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TE939 (LK58KHD) seen at Barnet Hospital standing, these E400s are the oldest double deckers in Metrolines fleet and are soon to be withdrawn

"The Execution" : painting by Carel Willink in the Centraal Museum in Utrecht, Netherlands.

Source: en.wikipedia.org/wiki/Missouri_State_Penitentiary

 

The Missouri State Penitentiary was a prison in Jefferson City, Missouri, that operated from 1836 to 2004. Part of the Missouri Department of Corrections, it served as the state of Missouri's primary maximum security institution. Before it closed, it was the oldest operating penal facility west of the Mississippi River. It was replaced by the Jefferson City Correctional Center, which opened on September 15, 2004.

 

Source: www.missouripentours.com/history/

 

Still owned by State of Missouri, The Missouri State Penitentiary (MSP) opened in 1836 along the banks of the Missouri River in Jefferson City, Missouri, the state capital. The prison housed inmates for 168 years and was the oldest continually operating prison west of the Mississippi until it was decommissioned in 2004. Now the Jefferson City Convention & Visitors Bureau offers a wide variety of tours at the site, once named the “The bloodiest 47 acres in America” by Time Magazine.

 

In 1831 Jefferson City’s hold on the capital city status was a tenuous one. To ensure that it remained the seat of government, Governor John Miller suggested a prison be built in Jefferson City. Construction began in 1834 and the first inmate arrived in 1836. From then on the prison became famous for being one of the most efficient in the country…and infamous for its notorious inmates and the 1954 riot on its grounds.

 

A former Union General, the first train robber, 1930s gangsters, world champion athletes, and the assassin that killed Dr. Martin Luther King Jr. all came through the gates of the Missouri State Penitentiary (MSP) as inmates. Some left MSP for successful careers in the arts, sports, and even state government; others chose a life of more crime.

 

In September of 1937, Governor Lloyd Crow Stark signed a bill calling for execution by lethal gas. No longer would the local sheriff be responsible for carrying out the death penalty for those convicted in his county. The days of public hangings in Missouri were to finally come to an end. Many members of the legislature were strongly opposed to the bill and argued that more death sentences would result. Nevertheless, Missouri was, on the whole, a state that supported the death penalty for serious crimes. The bill was changed to lethal gas instead of the electric chair, and passed. In total, 40 inmates were put to death in the gas chamber between 1937 and 1989 when MSP death row ended and all capital punishment inmates were moved to the new prison at Potosi.

 

In 1985, officials from the MSP, the Department of Corrections, and the Division of Adult Institutions unearthed an old cell block that predated the Civil War. The discovery happened after a court order was issued to put in a recreation yard for offenders that were on death row. When the construction between Housing Units 2 and 3 began, and the crews started digging, they realized they hit something solid. This finding led to an exploration of six cells built around 1848, which were part of the long-buried Centennial Hall. Based on research, this is now believed to be the oldest existing building on the MSP property.

 

From the earliest days there was a need to isolate the female convicts that came to the Missouri State Penitentiary. Unfortunately, there was little provision for their incarceration. A number of female federal prisoners were sent to MSP because there were no federal facilities for women at the time. Their crimes were, in many cases, violations of immigration, naturalization or conspiracy laws, which coincided with the heightened fears during WWI.

 

During the years of 1953 and 1954 there had been a rash of prison riots across the United States. Many feared the Missouri system was ripe for an outbreak as well. The potential for riot became a popular topic of conversation which the Missouri Highway Patrol took very seriously, drafting a plan and training officers how to respond to such an event. The advance preparation would come in handy before long.

 

Keeping desperate and restless people behind bars will always present challenges to corrections officials. Early in the Missouri State Penitentiary’s history escapes were commonplace. Between a lack of a secure perimeter and prisoners working in the community, many escapes were accomplished without much planning or ingenuity.

 

In conjunction with the Missouri State Penitentiary tours, the museum residing in the lower-level of the Col. Darwin W. Marmaduke House provides additional historical information about the famous prison that operated for 168 years. The museum houses MSP memorabilia as well as a replica cell that demonstrates the living conditions at the prison. Visitors can view the many displays that provide information on prison industries, contract labor/private industries, life inside the walls and control/counter-control as well as items on loan from former Deputy Warden Mark Schreiber.

It is a place with an ominous ambience if you know what happened here. Just below the top of Gallowhill, deep in the woodland is a place of execution. It is said that the gallows were situated on a flat ledge just below the summit of the hill which has commanding views across the Moray Firth, and is the highest point for miles.

 

This was where many a person who upset the local landowners met their end, their corpses dangling from a gallows would have been visible for miles around. Details are sketchy, but the hill and woodlands are named after the execution site.

 

There are natural woodlands around the hill, mainly ancient caledonian pines and birches with oaks near the foot but with occasional examples all the way up to near the summit. Much has been planted now, with an array of giant alien commercial species and a wide range of more ornamental varieties closer to the ruined castle of Redcastle.

 

Redcastle claimed to be the oldest inhabited castle until it was abandoned as giant cracks appeared in the walls and it was deemed too expensive to repair or stop it from toppling into the gully behind. But it is clinging on gamely and still stands. It is from this ancient stronghold that local justice was meted out.

 

I found the flat place below the summit. It is now covered in mainly birch, with the odd magnificent old pine. Whether the gallows was constructed or they just used a convenient tree - a common practice in the highlands (there is a fantastic gallows tree in Drumnadrochit, beside the Benleva Hotel, for example) is unclear.

 

The flat place is like a 100 yard long ledge, around the south side of the summit. It has a slight corner in the middle and I thought that would make the best location if deterent visibility was key. As I walked further along I saw this old pine. Bearing in mind that it can be difficult to age old pines, some really old ones are short and stunted and some young ones can be really tall. Perhaps nature has provided the perfect natural hanging tree?

