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Mario aka _mariostories_©
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5-metre tall Three Wise Monkeys lanterns by Australian sculptor Laurens Tan. These form part of the Lunar Lanterns display featuring art installations for 12 signs of the Chinese zodiac.
Bennelong Point, Sydney, Australia (Saturday 24 Feb 2018)
Ayhan Kheyri Amirkhiz ©
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Street photography elements persist in this portrait of a woman with presumably her child. On location in Havana, I worked on an interesting photo series blending human conditions and expansive tableaux featuring art, culture, architecture, history, performances and commerce like I've never experienced before. Explore and enjoy this series of images infused with unexpected dimensionality.
“Passion makes a person stop eating, sleeping, working, feeling at peace. A lot of people are frightened because, when it appears, it demolishes all the old things it finds in its path. No one wants their life thrown into chaos.
That is why a lot of people keep that threat under control, and are somehow capable of sustaining a house or a structure that is already rotten. They are the engineers of the superseded. Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems.
They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything.
Keeping passion at bay or surrendering blindly to it – which of these two attitudes is the least destructive? I don’t know.”
– Paulo Coelho
Featuring:
DREAMCATCHER // Bouquet of roses - shirt
Top Shirt fit for Belleza, Legacy M & Kario Fit
Comes into 2 versions, in Lace & Plastic versions of fabric, in 8 colors .
Lace version:
- 8 single packs with roses HUD
- fatpack with shirt and roses HUD.
Plastic version:
- fatpack with shirt and roses HUD.
Visit DREAMCATCHER at: Facebook
Also Featuring
Art Background: Stone Age by Uleria Caramel 2012
*ARKONA* Single rose with 6 Color Hud
Pink Moon Poses Gypsy Soul pose set
:: ANTAYA :: Head Accessory - Flowers with pearls
MINA - Coco - Dip dye hair
RIOT / Rogue Harnessed Pants
One of my trademark Barbed Bracelets featuring art glass beads by Emma Ralph. Comfort guaranteed!!
Status: private collection
For further information, please pay me a visit at www.jenniferdangerfield.co.uk
With thanks & best wishes,
Jennifer
Variation of a text-prompt generation in AI Dream Wombo. The text contained the word CHICKEN MONSTER.
Prints available:
otto-rapp.pixels.com/featured/art-nouveau-chicken-lady-ot...
in spite of the prompt, this didn't turn into a chicken monster - a rather pretty looking lady
PROMPT
"the evil chicken monster from my nightmare dreams that ate my creative ideas alphonse mucha h.r. giger"
Although smaller than its grander Art Nouveau drawing room across the hall, the cosy sitting room of Billilla is no less beautiful as it is filled with light through a large bay window featuring Art Nouveau stained glass.
The Art Nouveau stained glass panels of the bay window and the wooden fretwork framing it are the only two features installed as part of the 1907 extension and renovation of Billilla. The rest of the room is, like the Billilla billiard room, remarkably intact decoratively in fine Victorian style.
Even though it is smaller than the drawing room, the sitting room was still one of the showpiece main rooms of the mansion when guests came to call. Elegantly proportioned and appointed, it too is a very femininely oriented room. The ceiling of the drawing room is decorated classically inspired boiseries and garlands. These are also reflected in bas reliefs along the plate rail and across the mirrored overmantle over the black and white tile fireplace.
Above the white painted dado and plate rail, the walls feature panels of Art Nouveau wallpaper. Although we usually associate the Art Nouveau period with the first decade of the Twentieth Century, it actually began in the 1880s, when Mr. Weatherly bought Billilla. Mrs. Weatherly probably chose the more restrained, earlier style of Art Nouveau paper because it was just becoming fashionable at the time she moved in.
The room is accessed by two sets of doors with glass panels and brass doorknobs.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
On Saturday June 25, 2010, we attended Peter Felfe and Active Ideas Productions' Midsummer Celebration (A Swedish & German Summer Celebration), Southampton, New York. This event featured art exhibits from artists Annika Connor and Martina Molin. There were performances by Vivien Schweitzer and Robert Boston, who are both pianists, and Niranjana Shankar, singer. Special guests in attendance include Gerard Araud, French Ambassador to the UN, and Pascal Blondeau, French artist/photographer. It truly was a beautiful celebration.
