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Exploitant : STEFIM
Réseau : Navette Substitution SNCF Île-de-France
Ligne : Navette Transilien J
Lieu : Gare d'Ermont – Eaubonne (Ermont, F-95)
Lien TC Infos : tc-infos.fr/id/55314
The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Claire Edkins/NCMEC
The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Claire Edkins/NCMEC
The story of this site located in the mosan valley starts at the XIIIth and XIVth centuries, with the exploitation in quarry of the mosan stone (or "blue stone"), which was considered high quality. The blocks of limestone were cut in open-air but also in subterranean galleries that are now closed to the public.
The lime kilns in the pictures were built since 1872. During almost a century, this impressive construction attached to the mountain has seen many changes among which the successive addition of new kilns (finally eight, arranged on a 68 meter length) and the evolution of new technologies.
These lime kilns worked on a continuous process, fed 24 hours a day. Several layers of fuel (previously coal, then coke) and limestones were successively piled from the top of the kilns, then burned by a process of calcination. After cooling, the lime was extracted from the bottom. It was then used in mortars for construction.
Closed since 1971, these lime kilns are today abandoned and poorly secured (in spite of important risks of fall). A part of the cliff and the former quarry is still used by a climbing club.
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L'histoire de ce site situé dans la vallée mosane remonte aux XIIIe et XIVe siècles, lorsque la pierre mosane (ou "pierre bleue"), réputée d'une grande qualité, commence à être exploitée en carrière. Les blocs de pierre calcaire y étaient taillés à ciel ouvert mais aussi dans des galeries souterraines aujourd'hui fermées au public.
Les fours à chaux furent quant à eux construits à partir de 1872. Pendant près d'un siècle, cette imposante construction accolée à la montagne a connu de nombreux remaniements parmi lesquels l'ajout successif de nouveaux fours (finalement au nombre de huit, disposés sur une longueur de 68 mètres) et l'évolution de nouvelles technologies et procédés.
Ces fours fonctionnaient à feu continu, alimentés 24h sur 24. Des couches de combustibles (auparavant du charbon, puis du coke) et de pierres à chaux (calcaires) étaient empilées successivement depuis le haut des fours, puis brûlées par un procédé de calcination. La chaux ainsi produite après refroidissement était récupérée par le bas et acheminée, prête à l'usage dans les mortiers pour la construction.
Fermés depuis 1971, ces fours sont aujourd'hui à l'abandon dans un site étonnement peu sécurisé (malgré des risques de chute importants). Une partie de la falaise et des anciennes carrières est encore employée par un club d'escalade de la région.
"Let me clarify: I am not a vegan because I “love animals”. Rather, veganism is about justice. It is not a “lifestyle choice”. It is not a “personal preference”. Veganism is not about you or me at all. It is about the fundamental right of nonhumans not to be used, owned, labeled, branded, enslaved, exploited and generally commodified to serve our interests and convenience."
~ Kerry Wyler
"We need to begin showing people that speciesism is as abhorrent and inconsistent as any other prejudice, and that any rational person already holds the principles which should lead them to accept veganism in the first place."
~ Rob Johnson
The Postcard
A postally unused postcard that was published by Chimera Arts of London W1. The artwork was by Tom Browne.
The Artist and Illustrator Tom Browne
Tom Browne RI was born Thomas Arthur Browne on the 8th. December 1870. He was an extremely popular English strip cartoonist, painter and illustrator of the late Victorian and Edwardian periods.
-- Tom Browne - The Early Years
Born in Nottingham, Browne started earning a wage as a milliner's errand boy in 1882. From there he was apprenticed to a lithographic printer, and eked out a living with freelance cartoons for London comic papers.
He received 30 shillings for his first strip, published by the magazine Scraps, and called "He Knew How To Do It".
At the time of the census of 1891, Browne was twenty and was living in lodgings in central Nottingham. He was described as a lithographic designer, and living at the same address as John Clarkson, a lithographic artist, and Lucy Pares, a lace maker. Early in 1892, Browne married Pares in Nottingham.
-- Tom Browne's Artistic Career
In 1890, Alfred Harmsworth had founded a new British comic book called Comic Cuts. Cheaply printed, it proved to be the ideal medium for Browne's bold drawing style.
Tom's comic strips became so popular that he moved from Nottingham to London, and into a studio in Wollaton House at Westcombe Park. There, he turned out six full-page strips a week, but also produced illustrations for several British magazines.
His cartoons appeared in Punch, The Tatler and other highly-rated periodicals of the day. In 1898 Browne became a member of the Royal British Society of Artists, and in 1901 was elected to the Royal Institute of Painters in Water Colours, which meant he could use the letters 'RI' after his name.
