within Wyoming territory.
The route later known as the Oregon Trail was already in regular use by traders and explorers in the early 1830s. The trail snakes across Wyoming, entering the state on the eastern border near the present day town of Torrington following the North Platte River to the current town of Casper. It then crosses South Pass, and exits on the western side of the state near Cokeville. In 1847, Mormon emigrants blazed the Mormon Trail, which mirrors the Oregon Trail, but splits off at South Pass and continues south to Fort Bridger and into Utah. Over 350,000 emigrants followed these trails to destinations in Utah, California and Oregon between 1840 and 1859. In 1859, gold was discovered in Montana, drawing miners north along the Bozeman and Bridger trails through the Powder River Country and Big Horn Basin respectively.
The influx of emigrants and settlers into the state led to further encounters with the native people there, and settler military presence along the trails increased; military posts such as Fort Laramie were established. In 1851, representatives from the United States and American Indian nations signed the first Treaty of Fort Laramie in hopes of ensuring peace and the safety of settlers on the trails. While the 1850s were subsequently quiet, tensions rose again after settlers increasingly encroached upon lands promised to the tribes in the region. This was the case after settlers, in 1864, blazed the Bozeman Trail through the hunting grounds of the Powder River Country, which the United States had promised to the tribes in the 1851 treaty. As encounters between settlers and natives grew more serious in 1865, Major General Grenville M. Dodge ordered the first Powder River Expedition to attempt to quell the violence. The expedition ended in the Battle of the Tongue River against the Arapaho. In the following year, the fighting escalated into Red Cloud's War, which was the first major military conflict between the United States and the Wyoming Indian tribes. The second Treaty of Fort Laramie in 1868 ended the war by closing the Powder River Country to whites. Violation of this treaty by miners in the Black Hills led to the Black Hills War in 1876, which was fought mainly along the border of Wyoming and Montana.
In 1866, Nelson Story Sr. drove approximately 1000 head of Texas Longhorns to Montana through Wyoming along the Bozeman Trail—the first major cattle drive from Texas into Montana. The Wyoming Stock Growers Association is a historic American cattle organization created in 1873. The Association was started among Wyoming cattle ranchers to standardize and organize the cattle industry, but quickly grew into a political force that has been called "the de facto territorial government" of Wyoming's organization into early statehood, and wielded great influence throughout the Western United States. The association is still active to this day, but it is best known for its rich history and is perhaps most famous for its role in Wyoming's Johnson County War. In 1892 the Johnson County War, also known as the War on Powder River and the Wyoming Range War, took place in Johnson, Natrona and Converse County, Wyoming. It was fought between small settling ranchers against larger established ranchers in the Powder River Country and culminated in a lengthy shootout between local ranchers, a band of hired killers, and a sheriff's posse, eventually requiring the intervention of the United States Cavalry on the orders of President Benjamin Harrison. The events have since become a highly mythologized and symbolic story of the Wild West, and over the years variations of the storyline have come to include some of the west's most famous historical figures and gunslingers. The storyline and its variations have served as the basis for numerous popular novels, films, and television shows.
In 1870, roughly three-eights of Wyoming's population was foreign born, coming primarily from Ireland, Germany and England. The Union Pacific Railroad played a central role in the settlement of Wyoming. The land was good for cattle ranches, but without transportation it was too far for a cattle drive. The UP railroad companies had large land grants that were used to back the borrowings from New York and London that financed construction. UP was anxious to locate settlers upon the land as soon as possible, so there would be a steady outflow of cattle, and a steady inflow of manufactured items purchased by the ranchers. UP also built towns that were needed to service the railroad itself, with dining halls for passengers, construction crews, repair shops and housing for train crews. The towns attracted cattle drives and cowboys.
The UP reached the town of Cheyenne, which later became the state capital, in 1867. The railroad eventually spanned the entire state, boosting the population, and creating some of Wyoming's largest cities, such as Laramie, Rock Springs and Evanston. The railroad needed coal, which was discovered in quantity in the southwestern part of the state, especially around Rock Springs In 1885, a murderous riot known as the Rock Springs Massacre broke out when white miners drove out Chinese miners employed by the Union Pacific Coal Company in Rock Springs.