Live life in fashion.
Revenge Fashion Magazine
A Passion for Empowerment™
John Hughes ©
Is our featured Instagram artist of the day!
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Cheekwood is a 55-acre botanical garden and historic estate in Nashville, featuring art galleries, seasonal festivals and breathtaking wedding venues. Work by Gabriel Dawe. Multicolor tulle. Why would I Photograph this in B&W...I love the texture alone.
Variation of a text-prompt generation in AI Deep Dream. The text contained the words ART NOUVEAU, GIGER and MUCHA.
The option of Text Prompt is a new feature on Deep Dream.
Prints available:
otto-rapp.pixels.com/featured/art-nouveau-chicken-monster...
recooking a Wombo creation at 50% and evolved HD at 20% in Artistic mode
Prompt: the evil chicken monster from my nightmare dreams that ate my creative ideas alphonse mucha h.r. giger
Modifiers:
oil on canvas imperial colors cinematic postprocessing Pre-Raffaelite
From November 25th to December 10th, Second Life joins the global movement to Orange the World, supporting UN Women’s 16 Days of Activism Against Gender-Based Violence. This year’s theme, “Towards Beijing +30: UNiTE to End Violence Against Women and Girls,” reminds us of the urgency to take action.
At Artsville, immerse yourself in a vibrant campaign featuring:
🎨 Art exhibits & installations
🎶 Live music & DJ parties
📜 Poetry readings
🎁 Special gifts from partners
We also invite bloggers, photographers, and explorers to share their experiences and paint SL orange on platforms like Flickr using the hashtag #WeOrangeTheWorldSL.
Why does this campaign matter? Gender-based violence exists in virtual spaces too. Let’s stand together, raise awareness, and create a respectful and safe community both in-world and beyond.
Jerzzie Reece-Redstar, Project Head
📍 Visit Artsville: maps.secondlife.com/secondlife/Caribbean%20Ocean/89/63/1801
Let’s Orange the World for a brighter future. Join us!
*
I❤EventsonlinePR:
www.iloveevents.online/orange-the-world-2024-second-life-...
Built in 1915, this Prairie-style house was designed by Frank Lloyd Wright for Emil Bach, founder of the Bach Brick Company. The house remained under the ownership of the Bach family until 1931, when it was sold to Joseph Peacock. The house went through a series of subsequent owners during the 20th Century, remaining a private residence. In 2010, the house was acquired by Jennifer Pritzker, whom rehabilitated the house and restored its original features, and opened the house to the public for tours, special events, and overnight stays in 2014. The house, situated on a double lot, is one of the smallest examples of a custom-designed Prairie School-era house that Wright was commissioned to design, and was built just after he moved to rural Wisconsin to live at Taliesin. The house reflects the increasing abstract aesthetics, clean lines, and the beginnings of Wright’s foray into the Mayan Revival style, with a massing reminiscent of small Mayan temples and the Mayan-inspired Unity Temple in particular, and a far more austere exterior than many of his earlier buildings. The house’s first floor is clad in buff brick with recessed window openings and a front planter, while the second story is clad in stucco with ribbon windows, some of which feature art glass panes, wooden screens, and a low-pitch roof with wide overhanging eaves. The entrance to the house is concealed to the side, and demarcated by a cantilevered canopy, at the intersection between the house’s two-story western wing and one-story eastern wing, while the house’s garage sits to the rear, matching the house in detail, while receding into the landscape. The house, originally surrounded by similarly-scaled single-family homes when constructed, is today situated amidst larger apartment buildings built between the 1920s and 1960s, which mostly obscure the house’s original rear view of Lake Michigan, and contrast significantly in scale with the house. The house was designated a Chicago Landmark in 1977, and listed on the National Register of Historic Places in 1979. Today, the house is owned by Loyola University, and is utilized for special events and occasionally opened for tours.
