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Lego Electric Chair Texas execution room brick AFOL MOC creator ATANA studio Anthony SÉJOURNÉ

Landscape Composition; New Rochelle, New York; (c) Diana Lee Photo Designs

AP photo by Eddie Adams

 

Execution of a Viet Cong Guerrilla 1968

 

With North Vietnam’s Tet Offensive beginning, Nguyen Ngoc Loan, South Vietnam’s national police chief, was doing all he could to keep Viet Cong guerrillas from Saigon. As Loan executed a prisoner who was said to be a Viet Cong captain, AP photographer Eddie Adams opened the shutter. Adams won a Pulitzer Prize for a picture that, as much as any, turned public opinion against the war. Adams felt that many misinterpreted the scene, and when told in 1998 that the immigrant Loan had died of cancer at his home in Burke, Va., he said, “The guy was a hero. America should be crying. I just hate to see him go this way, without people knowing anything about him.”

www.digitaljournalist.org/issue0309/lm12.html

  

Unused.

 

The second round of hangings during a mass execution of Serbian civilians sometime during the second invasion of Serbia in 1915 by Austro-Hungarian and Bulgarian armies. Note the bodies from the first round lying in the foreground. The gallows were so wide that the photographer could not fit the entire structure in the photograph.

 

The Austrian soldiers queued to have their pictures taken with the bodies of the unfortunate Serbs and further examples are easily found with web-search. Finding photographs of German soldiers supervising mass-executions and posing with executed civilians during the Great War period are virtually non-existent.

„Cmentarz Powstańców Warszawy założony w 1945 r. jest największą nekropolią powstania warszawskiego, które wybuchło 1 sierpnia 1944 r. i trwało do 2 października 1944 r.

Spoczywają tu szczątki ok. 104 tysięcy osób. We wspólnych mogiłach pochowano około 100 tysięcy zwłok i prochów ludzkich cywilnych mieszkańców stolicy oraz żołnierzy Armii Krajowej i innych formacji zbrojnych poległych w walkach, zamordowanych w masowych egzekucjach i spalonych podczas 63 dni powstania warszawskiego.

Zwłoki i prochy poległych ekshumowano i przeniesiono na ten cmentarz z różnych dzielnic Warszawy. Pierwszych pochowań dokonano 30 listopada 1945 r.W 1973 r. w obrębie mogiły kryjącej prochy około 50 tysięcy osób wzniesiony został pomnik Polegli Niepokonani autorstwa artysty rzeźbiarza prof. Gustawa Zemły.” ========================================IN ENGLISH : "Warsaw Insurgents Cemetery founded in 1945, is the largest necropolis of the Warsaw Uprising, which broke out on 1 August 1944 and lasted until October 2, 1944

Buried there are the remains of approximately 104,000 people. Buried in common graves around 100,000 corpses and human ashes civilian residents of the capital and the soldiers of the Home Army and other armed formations killed in the fighting, killed in mass executions and burned during the 63 days of the Warsaw Uprising.

The bodies and the ashes of the dead were exhumed and transferred to the cemetery from different districts of Warsaw. The first buried were made on Nov. 30, 1945 rW 1973 within the graves of hiding drugs around 50,000 people erected a monument to the Fallen Way by sculptor prof. Gustav Zemła. "

WARNING - SOME PEOPLE MAY FIND THE FOLLOWING TEXT UPSETTING.

 

This is a real (although, happily, now disused) execution chamber. It is in the Crumlin Road prison in Northern Ireland. The whole prison is now superseded and instead is a tourist attraction. The procedures for an execution brought to condemned man to a holding cell for a few days, where he could do the best he could to prepare himself. He was told that the execution chamber was in another part of the prison and he expected to eventually walk to it. But in reality it was behind a dummy cupboard which, at the appointed time, was crashed to one side to reveal the sight you see here. He was then marched forward and dealt with. The practised team took less then half a minute to complete the task. 17 criminals died here.

 

I expected to see a central noose (the loop of rope above it was tied to pull apart as the man fell, part of the "long drop" technique that Britain developed, designed to kill "instantly" instead of strangle). The length of rope was dependent on the prisoner's weight; the lighter the man, the longer the rope. What I didn't expect were the two side nooses. These are straps to hold on to (much as you get of trains and trams). Two officers stood either side of the condemned man and stopped him hopping about or collapsing. When the trapdoor crashed open (and the release of the safety lock and trapdoor is terrifyingly sudden and noisy) they obviously didn't want the officers to also fall into the hole.

Execution site Herzogenbusch concentration camp

Oil on board, 60 x 35 cm, A.D. 2012

The ultimate humiliation: the nude, flayed corpses of Johan and Cornelis de Witt on public display in the Groene Zoodje, the execution ground on the Vijverberg in the middle of The Hague. On 20 August 1672 they were assassinated by their political opponents. Johan had been the most powerful man in the Republic for close to twenty years, steadfastly supported by his brother Cornelis. But they were held responsible for everything that went wrong in the year 1672, known as the 'Year of Disaster'.

AN IN DEPTH LOOK AT CORVUS CORONE

  

LEGEND AND MYTHOLOGY

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.

  

A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002.

  

They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.

  

A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.

  

Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.

  

Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.

  

Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps.

  

They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....

  

I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

  

A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.

  

I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation.

  

The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.

  

Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

  

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Photograph taken at an altitude of Ninety eight metres at 13:56pm on a mixed springtime afternoon of sunshine and showers on Wednesday 26th May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.

  

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Nikon D850 Focal length 460mm Shutter speed: 1/400s Aperture f/11.0 iso400 Tripod mounted with Tamron VC Vibration Control set to position 3. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Spot metering White balance on: Auto1 (4650k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

    

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LATITUDE: N 51d 28m 28.62s

LONGITUDE: E 0d 8m 10.38s

ALTITUDE: 98.0m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 92.1MB

PROCESSED (JPeg) FILE: 35.90MB

   

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PROCESSING POWER:

  

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

  

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

   

Walls Unit, Huntsville, TX

It`s not to late to become a vegetarian

The blue door on the right marks the old execution shed where prisoners were hanged

Edouard Manet - the execution of emperor Maximilian (last version, Mannheim) [1868-69]

Edouard Manet - Die Erschiessung Kaiser Maximililians von Mexico [1869]

Städtische Kunsthalle Mannheim

 

Emperor Maximalian stands between his generals Mejia and Miramon, on June 19th of 1867.

 

Who wants to know more about the historical background, why archduke Maximilian of Habsburg (Hapsburg, Habspurg) entered in the Mexican adventure may read the following article:

 

www.holocaustianity.com/hysteria/maximilian.html

 

More about the history of Manet's paintings:

1) en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian

2) www.moma.org/interactives/exhibitions/2006/Manet/

or

www.moma.org/interactives/exhibitions/2006/Manet/detail_f...

1883 R Swatow - Mee Choung - Execution ground

 

Shàntóu (Chinese: 汕头), also known as Swatow or Suátao, is a prefecture-level city on the eastern coast of Guangdong province, People's Republic of China, with a total population of 5,391,028 as of 2010 and an administrative area of 2,064 square kilometres (797 sq mi).

"When he was near death, he said, “It is my choice to die at the hands of mortals with the hope that God will restore me to life; but for you, there will be no resurrection to life.”' – 2 Maccabees 7:14, which is part of today's first reading at Mass.

 

This sculpture, depicting Jean d'Aire is by Rodin, and it is part of the sculpted tableau called 'The Burghers of Calais'. It stands in the Main Quad of Stanford University.

A view from the execution yard in Auschwitz.

 

The place of execution was the yard between Blocks 10 and 11, which was sealed off by two walls.Here there was a wall, specially painted black, built of wood, sand and insulating board. At the foot of the wall, sand was sprinkled to soak up the blood of the victims. This wall was known as the “Wall of Death” or “Black Wall”.

Launceston Castle is located in the town of Launceston, Cornwall, England. It was probably built by Robert the Count of Mortain after 1068, and initially comprised an earthwork and timber castle with a large motte in one corner. Launceston Castle formed the administrative centre of the new earldom of Cornwall, with a large community packed within the walls of its bailey. It was rebuilt in stone in the 12th century and then substantially redeveloped by Richard of Cornwall after 1227, including a high tower to enable visitors to view his surrounding lands. When Richard's son, Edmund, inherited the castle, he moved the earldom's administration to Lostwithiel, triggering the castle's decline. By 1337, the castle was increasingly ruinous and used primarily as a gaol and to host judicial assizes.

 

The castle was captured by the rebels during the Prayer Book Rebellion of 1549, and was garrisoned by the Royalists during the English Civil War in the 17th century. Towards the end of the civil war it was stripped for its building materials and rendered largely uninhabitable. A small gaol was erected in the centre of the bailey, which was also used for executions. The castle eventually became the county gaol for Cornwall, but was heavily criticised for its poor facilities and treatment of inmates. By 1842, the remaining prisoners had been moved to Bodmin Gaol and the site was closed, the castle being landscaped to form a park by the Duke of Northumberland. During the Second World War, the site was used to host United States Army soldiers and, later, by the Air Ministry for offices. The ministry left the castle in 1956 and the site was reopened to visitors.

 

In the 21st century, Launceston is owned by the duchy of Cornwall and operated by English Heritage as a tourist attraction. Much of the castle defences remain, including the motte, keep and high tower which overlook the castle's former deer park to the south. The gatehouses and some of the curtain wall have survived, and archaeologists have uncovered the foundations of various buildings in the bailey, including the great hall.

 

Bain News Service,, publisher.

 

Schlageter execution

 

[between ca. 1920 and ca. 1925]

 

1 negative : glass ; 5 x 7 in. or smaller.

 

Notes:

Title from unverified data provided by the Bain News Service on the negatives or caption cards.

Forms part of: George Grantham Bain Collection (Library of Congress).

 

Format: Glass negatives.

 

Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html

 

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

 

Part Of: Bain News Service photograph collection (DLC) 2005682517

 

General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

 

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.36068

 

Call Number: LC-B2- 6022-13

 

25th Ann. G.I. Joe figures

 

All Photos © Jason Jerde - All Rights Reserved

Please do not copy, distribute or use my photos in any way, without consent.

Execution Rocks Lighthouse

Pelham Bay Park

The Bronx, NY

December 27, 2022

The Best from Fantasy and Science Fiction, Fifteenth Series

Edited by Edward L. Ferman

Doubleday & Company, 1966

248 pages

Jacket by Donald and Ann Crews

 

From the dust jacket:

Vivid writing, limitless imagination, compelling stories - these are the distinctive qualities of the Hugo award-winning magazine Fantasy and Science Fiction. Since its inception, it has brought to readers the widest selection of imaginative fiction, embracing both wildly improbable fantasies and stories of solid scientific speculation.

 

This fifteenth annual collection is a splendid example of the magazine's diversity. It includes tales about -

 

* The trial and execution of the future…

 

* The Welsh librarian who hilariously encounter the Sport of Kings…

 

* The strangest performance of Hamlet ever seen on the stage…

 

* The hunt of "Ikky", the beast of the Venus seas.