The name "Wyoming" was used by Representative J. M. Ashley of Ohio, who introduced the Ashley Bill to Congress to provide a "temporary government for the territory of Wyoming". The name was made famous by the 1809 poem Gertrude of Wyoming by Thomas Campbll. "Wyoming" is derived from the Delaware (Munsee) name xwé:wamənk, meaning "at the big river flat", originally applied to the Wyoming Valley in Pennsylvania.
After the arrival of the railroad, the population began to grow steadily in the Wyoming Territory, which was established on July 25, 1868. Unlike Colorado to the south, Wyoming never experienced a rapid population boom in the 19th century from any major mineral discoveries such as gold or silver.
Inclusion of women's suffrage in the Wyoming constitution was debated in the constitutional convention, but ultimately accepted. The constitution was mostly borrowed from those of other states, but also included an article making all the water in Wyoming property of the state. Wyoming overcame the obstacles of low population and of being the only territory in the U.S. giving women the right to vote, and the United States admitted Wyoming into the Union as the 44th state on July 10, 1890.
In 1869, Wyoming territory granted women the right to vote, becoming the first U.S. state to extend suffrage to women. Wyoming was also the home of many other firsts for U.S. women in politics. The first time women served on a jury was in Wyoming (Laramie in 1870). Wyoming had the first female court bailiff (Mary Atkinson, Laramie, in 1870), and the country's first female justice of the peace (Esther Hobart Morris, South Pass City, in 1870). Wyoming became the first state in the Union to elect a female governor, Nellie Tayloe Ross, who was elected in 1924 and took office in January 1925.
Following on the reports of men like Colter and Bridger, a number of organized expeditions were undertaken in northwestern Wyoming. The Cook–Folsom–Peterson Expedition in 1869 and the Washburn-Langford-Doane Expedition in 1870 confirmed the stories of the mountain men. In 1871, Ferdinand Vandeveer Hayden led a formal geological survey of the area, the result of which ultimately convinced Congress to set aside the region. Yellowstone National Park became the world's first National Park in 1872. In August 1886, the U.S. Army was given administration of the park. In 1917, administration of the park was transferred to the new National Park Service. Hundreds of structures have been built and are protected for their architectural and historical significance, and researchers have examined more than 1,000 archaeological sites. Most of Yellowstone National Park is located in Wyoming.
Wyoming is also home to the nation's first national monument (Devils Tower created in 1906), and the first national forest (Shoshone National Forest created in 1891).
The Homestead Act of 1862 attracted many new farmers and ranchers to Wyoming, where they congregated along the fertile banks of the rivers. Most of the land in Wyoming in the 2nd half of the 19th century was in the public domain and so was open for both homesteading and open range for grazing cattle. As individual ranchers moved into the state, they became at odds with the larger ranches for control of the range and water sources. Tensions rose to a boiling point in April 1892 as an armed conflict known as the Johnson County War, fought between the large cattle operators and smaller ranchers and homesteaders. The increased number of settlers also brought with them merchants, as well as outlaws. A number of notable outlaws of the time started their careers in Wyoming, including Butch Cassidy and Harry Longabaugh, both of whom were incarcerated in Wyoming as young men.[25] A remote area in Johnson County, Wyoming known as the Hole-in-the-Wall was a well known hideout for a loose association of outlaw gangs known as the Hole in the Wall Gang. It was used from the 1860s through the early 20th century by outlaws operating throughout Wyoming.
Precious metals were never discovered in great quantities, though a small amount of gold was discovered near South Pass prompting a small rush in the 1860s. Coal was discovered early and has been mined extensively through the state. Union Pacific Railroad ran several coal mines in the southern part of the state to supply the railroad. In 1885 tensions at a Union Pacific mine in Rock Springs resulted in the Rock Springs massacre, one of the largest race riots in U.S. history. Oil is also plentiful throughout the state. In 1924, irregularities over the allocation of naval reserves near Casper resulted in the Teapot Dome Scandal. Natural gas, bentonite and uranium have also been mined through the state's history.