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Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Lettice has her future sister-in-law Arabella Tyrwhitt as a houseguest at Cavendish Mews. Arabella is engaged to marry Lettice’s eldest brother Leslie. As Arabella has no sisters, and her mother is too unwell at present to travel up to London from Wiltshire, Lettice has taken it upon herself to help Arabella shop and select a suitable trousseau. So, she has brought her to London to stay in Cavendish Mews, rather than opening up the Tyrwhitt’s Georgian townhouse in Curzon Street for a week, so from there she can take Arabella shopping in all the best shops in the west end. One of the most important appointments Lettice has made for Arabella is one with their old childhood chum and Lettice’s best friend Gerald Bruton.
Gerald is also a member of the aristocracy, whose family live on the opposite side of Lettice’s family estate of Glynes to that of Arabella’s family. Lettice, Arabella and Gerald all grew up together in Wiltshire. The fortunes of the Chetwynds, the Tyrwhitts and the Brutons have changed over the ensuing years with Lettice’s and Arabella’s families weathering the war, rising taxes and the increases in the costs of living quite well, whereas Gerald’s family has become quite penurious with the family home needing a new roof and everyone in the Bruton household finding themselves in somewhat straitened circumstances. In an effort to gain some independence from his family Gerald has taken up designing gowns from a shop in Mayfair’s Grosvenor Street. Whilst initially a drain on his limited finances, the House of Bruton is finally starting to turn a profit thanks in part to the success he had making the wedding dress of a mutual friend of his and Lettice’s, socialite Margot Channon. It is in Gerald’s couturier, the House of Bruton, that we find ourselves today. Lettice has convinced Arabella that there is no designer in London more suited to make her wedding gown and a few other important pieces of her trousseau than Gerald.
“Here we are, ladies.” Gerald says as he places a silver tray on the low table between Lettice and Arabella on which stands a silver pot, milk jug, cups and saucers. “Tea.”
“You are so hospitable, Gerald.” Arabella remarks as she takes the cups and saucers off the tray and sets them up on the table. “Thank you.”
“I do wish you’d let me redecorate for you.” Lettice remarks, looking around Gerald’s maison with a critical eye, taking in the old fashioned, slightly worn brocade sofa and chairs on which they sit, the screen featuring Art Nouveau ladies and the Edwardian wallpaper of old fashioned roses. “It reminds me of the drawing room in Bruton Hall.”
“That’s because the furniture comes from the drawing room of Bruton Hall. You know that! Thank God for the leaky roof is all I’ll say.”
“Whatever do you mean, Gerald?” Arabella asks.
“Well, if it weren’t for the leaky roof, I doubt Father would let me take a stick of furniture from home. As it is, with the damp situation in the drawing room the furniture from there is probably safer up here in London being used than it is in Bruton Hall covered in dust sheets where it will be attacked by mould and end up being musty.”
“Are things really as bad as all that, Gerald?” Arabella asks. “I didn’t know.”
“Sadly yes, but for Father it is a secret to be kept, so he and my brother act like they have money to burn, when in fact he is trying to raise enough capital to keep the roof over theirs and mother’s heads.”
“I’m sorry to hear that, Gerald.” consoles Arabella. “Bruton Hall was always such a fun house when we were growing up.”
“Yes, because it wasn’t as big or as draughty as Glynes or Garstanton Park.” Lettice remarks.
“Well, it may not be any bigger, but Bruton Hall has enough draughts for all of us now.” adds Gerald sadly.
“Still,” Lettice says. “Even if you are protecting your mother’s drawing room furniture, I should so like to redecorate for you Gerald. Something sleek and modern: more fitting to the customers of the House of Bruton.”
“Lettuce Leaf!” Gerald scolds Lettice in a warning fashion.
Lettice’s face flushes red as Arabella releases one of her delightfully rich and bright laughs. “Do you still call Tice that, Gerald?”
“Only when she’s being remarkably prosaic or irritating.” Gerald replies.
“You’re the one being irritating, Gerald!” pouts Lettice. “You know I hate being called that, especially in front of company.”