 

* The King of New York and his memorable trip downtown…

 

Contents:

"The Doors of his Face, the Lamps of His Mouth" - Roger Zelazny

"Rake" - Ron Goulart

"The History of Doctor Frost" - Roderic C. Hodgins

"Four Ghosts in Hamlet"- Fritz Leiber

"Keep Them Happy" - Robert Rohrer

"A Murkle for Jesse" - Gary Jennings

"Eyes Do More Than See" - Isaac Asimov

"The House the Blakeneys Built" - Avram Davidson

"The Eight Billion" - Richard Wilson

"Something Else" - Robert J. Tilley

"Aunt Millicent at the Races" - Len Guttridge

"Sea Bright" - Hal R. Moore

"Hog-Belly Honey" - R. A. Lafferty

"No Different Flesh" - Zenna Henderson

"Love Letter from Mars" - John Ciardi (poem)

"Treat" - Walter H Kerr (poem)

"From Two Universes" - Doris Pitkin Buck (poem)

Five cartoons by Gahan Wilson

 

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An "academical execution". I am no expert in studentic corporations but I think this shot was taken at the instance of a big studentical meeting around 1900.

 

太平境馬雅各紀念教會 - 願神與我們同在 / 台灣的太平之境就在身邊 - 耶穌基督必定會回來

THAI-PENG-KENG MAXWELL MEMORIAL CHURCH - Hopes the god with we exist / The boundary of peace in side of the Taiwan - Jesus Christ will come back surely

IGLESIA DEL MONUMENTO DEL MAXWELL DE THAI-PENG-KENG - Espera que exista dios con nosotros / El límite de la paz en el lado del Taiwán - El Jesucristo se volverá seguramente

太平の境の馬ヤコブは教会を記念します - 神と私達がとあることを望みます / 台湾の太平の境ある身の回り

THAI-PENG-KENG MAXWELL DENKMAL-KIRCHE - Hofft, dass der Gott mit uns existieren / Die Grenze des Friedens in der Seite des Taiwans - Jesus Christus kommt sicher zurück

THAI-Peng-Keng MAXWELL Memorial Church - Espère que le Dieu avec nous existons / La frontière de la paix au côté de la Taiwan - Jésus-Christ reviendra sûrement

 

Tainan Taiwan / Tainan Taiwán / 台灣台南

 

夏川里美 作詩 作曲 / Satomi Natsukawa poetry & composition

{搖籃曲 / Lullaby / 子守歌}

 

{View large size on fluidr}

 

魚眼抓狂演出

The fish eye stresses the crazy performance

MINOLTA XE with UW ROKKOR-PG 1:9.5 f=18mm Fisheye

 

於1865年5月27日,英國母會首任宣教師馬雅各醫生(Dr. James L. Maxwell, M. D.)奉使來台,選定台灣府(台南)為英國長老教會台灣宣教中心。

 

In May 27, 1865, the British tthe nation's mother met first elected missionary Maya each doctor (Dr. James L. Maxwell, M.D.) is assigned a mission comes to Taiwan, to designate that Taiwan government office (Tainan) is the Britain presbyterian church Taiwan propaganda center.

 

En el 27 de mayo de 1865, los Británicos el nation' el maya primero elegido hecho frente madre del misionario de s que cada doctor (el Dr. James L. Maxwell, M.D.) se asigna a misión viene a Taiwán, a designado que la oficina gubernamental de Taiwán (Tainan) sea el centro de la propaganda de Taiwán de la iglesia presbiteriana de Gran Bretaña.

 

1865年5月27日に、英国は初代の宣教師の馬ヤコブ医者(のDrができます. James L. Maxwell, M. D.)命を受けて外国へ行ってくる台、イギリスの長老に台湾に宣伝と教育センターをわかるように教えるように台湾府(台南)を選定します。

 

In 27 Mai 1865, die britische Nation tDie Mutter trafen erste gewählte Missionar Maya jeder Arzt (Dr. James L. Maxwell, MD) zugeordnet ist einer Mission kommt zu Taiwan, dass Taiwans Regierung Büro (Tainan) zu bezeichnen, sei Großbritannien Presbyterian Church Taiwan Propaganda Zentrum.

 

Le 27 mai 1865, la mère de la nation tle britannique a rencontré d'abord été élu missionnaire Maya chaque médecin (Dr. James L. Maxwell, MD) est chargé d'une mission vient à Taiwan, pour désigner ce bureau du gouvernement de Taïwan (Tainan) est la Grande-Bretagne Église presbytérienne centre de propagande Taiwan.

  

{My Blog/台南運河風情-歷史與生活}

{My Blog/The character and style of the Tainan transport river-The history and life}

{Mi blog el carácter de /The y el estilo de la Tainan transportan el río - La historia y la vida}

{Mein Blog /The-Buchstabe und Art des Tainans transportieren Fluss - Die Geschichte und das Leben}

 

{My BLOG/管樂雅集台南孔廟精彩演出-2010楊老大生日快樂}

{Wind instrument music elegant gathering Tainan Confucian temple splendid performance - Saxbai Yang happy birthday 2010 }

{Funcionamiento espléndido de acopio elegante del templo confuciano de Tainan de la música del instrumento de viento - Feliz cumpleaños 2010 de Saxbai Yang}

{管楽の風雅に集う台南孔子廟のすばらしい公演-2010楊は非常に誕生日おめでとうございます}

{Windinstrument-Musik elegante erfassenherrliche Leistung des tainan-konfuzianischen Tempels - Saxbai Yang alles Gute zum Geburtstag 2010}

{Exécution splendide sourcilleuse élégante de temple confucien de Tainan de musique d'instrument de vent - Joyeux anniversaire 2010 de Saxbai Yang}

 

{My Blog / 不斷成長與進步的喜悅-管樂雅集}

{My Blog / The joy of the Grows unceasingly and the progress - Wind instrument music elegant gathering}

{Mi blog / La alegría del crece incesante y el progreso - Reunión elegante de la música del instrumento de viento}

{Mein Blog / Die Freude an wächst fortwährend und der Fortschritt - Elegante Versammlung der Windinstrument-Musik}

 

One method the Nazis used to discourage rebellion was the shooting of hostages, especially women and children, in retaliation for acts of resistance. Five women, about to fall victims to a firing squad, were among 100 Slovenians shot in the village of Celje in 1942. The Nazis believed that the shooting of women and children would be especially effective in discouraging resistance activity. Yet, even such atrocities did not completely halt the actions of the Yugoslavian partisans.

Photo: Lydia Chagoll / United States Holocaust Memorial Museum Photo Archive

www.holocaustchronicle.org/staticpages/319.html

These photos of the aftermath of Mussolini's execution at the end of WWII were in the final pages of my Uncle Louis' WWII photo album. I know he was in North Africa and Italy, not sure where he was at the end of the war. These are actual photographs he had, not just something he ripped out of a magazine. I read somewhere that large numbers of these photos were sold to American GI's.

33202 runs round its train at Rawtenstall during the East Lancs Railway & EWS joint Stay of Execution Gala which featured visiting withdrawn EWS locomotives.

Execution of a contract. Negotiation of terms. Legal implication.

Background

 

The Hydra Medic comes with a gun pointed at you. Interesting interpretation of the Hippocratic Oath.

 

Hydra (often capitalized as HYDRA) is a fictional terrorist organization appearing in American comic books published by Marvel Comics. Its name alludes to the mythical Lernaean Hydra, as does its motto: "If a head is cut off, two more shall take its place," proclaiming the group's resilience and growing strength in the face of resistance.

 

Originally a Nazi organization led by the Red Skull during World War II, Hydra is taken over and turned into a neo-fascist international crime syndicate by Baron Wolfgang von Strucker.*

 

Hydra agents often wear distinctive green garb featuring a serpent motif. Hydra's plans for world domination are regularly foiled by Marvel Universe superheroes and the intelligence organization S.H.I.E.L.D.

 

Hydra first appeared in Strange Tales #135 (August 1965). In its original continuity, it was headed by nondescript businessman Arnold Brown, who was killed when S.H.I.E.L.D. apparently crushed the organization.

 

Hydra soon returned, however, headed by Baron Wolfgang von Strucker, with the support of the Nazi Red Skull; Hydra's changing origin is one of Marvel's earliest retcons.

 

After its initial defeat, several of its branches, such as its scientific branch A.I.M. (Advanced Idea Mechanics) and the Secret Empire, became independent.

 

Organization

 

"Hail, Hydra! Immortal Hydra! We shall never be destroyed! Cut off a limb and two more shall take its place! We serve none but the Master—as the world shall soon serve us! Hail Hydra!"

 

—The Hydra oath from Strange Tales #135 (Aug. 1965)

 

Hydra mythos say that before mankind, a cabal of immortal hooded reptoids came to Earth, planning to start a legacy of evil.

 

After the arrival of humans, the reptoids corrupted an Asian secret society of geniuses known as the Brotherhood of the Spear, which resulted in that group being called "the Beast" by the Brotherhood of the Shield.

 

The corrupted Brotherhood of the Spear spread out, ingraining itself like a multi-headed serpent into all facets of human society, from science to magic to politics.

 

As time wore on, the organization's name changed and it included the Cathari sect, as well as the Thule Society. The Nazi sub-group, funded by the Thule Society, is brought into the main Hydra fold after the end of World War II.

 

One of the Nazi members, Baron Wolfgang von Strucker, quickly seized control of the Hydra organization and restructured it to be dedicated to world domination through terrorist and subversive activities on various fronts, resulting in a global neo-fascist New World Order.

 

To this end, Baron von Strucker used his personal fortune, based on his recovered hoard of Nazi plunder from World War II, and funds established by the original leaders of the Japanese secret society that became part of the old Hydra.

 

However, after von Strucker's first death, Hydra broke into factions (such as A.I.M., the Secret Empire, THEM, etc.) that each adopted its own reorganized modus operandi. Eventually, this fragmentation would lead to a Hydra civil war, even after von Strucker's resurrection.

 

According to the files discovered by Nick Fury, Hydra is split into four independent sectors:

 

International Corporations (Fronts created using a legitimate business to conceal illicit activities)

 

Government Assets (Individuals within a national government's chain of command. Long-term resources that benefit from the minimal turnover inherent in bureaucracies)

 

Global Criminal Groups (Subsidiary organizations created for short-term goals. Also used to deflect unwanted interest from the global law enforcement community)

 

Intelligence Gathering (S.H.I.E.L.D. and all their underlying resources)

 

Hydra regards S.H.I.E.L.D. as their "most valuable proactive intelligence asset" while its government assets include the U.S. Department of the Treasury, the FBI, and the NSA, as well as the Canadian Security Intelligence Service and the GRU and SVR of Russia.

 

Nick Fury has theorized that his previous successes against Hydra were either feints to make him believe that he is making headway against the group or manipulation by Hydra to eliminate any possible competition or possible rogue sub-organizations.