One exception is the copper mines in Carbon County west of Encampment. The Ferris-Haggarty Mine Site supplied copper for the electrification of the world in the late 1800s and early 1900s.
After 1890, Wyoming pageants and parades, as well as school courses, increasingly told a nostalgic story of Wyoming as rooted in the frontier West. During the 1940s, Wyoming millionaire William R. Coe made large contributions to the American studies programs at Yale University and at the University of Wyoming. Coe wished to celebrate the values of the Western United States in order to meet the threat of communism.
Leica M6 TTL .85 | Voigtländer 15mm 4.5 Heliar Version II | Kodak Tri-X 400 | Kodak HC110b | Epson V500
Available Light 35mm Photojournalism by Johnny Martyr
www.facebook.com/JohnnyMartyrPhotographer/
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
The 4th Annual Winter Showcase will take place December 6 to 14, 2019 and will feature art, shopping, live music, 2 hunts, and lots of holiday fun! This event will be in support of Team Diabetes of Second Life!
Leica M6 TTL .85 | Voigtländer 50mm Nokton 1.5 Asperhical | Kodak Tri-X 400| Processing & scanning by Techlab
Available Light B&W 35mm Photojournalism by Johnny Martyr
Facebook.com/JohnnyMartyrPhoto
Thanks for checking out my work!
1947 Leica IIIc | 1954 Leitz Summitar 5cm f2 | Voigtländer VC Meter II | Ilford Delta 3200 | Kodak HC110b | Epson V500
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
"Sam Sisson" "queefpantry" "comedian" "Johnny Martyr"
Nikon FM2n | Nikkor 105mm 1.8 AIS | Ilford XP2 @ 1600 | Processed normal by CVS | Scanned on Epson V500 | Levels Adjustment in Adobe Photoshop 7 for Mac
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Nikon FM2n | Nikkor 50mm 1.8 AIS | Ilford Delta 3200 @ 6400 | Kodak HC110b
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
9"x11"
Oregonized Gallery Presents Anything Will Help -
A Poor Mans artshow!
Featuring art all created on cardboard!!!
Submit your own cardboard art , deadline for submissions - March 11th..
More info : www.flickr.com/photos/skamsticker/6747022289/in/photostream
Nikon F2sb | Nikkor 105 1.8 AIS | Kodak Tri-X 400 | Kodak HC110b | Epson V500
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
An interesting article looking at the emerging field of graphic design and record covers that had been afforded with the introduction of the new technology, LP - or Long Playing - records primarily by the Columbia Company of America in 1948. This was a real shift away from the heavy shellac 78rpm discs people were used to and the new, lighter plastic based discs, a premium product, were marketed and displayed accordingly.
LP covers went on to become one of the great almost 'unsung' heros of the world of graphic design although in recent years they have been accorded a little more in the way of interest and referencing. This 1953 article in the UK journal Art & Industry bemoans the slow take up of the UK producers regarding the opportunities record covers in Britain and so Renè Elvin, of Crawford's the London based ad agency, looks at US work.
These include the work of Erik Nitsche for Decca, Joseph Krush for RCA Victor along with Matthew Leibowitz and Arno Schuele. Columbia had commissioned covers from Lewis Daniel.
The "The Gables" has a beautiful, light filled tea room which they call the "Peacock Room" because of the beautiful Art Nouveau inspired blue peacock wallpaper they have decorated the room with. It used to be "The Gables" best, or master bedroom and dressing room. Now turned into one room it has a high ceiling featuring Art Nouveau mouldings and several elegant stained glass windows featuring stylised Art Nouveau flowers depicted in a striking combination of blue and gold, and one window full of golden yellow pears. The window of pears has a similar window in the entrance hall.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
The "The Gables" has a beautiful, light filled entrance hall painted in white. It has a high ceiling featuring Art Nouveau mouldings and a gallery of windows featuring Art Nouveau stained glass of stylised flowers or fruit. The front door glass panels feature the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best.".
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
Leica M6 TTL .85 | Voigtländer Nokon 50mm 1.5 Aspherical | Kodak TMax P3200 rated at 6400 | Kodak HC110b | Epson V500
Available Light B&W 35mm Photojournalism by Johnny Martyr
Facebook.com/JohnnyMartyrPhoto
Thanks for checking out my work!
