View allAll Photos Tagged featuring_art
there's lots to like about this one
this one made me violate my self-imposed rule "do not photograph things"
this "thing" spoke to me
so I photographed
do zoom in on the details, I think you won't regret
I have a somewhat difficult relationship with "art"
not that "art" cares or even is aware of that
I do have a very clear view of what art is or is not and this view does not include quality as a feature
art can be bad, average, great, genius
being called art doesn't say anything about being talented or not
but I do like my art not to be average or boring or good enough
it's just me, I know, tastes differ
but for me being surprised, presented with unexpected is the deal breaker, that's what makes me either spend time with it or not care, if I am not immediately excited/ and preferably blown over by a piece of art I move on , I couldn't care less, yes you are still art but you are just a piece of art not worth spending time on, I want to be surprised and taken off guard, then, art, we have a date
now this "thing" that I saw this morning next to a supermarket in a "dodgy" side of town ( yes we also have those) surprised me and it's more than I can say about many acclaimed "masterpieces" swanning around in glossy albums
Leica M6 TTL .85 | Leitz 90mm Summicron E55 | Kodak Portra 400 | Processing & scanning by Costco
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
"Sam Sisson" "queefpantry" "comedian" "Johnny Martyr"
Quality prints, greeting cards and many useful products can be purchased at >> kaye-menner.pixels.com/featured/art-of-a-pink-blossom-by-...
A close up or macro photograph of a pretty single pink Spring blossom so soft and dainty with its petals wide open and yellow stamens welcoming any visitors. I have enhanced this photograph with some digital painting software in Photoshop.
THE FINE ART AMERICA LOGO / MY WATERMARK WILL NOT APPEAR ON PURCHASED PRINTS OR PRODUCTS.
As I had arrived early to the event, I took a moment to catch the art exhibit featuring art from Guadalajuara at the OK Contemporary museum.
nrhp # 77001120- George Westinghouse Memorial Bridge in East Pittsburgh, Pennsylvania, carries U.S. Route 30, the Lincoln Highway, over the Turtle Creek Valley near to where it joins the Monongahela River Valley east of Pittsburgh. The reinforced concrete open-spandrel deck arch bridge has a total length of 1,598 feet (487 m) comprising five spans. The longest, central span is 460 feet (140 m), with the deck height 240 feet (73 m) above the valley floor, for a time the world's longest concrete arch span structure.[4] It cost $1.75 million ($34.8 million in 2021 dollars). The design engineers were Vernon R. Covell and George S. Richardson, with architectural design by Stanley Roush. The pylons at the ends of the bridges feature Art Deco reliefs by Frank Vittor.[5]
The bridge is named for George Westinghouse (October 6, 1846 – March 12, 1914), the American entrepreneur and engineer. Nearby was the famous Westinghouse Electric Corporation East Pittsburgh Works, which is now an industrial park. Notable attractions visible while driving across the bridge include the Edgar Thomson Steel Works (U.S. Steel Mon Valley Works) and Kennywood Park.
from Wikipedia
🎭 HAUNTED MASQUERADE - 10th Art Showcase! 🎭
Join us at Canvas & Chill Lounge, Artsville, for a night of elegance, mystery, and art!
Featuring art by Mareea Farrasco, Astella Warrigal, Alexandra Costanza, and Kitten.
🎶Live DJs:
12 PM SLT: DJ Jhonatan Vyper
1 PM SLT: DJ Mrs. Beerbaum
2 PM SLT: DJ Icaro
Dress in elegant costumes and masks!
Don’t miss this unforgettable evening of art & music!
📍 SLURL: maps.secondlife.com/secondlife/Caribbean%20Ocean/213/62/22
*
I❤EventsonlinePR:
www.iloveevents.online/step-into-the-enchantment-of-the-h...