  

NAVAL BASE GUAM (Aug. 6, 2018) Explosive Ordnance Disposal Technician 3rd Class Devin Rodriquez, right, looks on as Senior Chief Explosive Ordnance Disposal Technician Luigi Mendoza, center, and an Australian Army soldier coordinate during the unit level training event Pyrocrab. Held biennially, Pyrocrab focuses on strengthening relationships and enhancing interoperability between the U.S. Navy and Australian forces. EODMU-5 is assigned to Commander, Task Force 75, the primary expeditionary task force responsible for the planning and execution of coastal riverine operations, explosive ordnance disposal, diving engineering and construction, and underwater construction in the U.S. 7th Fleet area of operations. (U.S. Navy Photo by Mass Communication Specialist 3rd Class Kryzentia Richards/Released)

Paul Delaroche -

The Execution of Lady Jane Grey [1833]

big seize oil painting; cm 246 × 297

London NG

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Lady Jane Grey reigned for just nine days as Queen of England following the death of Edward VI in 1553: she was deposed by the faction supporting Edward’s half-sister and heir, Mary Tudor. Tried for treason, the 17-year-old Lady Jane was beheaded at Tower Green on 12 February 1554.

 

Delaroche shows the final moments of the blindfolded Lady Jane as she pleads, ‘What shall I do? Where is the block?’ She is being guided towards it by Sir John Brydges, Lieutenant of the Tower. Her outer clothing has already been removed and is gathered in the lap of a lady-in-waiting, who has slumped to the ground. Behind her, a second lady-in-waiting stands facing the wall, unable to watch. To the right, the executioner stands waiting. Using a shallow stage-like space, theatrical lighting and life-size figures, Delaroche plays up the spectacle of the innocent young victim on the brink of martyrdom, compelling us to react to the scene before us.

London NG

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Kingdom of England

Lady Jane Grey was the queen of the Tudor dynasty, and she reigned for nine days, from July 10 to July 19, 1553.

 

She was the second daughter of Henry VII and the granddaughter of Princess Mary , sister of Henry VIII , and a 5th cousin of Mary I and Elizabeth I. She was crowned queen after the death of Edward VI, and she reigned briefly, but only for nine days . As such, she sometimes refers to her as her "Queen of the Nine Days" , but scholars differ as to whether she should be classified as her Queen.

  

Biography:

en.namu.wiki/w/%EC%A0%9C%EC%9D%B8%20%EA%B7%B8%EB%A0%88%EC...

This is a shot of the gravestone or stele where the headless body of Ali Pasha of Tepelena, the notorious and remorseless tyrant, (aka “Tepedelenli Ali Paşa” in Turkish, 1740–1822) was buried in close proximity to the ‘Fathiye camii’ (Turkish for ‘mosque of the Conquest’), at the Iç-Kale citadel of the Ioannina Castle, Greece.

 

Ali’s rebellion against the Sublime Porte was followed by his execution ordered by Sultan Mahmud Ⅱ︎: Ali was decapitated on January 24, 1822.

It's a little about what is going on in Lybia...

 

53 peoples pro Kadhafi maybe executated...

 

I'm not sure the country will be in good hands..

 

To see more photos by me on facebook: www.facebook.com/profile.php?id=673231871

Source: en.wikipedia.org/wiki/Rizal_Monument

 

The Rizal Monument (original title: Motto Stella, Latin, "guiding star") is a memorial in Rizal Park in Manila, Philippines built to commemorate the executed Filipino nationalist, José Rizal. The monument consists of a standing bronze sculpture of Rizal, with an obelisk, set on a stone base within which his remains are interred. A plaque on the pedestal's front reads: "To the memory of José Rizal, patriot and martyr, executed on Bagumbayan Field December Thirtieth 1896. This monument is dedicated by the people of the Philippine Islands".

 

The perimeter of the monument is guarded continuously by the Philippine Marine Corps’ Marine Security and Escort Group, the changing of the guard having become a daily ritual. About 100 m (330 ft) north-northwest of the monument is the exact location where Rizal was executed, marked by life-size dioramas depicting his final moments.

 

An exact replica of the Rizal Monument can be found in Madrid, Spain at the junction of Avenida de Las Islas Filipinas and Calle Santander.

 

OM-2n | 50mm

 

"There are no extra pieces in the universe. Everyone is here because he or she has a place to fill, and every piece must fit itself into the big jigsaw puzzle." Deepak Chopra

 

LET's GET RICH

 

© copyrighted

Unusual, large cabinet photo of a mock beheading of a young woman. Dated July 21st 1890 on the back, with the name Myra R. Wonderly and the address Grand Rapids, Michigan also inscribed. I presume that this is a rehearsal for some play - but it is still a very odd image and a little disconcerting. Note that one of the players has hung his or her umbrella on the wire fence behind the scene.

The Elven High Adjudicator oversees a new execution. The sacred tree Saibakan houses an ancient court. Here wanted creatures are put to rest. Often caught by Centaur Bounty Hunters. A perfect trade as the Centaurs are addicted to shrooms, which grows on the heads of former criminals...

at the Nowruz event last Friday

Long Island Sound, NY

December 27, 2018

In April 2001, Amnesty International launched a world-wide campaign to highlight the pattern of extra-judicial killings and other human rights abuses committed by members of the Jamaican security forces - the Jamaica Constabulary Force (JCF) and the Jamaica Defence Force (JDF), with the launch of its report, JAMAICA: Killings and Violence by Police - How many more victims?

 

The loss of life at the hands of the Jamaican Constabulary Force (JCF) borders on a human rights emergency. The rate of lethal police shootings in Jamaica is one of the highest per capita in the world. More than 1,400 people have been shot dead by police over the past 10 years in Jamaica; in a country whose population is only 2.6 million.