The "The Gables" has a beautiful, light filled entrance hall painted in white. It has a high ceiling featuring Art Nouveau mouldings and a gallery of windows featuring Art Nouveau stained glass of stylised flowers or fruit. The front door glass panels feature the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best.".
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
A 1,255-acre park, the former dumping ground labelled a "valley of ashes" by F. Scott Fitzgerald in "The Great Gatsby," Flushing Meadows-Corona Park has become Queens' largest park and the third largest public park in the New York. Originally known as Corona Ash Dump, the area was cleared by Parks Commissioner Robert Moses in preparation of the 1939 World's Fair. It also hosted the 1964 World's Fair. Some of the buildings from the 1939 Fair were used for the first temporary headquarters of the United Nations from 1946 until it moved to its permanent headquarters in Manhattan in 1951.
The New York State Pavilion was constructed for the World’s Fair in Flushing Meadows-Corona Park. Designed by architect Philip Johnson, the “Tent of Tomorrow” measures 350 feet by 250 feet, with sixteen 100-foot columns suspending a 50,000 square-foot roof of multi-colored panels. The popular exhibit for the state of New York also held three towers, measuring 60 feet, 150 feet, and 226 feet. The two shorter towers held cafeterias for the fair, and the tallest tower, as the highest point of the fair, held an observation deck. Fair visitors ascended the towers in the “Sky Streak” capsule elevators.
The pavilion included a display from the New York State Power Authority with a 26-foot scale replica of the St. Lawrence hydroelectric plant. The pavilion’s mezzanine featured art from local museums and information about the state’s industries along a path called “Highways through New York.” The Fine Arts Gallery showed pieces from the Hudson River School and portraits of New York State colonists. Approximately six million people visited the New York State Pavilion.
Perhaps the most spectacular feature of the exhibit was the Texaco Company’s map of New York State. The map was designed with 567 terrazzo mosaic panels, each weighing 400 pounds. Rand McNally & Company assisted in constructing the $1,000,000 map, which featured the 50,000 square miles of New York State in meticulous detail. The cities, towns, highways, roads, and Texaco stations were accurately mapped in the 9,000 square-foot design. After the fair, the space under the tent was used as a roller skating rink and as a performance space by the Council for International Recreation, Culture, and Lifelong Education. By 1976, the roof above the map became unstable and the tent was removed, exposing the map of New York State to the ravages of weather.
The New York State Pavilion also included the adjacent “Theaterama,” which exhibited pop art works by Andy Warhol (1928-1987) and Roy Lichtenstein (1923-1997) among others. The “Theaterama” also screened a 360-degree film about the wonders of New York State, from Jones Beach to Niagara Falls. The space was converted to the Queens Playhouse in 1972 with its first production, George Bernard Shaw’s “Pygmalion,” opening in October of the same year. The theater continued to operate until 1985 and was renovated and reopened in 1994.
Flushing Meadows-Corona Park, often referred to as Flushing Meadow Park or Flushing Meadows Park, occupies 1,255 acres between the Van Wyck Expressway and the Grand Central Parkway, stretching from Flushing Bay to Union Turnpike. The site, originally known as the Corona Ash Dumps, was cleared by Parks Commissioner Robert Moses in preparation for the 1939-1940 World's Fair, and later used for the 1964-1965 World's Fair. Iconic remnants from the two fairs include the New York State Building, the Unisphere, and the New York State Pavilion. The US Open tennis tournament takes place in Flushing Meadows Park at the USTA Billie Jean King National Tennis Center, and the New York Mets play their home games in Citi Field at the north end of the park. Shea Stadium, the Mets' previous home, once stood adjacent to Citi Field.
National Register #09000942 (2009)
Designer: Mary Anne Enriquez
Fabricated of post consumer plastic bottles, caps, aluminum pull tabs, felt, and adhesives.
One of a kind trashion fashion accessory will be on display at the Hammond Indiana Trashion Exhibit May 31 - July 21, 2011.