 

In the aftermath of the Secret Invasion and Baron von Strucker's second death, there followed a series of power struggles, which eventually left Hydra without a formal leader.

 

The splintering of Hydra accelerated, with various cells operating seemingly independently.

 

Eventually, the Red Skull, returning to his Nazi beliefs, started building a new Hydra from the ground up. However, this brought him into conflict with Baron Zemo, who is attempting to control what remains of the old Hydra.

 

The Red Skull convinced his now-aware Cosmic Cube, Kobik, to cooperate with S.H.I.E.L.D. in creating Pleasant Hill and discovered that Kobik could alter people's memories to make them believe they had been members of the Hydra of which the Red Skull had told them stories.

 

However, the Red Skull failed to realize that the Hydra he is building and the Hydra Kobik had created false memories of were two different things, with the now-Hydra Captain America disobeying the Red Skull and planning something else.

 

Technology

 

As advanced as any on Earth, Hydra's technology is based in part on artifacts of the alien Gnobians discovered by Baron Von Strucker in 1944.

 

Hydra uses advanced experimental vehicles and devices along with conventional military vehicles, seacraft, aircraft, pistols and standard concussive force blasters, and communications equipment.

 

Hydra personnel are issued cowled jumpsuits, which have included a number of designs over the years. Originally, the jumpsuits were green with a yellow H design, and later incorporated a red and brown color scheme, but in time were changed back to green with a serpent motif.

 

They tested on James Buchanan Barnes, creating the Winter Soldier in the process. The Winter Soldier then went on to kill over a dozen unnamed people in the span of 50 years.

 

Fictional organization history

 

Founding

 

Hydra's history as depicted in Marvel Universe continuity is a long, tumultuous and convoluted one, spanning millennia, and going back to the Third Dynasty of Egypt, with all references to the ancient group disappearing around the Renaissance.

 

The modern incarnation of Hydra originates when the Nazi spymaster known as the Red Skull took control of an Asian secret society, the Brotherhood of the Spear, merging it with a German occult organization, the Thule Society.

 

Some time before 1943, the Red Skull started creating a Hydra cell in Japan, merging several underground Japanese secret societies, including a faction of the Hand, with several fugitive members of Nazi Germany and Imperial Japan, to become the modern Hydra.

 

This incarnation of Hydra operated in Japan, directed by a Japanese militarist called the Supreme Hydra, and in Germany, under the control of the Red Skull and Arnim Zola.

 

However, after joining Hydra, Baron Wolfgang von Strucker seized control of the organization and constructed the Hydra base Tsunami - called Hydra Island.

 

The original Hydra Island is invaded by the Leatherneck Raiders and the Japanese Samurai Squad, and the base is destroyed.

 

Strucker then slowly steered the organization towards the goal of world domination. That campaign brought him into conflict with Charles Xavier and the future Magneto, among others.

 

Conflict with S.H.I.E.L.D.

 

Once Hydra became more brazenly public in its operations, this led to the creation of the original agency known as S.H.I.E.L.D., specifically to counter Hydra's threat to world security.

 

After Hydra apparently assassinated S.H.I.E.L.D.'s first executive director, Col. Rick Stoner, Nick Fury is appointed as executive director. Hydra agents attempted to assassinate Nick Fury before his appointment as S.H.I.E.L.D.'s director, but failed.

 

After several failed Hydra campaigns, including the failure of the world blackmail attempt using the Betatron Bomb, the creation of the Overkill Horn (designed to detonate all nuclear explosives worldwide), and the bio-engineered "Death-Spore" Bomb, which led directly to Strucker's first death at the hands of Fury, and several deceived Hydra operatives.

 

In the wake of Strucker's first death, the surviving elements of Hydra broke into factions that each adopted its own reorganized modus operandi.

 

Several of these factions developed "super-agents" that would occasionally break away in turn to become freelance operatives, or, in some rarer cases, superheroes, such as the original Spider-Woman.

 

During this era, Hydra's collective threat is mitigated by not only occasionally infighting among themselves, but their operating policy of punishing failure with death, often led to their killing of each other more often than their intended victims. Hydra frequently found itself defeated by S.H.I.E.L.D., various superheroes, and even apparently unpowered civilians, like the motorcycle racing team, Team America.

 

Strucker's Return

 

Strucker is revived, and he reunites several of the Hydra factions under his leadership, renewing his campaign against S.H.I.E.L.D. and humanity for several more years.

 

Despite his reorganization of the group, various independent Hydra factions continued to operate around the Marvel Universe, and a Hydra civil war would later result.

 

While Baron Helmut Zemo had Strucker placed in stasis for his own ends, the Gorgon and Strucker's second wife, Elsbeth von Strucker, mystically created a clone of Strucker, whom they set up to fail, allowing for a public execution of him, after which, as part of an alliance with the Hand, they utilized an army of brainwashed superheroes and supervillains, including Northstar and Elektra, to launch a massive assault on S.H.I.E.L.D. The assault is repelled, and Wolverine went on to kill the Gorgon.

 

Hydra later planned an all-out attack on the United States by smuggling missiles into New York for use in a planned bio-weapon assault on the Ogallala Aquifer.

 

They formed a distraction through using a team that had the duplicated powers of several Avengers, (Iron Man and Captain America, and former Avengers Thor and Hawkeye), but were inevitably foiled by Spider-Man and the other New Avengers.

 

Civil War

 

Spider-Woman (Jessica Drew) is captured by S.H.I.E.L.D. during the events of Civil War, Hydra stormed the S.H.I.E.L.D. Helicarrier and frees her.

 

Spider-Woman, a S.H.I.E.L.D. agent and member of the Avengers, had been working undercover for Hydra under the orders of Nick Fury, now deposed as Director of S.H.I.E.L.D. following the events of Secret War, to whom she is still loyal.

 

Hydra revealed that they knew of her betrayal, and wanted her to replace the Viper as their current leader, as she is unstable. Spider-Woman refused their offer, destroying in an explosion the Hydra base to which she had been taken.

 

As Spider-Woman revealed her true identity as Queen Veranke of the Skrull Empire, Hydra is left with a void in its control organization, filled by Congressman Woodman.

 

Under his rule, the young Hardball, empowered by the Power Broker, is appointed as a double agent, acting both as an Initiative recruit and as a Hydra spy, with the role of gathering information about the Initiative and doing errands for Hydra in exchange for secrecy and the expensive health care needed by his brother, a former UCWF wrestler, who is crippled in the ring.

 

Hardball, however, deeply hurt and shamed by the compromises Woodman forced him to endure and Komodo's attempt to bail him out of Hydra by telling his secrets to his field leader Gravity, mercilessly killed Congressman Woodman in front of his subordinates.

 

His ersatz coup d'état paid off, and Hardball is appointed as the new Supreme Leader of the organization, severing every tie with his former life.

 

His joining Hydra, however, is revealed to be caused simply by his having nowhere else to go. He surrendered to the Shadow Initiative, and is sent to the Negative Zone prison, destroying his Hydra cell.

 

Secret Invasion

 

After the events of "Secret Invasion", Nick Fury discovered that S.H.I.E.L.D. is under the control of Hydra, and apparently had been from the beginning.

 

He also discovered a number of organizations under Hydra's alleged control, including the United States' FBI Science and Technology Branch, the NSA, and the U.S. Department of the Treasury, along with the Russian Main Intelligence Directorate and Foreign Intelligence Service, and the Canadian Security Intelligence Service.

 

Meanwhile, after having destroyed Hydra's undersea headquarters, Ichor, due to its having been infiltrated by the Skrull invasion force, Strucker rebuilt Hydra from the ground up, and after his discovery that Fury had learned the truth, reconvened the other main heads of Hydra: the Viper, Madame Hydra, Kraken, and the Hive, as well as resurrecting the Gorgon for the purpose of showing Hydra's "true self" to the world.

 

Hydra (alongside A.I.M.) later appeared in an alliance with H.A.M.M.E.R. Following the defeat of Norman Osborn, H.A.M.M.E.R. disbands, with Madame Hydra using the remaining members to reinforce Hydra.

 

After the existence of Pleasant Hill, a top-secret community where Maria Hill incarcerated various supervillains (after brainwashing them to believe they were regular civilians via a sentient Cosmic Cube named Kobik), is exposed and subsequently shut down, the Red Skull's clone used the subsequent backlash in the intelligence community to assemble a new version of Hydra, starting with Sin and Crossbones.

 

Although his efforts were still focused on rebuilding the organization, he had already scored a significant victory, after the sentient Cosmic Cube, having been "raised" by the Red Skull in the form of a young girl, to see Hydra as a great organization, altered Steve Rogers' memories so that he believed he had been a Hydra sleeper agent since childhood.

 

Secret Empire

 

"Secret Empire" is about Hydra's goal, as the mind-altered Steve Rogers uses the Planetary Defense Shield, to entrap the Chitauri opposition, stranding them beyond the Shield.

 

Baron Zemo would use the Darkhold to enhance Blackout's powers to entrap all of Manhattan within the Darkforce, following the fight between the superheroes there and Baron Zemo's Army of Evil.

 

Having taken political and military control of the United States, Hydra proceeds to round up and incarcerate all Inhumans, and all mutants are condemned to the western California territory of New Tian. Becoming the Hydra Supreme, Captain America forms Hydra's version of the Avengers, consisting of the Scarlet Witch who is possessed by Chthon, the Vision who is suffering from an A.I. Virus created by Arnim Zola, Odinson, the Taskmaster, Deadpool, Eric O'Grady's Life Model Decoy counterpart the Black Ant, and Doctor Octopus' form of the Superior Octopus. Throughout this period, Hydra encountered resistance from the Underground.

 

Sam Wilson, the original Falcon, and currently the new Captain America, brought hope to the resistance with a plan to bring their real Captain America back by using the remaining Cosmic Cube, under Scott Lang and the Winter Soldier's hand on the Hydra Supreme's Cosmic Cube-infused Hydra suit.

 

As Hydra began to fall, most of Hydra's Avengers members, Odinson, the Taskmaster, and the Black Ant, began to betray Hydra, joining the resistance, while the Vision and the Scarlet Witch were freed from the villains' control.

 

Deadpool came to regret his betrayal of his friends, having killed Phil Coulson and Emily Preston and having lied to Emily's family, with Maria Hill having given him a painful lesson.

 

Kobik returned the real Captain America with his memories intact, and with the Hydra Supreme defeated, Hydra's reign over the United States came to an end, with major casualties being Rick Jones, Phil Coulson, and the Black Widow, who had been killed.

 

The Hydra Supreme is imprisoned in the Shadow Pillar as he is visited by Captain America to bring up the fact that he will stand trial for his crimes. After leaving, the Hydra Supreme is chained up as one of the guards whispered "Hail Hydra" into his ear.

 

Due to the Hydra Supreme's imprisonment, Baron Zemo had to keep Hydra active. He planned to spring the Hydra Supreme from the Shadow Pillar, only to meet opposition from the Punisher in the War Machine Armor. After the attempted jailbreak is thwarted, the Hydra Supreme is apprehended, while Baron Zemo got away.

