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Experimento espacial de tiempo, visiones y andanzas mundanas reducidas a la reproducción de un movimiento constante, reproducción de los recuerdos y la mente... con audio
I wanted to try the PhotoJojo throw your camera idea, but I couldn't actually throw it! But I figured out a different way to do it. I set my camera to fireworks, and wiggled my camera.
The lake in Summit Lake State Park is still frozen and so are many of the objects that normally float on the surface. I found this maple leaf slowly being uncovered in the melting ice, so I thought I'd make an image for all of my Canadian friends.
Want to know more about the experiment? Visit my blog at www.thelightwithout.com/2010/02/21/experiment/.
O que se faz num sábado preguiçoso? Desmancha-se uma lente soligor 135f2.8 e faz-se uma tilt-shift "à la manita". Estes são os primeiros testes. Próxima etapa: despanchar uma 28mm que por aqui anda!
Another busy day!!!
Our Science Surfers experiments are always astonishing
and kids were indeed surprised with density tower they made today.
They also enjoyed collaging the UAE national flag craft.
Basketball during their outdoor play was awesome.
Kids enjoyed circle time reviewing numbers and Phonics.
They acted as mail carriers delivering White Fields mails during pretend play.
They were very surprised to see how Pepsi drink exploded after adding baking soda during the science experiment.
It was a great day for us at White fields Nursery.
Weaving Vertical Layers, Experiment, Concrete Board, Fibres, Thread, Conductive Thread, Pins, Lasercut Paper Paisleys, Layers, Living Wall, Exposed Surface, Rough, Texture, R+D, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
I've been studying rock and other natural surfaces for a long time. I try to produce a "random" style in my shapes and their surfaces, and this series seems to show that I've accomplished what I'm after. The "beauty" of these pieces is perhaps up to debate, but I think at least I've accomplished an effect that transcends the human touch. There is little evidence here of "my" work or my imposition of form or surface on the natural ingredients.
So I was tired and I had some bits of clay with Robinia pseudoacacia leaves impregnated in them. I almost blindly rolled these out with the rolling pin and with just my fingertips rolled and pressed them together. This piece is about 5 inched across and is a wonderful centerpiece for twigs, dried leaves, holly, or something big and light like a dried Hydrangea inflorescence.
Photo of a fish net called Mahal Jaal,
A little experiment by me using different software, my intention to make it look like a painting. — in Bara Kathaldia, Bangladesh.
This is some useless experiment.
I used my old photographic enlarger and set it to display the smallest picture possible from a 35mm b&w negative, then I removed the lens from my Canon EOS 10D , with my eye still aiming through the viewfinder I aimed upward into the enlarger.
Technically I was using the lens of the enlarger. Since it was done by hand and since it wasn't very scientific you can see that it's a bit more blurry on the left of the picture than on the right, but only if you enlarge it.
Even at its smallest the picture was still about twice as big as my CCD so it's a forced crop of my original picture.
I used gimp to revert/adjust/convert the colors
First Bokeh attempt. Learnt from Ravages. Hopefully this qualifies.
This is a pic of a table mat. I was just toying around with the focus when I saw this view. I remembered what Ravages had told me. Silky out of focus look, short DOF... and deceided to click this one. I think this qualifies for a Bokeh, I do not know. Kindly enlighten. Thanks in advance.
I've been studying rock and other natural surfaces for a long time. I try to produce a "random" style in my shapes and their surfaces, and this series seems to show that I've accomplished what I'm after. The "beauty" of these pieces is perhaps up to debate, but I think at least I've accomplished an effect that transcends the human touch. There is little evidence here of "my" work or my imposition of form or surface on the natural ingredients.
Terracotta heavily impregnated with fireplace ash and pine needles (some long grasses too) gave this the pinkish color that I call "paleoltihic"...it reminds me of a cave painting.
After bisque firing (the only time this was in the kiln) I crumbled up a piece of newspaper and "sanded" off the kind of obnoxious bits of ceramicized grass. But as you can see in some of the closeups, the pine needles (and some pine twigs too) left gorgeous striations.
This piece is about 14 inches tall.