*****************************************
For ten years the annual Trash to Treasure Exhibition featured art pieces made from recycled/reused material.
For 2011, Trash to Treasure is branching into a new direction by featuring TRASHION = artistic fashion with an environmental message.
Trashion will be displayed at the Indiana Welcome Center in the W.F. Wellman Exhibit Hall from May 31 through July 21, 2011. The artists' reception will be held Thursday, June 9th from 5:30-7:30pm.
ARTISTS RECEPTION
June 9th 5:30-7:30pm
Music Provided by The Rub
Indiana Welcome Center
7770 Corinne Dr.
I-80/94 & Kennedy Ave. south
Hammond, IN 46323
www.southshorecva.com/trashtotreasure/
For more on this show that is up until July 21st 2011 go here:
www.flickr.com/photos/urbanwoodswalker/sets/7215762685774...
The calatrava looking west in Downtown Milwaukee
For a larger view or print visit:
fineartamerica.com/featured/art-over-a-field-of-green-and...
The "The Gables" has a beautiful light filled upstairs sitting room thanks to a delightful bay window with a comfortable window seat. This is one of the few windows in the house that does not feature Art Nouveau stained glass. The window only contains mullioned glass with a thin border of red stained glass. I am not sure why this is the case, as these windows are not replacements of other, more ornate Art Nouveau stained glass.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
J.C. Leyendecker created advertisements for Kuppenheimer, a men's clothing brand, primarily during the 1920s and early 1930s. His work for Kuppenheimer was featured in prominent publications like “The Saturday Evening Post,” showcasing his signature style of idealized, elegant figures.
Leyendecker's art had a significant impact on the Kuppenheimer brand. His illustrations elevated the brand's image, associating it with sophistication, style, and quality. The advertisements not only highlighted the craftsmanship of Kuppenheimer suits but also created a visual narrative of refined masculinity, resonating with the aspirations of the American consumer at the time. Leyendecker's ability to blend artistry with commercial appeal made his work iconic and contributed to Kuppenheimer's prestige.
Leica M6 TTL .85 | Leitz 5cm 1.5 Summarit | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500
Available Light B&W 35mm Photojournalism by Johnny Martyr
Facebook.com/JohnnyMartyrPhoto
Thanks for checking out my work!
The "The Gables" has a beautiful, light filled tea room which they call the "Peacock Room" because of the beautiful Art Nouveau inspired blue peacock wallpaper they have decorated the room with. It used to be "The Gables" best, or master bedroom and dressing room. Now turned into one room it has a high ceiling featuring Art Nouveau mouldings and several elegant stained glass windows featuring stylised Art Nouveau flowers depicted in a striking combination of blue and gold, and one window full of golden yellow pears. The window of pears has a similar window in the entrance hall.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
Frame burn portrait, might have been out of my Leica with Summarit lens, might have been out of my Nikon F2 with 50/1.4 pre-ai. Whatever the lens and body, the film is Ilford Delta 3200 pushed to 6400 in Kodak HC110b
film frame burn at the reception 2640 Space St. John's Baltimore
B&W Film Wedding Photography by Johnny Martyr, Maryland | www.facebook.com/MartyrAndLee/ | www.MartyrAndLeePhotography.com/
#PhotographersStillUsingFilm #Johnny_Martyr
The "The Gables" has a beautiful, light filled drawing room with an elegant tiled fireplace with a white painted wooden fire surround, high ceilings featuring Art Nouveau mouldings and three lancet windows featuring Art Nouveau stained glass. The two outer windows feature brightly coloured red flowers, whilst the central one features golden yellow and orange ones. All the flowers are highly stylised, and remind me of oriental lilies.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
B&W Film Wedding Photography by Johnny Martyr, Maryland | www.facebook.com/MartyrAndLee/ | www.MartyrAndLeePhotography.com/
Drinking and dancing at the wedding reception
Asahi Pentax K1000 SE Brown | Pentax SMC K 50mm 1.2 | Ilford XP2 rated at 3200 | Processed normal & scanned by Costco | Levels adjustment & dust removal in Adobe Photoshop Elements 11 for Mac
Interested in the Pentax SMC 50mm 1.2? Please check out my review of it here:
johnnymartyr.wordpress.com/2017/04/03/pentax-smc-50mm-1-2/
Available Light B&W 35mm Photojournalism by Johnny Martyr
Facebook.com/JohnnyMartyrPhoto
Thanks for checking out my work!
