View allAll Photos Tagged experimenting
New test / experiments. Trying to solve a few design/functional improvements. Making new versions of 'Fishing For Lines' for The Campaign For Drawing, using 'cast-off'/recycled 'Drawing Tops'
Seamlessly Looping Background Animation Of Witches, Spiders, Ghosts And Ghouls. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
IN THE COLD, COLD NIGHT
I saw you standing in the corner
On the edge of a burning light
I saw you standing in the corner
Come to me again, in the cold, cold night
You make me feel a little older,
Like a full grown woman might
But when you're gone I grow colder,
Come to me again in the cold, cold night
I see you walking by my front door
I hear the creaking of the kitchen floor
I don't care what other people say
I'm going to love you anyway
Come to me again in the cold, cold night
I can't stand it any longer
I need the fuel to make my fire bright
So don't fight it any longer
Come to me again in the cold, cold night
And I know that you feel it too,
When my skin turns into glue
You will know that is warm inside
And you'll come run to me,
In the cold, cold night.
WHITE STRIPES
Experimenting with cutting before our visit to Hartland in Devon.
The images were based on our visit to Northumberland - Low Newton by the Sea and evolved from some monoprints I developed based on watercolour sketches.
Bebida bem popular nas ruas de Santiago. É uma mistura de pêssegos em calda, suco de pêssego e trigo hidratado. Não gostei, mas tem que experimentar!
Ecilop experiments. Solar powered quadrocopter.
We have started experiments with solar powered multirotor. Latest news and photos about our experiment here: goo.gl/yW2Ml
I've been studying rock and other natural surfaces for a long time. I try to produce a "random" style in my shapes and their surfaces, and this series seems to show that I've accomplished what I'm after. The "beauty" of these pieces is perhaps up to debate, but I think at least I've accomplished an effect that transcends the human touch. There is little evidence here of "my" work or my imposition of form or surface on the natural ingredients.
This is a very thin piece of terracotta (about 3-5 mm thick) that I rolled out with a collection of mosses and lichens from New Hampshire. The pebbles that accumulate at the bottom of these growths stuck to the terracotta and made an interesting pattern of their own. After the bisque firing I fired twice, once without pigment and once with pigment.
I don't think I'll serve anything on this (the piece is to thin to carry to the table and its surface too irregular--you'd never be able to get it clean) but it would be nice to put dried flowers or grasses across.
Expérimentation macro au 500 à miroir à main levée. Recherche de flou de couleurs et de composition.
Magical Experiments or, Science in Play by
Arthur Good, translated by Camden Curwen and Robert Waters, Philadelphia: David McKay © 1894
329 pages (including an index)
Engraved frontispiece and numerous original French woodcuts, signed, Poyet.
Loosely translated from French 'Science Amusante' of M. Arthur, first published late 19th century, the books were added to and stayed popular for half a century. This volume contains about 150 experiments described and illustrated.
Original publisher's brown cloth over boards, spine and front cover titles stamped in black on gilt panels, various science experiments stamped in black on spine and front cover.
Size: 21 x 14 cm
Previous owner's stamp on front free endpaper
www.worldcat.org/title/magical-experiments-or-science-in-...
RL-164/Magical-Ex78periments-Arthur-Good-1890's
Experimenting with camera settings (exposure, this time...) and converting a few vinyl singles to digital while I was at.
Staggered across this scene when I was NOT supposed to be shooting on my day off. I have a dubious feeling about this kind of photography as there is a whole stereotype around poverty I am not that interested in but the image just got the best of me ...
La agorafobia es miedo al miedo. Los agorafóbicos temen las situaciones que puedan generarles sensaciones de ansiedad, miedo a la propia activación fisiológica y a los pensamientos sobre las consecuencias de experimentarlas, como la idea de morir.
I found myself equipped this morning with one very scratchy pen and my new set of paints. It all went well until I tried to add a face.
Blancos, negros y grises juntos.
Una Ampliadora Blanco y negro
tijeras, azucar, cartones, tapas de portarollos y lapices
Moody Experiment.
Some photos from a place you might already recognize, as there're many photos of it here. This time I tried to make something different out of the familiar views. After all, this is a landscape that probably is not scenic this time of the year. At least not for me, not in the usual sense. But of course there's a certain mood -- which might be something that comes out of myself, but I'm sure not without some stimulus, outside, it is really there, somehow. Can it be pictured? Can it be conveyed? How can you depict the actual first impression?
On a technical note: All done with old 50mm f/1.7 lens, all wide open, I used a Kenko nostaltone blue for diffusion and color shift. „Enhanced" in LR & PS.