 

Spider-Geddon

 

During the "Spider-Geddon" storyline, Arnim Zola led a bio-duplicate of the Gorgon and some Hydra agents to the Superior Octopus' lair, where Arnim Zola tried to get the Superior Octopus to help rebuild Hydra.

 

The Superior Octopus turned him down, stating that he had upheld his bargain to Hydra, as Arnim Zola claimed that one does not leave Hydra until their death. After defeating the Hydra Agents, the bio-duplicate of the Gorgon, and Arnim Zola, the Superior Octopus had Arnim Zola spread the word to Hydra to never come after him again.

 

Iron Man 2020

 

During the "Iron Man 2020" event, Pepper Potts infiltrates Hydra Base Omicron to look for Tony Stark's biological father Jude and get a DNA sample from him. She also meets a rookie Hydra agent named Robbie Fleckman.

 

After a ride in the elevator, she follows a Hydra agent into a meeting with Dr. M. As Pepper gets a glimpse of Jude, Dr. M. unveils his Hydra-Bot. To demonstrate the Hydra-Bots abilities, Dr. M volunteers Robbie for the demonstration.

 

Before he can demonstrate the cutting off of a part of Robbie's ear and the cauterizing, the Hydra-Bot goes berserk and cuts off half of Dr. M's left arm claiming that it has no need for a master.

 

Pepper changes into Rescue as she reprimands Hydra for building a robot during the A.I. Army's activities.

 

After rescuing Robbie, Rescue fights her way past smaller Hydra-Bots and has H.A.P.P.Y. scan the building for Jude. As Rescue confronts Jude and tries to explain why she's here, Robbie runs in stating that Hydra Base Omicron is locking down.

 

When the Hydra-Bot attacks and grabs Jude, Robbie tries to save him by throwing a pocketknife only for a tiny part of Jude's right pinkie to accidentally get cut off. Rescue passes herself as a fellow robot to confuse the Hydra-Bot.

 

As the Hydra-Bot starts to self-destruct, Rescue advises Robbie and Jude to flee as she claims the pinkie fragment. Upon fleeing the exploding Hydra base, Rescue contacts Bethany telling her that she's got Jude's DNA sample and to prep the lab for her arrival.

 

Gang War

 

During the "Gang War" storyline, Diamondback is revealed to be allied with Hydra by Hammerhead during the meeting with the crime lords.

 

Diamondback visits a secret Hydra base where he speaks with Viper about the drugs that Hydra was making for him. When Spider-Woman raids a nightclub that Diamondback was speaking at, she gets overwhelmed by Hydra's latest member Green Mamba enough for Diamondback and Green Mamba to get away.

 

Spider-Woman has another encounter with Diamondback and Green Mamba when they are with Madame Hydra as she comes looking for her son Gerry Drew.

 

Green Mamba uses his powers to knock Spider-Woman off the helicopter. Luckily for her, Madame Web was there to catch her.

 

When Spider-Woman arrives at the ship that served as one of Hydra's bases where she confronts Diamondback and Green Mamba. During the fight, Diamondback reveals that Hydra has been keeping tracks of the "gifted and talented kids" and enlisted the biggest "eggheads" in the world to find a way to increase the aging process on the "ankle biters" to speed up Hydra's recruitment program. To Spider-Woman's surprised, Green Mamba is revealed to be an aged Gerry Drew.

 

Hydra abducted him when Roger Gocking forgot who she was. Spider-Woman tried to reason with her son claiming that Hydra mind-controlled him to no avail. Even though Diamondback and some of the Hydra agents were defeated when Spider-Woman's allies showed up, Green Mamba got away. Spider-Woman vows to make Hydra pay for what they have done.

 

⚡ Happy 🎯 Heroclix 💫 Friday! 👽

_____________________________

A year of the shows and performers of the Bijou Planks Theater.

 

Secret Identity: Not Applicable

 

Publisher: Marvel

 

First appearance: Strange Tales #135 (Aug 1965)

 

Created by: Stan Lee (writer)

Jack Kirby (artist)

 

* Baron von Strucker seen in BP 2022 Day 70!

www.flickr.com/photos/paprihaven/51932058251/

Tudor Catholic martyrs depicted in Ushaw College (info) for all visitors to admire.

 

The pair in the centre, being upper-class, were beheaded (hence the axe). The rest were more ordinary and so hanged. Except for the woman.

 

And has she brought along doughnuts for everyone? Alas no, in fact she's showing some of the stones piled on her to crush her.

 

Painted in 1937 by Geoffrey Webb as a tribute to Mgr Brown, Ushaw's 13th president.

With the rain falling harder, it was a bit of a route march to Holborn and my next church, the stunning St Sepulchre, which was also open.

 

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St Sepulchre-without-Newgate, also known as the Church of the Holy Sepulchre (Holborn), is an Anglican church in the City of London. It is located on Holborn Viaduct, almost opposite the Old Bailey. In medieval times it stood just outside ("without") the now-demolished old city wall, near the Newgate. It has been a living of St John's College, Oxford, since 1622.

 

The original Saxon church on the site was dedicated to St Edmund the King and Martyr. During the Crusades in the 12th century the church was renamed St Edmund and the Holy Sepulchre, in reference to the Church of the Holy Sepulchre in Jerusalem. The name eventually became contracted to St Sepulchre.

 

The church is today the largest parish church in the City. It was completely rebuilt in the 15th century but was gutted by the Great Fire of London in 1666,[1] which left only the outer walls, the tower and the porch standing[2] -. Modified in the 18th century, the church underwent extensive restoration in 1878. It narrowly avoided destruction in the Second World War, although the 18th-century watch-house in its churchyard (erected to deter grave-robbers) was completely destroyed and had to be rebuilt.

 

The interior of the church is a wide, roomy space with a coffered ceiling[3] installed in 1834. The Vicars' old residence has recently been renovated into a modern living quarter.

 

During the reign of Mary I in 1555, St Sepulchre's vicar, John Rogers, was burned as a heretic.

 

St Sepulchre is named in the nursery rhyme Oranges and Lemons as the "bells of Old Bailey". Traditionally, the great bell would be rung to mark the execution of a prisoner at the nearby gallows at Newgate. The clerk of St Sepulchre's was also responsible for ringing a handbell outside the condemned man's cell in Newgate Prison to inform him of his impending execution. This handbell, known as the Execution Bell, now resides in a glass case to the south of the nave.

 

The church has been the official musicians' church for many years and is associated with many famous musicians. Its north aisle (formerly a chapel dedicated to Stephen Harding) is dedicated as the Musicians' Chapel, with four windows commemorating John Ireland, the singer Dame Nellie Melba, Walter Carroll and the conductor Sir Henry Wood respectively.[4] Wood, who "at the age of fourteen, learned to play the organ" at this church [1] and later became its organist, also has his ashes buried in this church.

 

The south aisle of the church holds the regimental chapel of the Royal Fusiliers (City of London Regiment), and its gardens are a memorial garden to that regiment.[5] The west end of the north aisle has various memorials connected with the City of London Rifles (the 6th Battalion London Regiment). The church was designated a Grade I listed building on 4 January 1950.

 

en.wikipedia.org/wiki/St_Sepulchre-without-Newgate

 

The Early History of St. Sepulchre's—Its Destruction in 1666—The Exterior and Interior—The Early Popularity of the Church—Interments here—Roger Ascham, the Author of the "Schoolmaster"—Captain John Smith, and his Romantic Adventures—Saved by an Indian Girl— St. Sepulchre's Churchyard—Accommodation for a Murderess—The Martyr Rogers—An Odd Circumstance—Good Company for the Dead—A Leap from the Tower—A Warning Bell and a Last Admonition—Nosegays for the Condemned—The Route to the Gallows-tree— The Deeds of the Charitable—The "Saracen's Head"—Description by Dickens—Giltspur Street—Giltspur Street Compter—A Disreputable Condition—Pie Corner—Hosier Lane—A Spurious Relic—The Conduit on Snow Hill—A Ladies' Charity School—Turnagain Lane—Poor Betty!—A Schoolmistress Censured—Skinner Street—Unpropitious Fortune—William Godwin—An Original Married Life.

 

Many interesting associations—Principally, however, connected with the annals of crime and the execution of the laws of England—belong to the Church of St. Sepulchre, or St. 'Pulchre. This sacred edifice—anciently known as St. Sepulchre's in the Bailey, or by Chamberlain Gate (now Newgate)—stands at the eastern end of the slight acclivity of Snow Hill, and between Smithfield and the Old Bailey. The genuine materials for its early history are scanty enough. It was probably founded about the commencement of the twelfth century, but of the exact date and circumstances of its origin there is no record whatever. Its name is derived from the Holy Sepulchre of our Saviour at Jerusalem, to the memory of which it was first dedicated.

 

The earliest authentic notice of the church, according to Maitland, is of the year 1178, at which date it was given by Roger, Bishop of Sarum, to the Prior and Canons of St. Bartholomew. These held the right of advowson until the dissolution of monasteries by Henry VIII., and from that time until 1610 it remained in the hands of the Crown. James I., however, then granted "the rectory and its appurtenances, with the advowson of the vicarage," to Francis Phillips and others. The next stage in its history is that the rectory was purchased by the parishioners, to be held in fee-farm of the Crown, and the advowson was obtained by the President and Fellows of St. John the Baptist College, at Oxford.

 

The church was rebuilt about the middle of the fifteenth century, when one of the Popham family, who had been Chancellor of Normandy and Treasurer of the King's Household, with distinguished liberality erected a handsome chapel on the south side of the choir, and the very beautiful porch still remaining at the south-west corner of the building. "His image," Stow says, "fair graven in stone, was fixed over the said porch."

 

The dreadful fire of 1666 almost destroyed St. Sepulchre's, but the parishioners set energetically to work, and it was "rebuilt and beautified both within and without." The general reparation was under the direction of Sir Christopher Wren, and nothing but the walls of the old building, and these not entirely, were suffered to remain. The work was done rapidly, and the whole was completed within four years.

 

"The tower," says Mr. Godwin, "retained its original aspect, and the body of the church, after its restoration, presented a series of windows between buttresses, with pointed heads filled with tracery, crowned by a string-course and battlements. In this form it remained till the year 1790, when it appears the whole fabric was found to be in a state of great decay, and it was resolved to repair it throughout. Accordingly the walls of the church were cased with Portland stone, and all the windows were taken out and replaced by others with plain semi-circular heads, as now seen—certainly agreeing but badly with the tower and porch of the building, but according with the then prevailing spirit of economy. The battlements, too, were taken down, and a plain stone parapet was substituted, so that at this time (with the exception of the roof, which was wagon-headed, and presented on the outside an unsightly swell, visible above the parapet) the church assumed its present appearance." The ungainly roof was removed, and an entirely new one erected, about 1836.