B&W Film Wedding Photography by Johnny Martyr, Maryland | www.facebook.com/MartyrAndLee/ | www.MartyrAndLeePhotography.com/
The Bride readies herself in the mirror before the ceremony Earrings, Tiara, beautiful
#PhotographersStillUsingFilm #Johnny_Martyr
Nikon FM2n | Nikkor 35mm 1.4 AIS | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
Nikon F2sb | Nikkor 50mm 1.4 S.C. | Ilford XP2 400 rated at 3200 | Processed normal by First Look Photo | Epson V500 | Levels Adjustment, dust removal in Adobe Photoshop Elements 11 for Mac
Available Light B&W 35mm Photojournalism by Johnny Martyr
Facebook.com/JohnnyMartyrPhoto
Thanks for checking out my work!
The "The Gables" has a beautiful dining room with a spacious bay window featuring Art Nouveau stained glass, and an elegant tiled fireplace. It was the first room used for a wedding breakfast when "The Gables" became a venue for hire. The dining room fireplace features plain dark blue glazed tiles and feature tiles of stylised pink Art Nouveau roses in the surround.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
The "The Gables" has a beautiful dining room with a spacious bay window and a smaller lancet window featuring Art Nouveau stained glass, and an elegant tiled fireplace. It was the first room used for a wedding breakfast when "The Gables" became a venue for hire. The stained glass in both the bay window and the side lancet window feature stylised Art Nouveau fruit hanging from elegantly draped branches and vines, and flowers. Some of the fruit look like oranges, some apples, others plums and some pomegranates. The flowers look very much like lilies, as found elsewhere in the house.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
Nikon F3HP | Nikkor 85mm 1.8 AI'd | Ilford XP2 400 | Processed & Scanned by Target | mild levels adjustment in Adobe Photoshop 7 for Mac
See more photos of Brittany
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
It took me a surprisingly long time to actually "look" at this art installation and realize what it was of.
More at The Philosophical Fish →
117 Photos in 2017 - World Animal Day (4th October)
A zine of art on 228 Priority Mail labels.
2 color stenciled cover on blue cardstock (each cover is slightly varied and unique).
5.5 in. by 8.5 in. , 48 pages
Black and white with 4 full color pages in the center.
Featuring art from graffiti and street artists as well as non graffiti/street-artists.
Limited to 88 numbered copies.
Comes with a nice assortment of stickers.
Leica M6 TTL .85 | Leitz 5cm 1.5 Summarit | Kodak Tri-X at 1600 | Kodak HC110b
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
Back in June, some amazing Blythe artists joined forces with me to create the volume 2 of 'To B or not to B' zine. 20 pages of art inspired by dolls and the doll collectors scene.
You can grab your copy now :-)
Featuring art from Miriana, Filipa Ricardo (Tiny Feet Magazine), María Yepes (MforMonkey), Sara Torres (Hola gominola), Marta Tortajada (Cosmia) and Mercredy Lunaris.
The Capitol Rotunda and corridors leading away from it have tile floors which feature art designed for the building by Henry Chapman Mercer of Doylestown, PA. Each feature is unique and each depicts some aspect of life and work in the Keystone state, such as this plow from yesteryear. They (the artworks) number into the 100's. The tiles are still being produced today by the same manufacturer, so if a tile comes loose or broken it is replaceable.
The "The Gables" has a beautiful, light filled tea room which they call the "Peacock Room" because of the beautiful Art Nouveau inspired blue peacock wallpaper they have decorated the room with. It used to be "The Gables" best, or master bedroom and dressing room. Now turned into one room it has a high ceiling featuring Art Nouveau mouldings and several elegant stained glass windows featuring stylised Art Nouveau flowers depicted in a striking combination of blue and gold, and one window full of golden yellow pears. The window of pears has a similar window in the entrance hall.
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.