View allAll Photos Tagged experimenting
The trail from Guise Bay to Experiment Bight.
(I did a trip to Cape Scott in April, and the weather was warm and sunny. I didn't even need the tent at night, the weather was great).
Trying out a technique I saw on TV a few days ago. Looks like I need to refine it a bit... or maybe a lot....
I've had this rock around my yard for years and I deceided I wanted to do something with it...and make it a macro experiment at the same time. So I sat and stared at it on my workbench for a while.....My thought was to plant various mosses (to simulate ferns and grasses) and baby pines. Then do some macro and see how close
I can make it look to a mountain peak...what do you think???
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
Cinetaxis Experiment 2 was created in 2007 in a disused warehouse in the East End of London. The project explores audience interaction with audio visual installations and physical performance drawn from the observation of antropods.
Read complete comic online -
researchexperiment.smackjeeves.com
Buy printed copy online -
www.etsy.com/listing/71199465/research-e xperiment
temps de pause : 8 sec. / speed : 8 sec
flash déclenché à distance en haut à gauche / flash with trigger up right.
lampe frontale dans ma main / headlight in my hand
Experimenting. My suite was the only suite that knows how to put up cobwebs. The other suites' "webs" look more like badly sprayed whipped cream. :)
Might delete later.
Trying different Dapol Easi-Fit magnetic couplings on Kato N gauge RhB Lb-v wagons.
9/ Dapol medium couplings, wagons on 150 mm radius curved track.
This one is exactly 1/3 sky but i don't think it works well as the front fence doesn't fit on the 1/3 line at the bottom, which seems to throw the balance off.
What do you think?
This has actually been a very interesting experiment - so thanks for your comments and suggestions!
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
Sometimes a swatch gives you alot of information.
I was experimenting modified one row button hole from Nancie M Wiseman. I couldn't believe only 2 bind off button hole can get 7/8" button through. 5 bind off button hole can get 1.25" button go through.
Little new learned things like this made me happy.
Experiment
In a shopping center parking lot took seven handheld shots, auto exposure (aperture priority), ISO 200, Nikon D200, 17-35 zoom @ 35mm (effectively 52mm), color matrix metering (spot - let it fall wherever):
1 - 1/1250 sec f9.0
2 - 1/900 sec f9.0
3 - 1/1250 sec f9.0
4 - 1/1250 sec f9.0
5 - 1/1600 sec f9.0
6 - 1/1600 sec f9.0
7 - 1/1250 sec f9.0
No special settings in PTGui - let it automatically do everything - no adjustments.