 

At each corner of the tower—"one of the most ancient," says the author of "Londinium Redivivum," "in the outline of the circuit of London" —there are spires, and on the spires there are weathercocks. These have been made use of by Howell to point a moral: "Unreasonable people," says he, "are as hard to reconcile as the vanes of St. Sepulchre's tower, which never look all four upon one point of the heavens." Nothing can be said with certainty as to the date of the tower, but it is not without the bounds of probability that it formed part of the original building. The belfry is reached by a small winding staircase in the south-west angle, and a similar staircase in an opposite angle leads to the summit. The spires at the corners, and some of the tower windows, have very recently undergone several alterations, which have added much to the picturesqueness and beauty of the church.

 

The chief entrance to St. Sepulchre's is by a porch of singular beauty, projecting from the south side of the tower, at the western end of the church. The groining of the ceiling of this porch, it has been pointed out, takes an almost unique form; the ribs are carved in bold relief, and the bosses at the intersections represent angels' heads, shields, roses, &c., in great variety.

 

Coming now to the interior of the church, we find it divided into three aisles, by two ranges of Tuscan columns. The aisles are of unequal widths, that in the centre being the widest, that to the south the narrowest. Semi-circular arches connect the columns on either side, springing directly from their capitals, without the interposition of an entablature, and support a large dental cornice, extending round the church. The ceiling of the middle aisle is divided into seven compartments, by horizontal bands, the middle compartment being formed into a small dome.

 

The aisles have groined ceilings, ornamented at the angles with doves, &c., and beneath every division of the groining are small windows, to admit light to the galleries. Over each of the aisles there is a gallery, very clumsily introduced, which dates from the time when the church was built by Wren, and extends the whole length, excepting at the chancel. The front of the gallery, which is of oak, is described by Mr. Godwin as carved into scrolls, branches, &c., in the centre panel, on either side, with the initials "C. R.," enriched with carvings of laurel, which have, however, he says, "but little merit."

 

At the east end of the church there are three semicircular-headed windows. Beneath the centre one is a large Corinthian altar-piece of oak, displaying columns, entablatures, &c., elaborately carved and gilded.

 

The length of the church, exclusive of the ambulatory, is said to be 126 feet, the breadth 68 feet, and the height of the tower 140 feet.

 

A singularly ugly sounding-board, extending over the preacher, used to stand at the back of the pulpit, at the east end of the church. It was in the shape of a large parabolic reflector, about twelve feet in diameter, and was composed of ribs of mahogany.

 

At the west end of the church there is a large organ, said to be the oldest and one of the finest in London. It was built in 1677, and has been greatly enlarged. Its reed-stops (hautboy, clarinet, &c.) are supposed to be unrivalled. In Newcourt's time the church was taken notice of as "remarkable for possessing an exceedingly fine organ, and the playing is thought so beautiful, that large congregations are attracted, though some of the parishioners object to the mode of performing divine service."

 

On the north side of the church, Mr. Godwin mentions, is a large apartment known as "St. Stephen's Chapel." This building evidently formed a somewhat important part of the old church, and was probably appropriated to the votaries of the saint whose name it bears.

 

Between the exterior and the interior of the church there is little harmony. "For example," says Mr. Godwin, "the columns which form the south aisle face, in some instances, the centre of the large windows which occur in the external wall of the church, and in others the centre of the piers, indifferently." This discordance may likely enough have arisen from the fact that when the church was rebuilt, or rather restored, after the Great Fire, the works were done without much attention from Sir Christopher Wren.

 

St. Sepulchre's appears to have enjoyed considerable popularity from the earliest period of its history, if one is to judge from the various sums left by well-disposed persons for the support of certain fraternities founded in the church—namely, those of St. Katherine, St. Michael, St. Anne, and Our Lady—and by others, for the maintenance of chantry priests to celebrate masses at stated intervals for the good of their souls. One of the fraternities just named—that of St. Katherine— originated, according to Stow, in the devotion of some poor persons in the parish, and was in honour of the conception of the Virgin Mary. They met in the church on the day of the Conception, and there had the mass of the day, and offered to the same, and provided a certain chaplain daily to celebrate divine service, and to set up wax lights before the image belonging to the fraternity, on all festival days.

 

The most famous of all who have been interred in St. Sepulchre's is Roger Ascham, the author of the "Schoolmaster," and the instructor of Queen Elizabeth in Greek and Latin. This learned old worthy was born in 1515, near Northallerton, in Yorkshire. He was educated at Cambridge University, and in time rose to be the university orator, being notably zealous in promoting what was then a novelty in England—the study of the Greek language. To divert himself after the fatigue of severe study, he used to devote himself to archery. This drew down upon him the censure of the all-work-and-no-play school; and in defence of himself, Ascham, in 1545, published "Toxophilus," a treatise on his favourite sport. This book is even yet well worthy of perusal, for its enthusiasm, and for its curious descriptions of the personal appearance and manners of the principal persons whom the author had seen and conversed with. Henry VIII. rewarded him with a pension of £10 per annum, a considerable sum in those days. In 1548, Ascham, on the death of William Grindall, who had been his pupil, was appointed instructor in the learned languages to Lady Elizabeth, afterwards the good Queen Bess. At the end of two years he had some dispute with, or took a disgust at, Lady Elizabeth's attendants, resigned his situation, and returned to his college. Soon after this he was employed as secretary to the English ambassador at the court of Charles V. of Germany, and remained abroad till the death of Edward VI. During his absence he had been appointed Latin secretary to King Edward. Strangely enough, though Queen Mary and her ministers were Papists, and Ascham a Protestant, he was retained in his office of Latin secretary, his pension was increased to £20, and he was allowed to retain his fellowship and his situation as university orator. In 1554 he married a lady of good family, by whom he had a considerable fortune, and of whom, in writing to a friend, he gives, as might perhaps be expected, an excellent character. On the accession of Queen Elizabeth, in 1558, she not only required his services as Latin secretary, but as her instructor in Greek, and he resided at Court during the remainder of his life. He died in consequence of his endeavours to complete a Latin poem which he intended to present to the queen on the New Year's Day of 1569. He breathed his last two days before 1568 ran out, and was interred, according to his own directions, in the most private manner, in St. Sepulchre's Church, his funeral sermon being preached by Dr. Andrew Nowell, Dean of St. Paul's. He was universally lamented; and even the queen herself not only showed great concern, but was pleased to say that she would rather have lost ten thousand pounds than her tutor Ascham, which, from that somewhat closehanded sovereign, was truly an expression of high regard.

 

Ascham, like most men, had his little weaknesses. He had too great a propensity to dice and cock-fighting. Bishop Nicholson would try to convince us that this is an unfounded calumny, but, as it is mentioned by Camden, and other contemporary writers, it seems impossible to deny it. He died, from all accounts, in indifferent circumstances. "Whether," says Dr. Johnson, referring to this, "Ascham was poor by his own fault, or the fault of others, cannot now be decided; but it is certain that many have been rich with less merit. His philological learning would have gained him honour in any country; and among us it may justly call for that reverence which all nations owe to those who first rouse them from ignorance, and kindle among them the light of literature." His most valuable work, "The Schoolmaster," was published by his widow. The nature of this celebrated performance may be gathered from the title: "The Schoolmaster; or a plain and perfite way of teaching children to understand, write, and speak the Latin tongue. … And commodious also for all such as have forgot the Latin tongue, and would by themselves, without a schoolmaster, in short time, and with small pains, recover a sufficient habilitie to understand, write, and speak Latin: by Roger Ascham, ann. 1570. At London, printed by John Daye, dwelling over Aldersgate," a printer, by the way, already mentioned by us a few chapters back (see page 208), as having printed several noted works of the sixteenth century.

 

Dr. Johnson remarks that the instruction recommended in "The Schoolmaster" is perhaps the best ever given for the study of languages.

 

Here also lies buried Captain John Smith, a conspicuous soldier of fortune, whose romantic adventures and daring exploits have rarely been surpassed. He died on the 21st of June, 1631. This valiant captain was born at Willoughby, in the county of Lincoln, and helped by his doings to enliven the reigns of Elizabeth and James I. He had a share in the wars of Hungary in 1602, and in three single combats overcame three Turks, and cut off their heads. For this, and other equally brave deeds, Sigismund, Duke of Transylvania, gave him his picture set in gold, with a pension of three hundred ducats; and allowed him to bear three Turks' heads proper as his shield of arms. He afterwards went to America, where he had the misfortune to fall into the hands of the Indians. He escaped from them, however, at last, and resumed his brilliant career by hazarding his life in naval engagements with pirates and Spanish men-of-war. The most important act of his life was the share he had in civilising the natives of New England, and reducing that province to obedience to Great Britain. In connection with his tomb in St. Sepulchre's, he is mentioned by Stow, in his "Survey," as "some time Governor of Virginia and Admiral of New England."

 

Certainly the most interesting events of his chequered career were his capture by the Indians, and the saving of his life by the Indian girl Pocahontas, a story of adventure that charms as often as it is told. Bancroft, the historian of the United States, relates how, during the early settlement of Virginia, Smith left the infant colony on an exploring expedition, and not only ascended the river Chickahominy, but struck into the interior. His companions disobeyed his instructions, and being surprised by the Indians, were put to death. Smith preserved his own life by calmness and self-possession. Displaying a pocket-compass, he amused the savages by an explanation of its power, and increased their admiration of his superior genius by imparting to them some vague conceptions of the form of the earth, and the nature of the planetary system. To the Indians, who retained him as their prisoner, his captivity was a more strange event than anything of which the traditions of their tribes preserved the memory. He was allowed to send a letter to the fort at Jamestown, and the savage wonder was increased, for he seemed by some magic to endow the paper with the gift of intelligence. It was evident that their captive was a being of a high order, and then the question arose, Was his nature beneficent, or was he to be dreaded as a dangerous enemy? Their minds were bewildered, and the decision of his fate was referred to the chief Powhatan, and before Powhatan Smith was brought. "The fears of the feeble aborigines," says Bancroft, "were about to prevail, and his immediate death, already repeatedly threatened and repeatedly delayed, would have been inevitable, but for the timely intercession of Pocahontas, a girl twelve years old, the daughter of Powhatan, whose confiding fondness Smith had easily won, and who firmly clung to his neck, as his head was bowed down to receive the stroke of the tomahawks. His fearlessness, and her entreaties, persuaded the council to spare the agreeable stranger, who could make hatchets for her father, and rattles and strings of beads for herself, the favourite child. The barbarians, whose decision had long been held in suspense by the mysterious awe which Smith had inspired, now resolved to receive him as a friend, and to make him a partner of their councils. They tempted him to join their bands, and lend assistance in an attack upon the white men at Jamestown; and when his decision of character succeeded in changing the current of their thoughts, they dismissed him with mutual promises of friendship and benevolence. Thus the captivity of Smith did itself become a benefit to the colony; for he had not only observed with care the country between the James and the Potomac, and had gained some knowledge of the language and manners of the natives, but he now established a peaceful intercourse between the English and the tribes of Powhatan."