Browne was a founding member of the London Sketch Club, formed in 1898. The stimulating experience of these regular get-togethers, alongside other founding members including Dudley Hardy and Phil May, was seminal in its influence on British commercial art.
Tom's cycling trips took him all over the world, while illustrations of these exploits appeared in the newspapers. Returning to Nottingham, he started a colour printing firm and joined the Territorial Army.
The logo of Johnnie Walker whisky, the strutting, monocled character, was created by Browne in 1908. He also created the comic strip Weary Willie and Tired Tim, inspired by Don Quixote and Sancho Panza, which appeared on the front page of Illustrated Chips from 1896 to 1953.
Browne played a major part in the evolution of the British comic style, influencing Bruce Bairnsfather, Dudley Watkins and Leo Baxendale. His strip 'Airy Alf and Bouncing Billy' first appeared in The Big Budget around 1900, and was later continued by Ralph Hodgson aka "Yorick".
His comic, Dan Leno, portrayed the Victorian English music hall comedian and appeared in Dan Leno's Comic Journal in 1898.
More of his characters were 'Little Willy and Tiny Tim', 'Mr. Stankey Deadstone and Company', 'The Rajah' and 'Don Quixote de Tintogs'.
Echoes of his impudent urchins can still be seen in The Beano and The Dandy today.
In an article published in 1903 Browne said:
“I do alleged humorous drawings… I have
done some thousands of them, probably,
yet normally I am a sober, almost melancholy,
individual, and I started out in life with the
ambition to paint big devotional pictures.”
-- The Death of Tom Browne
After surgery for cancer, Browne died at home, Wollaton, Hardy Road, Westcombe Park, which was then in Kent, on the 16th. May 1910. He was only 39 years of age when he died.
Tom left a widow, Lucy Browne, and an estate valued at £18,529, equivalent to £2,012,285 in 2021.
He was laid to rest with military honours at Shooter's Hill. A year later, his widow was still at the same address with their three children, Dorothy, aged 17, Elsie, aged 15, and a son, Noel, 11.
How to Unlock Intertwined Fate Exploit | Genshin Impact v1.1 (Tutorial)
Watch this tutorial in order to unlock the intertwined fates exploit within Genshin Impact. In order for this to work you will need to use you android or iphone device. This exploit currently work with version 1.1 of the game, so use it now before it will be patched in the game. Carefully follow all the steps shown in this video tutorial in order for you to gain lots of intertwined fates to summon your favorite characters and weapons.
Official Site: appmonarch.com/genshinimpact/
Port-au-Prince, August 01st, 2019. Community engagement campaign in the streets of the Haitian capital Port-au-Pince against Sexual Exploitation and Abuses (SEA). This outreach project lead by the Mima Gentile, UNPOL Conduct Discipline Team (CDT) officer and conducted by 21 UNPOL and FPU officers aimed to sensitize the population about the Zero Tolerance policy of the UN and transmit the information about the existing hotline to report cases of SEA.
Photo Leonora Baumann UN/MINUJUSTH
Des cathodes de cuivre pures à 99,999 %, produites par la Société d'Exploitation de Kipoï (SEK), une filiale de l'entreprise australienne Tiger Ressources, dans l'usine d'extraction électrolytique par solvant à Kipoï, à 75 kilomètres à l'ouest de Lubumbashi, capitale de la province minière du Katanga, en République démocratique du Congo, le 9 mars 2015. - Copper cathodes 99.999% pure, produced by the Société d'Exploitation de Kipoï (SEK), a subsidiary of the Australian company Tiger Resources, in the electrolytic solvent extraction plant in Kipoi, about 75 kilometers west of Lubumbashi, the capital of the mining province of Katanga, in the Democratic Republic of the Congo, on March 9th, 2015.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2022 Hope Gala, Oct. 20, 2022
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Oct. 20, 2022 at the District Pier at The Wharf, Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Sarah Baker/NCMEC
Exploitant : Transdev Marne et Morin
Réseau : Grand Morin
Ligne : 59
Lieu : Hôtel Cheyenne (Chessy, F-77)
Lien TC Infos : tc-infos.fr/vehicule/54465
Exploitant : Transdev CSO
Réseau : Poissy Aval – 2 Rives de Seine
Ligne : 51
Lieu : Gare Sud de Poissy (Poissy, F-78)
Lien TC Infos : tc-infos.fr/id/53773
What the house and property in Squid Cove looked like soon after Grandma bought it. Taken by either Grandma or Uncle Peter, mid 1970s.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Pourquoi restreindre l'interdiction à la forêt ? "Ils" ne s'en sont pas priver.