 

Since the 1980s, Amnesty International has been monitoring the cases of killings by Jamaica Constabulary Force officers. As a result, the organisation has identified a pattern of extra-judicial executions and excessive use of force committed by police officers. The cases featured in this Appeals Circular, published as part of Amnesty International's worldwide campaign against torture, are typical. Tragically, they represent only a fraction of the police executions that have occurred over the past decades. Nevertheless, in a country where the statistics on police killings are so high, the importance of seeing justice in individual cases must not be forgotten. Dismantling a culture of impunity can only start when those responsible for each and every individual violation are brought to account by the authorities.

 

In Amnesty International's view, all the cases of fatal shootings listed in this circular appear to constitute extra-judicial executions. In every case, information carefully assessed by the organisation included forensic and other evidence, witness and police accounts. The Jamaican police continue to kill individuals posing no physical threat. The most common explanation for such killings given by police is that they were ''shoot-outs'' - with the police returning fire from armed individuals. In many cases, compelling forensic and other evidence clearly indicates to the contrary.

 

PLEASE WATCH THIS VIDEO ON POLICE KILLINGS IN JAMAICA.

 

jamlink.com/

 

Amnesty International

www.amnesty.org/en/news-and-updates/case-study-killing-

The man responsible for the greatest turning point of Early Christianity. In the year 312 AD, after winning a battle against another Emperor(at that time there were several emperors of Rome), he gradually led to the rise of Christianity. For years before that, Christians faced martyrdom, persecution and executions. Following Constantine's rule, Christianity rose to become the Roman Empire's official religion.

 

Once you're walking the upper halls of the Colosseum, near the west side, you can have a good view of one of the largest arcs that the Romans built.

 

The inscriptions read:

 

IMP · CAES · FL · CONSTANTINO · MAXIMO · P · F · AVGUSTO · S · P · Q · R · QVOD · INSTINCTV · DIVINITATIS · MENTIS · MAGNITVDINE · CVM · EXERCITV · SVO · TAM · DE · TYRANNO · QVAM · DE · OMNI · EIVS · FACTIONE · VNO · TEMPORE · IVSTIS · REM-PVBLICAM · VLTVS · EST · ARMIS · ARCVM · TRIVMPHIS · INSIGNEM · DICAVIT

 

In English:

 

To the Emperor Caesar Flavius Constantinus, the greatest, pious, and blessed Augustus: because he, inspired by the divine, and by the greatness of his mind, has delivered the state from the tyrant and all of his followers at the same time, with his army and just force of arms, the Senate and People of Rome have dedicated this arch, decorated with triumphs.

 

This arch had been here for around 1,700 years. And would later be a model for the creation of another great arc - in France - Arc de Triomphe du Carrousel - yes, that arc in front of the Louvre. Shot taken from the Colosseum's second level.

 

Arch of Constantine

Rome, Italy

Execution Rock. My favorite place to watch a sunset -- Execution Rock, Long Island Sound. I tried to HDR this one, and did not like it at first, but on a second look though I should share it

From the traditional Office of Matins:

"Joan of Arc was born in the town of Domrémy (which was once in the diocese of Toul, but belongs now to that of Saint Dié) in the year of our Lord 1412. Her parents were noted for their virtue and piety. When she was but thirteen years old, and knew nothing but house work, field work, and the first elements of religion, she learnt that God had chosen her to deliver France from her enemies and restore the kingdom to its former independence. She enjoyed familiar intercourse with the Archangel Michael and SS Catherine and Margaret, who, during five years, instructed her how to fulfill her mission. Then, desiring to obey the command of God, she addressed herself to the governor of Vaucouleurs, who, after having several times repulsed her, at length gave her an escort to take her to King Charles.

 

Following in all things the divine commands, she overcame all the difficulties of the long journey, and arrived at Chinon in Touraine, where she furnished the king with proofs that her mission was from God. She proceeded to Orleans, and in a few days inflicted three defeats on the enemy, relieved the town, and raised her banner aloft in triumph. Then, after other military successes in which the assistance of God was clearly manifested, she brought Charles to Rheims, where he was solemnly crowned king. She would not rest even then, but, having learnt from her heavenly voices that God would permit her to fall into the hands of the enemy, she went bravely on to meet what was to befall her.

 

She was taken prisoner at Compiègne, sold to the English, and sent to Rouen for trial. She had to defend herself against many accusations, but her purity was never impugned. She suffered all things with patience for the sake of our Lord Jesus Christ. The wicked judges who tried this gentle and innocent virgin condemned her to be burnt. So, fortified by the Holy Eucharist, which she had long desired, and her eyes fixed upon the Cross, while she constantly murmured the name of Jesus, she took her flight to heaven on May 30, in the nineteenth year of her age. The Holy Roman Church which she had always loved, and to which she had often appealed, undertook, under Pope Calixtus III, her rehabilitation, and towards the end of the nineteenth century, Leo XIII gave permission for the introduction of the cause of beatification. Finally, after diligent examination and approbation of fresh miracles Pius X inscribed her among the Blessed, and permitted the dioceses of France to keep the feast with a special Office and Mass."

 

Stained glass detail from a window in the Blessed Sacrament Cathedral in Greensburg PA.

KIDWELLY was originally the name of the district which included part of the coastlands lying between the estuaries of the Towy and the Loughor. In 1106, after the death of Howell ap Gronw, Henry I granted these lands to his minister, Roger, Bishop of Salisbury, who erected a castle at the mouth of the Gwaendraeth Fach. This formed one of a series of Norman strongholds designed to secure their newly won conquests in South Wales and to command the passage of the rivers across which the road to the west passed. A mention of the hall of the Castle in a document of 1115 or earlier shows that the building of Kidwelly must have been practically completed by that year. During the rising which followed the death of Henry I, the Battle of Maes Gwenllian was fought a short distance away from the castle (1136). The account speaks of Maurice de Londres, Lord of Kidwelly, and Geoffrey, Constable of the Bishop, as leaders of the Norman army. Maurice, who is mentioned for the first time in connection with this district, already possessed Ogmore in Glamorgan, where his father William de Londres appears to have been one of the original conquerors. The coupling of the two names suggests that Roger of Salisbury, while retaining possession of the castle, had granted the lordship of the district to Maurice de Londres, who probably acquired the castle also when the bishop died in the following year.