 

On the monument erected to Smith in St. Sepulchre's Church, the following quaint lines were formerly inscribed:—

 

"Here lies one conquered that hath conquered kings,

Subdued large territories, and done things

Which to the world impossible would seem,

But that the truth is held in more esteem.

Shall I report his former service done,

In honour of his God, and Christendom?

How that he did divide, from pagans three,

Their heads and lives, types of his chivalry?—

For which great service, in that climate done,

Brave Sigismundus, King of Hungarion,

Did give him, as a coat of arms, to wear

These conquered heads, got by his sword and spear.

Or shall I tell of his adventures since

Done in Virginia, that large continent?

How that he subdued kings unto his yoke,

And made those heathens flee, as wind doth smoke;

And made their land, being so large a station,

An habitation for our Christian nation,

Where God is glorified, their wants supplied;

Which else for necessaries, must have died.

But what avails his conquests, now he lies

Interred in earth, a prey to worms and flies?

Oh! may his soul in sweet Elysium sleep,

Until the Keeper, that all souls doth keep,

Return to judgment; and that after thence

With angels he may have his recompense."

 

Sir Robert Peake, the engraver, also found a last resting-place here. He is known as the master of William Faithorne—the famous English engraver of the seventeenth century—and governor of Basing House for the king during the Civil War under Charles I. He died in 1667. Here also was interred the body of Dr. Bell, grandfather of the originator of a well-known system of education.

 

"The churchyard of St. Sepulchre's," we learn from Maitland, "at one time extended so far into the street on the south side of the church, as to render the passage-way dangerously narrow. In 1760 the churchyard was, in consequence, levelled, and thrown open to the public. But this led to much inconvenience, and it was re-enclosed in 1802."

 

Sarah Malcolm, the murderess, was buried in the churchyard of St. Sepulchre's in 1733. This coldhearted and keen-eyed monster in human form has had her story told by us already. The parishioners seem, on this occasion, to have had no such scruples as had been exhibited by their predecessors a hundred and fifty years previous at the burial of Awfield, a traitor. We shall see presently that in those more remote days they were desirous of having at least respectable company for their deceased relatives and friends in the churchyard.

 

"For a long period," says Mr. Godwin (1838), "the church was surrounded by low mean buildings, by which its general appearance was hidden; but these having been cleared away, and the neighbourhood made considerably more open, St. Sepulchre's now forms a somewhat pleasing object, notwithstanding that the tower and a part of the porch are so entirely dissimilar in style to the remainder of the building." And since Godwin's writing the surroundings of the church have been so improved that perhaps few buildings in the metropolis stand more prominently before the public eye.

 

In the glorious roll of martyrs who have suffered at the stake for their religious principles, a vicar of St. Sepulchre's, the Reverend John Rogers, occupies a conspicuous place. He was the first who was burned in the reign of the Bloody Mary. This eminent person had at one time been chaplain to the English merchants at Antwerp, and while residing in that city had aided Tindal and Coverdale in their great work of translating the Bible. He married a German lady of good position, by whom he had a large family, and was enabled, by means of her relations, to reside in peace and safety in Germany. It appeared to be his duty, however, to return to England, and there publicly profess and advocate his religious convictions, even at the risk of death. He crossed the sea; he took his place in the pulpit at St. Paul's Cross; he preached a fearless and animated sermon, reminding his astonished audience of the pure and wholesome doctrine which had been promulgated from that pulpit in the days of the good King Edward, and solemnly warning them against the pestilent idolatry and superstition of these new times. It was his last sermon. He was apprehended, tried, condemned, and burned at Smithfield. We described, when speaking of Smithfield, the manner in which he met his fate.

 

Connected with the martyrdom of Rogers an odd circumstance is quoted in the "Churches of London." It is stated that when the bishops had resolved to put to death Joan Bocher, a friend came to Rogers and earnestly entreated his influence that the poor woman's life might be spared, and other means taken to prevent the spread of her heterodox doctrines. Rogers, however, contended that she should be executed; and his friend then begged him to choose some other kind of death, which should be more agreeable to the gentleness and mercy prescribed in the gospel. "No," replied Rogers, "burning alive is not a cruel death, but easy enough." His friend hearing these words, expressive of so little regard for the sufferings of a fellow-creature, answered him with great vehemence, at the same time striking Rogers' hand, "Well, it may perhaps so happen that you yourself shall have your hands full of this mild burning." There is no record of Rogers among the papers belonging to St. Sepulchre's, but this may easily be accounted for by the fact that at the Great Fire of 1666 nearly all the registers and archives were destroyed.

 

A noteworthy incident in the history of St. Sepulchre's was connected with the execution, in 1585, of Awfield, for "sparcinge abrood certen lewed, sedicious, and traytorous bookes." "When he was executed," says Fleetwood, the Recorder, in a letter to Lord Burleigh, July 7th of that year, "his body was brought unto St. Pulcher's to be buryed, but the parishioners would not suffer a traytor's corpse to be laid in the earth where their parents, wives, children, kindred, masters, and old neighbours did rest; and so his carcass was returned to the burial-ground near Tyburn, and there I leave it."

 

Another event in the history of the church is a tale of suicide. On the 10th of April, 1600, a man named William Dorrington threw himself from the roof of the tower, leaving there a prayer for forgiveness.

 

We come now to speak of the connection of St. Sepulchre's with the neighbouring prison of Newgate. Being the nearest church to the prison, that connection naturally was intimate. Its clock served to give the time to the hangman when there was an execution in the Old Bailey, and many a poor wretch's last moments must it have regulated.

 

On the right-hand side of the altar a board with a list of charitable donations and gifts used to contain the following item:—"1605. Mr. Robert Dowe gave, for ringing the greatest bell in this church on the day the condemned prisoners are executed, and for other services, for ever, concerning such condemned prisoners, for which services the sexton is paid £16s. 8d.—£50.

 

It was formerly the practice for the clerk or bellman of St. Sepulchre's to go under Newgate, on the night preceding the execution of a criminal, ring his bell, and repeat the following wholesome advice:—

 

"All you that in the condemned hold do lie,

Prepare you, for to-morrow you shall die;

Watch all, and pray, the hour is drawing near

That you before the Almighty must appear;

Examine well yourselves, in time repent,

That you may not to eternal flames be sent.

And when St. Sepulchre's bell to-morrow tolls,

The Lord above have mercy on your souls.

Past twelve o'clock!"

 

This practice is explained by a passage in Munday's edition of Stow, in which it is told that a Mr. John Dowe, citizen and merchant taylor of London, gave £50 to the parish church of St. Sepulchre's, under the following conditions:—After the several sessions of London, on the night before the execution of such as were condemned to death, the clerk of the church was to go in the night-time, and also early in the morning, to the window of the prison in which they were lying. He was there to ring "certain tolls with a hand-bell" appointed for the purpose, and was afterwards, in a most Christian manner, to put them in mind of their present condition and approaching end, and to exhort them to be prepared, as they ought to be, to die. When they were in the cart, and brought before the walls of the church, the clerk was to stand there ready with the same bell, and, after certain tolls, rehearse a prayer, desiring all the people there present to pray for the unfortunate criminals. The beadle, also, of Merchant Taylors' Hall was allowed an "honest stipend" to see that this ceremony was regularly performed.

 

The affecting admonition—"affectingly good," Pennant calls it—addressed to the prisoners in Newgate, on the night before execution, ran as follows:—

 

"You prisoners that are within,

Who, for wickedness and sin,

 

after many mercies shown you, are now appointed to die to-morrow in the forenoon; give ear and understand that, to-morrow morning, the greatest bell of St. Sepulchre's shall toll for you, in form and manner of a passing-bell, as used to be tolled for those that are at the point of death; to the end that all godly people, hearing that bell, and knowing it is for your going to your deaths, may be stirred up heartily to pray to God to bestow his grace and mercy upon you, whilst you live. I beseech you, for Jesus Christ's sake, to keep this night in watching and prayer, to the salvation of your own souls while there is yet time and place for mercy; as knowing to-morrow you must appear before the judgment-seat of your Creator, there to give an account of all things done in this life, and to suffer eternal torments for your sins committed against Him, unless, upon your hearty and unfeigned repentance, you find mercy through the merits, death, and passion of your only Mediator and Advocate, Jesus Christ, who now sits at the right hand of God, to make intercession for as many of you as penitently return to Him."

 

And the following was the admonition to condemned criminals, as they were passing by St. Sepulchre's Church wall to execution:—" All good people, pray heartily unto God for these poor sinners, who are now going to their death, for whom this great bell doth toll.

 

"You that are condemned to die, repent with lamentable tears; ask mercy of the Lord, for the salvation of your own souls, through the [merits, death, and passion of Jesus Christ, who now sits at the right hand of God, to make intercession for as many of you as penitently return unto Him.

 

"Lord have mercy upon you;

Christ have mercy upon you.

Lord have mercy upon you;

Christ have mercy upon you."

 

The charitable Mr. Dowe, who took such interest in the last moments of the occupants of the condemned cell, was buried in the church of St. Botolph, Aldgate.

 

Another curious custom observed at St. Sepulchre's was the presentation of a nosegay to every criminal on his way to execution at Tyburn. No doubt the practice had its origin in some kindly feeling for the poor unfortunates who were so soon to bid farewell to all the beauties of earth. One of the last who received a nosegay from the steps of St. Sepulchre's was "Sixteen-string Jack," alias John Rann, who was hanged, in 1774, for robbing the Rev. Dr. Bell of his watch and eighteen pence in money, in Gunnersbury Lane, on the road to Brentford. Sixteen-string Jack wore the flowers in his button-hole as he rode dolefully to the gallows. This was witnessed by John Thomas Smith, who thus describes the scene in his admirable anecdotebook, "Nollekens and his Times:"—" I remember well, when I was in my eighth year, Mr. Nollekens calling at my father's house, in Great Portland Street, and taking us to Oxford Street, to see the notorious Jack Rann, commonly called Sixteenstring Jack, go to Tyburn to be hanged. … The criminal was dressed in a pea-green coat, with an immense nosegay in the button-hole, which had been presented to him at St. Sepulchre's steps; and his nankeen small-clothes, we were told, were tied at each knee with sixteen strings. After he had passed, and Mr. Nollekens was leading me home by the hand, I recollect his stooping down to me and observing, in a low tone of voice, 'Tom, now, my little man, if my father-in-law, Mr. Justice Welch, had been high constable, we could have walked by the side of the cart all the way to Tyburn.'"

 

When criminals were conveyed from Newgate to Tyburn, the cart passed up Giltspur Street, and through Smithfield, to Cow Lane. Skinner Street had not then been built, and the Crooked Lane which turned down by St. Sepulchre's, as well as Ozier Lane, did not afford sufficient width to admit of the cavalcade passing by either of them, with convenience, to Holborn Hill, or "the Heavy Hill," as it used to be called. The procession seems at no time to have had much of the solemn element about it. "The heroes of the day were often," says a popular writer, "on good terms with the mob, and jokes were exchanged between the men who were going to be hanged and the men who deserved to be."