“Bella isn’t company,” retorts Gerald as he takes up the teapot and pours tea into Arabella’s cup and then Lettice’s. “She’s family. Aren’t you, Bella darling?”
“Well, I soon will be to Tice, when I marry Leslie, but yes, I think we’ve all spent so much time together growing up that we are all practically family.”
“Lettuce Leaf doesn’t know when to let sleeping dogs lie.” Gerald says settling back languidly into the comfortable, slightly sagging cushions of the settee alongside Arabella.
“I should hit you with my umbrella.” Lettice counters, picking up her green stub ended umbrella and playfully threatening to follow through with the action before lowering it again, placing it alongside her green leather handbag on the slightly worn carpet, which she notes also comes from the drawing room of Bruton Hall.
“Then I shall have you flung out on the street by the police for assault and battery to my person.” Gerald replies in a playful fashion.
“What’s wrong with wanting to update your fashion house, Gerald?” asks Lettice as she picks up the milk jug and adds a little milk to her tea. “Surely you don’t think having old fashioned décor is good for business!”
“We’ve had this discussion before, Lettice darling. If I’ve said it once, I’ve said it a hundred times, I’ll be happy for you to update my fashion house when I can afford to have you do it, and not a day beforehand.”
“You’re so proud Gerald. You spoil my fun.” remarks Lettice.
“Well,” Arabella says soothingly. “I think your premises are lovely, Gerald. Not everyone wants streamline chrome and black and white marble, Tice.”
“You know I don’t design rooms like that, Bella.” Lettice replies with a sideways glance.
“That’s true, but even your more moderate classical modern designs might not please some of Gerald’s clients. Mothers are often the ones who introduce their daughters to their seamstresses and designers, and I think this room exudes comfort, like a drawing room does.”
“She has a point, Lettice.” Gerald says with a satisfied smile.
“Oh you two!” Lettice picks up her cup and sinks back into the armchair in which she sits, the springs sighing a little underneath her weight. “Have it your own way, but no matter what you do Gerald, you shan’t please all your clients.”
“Besides, Tice doesn’t have time to redecorate here at the moment, what with the Channon’s house in Penzance and Mrs. Palmerston’s dining room.” Bella adds as she picks up her own cup of tea.
“What’s this?” Gerald queries, raising his right eyebrow as he eyes Lettice. “You’re redecorating Monstrous Minnie’s dining room?” He places his hands melodramatically against his cheeks and pulls a face of mock horror.
“It’s alright Gerald. Bella’s met Minnie now, and she has been introduced to her histrionics.”
“Welcome to the club no-one wants to join, Bella dear.” consoles Gerald.
“I really didn’t know where to look,” Arabella admits. “And I was frightened she was going to smash one of Tice’s champagne flutes. It really was frightfully awkward. Is she always like that?”
“Not always, but often.” Gerald admits. “Minnie’s lovely, and the kindest and most generous soul, but that dramatic streak she has is a terrible flaw. Are you really going to take her on as a paying client, Lettice darling?”
“I might be.” Lettice clarifies.
“Tice is having luncheon with her whilst you and I discuss my wedding gown.” Arabella adds.
“Well, Charles may have enough money to foot your bill, Lettice my dear, but I just hope she doesn’t have a fit over what you do. You are either very brave, or very stupid.”
“Possibly I’m both,” Lettice admits. “However Gerald, I have a plan. I am telling her from the outset that if I am going to take her on and redecorate her dining room there are to be no dramas and no tears.”
“Brave words my darling,” retorts Gerald. “But can a leopard change its spots?”
“I suppose we’ll see.” Lettice muses. “Now, do get out your scrapbooks and show Bella your work before I have to go to St John’s Wood.”
“Yes, of course!” Gerald replies. “After all, today isn’t about you Lettice, it’s all about Bella.” He smiles magnanimously at Arabella as she perches, cup in one hand and saucer in the other in her smart, yet slightly parochial and old fashioned white linen suit.