 

The Welsh chronicles record that, in 1190, the Lord Rhys built the castle of Kidwelly. This entry probably reflects a native conquest of the settlement, but the Normans must have recovered it before 1201, when Meredith, son of Rhys, was slain by the garrison of the castle. In 1215 Rhys Grug, another son of the Lord Rhys, captured Kidwelly and burnt the castle. He remained in possession until 1220, when Llywelyn the Great forced him to restore these conquests. The male line of the de Londres had become extinct during these troubles, and Kidwelly had passed to an heiress, Hawise. In 1225 she married Walter de Braose, who died during the campaign of 1233-4. Kidwelly Castle was by that date again in the possession of the Welsh as a result of the rising of 1231, when Llywelyn the Great, previously a supporter of the royal authority, had turned his arms against Henry III. Hawise de Londres, left a widow, was unable to regain possession of Kidwelly which, in 1242, was still held by Rhys's son Meredith. Two years later Hawise married Patrick de Chaworth, who seems to have recovered these lands soon after this date. The Welsh rising of 1257 involved the destruction of the settlement at Kidwelly, but the invaders failed to capture the castle. Patrick was slain during the campaign of the following year, and the wardship of his lands was granted to Hawise during the minority of their son Payn.

 

Payn de Chaworth must have attained his majority about 1270, as in that year he and his younger brother Patrick took the Cross. Hawise survived until 1274, and her death was soon followed by that of her two sons, Payn in 1279 and Patrick four years later. The elder brother died childless, and the younger left only an infant daughter, Matilda, who inherited Kidwelly and Ogmore. In 1291 the marriage of the young heiress was granted to the king's brother, Edmund, Earl of Lancaster, for the use of his second son, Henry, the union being celebrated in 1298.

 

The prominent part taken by Thomas, Earl of Lancaster, in the civil wars of Edward II's reign led to his execution after the Battle of Boroughbridge in 1322, but the forefeited title and estates were later restored to his younger brother, Henry. The extinction of the male line in 1361 caused a temporary partition of the Lancastrian possessions, but on the death of the elder co-heiress, Matilda, in the following year, the whole inheritance fell to her sister Blanche, wife of John of Gaunt, who became Earl and later Duke of Lancaster. On the accession of Henry IV, Kidwelly, together with the other Lancastrian possessions, passed into the hands of the Crown, and was of little importance during the fifteenth century. Henry VII granted the castle to Sir Rhys ap Tudor, whose grandson Rhys ap Griffith forefeited it in 1531. Later it was again alienated and passed to the Earls of Cawdor. The castle had long ceased to be habitable, but certain repairs were carried out during the nineteenth century. In 1927 the owner placed the ruins under the guardianship of the Commissioners of Works (now the Department of the Environment).

 

Since that date extensive works of preservation have been undertaken. In 1930 and 1931 excavations were carried out by Sir Cyril Fox and the writer in order to recover the earlier history of the castle. The results are embodied in the present guide, and the interesting series of relics recovered may be seen in the National Museum of Wales.

 

PERIODS OF CONSTRUCTION

 

THE earliest remains at Kidwelly, dating from the beginning of the twelfth century, are the semi-circular moat surrounding the castle together with the rampart under the outer curtain, the true meaning of which was revealed by the investigations of 1930-1. Of the hall mentioned in the deed of 1115 and the other buildings of the twelfth century no trace remains, though it is possible that an extensive search under the 2ft to 7ft of debris with which the whole interior of the castle was levelled in the early fourteenth century would lead to the recovery of their plan. The only tangible relic of Norman buildings is a small capital belonging to an attached column and probably forming part of a fireplace. This was found walled into the masonry of the hall of c1300, and may be ascribed to a date at the end of the twelfth century. The ramparts and moats surrounding the northern and southern outworks cannot be exactly dated, but analogy with other sites shows that they may well belong to this early period.

The oldest surviving masonry is that of the towers and the curtain enclosing the inner ward. This occupies a rectangular area with a circular tower at each angle. There are two gates, on the south and north sides, each protected by a portcullis. The erection of these defences within the circuit of the original bank and stockade marks the beginning of the refortification of the castle in accordance with the ideas of the late thirteenth century. The awkward way in which the two western towers are brought close to the foot of the earlier bank can only be understood when the pre-existence of this defence is realised, while the simple character of the gates, so different from the elaborate gatehouses of the normal concentric castle, must be similarly explained. The south-east tower was designed for occupation, but the hall and other structures of the earlier castle probably remained in use. Most of the dressed stonework of this period has disappeared, but the few remaining details are of thirteenth-century character, and this taken in conjunction with the plan suggests that the construction of the inner ward was carried out by Payn de Chaworth, c1275.

 

The replacement of the older buildings by a new hall, solar and kitchen and the erection of a chapel, form the next stage in the development of the castle. The different character of the masonry and the unusual position of the best-appointed private apartments in the southeast tower behind the screens of the hall prove that these additions were planned and built after the completion of the inner ward. The mouldings of the doors and windows belonging to this stage are all of late thirteenth- century character, and none need be earlier than 1300. The absence of glass grooves in the trefoiled lancet windows of the hall and chapel is also an early feature. It is perhaps unlikely that an extensive building programme would have been carried out during the minority of Matilda de Chaworth (1283-98), and a date before the death of her father Patrick is earlier than the architectural evidence would justify. The work should therefore in all probability be attributed to c1300, directly after the marriage of Matilda to Henry of Lancaster.