 

"On St. Paul's Day," says Mr. Timbs (1868), "service is performed in St. Sepulchre's, in accordance with the will of Mr. Paul Jervis, who, in 1717, devised certain land in trust that a sermon should be preached in the church upon every Paul's Day upon the excellence of the liturgy o the Church of England; the preacher to receive 40s. for such sermon. Various sums are also bequeathed to the curate, the clerk, the treasurer, and masters of the parochial schools. To the poor of the parish he bequeathed 20s. a-piece to ten of the poorest householders within that part of the parish of St. Sepulchre commonly called Smithfield quarter, £4 to the treasurer of St. Bartholomew's Hospital, and 6s. 8d. yearly to the clerk, who shall attend to receive the same. The residue of the yearly rents and profits is to be distributed unto and amongst such poor people of the parish of St. Sepulchre's, London, who shall attend the service and sermon. At the close of the service the vestry-clerk reads aloud an extract from the will, and then proceeds to the distribution of the money. In the evening the vicar, churchwardens, and common councilmen of the precinct dine together."

 

In 1749, a Mr. Drinkwater made a praiseworthy bequest. He left the parish of St. Sepulchre £500 to be lent in sums of £25 to industrious young tradesmen. No interest was to be charged, and the money was to be lent for four years.

 

Next to St. Sepulchre's, on Snow Hill, used to stand the famous old inn of the "Saracen's Head." It was only swept away within the last few years by the ruthless army of City improvers: a view of it in course of demolition was given on page 439. It was one of the oldest of the London inns which bore the "Saracen's Head" for a sign. One of Dick Tarlton's jests makes mention of the "Saracen's Head" without Newgate, and Stow, describing this neighbourhood, speaks particularly of "a fair large inn for receipt of travellers" that "hath to sign the 'Saracen's Head.'" The courtyard had, to the last, many of the characteristics of an old English inn; there were galleries all round leading to the bedrooms, and a spacious gateway through which the dusty mail-coaches used to rumble, the tired passengers creeping forth "thanking their stars in having escaped the highwaymen and the holes and sloughs of the road." Into that courtyard how many have come on their first arrival in London with hearts beating high with hope, some of whom have risen to be aldermen and sit in state as lord mayor, whilst others have gone the way of the idle apprentice and come to a sad end at Tyburn! It was at this inn that Nicholas Nickleby and his uncle waited upon the Yorkshire schoolmaster Squeers, of Dotheboys Hall. Mr. Dickens describes the tavern as it existed in the last days of mail-coaching, when it was a most important place for arrivals and departures in London:—

 

"Next to the jail, and by consequence near to Smithfield also, and the Compter and the bustle and noise of the City, and just on that particular part of Snow Hill where omnibus horses going eastwards seriously think of falling down on purpose, and where horses in hackney cabriolets going westwards not unfrequently fall by accident, is the coach-yard of the 'Saracen's Head' inn, its portals guarded by two Saracen's heads and shoulders, which it was once the pride and glory of the choice spirits of this metropolis to pull down at night, but which have for some time remained in undisturbed tranquillity, possibly because this species of humour is now confined to St. James's parish, where doorknockers are preferred as being more portable, and bell-wires esteemed as convenient tooth-picks. Whether this be the reason or not, there they are, frowning upon you from each side of the gateway; and the inn itself, garnished with another Saracen's head, frowns upon you from the top of the yard; while from the door of the hind-boot of all the red coaches that are standing therein, there glares a small Saracen's head with a twin expression to the large Saracen's head below, so that the general appearance of the pile is of the Saracenic order."

 

To explain the use of the Saracen's head as an inn sign various reasons have been given. "When our countrymen," says Selden, "came home from fighting with the Saracens and were beaten by them, they pictured them with huge, big, terrible faces (as you still see the 'Saracen's Head' is), when in truth they were like other men. But this they did to save their own credit." Or the sign may have been adopted by those who had visited the Holy Land either as pilgrims or to fight the Saracens. Others, again, hold that it was first set up in compliment to the mother of Thomas à Becket, who was the daughter of a Saracen. However this may be, it is certain that the use of the sign in former days was very general.

 

Running past the east end of St. Sepulchre's, from Newgate into West Smithfield, is Giltspur Street, anciently called Knightriders Street. This interesting thoroughfare derives its name from the knights with their gilt spurs having been accustomed to ride this way to the jousts and tournaments which in days of old were held in Smithfield.

 

In this street was Giltspur Street Compter, a debtors' prison and house of correction appertaining to the sheriffs of London and Middlesex. It stood over against St. Sepulchre's Church, and was removed hither from the east side of Wood Street, Cheapside, in 1791. At the time of its removal it was used as a place of imprisonment for debtors, but the yearly increasing demands upon the contracted space caused that department to be given up, and City debtors were sent to Whitecross Street. The architect was Dance, to whom we are also indebted for the grim pile of Newgate. The Compter was a dirty and appropriately convictlooking edifice. It was pulled down in 1855. Mr. Hepworth Dixon gave an interesting account of this City House of Correction, not long before its demolition, in his "London Prisons" (1850). "Entering," he says, "at the door facing St. Sepulchre's, the visitor suddenly finds himself in a low dark passage, leading into the offices of the gaol, and branching off into other passages, darker, closer, more replete with noxious smells, than even those of Newgate. This is the fitting prelude to what follows. The prison, it must be noticed, is divided into two principal divisions, the House of Correction and the Compter. The front in Giltspur Street, and the side nearest to Newgate Street, is called the Compter. In its wards are placed detenues of various kinds—remands, committals from the police-courts, and generally persons waiting for trial, and consequently still unconvicted. The other department, the House of Correction, occupies the back portion of the premises, abutting on Christ's Hospital. Curious it is to consider how thin a wall divides these widely-separate worlds! And sorrowful it is to think what a difference of destiny awaits the children—destiny inexorable, though often unearned in either case—who, on the one side of it or the other, receive an eleemosynary education! The collegian and the criminal! Who shall say how much mere accident— circumstances over which the child has little power —determines to a life of usefulness or mischief? From the yards of Giltspur Street prison almost the only objects visible, outside of the gaol itself, are the towers of Christ's Hospital; the only sounds audible, the shouts of the scholars at their play. The balls of the hospital boys often fall within the yards of the prison. Whether these sights and sounds ever cause the criminal to pause and reflect upon the courses of his life, we will not say, but the stranger visiting the place will be very apt to think for him. …

 

"In the department of the prison called the House of Correction, minor offenders within the City of London are imprisoned. No transports are sent hither, nor is any person whose sentence is above three years in length." This able writer then goes on to tell of the many crying evils connected with the institution—the want of air, the over-crowded state of the rooms, the absence of proper cellular accommodation, and the vicious intercourse carried on amongst the prisoners. The entire gaol, when he wrote, only contained thirty-six separate sleeping-rooms. Now by the highest prison calculation—and this, be it noted, proceeds on the assumption that three persons can sleep in small, miserable, unventilated cells, which are built for only one, and are too confined for that, being only about one-half the size of the model cell for one at Pentonville—it was only capable of accommodating 203 prisoners, yet by the returns issued at Michaelmas, 1850, it contained 246!

 

A large section of the prison used to be devoted to female delinquents, but lately it was almost entirely given up to male offenders.

 

"The House of Correction, and the Compter portion of the establishment," says Mr. Dixon, "are kept quite distinct, but it would be difficult to award the palm of empire in their respective facilities for demoralisation. We think the Compter rather the worse of the two. You are shown into a room, about the size of an apartment in an ordinary dwelling-house, which will be found crowded with from thirty to forty persons, young and old, and in their ordinary costume; the low thief in his filth and rags, and the member of the swell-mob with his bright buttons, flash finery, and false jewels. Here you notice the boy who has just been guilty of his first offence, and committed for trial, learning with a greedy mind a thousand criminal arts, and listening with the precocious instinct of guilty passions to stories and conversations the most depraved and disgusting. You regard him with a mixture of pity and loathing, for he knows that the eyes of his peers are upon him, and he stares at you with a familiar impudence, and exhibits a devil-may-care countenance, such as is only to be met with in the juvenile offender. Here, too, may be seen the young clerk, taken up on suspicion—perhaps innocent—who avoids you with a shy look of pain and uneasiness: what a hell must this prison be to him! How frightful it is to think of a person really untainted with crime, compelled to herd for ten or twenty days with these abandoned wretches!

 

"On the other, the House of Correction side of the gaol, similar rooms will be found, full of prisoners communicating with each other, laughing and shouting without hindrance. All this is so little in accordance with existing notions of prison discipline, that one is continually fancying these disgraceful scenes cannot be in the capital of England, and in the year of grace 1850. Very few of the prisoners attend school or receive any instruction; neither is any kind of employment afforded them, except oakum-picking, and the still more disgusting labour of the treadmill. When at work, an officer is in attendance to prevent disorderly conduct; but his presence is of no avail as a protection to the less depraved. Conversation still goes on; and every facility is afforded for making acquaintances, and for mutual contamination."

 

After having long been branded by intelligent inspectors as a disgrace to the metropolis, Giltspur Street Compter was condemned, closed in 1854, and subsequently taken down.

 

Nearly opposite what used to be the site of the Compter, and adjoining Cock Lane, is the spot called Pie Corner, near which terminated the Great Fire of 1666. The fire commenced at Pudding Lane, it will be remembered, so it was singularly appropriate that it should terminate at Pie Corner. Under the date of 4th September, 1666, Pepys, in his "Diary," records that "W. Hewer this day went to see how his mother did, and comes home late, telling us how he hath been forced to remove her to Islington, her house in Pye Corner being burned; so that the fire is got so far that way." The figure of a fat naked boy stands over a public house at the corner of the lane; it used to have the following warning inscription attached:— "This boy is in memory put up of the late fire of London, occasioned by the sin of gluttony, 1666." According to Stow, Pie Corner derived its name from the sign of a well-frequented hostelry, which anciently stood on the spot. Strype makes honourable mention of Pie Corner, as "noted chiefly for cooks' shops and pigs dressed there during Bartholomew Fair." Our old writers have many references—and not all, by the way, in the best taste—to its cookstalls and dressed pork. Shadwell, for instance, in the Woman Captain (1680) speaks of "meat dressed at Pie Corner by greasy scullions;" and Ben Jonson writes in the Alchemist (1612)—

 

"I shall put you in mind, sir, at Pie Corner,

Taking your meal of steam in from cooks' stalls."

 

And in "The Great Boobee" ("Roxburgh Ballads"):

 

"Next day I through Pie Corner passed;

The roast meat on the stall

Invited me to take a taste;

My money was but small."

 

But Pie Corner seems to have been noted for more than eatables. A ballad from Tom D'Urfey's "Pills to Purge Melancholy," describing Bartholomew Fair, eleven years before the Fire of London, says:—

 

"At Pie-Corner end, mark well my good friend,

'Tis a very fine dirty place;

Where there's more arrows and bows. …

Than was handled at Chivy Chase."