Gerald brings forth a large thick cardboard folio which he opens and with a flourish, he scatters a selection of photos of beautifully dressed women across the coffee table between them.
“Oh!” gasps Arabella, picking up a photo of a bride with a frothy lace veil framing her face beneath a stylish headdress. “I love this!”
“Oh, that was Marion Lambley’s wedding dress.” Gerald says, manoeuvring another photo of the same woman alongside her husband and flanked by other wedding guests. “It was very simple, with minimal detail which suited her. Something like that would suit you too.” Gerald eyes Arabella, looking her up and down again. “You’re naturally pretty and have a lovely figure, so you need a dress to compliment you, rather than to make you.” Then he stops mid thought and holds out his hands. “But of course, as a bride-to-be, you must have your own ideas, surely?”
“Well, I do have a few ideas.” Bella admits shyly, her face flushing with the sudden focus of attention on her.
“Then you must tell me your ideas first, and then we can work out what your wedding gown will look like.” Gerald replies encouragingly.
This intimate scene with comfortable furnishings and tea looks very inviting, but is perhaps not all that it seems at first, for it is made up entirely of pieces from my 1:12 miniatures collection.
Fun things to look for in this tableau include:
The low coffee table can barely be seen beneath an array of interesting things. The photographs are all real photos from the 1920s, produced to high standards in 1:12 size on photographic paper by Little Things Dollhouse Miniatures in Lancashire. The magazines including a 1922 copy of Vogue was made by hand by Petite Gite Miniatures in the United States. The porcelain tea set, which has two matching cups and saucers, a milk jug and a sugar bowl, were part of a job lot of over one hundred pieces of 1:12 chinaware I bought from a seller on E-Bay. The silver serving tray and teapot have been made by Warwick Miniatures in Ireland, who are well known for the quality and detail applied to their pieces.
Open on the table is a copy of “Modes et Manières d'Aujourd'hui” illustrated by Georges Lepape (1887 – 1971), which was a luxury French fashion periodical produced between 1912 and 1922 in limited printings of around 300 each year of publication. It is a 1:12 size miniatures made by the British miniature artisan Ken Blythe. Most of the books I own that he has made may be opened to reveal authentic printed interiors. In some cases, you can even read the words, depending upon the size of the print! I have quite a large representation of Ken Blythe’s work in my collection, but so little of his real artistry is seen because the books that he specialised in making are usually closed, sitting on shelves or closed on desks and table surfaces. Therefore, it is a pleasure to give you a glimpse inside one of the books he has made. To give you an idea of the work that has gone into these volumes, each book contains twelve double sided pages of illustrations and they measure thirty-three millimetres in height and width and are only three millimetres thick. What might amaze you even more is that all Ken Blythe’s opening books are authentically replicated 1:12 scale miniatures of real volumes. To create something so authentic to the original in such detail and so clearly, really does make this a miniature artisan piece. Ken Blythe’s work is highly sought after by miniaturists around the world today and command high prices at auction for such tiny pieces, particularly now that he is no longer alive. I was fortunate enough to acquire pieces from Ken Blythe prior to his death about four years ago, as well as through his estate via his daughter and son-in-law. His legacy will live on with me and in my photography which I hope will please his daughter. I hope that you enjoy this peek at just two of hundreds of his books that I own, and that it makes you smile with its sheer whimsy!
Lettice’s green handbag is also a hand-made artisan piece of soft green leather, made by Karen Ladybug Miniatures in the United Kingdom. The two furled umbrellas are 1:12 artisan pieces made of silk, satin and lace. Arabella’s brown leather handbag came from a large collection of 1:12 artisan hats and miniature accessories that I bought from an American miniature collector Marilyn Bickel.
The House of Bruton is furnished with beautiful JaiYi miniatures, who are a high quality miniature furniture manufacturer. The screen in the background is a hand made 1:12 artisan miniature the panels of which are decorated with stylised Art Nouveau Alphonse Mucha (1860 – 1939) illustrations of women.