 

The design of the inner ward at Kidwelly presupposes an outer defensive zone, and the replacement of the original stockade with a stone curtain followed the completion of the living-quarters. The main gatehouse, the lesser northern gate, the outer curtain with its four flanking towers, and the mantlet between the north-eastern tower and the chapel, are part of a single design intended to bring Kidwelly into line with other concentric castles of this period. The position of the elaborate gatehouse, which could in case of need act as a separate defensive unit, on the line of the outer instead of the inner curtain is an abnormal feature imposed by the pre-existing layout of the site. The new masonry curtain of the outer ward was higher than the original stockade and necessitated the addition of a further storey to the towers of the inner ward in order that they might still command the outer defences. The details of this reconstruction are all of early fourteenth-century character, and the fortification of the outer ward must have been carried out during the first quarter of that century. On the completion of this work the surplus material from the bank and other rubbish was used to level up the interior of the castle, which it now covers to a depth varying from 2ft to 7ft. The closing of the open gorges of the towers of the outer curtain marks the last stage in the military development of Kidwelly and may also be ascribed to the fourteenth century. The existing gate in the south wall of the town also appears to be of fourteenth-century date, and it might be expected that the erection of these walls would have followed rather than preceded the reconstruction of the castle. But grants of murage in 1282 suggest an earlier date, and the solution of this problem must await further research.

 

There is reason to think that the great gatehouse may have stood unfinished through most of the fourteenth century and that the opening of a quarry `for the work of the new tower', recorded in 1388-9, may mark the beginning of the works needed to complete it. Ten years later, between 1399 and 1401, when the lord of the castle had become king in the person of Henry IV, there is another record of nearly £100 being spent ‘on the new work of the tower over the gates of the castle’, the near completion of which at this time can be inferred from an order of 1402 for it to be roofed in lead. But in the autumn of the following year the castle was besieged by the Welsh rebels, aided by a naval force from France and Brittany, and subsequent documents leave very little doubt that they succeeded in setting fire to the gatehouse and inflicting serious damage to it; so much so that between 1408 and 1422 a further £500-£600 had to be spent on it, and only in the latter year was it finally roofed with lead shipped from Bristol. A superficial indication of the new work may be seen in the patches of thin flat slabs which contrast with the irregularly coursed boulders of the original masonry. To it belong the triple machicolis high up on the outward face, the upper part of, the wall towards the courtyard, all the square-headed windows, the rectangular stair turret at the north-west corner, and the stone vaults inserted at different levels in the flanking towers as a protection against fire.

 

The last significant addition to the castle, probably made towards the end of the fifteenth century, was a large hall placed on the west side of the outer ward. This was connected with a kitchen in the south-west corner of the inner ward by the enlargement of a thirteenth century embrasure so as to form a passage-way. Buildings placed against the outer curtain reflect the increased complexity of life in the Tudor period, but the provision of an entirely new hall and kitchen suggests that the earlier hall was already ruinous.

 

KIDWELLY is one of the Norman foundations strung out along the coastal plain of South Wales. There is no evidence of any occupation before the grant to Roger, Bishop of Salisbury, and even if a small Celtic settlement existed, it has been without influence on the subsequent development of the site. Like many other Norman settlements which were then continually threatened by a hostile attack from the mountains, Kidwelly stands at the head of an estuary where the river was still navigable at high tide. This situation ensured a line of communications when the castle was surrounded and the roads cut by a Welsh rising.

 

THE SETTLEMENT

 

The settlement consists of two parts, the castle and the walled town on the west bank, and the priory church with the new town on the other side of the river. The two are joined by a two-arched bridge of fourteenth- or fiftecnth-century date. This carried the great road to West Wales, probably replacing an earlier structure. Modern development has greatly altered the appearance of the new town, the last of the picturesque medieval houses having recently been destroyed (1931). The priory church of St. Mary was founded by Bishop Roger before 1115, and became a cell of the abbey of Sherborne. Such foundations are typical of the Norman settlements in South Wales, the alien monks being introduced as a counterpoise to the patriotic sentiments of the native monasteries which too often served as focuses of anti-Norman feeling. The present building dates from the fourteenth century.

From the bridge the road to the castle leads through the defences of the old town. The walls have mostly disappeared, but the main gateway, apparently of early fourtheenth-century date, still spans the road. The line of the defences can still be traced by the earthen bank which preceded the walls. It encloses about eight acres including the castle which it surrounds on all sides except the east. A transverse ditch running west from the castle moat divides it into two nearly equal halves, of which it is probable that only the southern was walled. The defences consist of an earth bank and ditch except on the east, where the steep scarp above the river formed a natural protection. The date of these ramparts is not certainly known, but as the walling of the southern part is to be connected with grants of murage, c1280, and the erection of the gatehouse during the following century, there is good reason for suggesting that they form part of the original Norman settlement.

 

Although the medieval buildings within the walls have been replaced with modern houses, the line of the existing roads probably follows the original layout. Another feature of exceptional interest is the ruins of the medieval mill which with the contemporary weir and leat can be traced on the low ground between the old town and the river. At a comparatively modern date this was replaced by a more efficient type of mill, which in its turn is now disused.

 

THE CASTLE

 

After passing through the south gate of the town the road crosses the settlement and turning to the right reaches the gatehouse of the castle. The original bridge has been replaced by a causeway, the outer end of which starts from a small knoll. Trial excavations failed to recover the plan of the structure which this represented, and as the castle stood within the walled settlement, it is possible that the builders considered a barbican unnecessary.