Two color print featuring art by Ryan Jacob Smith. Prints available @ ryanjacobsmith.bigcartel.com/product/pma-crystals
Nikon F3HP | Nikkor 105mm 1.8 AIS | Kodak Portra 400 | Processed & Scanned by First Look Photo | Edited with Adobe Photoshop Elements 11 for Mac
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
A picture worth a thousand words. I recovered this image from a damaged CD that dated back to my newspaper days in the early 90s. Daily assignments back then included finding feature art that could stand alone as main art on section fronts.
30 packages in one day!!!!
holy smokes!!!!
the march 11th deadline is coming up quick
just a clarification for people.....
March 11th is the deadline for posters/stickers
If we do not get your cardboard piece in by the 16th of march your work will not be featured in the show
Oregonized Gallery Presents
ANYTHING WILL HELP
Featuring art all created on cardboard!!!
Portlands first cardboard themed artshow!!!!! Also a sticker/poster installation will be at the event as well!!
This is an Open Submission for cardboard art. Anyone can submit any artwork done on cardboard. All art will be for sale and everything is going to be priced under 50 dollars!!!!
Send your cardboard pieces, stickers/posters here
ANYTHING WILL HELP
Po Box 13492
Portland, OR 97213 USA
Mark on the back of your cardboard art the price of your work(it has to be under 50 bucks)...
If you want your pieces mailed back to you send postage for your piece to be mailed back.....If your work sells Oregonized Gallery will be taking a small commission so we can do future events that include a wide community of artists.
any questions?
email oregonized gallery
art@oregonizedgallery.com
Artist line up
too fucking long to type....you know who you are.... :)
Leica M6 TTL .85 | Voigtländer 75mm Color Heliar 2.5 MC | Kodak Portra 160 | Processing & Scanning by CVS | Levels Adjustment in Adobe Photoshop 7 for Mac
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
✰ This photo was featured on The Epic Global Showcase here: ift.tt/1rH12U8
-------------
Now Featuring: @art.sg
Adding Colour… seangregoryart@yahoo.com kik: art.sg #art #artsg #seangregoryart
Follow @art.sg on Instagram for more like this!
The new round has opened!
Oct 17th - 30th
Featuring: *Art Dummy! - Half-Deer - NYU - Bokeh - Nudolu - House of London - Le Poppycock - Kaithleen's - C.C. Kreations - Teen Witch - minimade - {yumyums}
Group Gifts by: {yumyums} - minimade - .:Kre-ations:., Kaithleen's
Teleport: maps.secondlife.com/secondlife/Ai%20Atoll/104/52/26
Full Shopping Guide: acidlilygallery.wordpress.com
I'm this week's featured artist in brickly, a new brick art app for iPhone. Download it in the app store and follow me!
Yes, Flickr will continue to be the main place I post builds. But if brickly thinks it can become a new hub for the community, I'm happy to help them out.
Built in 1928, this 27-story Art Deco-style skyscraper was designed by Holabird & Root for Rufus R. Rand, a World War I Aviator and member of the family that owned the Minneapolis Gas Company. The building was at one point renamed the Dain Tower, while it was occupied by the firm of Dain Rauscher Wessels, an investment bank, before they moved in 1992. The building features an exterior with heavy vertical emphasis, decorative metal and stone spandrel panels, limestone bocks, and several setbacks near the top of the building, with the interior lobby featuring Art Deco ornamentation and decoration. The building now functions as a the Rand Tower Hotel, a Mariott Tribute Hotel. The building was listed on the National Register of Historic Places in 1994.
Thanks to all for the kind words yesterday! One more today, then that's it for another 6 years.
Very pleased to have been asked to do a feature for Chicago Center for Literature and Photography. Along with the photographs they selected, there is a short interview and one of my very short stories in there. Some of the photographs they chose surprised me, to be honest.
They asked me to give them a headshot or a selfie. I struggled with that. As you all know, I do not post photographs of myself here, but last Friday I set myself to the task and the results are below.
A big thanks to all for your continued support and inspiration.
...