Very pleased to have been asked to do a feature for Chicago Center for Literature and Photography. Along with the photographs they selected, there is a short interview and one of my very short stories in there. Some of the photographs they chose surprised me, to be honest.
They asked me to give them a headshot or a selfie. I struggled with that. As you all know, I do not post photographs of myself here, but last Friday I set myself to the task and the results are below. There is one more on the blog.
A big thanks to all for your continued support and inspiration.
...
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A girl with umbrella on street at night.....(watercolor painting)
#landscapeart #pond #water #arts_gallery #talented #arts_mag #lilies #masterpiece #beautiful #arts_help #talent #creative #paintbrushes #amazing #nature #perfect #helparts_ #landscape #inspiration #nice #artist_features #watercolor #artcollector #featuring_art #artcollective #artlovers #watercolorart #artgallery #naturelovers #artshow
My Jolly Sailor Bold...Featuring Art in Hats 2015 by BamPu
Blog:
diamondswithjewel.blogspot.com/2015/11/my-jolly-sailor-bo...
The Lost Galleries and Garden invites you to...
First ever
Art Walk @ Surfers Point Resort
March 3 - 5
Opening party Noon SLT March 3rd
Featuring Joaquin Gustav
Avi Choice Award "Favorite Male Musician" 2012
Closing Party 7 pm SLT March 5th
Featuring John Rocky (AKA Erik Kottzen)
Walk the event with the new couples Walker from Vista Animation or on your own
No membership required weekend open to the public!!!
Featuring Art By:
Harlo Jamison
Maggie Starr
Jack Starr
elan (ineffable.mote)
Nia Atreides
Louw Shadow
Doc Romano
Jocelyn Heartsong
Cayla (yumiyukimura)
Dragon (dragonangelvs)
Elise Sirnah
Alex Riverstone
Dante Helios
Jamee Sandalwood
Duraya
Reign Roelofs
Surfers Point VIPS:
Mikal Angello
Freya Leif Vilulf
Wenda Avedon
Stroker Serpentine
Leica M6 TTL .85 90mm Summicron E55 Fuji 400H Target processing and scanning levels and colour adjustment in Adobe Photoshop 7 for Mac
Check out more photos of Sam! www.flickr.com/photos/johnnymartyr/sets/72157627259676298/
Sam's Page:
samanthamariesisson.carbonmade.com/
Available Light 35mm Photojournalism by Johnny Martyr
www.Facebook.com/JohnnyMartyrPhotographer
Please Do Not Reproduce Without Express Permission From Johnny Martyr
#PhotographersStillUsingFilm #Johnny_Martyr
"Sam Sisson" "queefpantry" "comedian" "Johnny Martyr"
tiny watercolor doodle for "Alice" at Compound Gallery, Portland.
A group show featuring art inspired by "Alice in Wonderland."
***March 6th through 31st 2008***
*sold*
Oregonized Gallery Presents
ANYTHING WILL HELP
A Poor Mans artshow!
Featuring art all created on cardboard!!!
Portlands first cardboard themed artshow!!!!! Also a sticker/poster installation will be at the event as well!!
This is an Open Submission for cardboard art. Anyone can submit any artwork done on cardboard. All art will be for sale and everything is going to be priced under 50 dollars!!!!
Send your cardboard pieces, stickers/posters here
ANYTHING WILL HELP
Po Box 13492
Portland, OR 97213 USA
Deadline for pieces is going to be on March 11th!!!
Mark on the back of your cardboard art the price of your work(it has to be under 50 bucks)...
If you want your pieces mailed back to you send postage for your piece to be mailed back.....If your work sells Oregonized Gallery will be taking a small commission so we can do future events that include a wide community of artists.
any questions?
email me
skamsticker@yahoo.com
Artist Line up!