The gatehall was closed at each end by a double gate preceded by a portcullis. On entering the outer ward the inner gate is seen in the centre of the south curtain of the inner ward. It is a simple structure, a mere arch through the curtain defended by a gate and a portcullis. The inner ward is rectangular with a circular tower at each angle. The earlier hall and solar lie on the east side, with the kitchen between the former and the gate. Behind the hall is the chapel, contained in a bastion projecting down the steep scarp above the river. A later kitchen occupies the south-west corner of the courtyard. The outer defences form a semi-circle based on the river. The masonry curtain and towers date from the fourteenth century, but they follow the lines of the original rampart which was disclosed by the 1931 excavations, and which can still be traced on the north and west sides. The Tudor hall standing free on the west side and several later buildings have encroached on the already restricted area of the outer ward. On the east, where the outer defences do not surround the inner ward, a small mantlet joins the north-east tower and the chapel.

 

The earlier domestic buildings

 

The thirteenth-century domestic buildings occupy the whole of one side of the inner ward. The hall and the solar together form a long range connecting the two eastern towers which are of slightly earlier date. The principal chambers were on the upper floor, below which were low rooms probably used as storehouses. The latter were lighted by narrow widely splayed windows looking on to the courtyard. The present divisions date from the period when the castle was put to base uses, as does the doorway piercing the east curtain and leading to the mantlet and the chapel. The entrance from the courtyard appears to be original. The upper part of the building is almost entirely destroyed. In the outer wall of the solar two trefoiled lancets and a fireplace with quoins and a hood of dressed Sutton stone are preserved. The splay of another window opening into the courtyard can be traced in the west wall, while a recess in the same side marks the position of the door leading into the hall. At the other end of this wall, where it joined the south curtain, the jamb of the doorway leading to the kitchen is visible. The kitchen is a small room with a large fireplace in the thickness of the south curtain. Outside the walls of the kitchen an irregular block of masonry marks the base of the stairs leading up to the hall. The exact position of the screens cannot be determined. From the passage behind them are doors leading to the chapel and the rooms below it, while further entrances give access to the tower.

The south-east tower

 

The south-east tower consists of five storeys. The lowest, a basement lighted by narrow loops, is reached by a door from the storeroom under the hall. The next stage, which has two narrow windows and a fireplace with quoins and hood of Sutton stone, seems originally to have been intended for residence, though after the hall was erected its position would suggest that it served as a buttery. This is confirmed by the contemporary blocking of the archway leading directly from the entrance passage to the circular staircase by which the upper rooms are reached. Like the ground floor, the next two storeys of this tower are decently appointed and seem to have been the private apartments of the castle. One of the narrow windows on the first floor was widened in Tudor times, the jambs of Sutton stone being replaced with a more perishable sandstone. The highest stage is a fourteenth century addition, the earlier battlements being traceable about eight feet below the existing parapet.

The chapel

 

The chapel is in two stages, the semi-octagonal eastern end rising above massive spurs. The clerestory has an unbroken range of trefoiled lancet windows. They are rebated for shutters, but there is no groove for glass. In the lower stage a double piscina and a wide sedile occupy the angle south of the altar. On this side of the building a small rectangular projection forms a sacristy, of which the groined vault is covered with a cruciform roof of stone. Below the chapel are two further storeys. The upper is reached by stairs descending from the passage behind the screens. It has a fireplace on the north side. The small room under the sacristy probably formed the living-quarters of the priest, for whom a garderobe was contrived in the south wall of the main room. The lowest storey was reached by a stair in the thickness of the north wall. The northern entrance to the room below the chapel is later.

The north-east tower

 

The arrangement of this tower differs little from that already described. From the ground floor a narrow passage leads to the outer face of the east curtain. This was designed to give access to the mantlet, and was formed by an alteration of the passage which had led to the wall walk along the eastern curtain. The addition of the hall and the consequent heightening of the curtain has blocked this passage. Here, as in the other towers, access to the wall walk on the remaining sides is obtained from the first floor. The curtain between the two northern towers is pierced by a small postern, closed by a gate and portcullis, and by two embrasures.

The north-west tower

 

The inner side of this tower is recessed so that on plan it appears heart-shaped instead of circular. In this and the following tower the higher level of the courtyard prevented the provision of a separate entrance to the basement, which must have been reached by a trapdoor. The upper part of this tower is particularly well preserved. Not only can the main battlements be traced, but some of those surrounding the small turret which covers the stairs are still in position.

The south-west tower

 

This tower is distinguished from the others by the flat saucer vaults with which each stage is covered. At some period, probably in the sixteenth century, the bottom of the circular staircase was blocked so that access to the upper rooms could only be obtained from the wall walk. This corner of the inner ward is occupied by the Tudor kitchen, which will be described in connection with the hall of that period. Above the inner gate the south wall walk passes through a small ruined chamber from which the portcullis was worked.

The gatehouse

 

The gatehouse is a building of three storeys. The plan is rectangular with two semi-circular towers flanking the entrance, while an elliptical projection on the eastern side commands the defences above the river. The ground floor is occupied by small vaulted chambers lighted by narrow loops through the outer walls. Below the rooms in the two flanking towers are vaulted cellars similarly lighted and approached by stairs opening out of the gate passage. Originally the upper storey was reached by a circular stair leading out of the front room on the west side of the gate, but this was replaced in the early fifteenth century rebuilding by a more convenient staircase in an added turret at the north-west angle.

The principal chambers were on the first floor. The inner side formed the hall lighted by windows with cusped heads looking into the courtyard. Early in the fifteenth-century these were enlarged and traces of the hood-mould surmounting the new rectangular-headed windows can be seen. Originally this hall could only be reached by the inconvenient stairs already mentioned, but later, probably as part of the general remodelling of the gatehouse, a wide external stairway was added leading up from the outer ward and entering the hall by a doorway inserted behind the screens. To the east of the hall lay the vaulted kitchen with a large fireplace and oven. The towers were occupied by two smaller rooms, while a third filled the space to the west of the hall. From the kitchen a door led to the wall walk along the eastern ramparts, while that to the west was reached from a small lobby opening out of the narrow room beyond the hall. Above the hall and stretching over the vault of the kitchen was the solar, reached originally by a small staircase contrived in the inner wall of the hall. The rest of this storey contained three smaller rooms corresponding to those on the floor below. With the exception of the solar all the rooms on the highest storey are covered with flat stone vaults, but the former, like the hall and the smaller chambers on the first floor, had wooden ceilings. From the hall the circular stairs in the added northwest turret led up to the solar and the roof.