Blog | Twitter | Instagram | iPhone Flickr |
====================================--------------------------
HAIR + *Dura-Girl*41(Strawberry)
SWEATSHIRT + Mikunch sweatshirt-Cowgirl
SNEAKERS + Flite. - Gliders (lowriders) White
BICYCLE + {what next} Boys Shorties Bicycle - (RED)
LOCATION : Atelier Kreslo Featuring Art Dummy & Flowey + Cupcake Festival
新しいﾁｬﾘを買ったので
流行りのｶｯﾌﾟｹｰｷFesにいってｷﾀｰ！XD
Although smaller than its grander Art Nouveau drawing room across the hall, the cosy sitting room of Billilla is no less beautiful as it is filled with light through a large bay window featuring Art Nouveau stained glass.
The Art Nouveau stained glass panels of the bay window and the wooden fretwork framing it are the only two features installed as part of the 1907 extension and renovation of Billilla. The rest of the room is, like the Billilla billiard room, remarkably intact decoratively in fine Victorian style.
Even though it is smaller than the drawing room, the sitting room was still one of the showpiece main rooms of the mansion when guests came to call. Elegantly proportioned and appointed, it too is a very femininely oriented room. The ceiling of the drawing room is decorated classically inspired boiseries and garlands. These are also reflected in bas reliefs along the plate rail and across the mirrored overmantle over the black and white tile fireplace.
Above the white painted dado and plate rail, the walls feature panels of Art Nouveau wallpaper. Although we usually associate the Art Nouveau period with the first decade of the Twentieth Century, it actually began in the 1880s, when Mr. Weatherly bought Billilla. Mrs. Weatherly probably chose the more restrained, earlier style of Art Nouveau paper because it was just becoming fashionable at the time she moved in.
The room is accessed by two sets of doors with glass panels and brass doorknobs.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
We cordially invite you to join us for RHYTHMS OF NATURE - the 11th Art Showcase of the Canvas & Chill Lounge in Artsville.
The lounge will feature art pieces by Brooke Portilo, Kika Yongho, MarVayu and Yvonne Bourgoin.
Friday, November 8th
12 pm SLT - DJ OMMO
1:30 pm SLT - DJ BookaB
Suggested Dress Code: Earthy tones, bright floral patterns or shades inspired by sunsets.
Here's your limo: maps.secondlife.com/secondlife/Caribbean%20Ocean/213/62/22
The main hallway leading from the original front door, past Mr. Weatherly's study, the dining and breakfast rooms is a beautiful and bright space, owing to a couple of ingenious design features. A large light well above, featuring Art Nouveau moulding fills the space with natural light which is then reflected off several full length mirrors along the walls.
Light too comes from the front door, which not unusually, features beautiful leadlight panels in both its doors as well as an arched lunette above. The lunette has a stylised Art Nouveau tulip in it, whilst the late Victorian era door panels feature four panes of flowers and two panes of birds, all hand painted and expertly coloured in rippled glass.
The l-shaped hallway is papered with light Art Nouveau wallpaper featuring irises, and as well at the ornate foliate chandeliers, it is also lit with Art Nouveau lanterns of burnished copper.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
The first class dining room of the Hikawa Maru. The first class area in the ship featured art deco wood panelled interiors. The second class passengers made do with plain wood panels painted white.
Hikawa Maru was one of three Hikawa Maru class motor ships, all named after major Shinto shrines. The Hikawa Shrine is in Saitama in central Honshu. Her two sister ships, both sunk in the Second World War, were Heian Maru and Hie Maru.
Although smaller than its grander Art Nouveau drawing room across the hall, the cosy sitting room of Billilla is no less beautiful as it is filled with light through a large bay window featuring Art Nouveau stained glass.
The Art Nouveau stained glass panels of the bay window and the wooden fretwork framing it are the only two features installed as part of the 1907 extension and renovation of Billilla. The rest of the room is, like the Billilla billiard room, remarkably intact decoratively in fine Victorian style.
Even though it is smaller than the drawing room, the sitting room was still one of the showpiece main rooms of the mansion when guests came to call. Elegantly proportioned and appointed, it too is a very femininely oriented room. The ceiling of the drawing room is decorated classically inspired boiseries and garlands. These are also reflected in bas reliefs along the plate rail and across the mirrored overmantle over the black and white tile fireplace.