SKAM
Rx Skulls
John Diss
Mr. Say
Nasty Nate
Magical
Life aint black or white but i am
Dhestoe
Andres Musta
Famous Stranger
A.bot
Mr antetr
SWAR
Almost
EYs[19]
Cthulhu cult
Amber Pretty Hair
Navin Jhonson
Sneek
DTR
The Lost Cause
Kanye PDX
Mssn
Jack Strubbe
M16HTY
Reactionary Records
MOP
Rawr
Dr. Rasterbator
Circle Face
Turtle Guy
Over Under
Peel Your Face Off
Beat-less
Graffface
Evilos
Mitsy
Surrendr
Cexr
ZOBEeboz
Clyde
Matt Schlosky
I will not
BXTXWOLFE
Lindsey Called It
Deed
Anthead
Booh
GUNEMONSTER
Ms. Elmar
KESR HxA
Jesse Robot
SHROOM
Davey Cadaver
Mr. switch
Johnny Tragedy
Ogee Mesh
mittenimwald
Jice
Ebenholz
[Nano]
Brutus
Beth Myrick
FREND
Jonathan Boyz
Mute the city
Stikman
alex artlife
Iforgot
Nez One
return595
Blaze754
QBE@R
Photocoyote
CJ Reeves
Kriest
Kirby
Sam Dantone
wolf
Spire
SwajerOner
NERD
Bride Campaign
Graffiti against the System
Coon
Jerix
Olive. Always
VANDAL MENTALITY
My picture for the Breast Cancer Awareness :)
An exhibition like no other: slurl.com/secondlife/Island%20Dreaming%203/127/175/38
Only open for two weeks so don't miss out on the opportunity to view and help a very worthy cause. Featuring art work and photography by the following individuals:
Photography: Giovanni AMBROSIONI, i_love_you_get_away_from_me, Nicoley – ole, Mashael Al-Shuwayer, PISELLE, and Vivian Mirabal
Paintings and Hand drawnings: Rich Zachmann, Giovanni AMBROSIONI, Ahmad 'Don' Hosho and Puma Jie
SL Art:
Joy Fellini
Darks ADRIA
C.A.S.
Laurah Oh
Leandra Breen [Lea]
YVONNE
AZ AEON
Cherie Parker
Galatea ZABELIN
Eirela LANE
Kira Westland
Del May
Skye Donaldson
Kira McMahon
Adianna Price
Rebeca Bashly
Harry Huffman
Luciana Pinazzo
Soyla Reina
Denise Rowlands
Liss Beattie
Sixx Yangtz
Starr Sideways
Cerdwin Flanagan
Trinity GOURDOU
Willhelm Ewing
Senna Coronet
Kirsty Oherlihy
Iris Semoyorka
blackLiquid Tokyoska
Heartbreaker...Featuring Art In Hats 2015 with Valsnia Hats
Blog:
diamondswithjewel.blogspot.com/2015/11/heartbreakerfeatur...
Agfa Optima Parat | Kodak Portra 160
Please see my review of the Agfa Optima Parat:
www.johnnymartyr.com/agfaoptimaparat.php
#PhotographersStillUsingFilm #Johnny_Martyr
Psycho...Featuring Art in Hats 2015 with Barry Richez
Blog:
diamondswithjewel.blogspot.com/2015/11/psychofeaturing-ar...
Although smaller than its grander Art Nouveau drawing room across the hall, the cosy sitting room of Billilla is no less beautiful as it is filled with light through a large bay window featuring Art Nouveau stained glass.
The Art Nouveau stained glass panels of the bay window and the wooden fretwork framing it are the only two features installed as part of the 1907 extension and renovation of Billilla. The rest of the room is, like the Billilla billiard room, remarkably intact decoratively in fine Victorian style.
Even though it is smaller than the drawing room, the sitting room was still one of the showpiece main rooms of the mansion when guests came to call. Elegantly proportioned and appointed, it too is a very femininely oriented room. The ceiling of the drawing room is decorated classically inspired boiseries and garlands. These are also reflected in bas reliefs along the plate rail and across the mirrored overmantle over the black and white tile fireplace.
Above the white painted dado and plate rail, the walls feature panels of Art Nouveau wallpaper. Although we usually associate the Art Nouveau period with the first decade of the Twentieth Century, it actually began in the 1880s, when Mr. Weatherly bought Billilla. Mrs. Weatherly probably chose the more restrained, earlier style of Art Nouveau paper because it was just becoming fashionable at the time she moved in.