 

The outer curtain

 

The curtain enclosing the outer ward follows the crest of the earlier rampart, on which it is built with very shallow foundations. There is a smaller gatehouse with two flanking towers through which the northern outworks could be reached. The western curtain between the two gates was reinforced by three semi-circular towers, while a fourth covered the north-eastern angle of the defences. There is evidence that the shallow foundations built on the top of an artificial bank were already giving trouble during the Middle Ages, and that the western and north-eastern towers with a portion of the adjacent curtain had collapsed before 1500. The latter was replaced by a thinner wall built slightly behind the line of the fourteenth-century curtain, but the slight wall closing the gorge was considered sufficient to replace the former. Access to the wall walk was through the gatehouses or by stairs leading up from the west side of the outer ward. The northern gatehouse is too far ruined to allow its internal arrangement to be reconstructed, but like the towers it was of three storeys. Of the latter that on the south-west is the best preserved. Originally this must have had a half-timbered inner wall, but during the fourteenth or fifteenth century this was replaced by a stone wall which projects beyond the inner face of the curtain. The ground floor was entered from the outer ward, but the upper floors could be reached from the wall walk. The presence of a fireplace on the first floor shows that the towers were intended for occupation.

The later domestic buildings

 

Changes carried out towards the close of the fifteenth century, probably by Sir Rhys ap Tudor, included the provision of more spacious buildings in the outer ward. On the west side a large hall with a high-pitched roof was erected parallel to the inner curtain. Of this only the two gables and the base of the side walls remain. The kitchen to serve this new hall was placed in the south-west angle of the inner ward, a passage being driven through the curtain by the enlargement of one of the original embrasures. The kitchen, a simple rectangular building, has two large fireplaces occupying the whole of each end of the room.

To the same period belong the buildings standing against the east, north and west curtains of the outer ward. The purpose of the first, a large chamber which is very similar in appearance to the late, hall, cannot be determined. The building to the west of the north gate has a large oven built in the thickness of the side wall and was the bakehouse. The remaining structure by the south-west towers has two long narrow rooms, one of which is provided with a fireplace.

 

The invading Normans took only a few years to conquer England after the Battle of Hastings in 1066. But Wales held out for two-and-a-half centuries.

 

Kidwelly Castle is a symbol of this enduring conflict. And it was here in 1136 that a warrior princess turned herself into one of Welsh history’s greatest heroines.

 

Gwenllian was authentic Welsh royalty – sister of the northern prince Owain Gwynedd and wife of Gruffudd ap Rhys, lord of Deheubarth. But she definitely didn’t live the life of a pampered princess.

 

Under constant threat from the Normans she was forced to hide away in the deep forests, where she raised four sons. Her husband was busy building an army and plotting lightning raids. But he chose the wrong time to head north for help.

 

In his absence Maurice de Londres, lord of Kidwelly Castle, began to gather forces for a counter-attack. He had to be stopped. So Gwenllian donned her battledress and entered the field herself.

 

She was ‘like some second Queen of the Amazons’, said the admiring historian Gerald of Wales. Some call her the Welsh Boudicca – the only woman to lead a medieval Welsh army into battle.

 

But they were no match for the Normans. She was captured and beheaded for treason. It’s said a spring welled up where she died – still known as Maes Gwenllian, or the Field of Gwenllian.

 

Her death wasn’t in vain. She inspired a popular uprising that swept the Normans out of West Wales. Finally true poetic justice was achieved by her youngest son, Rhys ap Gruffudd, who was just four years old when his mother died.

 

The Lord Rhys, as he was later known, captured Kidwelly Castle in 1159 and was recognised by King Henry II as the undisputed ruler of the region. But his death in 1197 provoked a power struggle. Just four years later the castle was back in Anglo-Norman hands.

 

You can pay tribute to brave and beautiful Princess Gwenllian at her monument near the castle gatehouse. You might even spot the headless ghost that’s reputed to stalk the grounds.

 

Carmarthenshire is a county in the south-west of Wales. The three largest towns are Llanelli, Carmarthen and Ammanford. Carmarthen is the county town and administrative centre. The county is known as the "Garden of Wales" and is also home to the National Botanic Garden of Wales.

 

Carmarthenshire has been inhabited since prehistoric times. The county town was founded by the Romans, and the region was part of the Kingdom of Deheubarth in the High Middle Ages. After invasion by the Normans in the 12th and 13th centuries it was subjugated, along with other parts of Wales, by Edward I of England. There was further unrest in the early 15th century, when the Welsh rebelled under Owain Glyndŵr, and during the English Civil War.

 

Carmarthenshire is mainly an agricultural county, apart from the southeastern part which was once heavily industrialised with coal mining, steel-making and tin-plating. In the north of the county, the woollen industry was very important in the 18th century. The economy depends on agriculture, forestry, fishing and tourism. West Wales was identified in 2014 as the worst-performing region in the United Kingdom along with the South Wales Valleys with the decline in its industrial base, and the low profitability of the livestock sector.

 

Carmarthenshire, as a tourist destination, offers a wide range of outdoor activities. Much of the coast is fairly flat; it includes the Millennium Coastal Park, which extends for ten miles to the west of Llanelli; the National Wetlands Centre; a championship golf course; and the harbours of Burry Port and Pembrey. The sandy beaches at Llansteffan and Pendine are further west. Carmarthenshire has a number of medieval castles, hillforts and standing stones. The Dylan Thomas Boathouse is at Laugharne.