 

We have already given a view of Pie Corner in our chapter on Smithfield, page 361.

 

Hosier Lane, running from Cow Lane to Smithfield, and almost parallel to Cock Lane, is described by "R. B.," in Strype, as a place not over-well built or inhabited. The houses were all old timber erections. Some of these—those standing at the south corner of the lane—were in the beginning of this century depicted by Mr. J. T. Smith, in his "Ancient Topography of London." He describes them as probably of the reign of James I. The rooms were small, with low, unornamented ceilings; the timber, oak, profusely used; the gables were plain, and the walls lath and plaster. They were taken down in 1809.

 

In the corner house, in Mr. Smith's time, there was a barber whose name was Catchpole; at least, so it was written over the door. He was rather an odd fellow, and possessed, according to his own account, a famous relic of antiquity. He would gravely show his customers a short-bladed instrument, as the identical dagger with which Walworth killed Wat Tyler.

 

Hosier Lane, like Pie Corner, used to be a great resort during the time of Bartholomew Fair, "all the houses," it is said in Strype, "generally being made public for tippling."

 

We return now from our excursion to the north of St. Sepulchre's, and continue our rambles to the west, and before speaking of what is, let us refer to what has been.

 

Turnagain Lane is not far from this. "Near unto this Seacoal Lane," remarks Stow, "in the turning towards Holborn Conduit, is Turnagain Lane, or rather, as in a record of the 5th of Edward III., Windagain Lane, for that it goeth down west to Fleet Dyke, from whence men must turn again the same way they came, but there it stopped." There used to be a proverb, "He must take him a house in Turnagain Lane."

 

A conduit formerly stood on Snow Hill, a little below the church. It is described as a building with four equal sides, ornamented with four columns and pediment, surmounted by a pyramid, on which stood a lamb—a rebus on the name of Lamb, from whose conduit in Red Lion Street the water came. There had been a conduit there, however, before Lamb's day, which was towards the close of the sixteenth century.

 

At No. 37, King Street, Snow Hill, there used to be a ladies' charity school, which was established in 1702, and remained in the parish 145 years. Dr. Johnson and Mrs. Thrale were subscribers to this school, and Johnson drew from it his story of Betty Broom, in "The Idler." The world of domestic service, in Betty's days, seems to have been pretty much as now. Betty was a poor girl, bred in the country at a charity-school, maintained by the contributions of wealthy neighbours. The patronesses visited the school from time to time, to see how the pupils got on, and everything went well, till "at last, the chief of the subscribers having passed a winter in London, came down full of an opinion new and strange to the whole country. She held it little less than criminal to teach poor girls to read and write. They who are born to poverty, she said, are born to ignorance, and will work the harder the less they know. She told her friends that London was in confusion by the insolence of servants; that scarcely a girl could be got for all-work, since education had made such numbers of fine ladies, that nobody would now accept a lower title than that of a waiting-maid, or something that might qualify her to wear laced shoes and long ruffles, and to sit at work in the parlour window. But she was resolved, for her part, to spoil no more girls. Those who were to live by their hands should neither read nor write out of her pocket. The world was bad enough already, and she would have no part in making it worse.

 

"She was for a long time warmly opposed; but she persevered in her notions, and withdrew her subscription. Few listen, without a desire of conviction, to those who advise them to spare their money. Her example and her arguments gained ground daily; and in less than a year the whole parish was convinced that the nation would be ruined if the children of the poor were taught to read and write." So the school was dissolved, and Betty with the rest was turned adrift into the wide and cold world; and her adventures there any one may read in "The Idler" for himself.

 

There is an entry in the school minutes of 1763, to the effect that the ladies of the committee censured the schoolmistress for listening to the story of the Cock Lane ghost, and "desired her to keep her belief in the article to herself."

 

Skinner Street—now one of the names of the past—which ran by the south side of St. Sepulchre's, and formed the connecting link between Newgate Street and Holborn, received its name from Alderman Skinner, through whose exertions, about 1802, it was principally built. The following account of Skinner Street is from the picturesque pen of Mr. William Harvey ("Aleph"), whose long familiarity with the places he describes renders doubly valuable his many contributions to the history of London scenes and people:—"As a building speculation," he says, writing in 1863, "it was a failure. When the buildings were ready for occupation, tall and substantial as they really were, the high rents frightened intending shopkeepers. Tenants were not to be had; and in order to get over the money difficulty, a lottery, sanctioned by Parliament, was commenced. Lotteries were then common tricks of finance, and nobody wondered at the new venture; but even the most desperate fortune-hunters were slow to invest their capital, and the tickets hung sadly on hand. The day for the drawing was postponed several times, and when it came, there was little or no excitement on the subject, and whoever rejoiced in becoming a house-owner on such easy terms, the original projectors and builders were understood to have suffered considerably. The winners found the property in a very unfinished condition. Few of the dwellings were habitable, and as funds were often wanting, a majority of the houses remained empty, and the shops unopened. After two or three years things began to improve; the vast many-storeyed house which then covered the site of Commercial Place was converted into a warehousing depôt; a capital house opposite the 'Saracen's Head' was taken by a hosier of the name of Theobald, who, opening his shop with the determination of selling the best hosiery, and nothing else, was able to convince the citizens that his hose was first-rate, and, desiring only a living profit, succeeded, after thirty years of unwearied industry, in accumulating a large fortune. Theobald was possessed of literary tastes, and at the sale of Sir Walter Scott's manuscripts was a liberal purchaser. He also collected a library of exceedingly choice books, and when aristocratic customers purchased stockings of him, was soon able to interest them in matters of far higher interest…

 

"The most remarkable shop—but it was on the left-hand side, at a corner house—was that established for the sale of children's books. It boasted an immense extent of window-front, extending from the entrance into Snow Hill, and towards Fleet Market. Many a time have I lingered with loving eyes over those fascinating story-books, so rich in gaily-coloured prints; such careful editions of the marvellous old histories, 'Puss in Boots,' 'Cock Robin,' 'Cinderella,' and the like. Fortunately the front was kept low, so as exactly to suit the capacity of a childish admirer. . . . . But Skinner Street did not prosper much, and never could compete with even the dullest portions of Holborn. I have spoken of some reputable shops; but you know the proverb, 'One swallow will not make a summer,' and it was a declining neighbourhood almost before it could be called new. In 1810 the commercial depôt, which had been erected at a cost of £25,000, and was the chief prize in the lottery, was destroyed by fire, never to be rebuilt—a heavy blow and discouragement to Skinner Street, from which it never rallied. Perhaps the periodical hanging-days exercised an unfavourable influence, collecting, as they frequently did, all the thieves and vagabonds of London. I never sympathised with Pepys or Charles Fox in their passion for public executions, and made it a point to avoid those ghastly sights; but early of a Monday morning, when I had just reached the end of Giltspur Street, a miserable wretch had just been turned off from the platform of the debtors' door, and I was made the unwilling witness of his last struggles. That scene haunted me for months, and I often used to ask myself, 'Who that could help it would live in Skinner Street?' The next unpropitious event in these parts was the unexpected closing of the child's library. What could it mean? Such a well-to-do establishment shut up? Yes, the whole army of shutters looked blankly on the inquirer, and forbade even a single glance at 'Sinbad' or 'Robinson Crusoe.' It would soon be re-opened, we naturally thought; but the shutters never came down again. The whole house was deserted; not even a messenger in bankruptcy, or an ancient Charley, was found to regard the playful double knocks of the neighbouring juveniles. Gradually the glass of all the windows got broken in, a heavy cloud of black dust, solidifying into inches thick, gathered on sills and doors and brickwork, till the whole frontage grew as gloomy as Giant Despair's Castle. Not long after, the adjoining houses shared the same fate, and they remained from year to year without the slightest sign of life—absolute scarecrows, darkening with their uncomfortable shadows the busy streets. Within half a mile, in Stamford Street, Blackfriars, there are (1863) seven houses in a similar predicament— window-glass demolished, doors cracked from top to bottom, spiders' webs hanging from every projecting sill or parapet. What can it mean? The loss in the article of rents alone must be over £1,000 annually. If the real owners are at feud with imaginary owners, surely the property might be rendered valuable, and the proceeds invested. Even the lawyers can derive no profit from such hopeless abandonment. I am told the whole mischief arose out of a Chancery suit. Can it be the famous 'Jarndyce v. Jarndyce' case? And have all the heirs starved each other out? If so, what hinders our lady the Queen from taking possession? Any change would be an improvement, for these dead houses make the streets they cumber as dispiriting and comfortless as graveyards. Busy fancy will sometimes people them, and fill the dreary rooms with strange guests. Do the victims of guilt congregate in these dark dens? Do wretches 'unfriended by the world or the world's law,' seek refuge in these deserted nooks, mourning in the silence of despair over their former lives, and anticipating the future in unappeasable agony? Such things have been—the silence and desolation of these doomed dwellings make them the more suitable for such tenants."

 

A street is nothing without a mystery, so a mystery let these old tumble-down houses remain, whilst we go on to tell that, in front of No. 58, the sailor Cashman was hung in 1817, as we have already mentioned, for plundering a gunsmith's shop there. William Godwin, the author of "Caleb Williams," kept a bookseller's shop for several years in Skinner Street, at No. 41, and published school-books in the name of Edward Baldwin. On the wall there was a stone carving of Æsop reciting one of his fables to children.

 

The most noteworthy event of the life of Godwin was his marriage with the celebrated Mary Wollstonecraft, authoress of a "Vindication of the Rights of Women," whose congenial mind, in politics and morals, he ardently admired. Godwin's account of the way in which they got on together is worth reading:—"Ours," he writes, "was not an idle happiness, a paradise of selfish and transitory pleasures. It is, perhaps, scarcely necessary to mention, that influenced by ideas I had long entertained, I engaged an apartment about twenty doors from our house, in the Polygon, Somers Town, which I designed for the purpose of my study and literary occupations. Trifles, however, will be interesting to some readers, when they relate to the last period of the life of such a person as Mary. I will add, therefore, that we were both of us of opinion, that it was possible for two persons to be too uniformly in each other's society. Influenced by that opinion, it was my practice to repair to the apartment I have mentioned as soon as I rose, and frequently not to make my appearance in the Polygon till the hour of dinner. We agreed in condemning the notion, prevalent in many situations in life, that a man and his wife cannot visit in mixed society but in company with each other, and we rather sought occasions of deviating from than of complying with this rule. By this means, though, for the most part, we spent the latter half of each day in one another's society, yet we were in no danger of satiety. We seemed to combine, in a considerable degree, the novelty and lively sensation of a visit with the more delicious and heartfelt pleasure of a domestic life."

 

This philosophic union, to Godwin's inexpressible affliction, did not last more than eighteen months, at the end of which time Mrs. Godwin died, leaving an only daughter, who in the course of time became the second wife of the poet Shelley, and was the author of the wild and extraordinary tale of "Frankenstein."

 

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