Above the white painted dado and plate rail, the walls feature panels of Art Nouveau wallpaper. Although we usually associate the Art Nouveau period with the first decade of the Twentieth Century, it actually began in the 1880s, when Mr. Weatherly bought Billilla. Mrs. Weatherly probably chose the more restrained, earlier style of Art Nouveau paper because it was just becoming fashionable at the time she moved in.
The room is accessed by two sets of doors with glass panels and brass doorknobs.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
This is a feature of the Baby Aston for the www.artofstance.com feature!
Art of Stance was started by three photography enthusiasts to showcase the fusion of West coast car culture and photography. Even though this blog is called Art of Stance, the main focus of the site isn’t aggressive wheel fitment (though we do love it!). Art of Stance is a showcase of modified, tuned, classic, rare, and exotic automobiles. Something that the creators of this blog and also our readers can appreciate.
Nikon FM2n | Nikkor 50mm 1.4 AI | Kodak Ektar 100 | Target processing
Available Light 35mm Photojournalism
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
See more Photos of Steph
Stephanie's page:
B&W Film Wedding Photography by Johnny Martyr, Maryland | www.facebook.com/MartyrAndLee/ | www.MartyrAndLeePhotography.com/
brand new D.F.W. zine.! 40 black and white pages.featuring art by NEMEL,AME,PEZ and CRAMPTON.limited to 100 copies,numbered.comes with a bunch of stickers and buttons.!...$15 includes postage (international orders add $5) make payments thru www.paypal.com contact is pezsnake@yahoo.com
Voigtlander Bessa R2 | Nokton 50mm 1.5 | Fuji Pro 400H
Available Light 35mm Photojournalism by Johnny Martyr
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Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
The "The Gables" has a beautiful, light filled entrance hall painted in white. It has a high ceiling featuring Art Nouveau mouldings and a gallery of windows featuring Art Nouveau stained glass of stylised flowers or fruit. The front door glass panels feature the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best.".
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
The main hallway leading from the original front door, past Mr. Weatherly's study, the dining and breakfast rooms is a beautiful and bright space, owing to a couple of ingenious design features. A large light well above, featuring Art Nouveau moulding fills the space with natural light which is then reflected off several full length mirrors along the walls.
Light too comes from the front door, which not unusually, features beautiful leadlight panels in both its doors as well as an arched lunette above. The lunette has a stylised Art Nouveau tulip in it, whilst the late Victorian era door panels feature four panes of flowers and two panes of birds, all hand painted and expertly coloured in rippled glass.
The l-shaped hallway is papered with light Art Nouveau wallpaper featuring irises, and as well at the ornate foliate chandeliers, it is also lit with Art Nouveau lanterns of burnished copper.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Self - Study Sketching of a MONUMENT..... (30.5 cm X 43 cm)
#worldofpencils #monument #blackandwhiteart #blackandwhiteartwork #sketch #arts_gallery #talented #arts_mag #sketches #masterpiece #beautiful #arts_help #talent #creative #sketchings #amazing #nature #perfect #helparts_ #inspiraton #nice #artist_features #sketchbook #artcollector #featuring_art #artcollective #artlovers #artgallery #naturelovers #artshow
#artisticdreamerss #worldofpencils #landscapeart #sketchings #blackandwhiteart #blackandwhiteartwork #pencilart #arts_gallery #talented #arts_mag #pencilartist #masterpiece #beautiful #arts_help #talent #creative #sketches #amazing #nature #perfect #helparts_ #landscape #inspiration #nice #artist_features #sketchbook #sketch #artcollector #featuring_art #artcollective
"The World Village Festival is one of the largest annual events in Finland and attracts 80,000 visitors each year.
The festival is known for its extensive cultural program featuring art, music, dance, theatre, circus performances, literature, and exotic food.
At this diverse event you can enjoy free concerts, documentary screenings, debates on timely topics of discussion, a kids program and exhibitor stands.
Admission is free.