- Film de Fred M. Wilcox (1956), avec Walter Pidgeon, Anne Francis, Leslie Nielsen, Robby the Robot
[NEW]Pokémon Unite 900K Aeos Coins Exploit
Pokemon Unite is now both playable in Android and iOS. If you are having fun playing this game but want more, then this is the right video for you. In this video tutorial I will share to you guys the latest exploit which will work with the game today. This will allow you to get lots of aeos coins into your account. If you are interested, then please do watch this video tutorial till the end to know how to do it.
Official Site: appmonarch.com/pokemonunite
The Corpus Christi Church was constructed in 1925-6, for the catholic parish at Nundah, who formerly practiced in a small timber church on another site. The church was constructed under the guidance of the then Archbishop James Duhig, who promoted catholic presence in Brisbane by exploiting prominent sites, to produce landmarks. Corpus Christi may have been designed as a scale model for the Holy Name Cathedral which was in the planning stages at this time. The architects for the project were Hennessey, Hennessey, Keesing and Co.
Settlement in the Nundah area began with a Moravian mission set up for Aborigines in the area in 1838. Although the mission was closed by 1848 many of the missionaries and their families remained in the Nundah area. In the 1860s a strong German presence was felt in the area, particularly as a result of immigration. The first Lutheran and Methodist services in Queensland were held in Nundah.
It was not until 1903 that the catholic community in the area, who attended church at Wooloowin, Sandgate, or inner city areas, met to discuss the construction of a church. On June 19, 1904, Archbishop Dunne blessed The Church of the Real Presence, and spoke of the momentous occasion, which saw the opening of a catholic church in what was the birthplace of Protestantism in Queensland. The church cost £600, which was paid off before the opening and was located on the corner of Duke Street and Buckland Road.
A strong catholic presence in Nundah by 1915, dictated the need for a school, and the Sisters of the Sacred Heart of St Joseph were asked to join the parish, to open this school. Previously, property in the area had been purchased by the church as a more suitable church site, due to its position on the crest of a hill. The property previously belonged to a Mr Henry Donkin who had constructed a large house, Marsten, which was used by the sisters as the first school and convent.
A presbytery was built on the grounds of Marsten, soon after 1920, when the Rev Archbishop James Duhig became the registered owner. The first parish priest was Father Jordan, who stayed with the Nundah parish until 1941. Previously, priests cycled from the Wooloowin presbytery to say mass in the small timber church. A site was chosen on the grounds near the school and presbytery for a more imposing church.
It was part of Duhig's grand plan for the development of the Catholic Church in Brisbane that a number of churches be built to manifest the strength of the church. Many of the sites Duhig sought were on hill tops. By 1940, when Duhig had been controlling the estate for twenty-eight years, forty-six new churches in Brisbane had been built since 1912, including St Joseph's at Kangaroo Point, St Ignatius at Toowong and St Agatha's at Clayfield. Duhig favoured certain architects, particular the designers of Corpus Christi, Hennessey and Hennessey, who planned the ill-fated Holy Name Cathedral with the Archbishop. Duhig felt that the construction of churches enhanced the catholic presence and signified the strength and wealth of the church.
Corpus Christi Church was planned to be a golden link in the chain of churches around Brisbane. Some sources state that it was a scale model for the Holy Name Cathedral, which was planned for a site in Ann Street, across the street from All Hallows' School. The design of both of these Hennessey and Hennessey buildings was thought to be reminiscent of St Peter's in Rome, which has the characteristic dome, surmounted by a lantern and cross.
The laying of the foundation stone of the Corpus Christi Church on June 14, 1925 attracted 20,000 people, who donated £2000 to the construction of the church, although the church was not fully paid off until the 1940s.
The church was designed by Hennessey, Hennessey, Keesing and Co, architects in Sydney, Brisbane and Melbourne. Jack Hennessey had recently completed the additions to St Mary's Cathedral in Sydney, and was a friend and colleague of the archbishop at the time. The work was completed by local contractor, SS Carrick, for a total cost of £16, 840. Corpus Christi Church was opened on November 21, 1926, in a ceremony which saw eight tiers of lights illuminating the dome.
The original house, Marsten was demolished in 1959 to make way for a new convent. The church remains intact with very little alteration.
Source: Queensland Heritage Register.
Port-au-Prince, August 01st, 2019. Community engagement campaign in the streets of the Haitian capital Port-au-Pince against Sexual Exploitation and Abuses (SEA). This outreach project lead by the Mima Gentile, UNPOL Conduct Discipline Team (CDT) officer and conducted by 21 UNPOL and FPU officers aimed to sensitize the population about the Zero Tolerance policy of the UN and transmit the information about the existing hotline to report cases of SEA.
Photo Leonora Baumann UN/MINUJUSTH
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.