The room is accessed by two sets of doors with glass panels and brass doorknobs.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Featured in Spreadophilia.com/Issues/Ache/Johnny-Martyr/
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Art Blue Metal 58. Wax, metal, heat, & rust make this texture, randomly created during encaustic painting process. This is a macro photo of a fragment of a 2'x3' sheet of metal used to extinguish the burning wax. The process creates random shapes and textures in a multitude of colors, though blue predominates. Some photos may look like maps or galaxies, others are more abstract. 12.22.2015. Sony DSC-HX90V 4.1mm 1/60@f7.1 ISO100
See entire series in Splatter Art Album.
Purchase Image: fineartamerica.com/featured/art-blue-metal-58-jae-mishra....
Purchase Image fineartamerica.com/featured/art-blue-metal-58-jae-mishra....
Standing in the Way of the Light...Featuring Art in Hats with Miss Darcy
Blog:
diamondswithjewel.blogspot.com/2015/11/standing-in-way-of...
I'm too sexy...Featuring Art in Hats 2015 with PINK ICE
Blog:
diamondswithjewel.blogspot.com/2015/11/im-too-sexyfeaturi...
The "The Gables" has a beautiful, light filled entrance hall painted in white. It has a high ceiling featuring Art Nouveau mouldings and a gallery of windows featuring Art Nouveau stained glass of stylised flowers or fruit. The front door glass panels feature the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best.".
"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.
Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.
As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.
"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.
Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.
Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.
Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.
Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.
Breakfast at Tiffany's...Featuring Art in Hats 2015 with Oddfish
Blog:
diamondswithjewel.blogspot.com/2015/11/breakfast-at-tiffa...
Heaven lives forever in our heart.....
This is how we create heaven on earth....
Through our heart.......(Ivory sheet, 43 cm X 30.5 cm)
#talented #arts_mag #landscape #masterpiece #beautiful #arts_help #talent #creative #heaven #amazing #nature #perfect #helparts_ #pencilcolor #inspiration #nice #artsit_features #sketchbook #pencilcolorartist #sketch #artcollector #featuring_art #artcollective #artlovers #pencilcolorart #artgallery #naturelovers #artshow #pencilcolorartwork #fanart
The new round has opened!
Oct 17th - 30th
Featuring: *Art Dummy! - Half-Deer - NYU - Bokeh - Nudolu - House of London - Le Poppycock - Kaithleen's - C.C. Kreations - Teen Witch - minimade - {yumyums}
Group Gifts by: {yumyums} - minimade - .:Kre-ations:., Kaithleen's
Teleport: maps.secondlife.com/secondlife/Ai%20Atoll/104/52/26
Full Shopping Guide: acidlilygallery.wordpress.com
Float away...Featuring Art in Hats 2015 with Hatter 'n Hell and Swank with Belles Parisiennes
Blog:
diamondswithjewel.blogspot.com/2015/11/float-awayfeaturin...
Pills and Potions...Featuring Art in Hats 2015 with Ghee
Blog:
diamondswithjewel.blogspot.com/2015/11/pills-and-potionsf...
The historic Whalehead Club is a large 21,000-square-foot (2,000 m2) home located on a remote tract facing the Currituck Sound in North Carolina, United States. The structure was designed by owners Edward Collings Jr. and Marie Louise Label Knight and contracted by Daniel Peckham between 1922 and 1925. The home remains a prominent example of Art Nouveau.
Corolla Island's exterior and interior feature Art Nouveau details; however, its shallow elongated shape recalls the arts-and-crafts-inspired cottages of the luxurious 1920s Philadelphia suburbs. The house's distinctive curving roofs and gables recall back to early rural buildings of Mrs. Knight's childhood home of Kamouraska, Quebec, Canada. The foundation commenced for a 21,000-square-foot house, with a 135-foot-long basement, complete with a French drainage system and brass piping laid for plumbing. The roof contains over 10,000 copper shingles that were hand-cut and laid." (Wikipedia)
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