This festival has been held in Helsinki since 1995."
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/161471888707
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✰ Now Featuring Art Galeri Official ✰
-Explore @artgaleri here and on instagram for more!
If it´s annoyng on the beach? try to do this👇👇 Double Tap 💗 & Tag your best friends that are crazy to do this… Follow: 👉@artgaleri for more amazing 📷 #artgaleri #tirana #beach #love #luxury #travel #goals #dreams
The "The Gables" has a beautiful, light filled entrance hall painted in white. It has a high ceiling featuring Art Nouveau mouldings and a gallery of windows featuring Art Nouveau stained glass of stylised flowers or fruit. The front door glass panels feature the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best.".
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
Re-edit of a previously posted image for a challenge at French Kiss Textures.
frenchkisstextures.com/featured-art/your-work/challenges/...
The main hallway leading from the original front door, past Mr. Weatherly's study, the dining and breakfast rooms is a beautiful and bright space, owing to a couple of ingenious design features. A large light well above, featuring Art Nouveau moulding fills the space with natural light which is then reflected off several full length mirrors along the walls.
Light too comes from the front door, which not unusually, features beautiful leadlight panels in both its doors as well as an arched lunette above. The lunette has a stylised Art Nouveau tulip in it, whilst the late Victorian era door panels feature four panes of flowers and two panes of birds, all hand painted and expertly coloured in rippled glass.
The l-shaped hallway is papered with light Art Nouveau wallpaper featuring irises, and as well at the ornate foliate chandeliers, it is also lit with Art Nouveau lanterns of burnished copper.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
The main hallway leading from the original front door, past Mr. Weatherly's study, the dining and breakfast rooms is a beautiful and bright space, owing to a couple of ingenious design features. A large light well above, featuring Art Nouveau moulding fills the space with natural light which is then reflected off several full length mirrors along the walls.
Light too comes from the front door, which not unusually, features beautiful leadlight panels in both its doors as well as an arched lunette above. The lunette has a stylised Art Nouveau tulip in it, whilst the late Victorian era door panels feature four panes of flowers and two panes of birds, all hand painted and expertly coloured in rippled glass.
The l-shaped hallway is papered with light Art Nouveau wallpaper featuring irises, and as well at the ornate foliate chandeliers, it is also lit with Art Nouveau lanterns of burnished copper.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
The main hallway leading from the original front door, past Mr. Weatherly's study, the dining and breakfast rooms is a beautiful and bright space, owing to a couple of ingenious design features. A large light well above, featuring Art Nouveau moulding fills the space with natural light which is then reflected off several full length mirrors along the walls.
Light too comes from the front door, which not unusually, features beautiful leadlight panels in both its doors as well as an arched lunette above. The lunette has a stylised Art Nouveau tulip in it, whilst the late Victorian era door panels feature four panes of flowers and two panes of birds, all hand painted and expertly coloured in rippled glass.
The l-shaped hallway is papered with light Art Nouveau wallpaper featuring irises, and as well at the ornate foliate chandeliers, it is also lit with Art Nouveau lanterns of burnished copper.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Nikon F2sb | Nikkor 105mm 1.8 AIS | Kodak Tri-X | Kodak HC110b | Epson V500
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
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Crosspost by Koinup - original here
picture taken for:
A Midwinter's Night Exhibit
Featuring the works of:
Annie Klavinham
La Baroque
Harbor Galaxy
Thea Maiman
Freyja Merryman
Callum Solo
Warren Ochs
Mira Ibanez
Emmins13 Sygall
Tess Falworth
Saturday, Dec 17th 2:30 SLT
Insomnia Gallery
featuring art by various Koinup Aritsts :)
maps.secondlife.com/secondlife/Insomnia Station/228/41/891
Texture: joessistah (flickr) Thank you:)!
www.flickr.com/photos/27805557@N08/6055199382/in/gallery-...
Voigtländer Bessa R2 | Voigtländer Heliar 15mm 4.5 Version II | Kodak Tri-X 400 | Kodak HC110b | Epson V500
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!