 

Stone tools found in Coygan Cave, near Laugharne indicate the presence of hominins, probably neanderthals, at least 40,000 years ago, though, as in the rest of the British Isles, continuous habitation by modern humans is not known before the end of the Younger Dryas, around 11,500 years BP. Before the Romans arrived in Britain, the land now forming the county of Carmarthenshire was part of the kingdom of the Demetae who gave their name to the county of Dyfed; it contained one of their chief settlements, Moridunum, now known as Carmarthen. The Romans established two forts in South Wales, one at Caerwent to control the southeast of the country, and one at Carmarthen to control the southwest. The fort at Carmarthen dates from around 75 AD, and there is a Roman amphitheatre nearby, so this probably makes Carmarthen the oldest continually occupied town in Wales.

 

Carmarthenshire has its early roots in the region formerly known as Ystrad Tywi ("Vale of [the river] Tywi") and part of the Kingdom of Deheubarth during the High Middle Ages, with the court at Dinefwr. After the Normans had subjugated England they tried to subdue Wales. Carmarthenshire was disputed between the Normans and the Welsh lords and many of the castles built around this time, first of wood and then stone, changed hands several times. Following the Conquest of Wales by Edward I, the region was reorganized by the Statute of Rhuddlan in 1284 into Carmarthenshire. Edward I made Carmarthen the capital of this new county, establishing his courts of chancery and his exchequer there, and holding the Court of Great Sessions in Wales in the town.

 

The Normans transformed Carmarthen into an international trading port, the only staple port in Wales. Merchants imported food and French wines and exported wool, pelts, leather, lead and tin. In the late medieval period the county's fortunes varied, as good and bad harvests occurred, increased taxes were levied by England, there were episodes of plague, and recruitment for wars removed the young men. Carmarthen was particularly susceptible to plague as it was brought in by flea-infested rats on board ships from southern France.

 

In 1405, Owain Glyndŵr captured Carmarthen Castle and several other strongholds in the neighbourhood. However, when his support dwindled, the principal men of the county returned their allegiance to King Henry V. During the English Civil War, Parliamentary forces under Colonel Roland Laugharne besieged and captured Carmarthen Castle but later abandoned the cause, and joined the Royalists. In 1648, Carmarthen Castle was recaptured by the Parliamentarians, and Oliver Cromwell ordered it to be slighted.

 

The first industrial canal in Wales was built in 1768 to convey coal from the Gwendraeth Valley to the coast, and the following year, the earliest tramroad bridge was on the tramroad built alongside the canal. During the Napoleonic Wars (1799–1815) there was increased demand for coal, iron and agricultural goods, and the county prospered. The landscape changed as much woodland was cleared to make way for more food production, and mills, power stations, mines and factories sprang up between Llanelli and Pembrey. Carmarthenshire was at the centre of the Rebecca Riots around 1840, when local farmers and agricultural workers dressed as women and rebelled against higher taxes and tolls.

 

On 1 April 1974, under the Local Government Act 1972, Carmarthenshire joined Cardiganshire and Pembrokeshire in the new county of Dyfed; Carmarthenshire was divided into three districts: Carmarthen, Llanelli and Dinefwr. Twenty-two years later this amalgamation was reversed when, under the Local Government (Wales) Act 1994, the original county boundaries were reinstated.

 

The county is bounded to the north by Ceredigion, to the east by Powys (historic county Brecknockshire), Neath Port Talbot (historic county Glamorgan) and Swansea (also Glamorgan), to the south by the Bristol Channel and to the west by Pembrokeshire. Much of the county is upland and hilly. The Black Mountain range dominates the east of the county, with the lower foothills of the Cambrian Mountains to the north across the valley of the River Towy. The south coast contains many fishing villages and sandy beaches. The highest point (county top) is the minor summit of Fan Foel, height 781 metres (2,562 ft), which is a subsidiary top of the higher mountain of Fan Brycheiniog, height 802.5 metres (2,633 ft) (the higher summit, as its name suggests, is actually across the border in Brecknockshire/Powys). Carmarthenshire is the largest historic county by area in Wales.

 

The county is drained by several important rivers which flow southwards into the Bristol Channel, especially the River Towy, and its several tributaries, such as the River Cothi. The Towy is the longest river flowing entirely within Wales. Other rivers include the Loughor (which forms the eastern boundary with Glamorgan), the River Gwendraeth and the River Taf. The River Teifi forms much of the border between Carmarthenshire and Ceredigion, and there are a number of towns in the Teifi Valley which have communities living on either side of the river and hence in different counties. Carmarthenshire has a long coastline which is deeply cut by the estuaries of the Loughor in the east and the Gwendraeth, Tywi and Taf, which enter the sea on the east side of Carmarthen Bay. The coastline includes notable beaches such as Pendine Sands and Cefn Sidan sands, and large areas of foreshore are uncovered at low tide along the Loughor and Towy estuaries.

 

The principal towns in the county are Ammanford, Burry Port, Carmarthen, Kidwelly, Llanelli, Llandeilo, Newcastle Emlyn, Llandovery, St Clears, and Whitland. The principal industries are agriculture, forestry, fishing and tourism. Although Llanelli is by far the largest town in the county, the county town remains Carmarthen, mainly due to its central location.

 

Carmarthenshire is predominantly an agricultural county, with only the southeastern area having any significant amount of industry. The best agricultural land is in the broad Tywi Valley, especially its lower reaches. With its fertile land and agricultural produce, Carmarthenshire is known as the "Garden of Wales". The lowest bridge over the river is at Carmarthen, and the Towi Estuary cuts the southwesterly part of the county, including Llansteffan and Laugharne, off from the more urban southeastern region. This area is also bypassed by the main communication routes into Pembrokeshire. A passenger ferry service used to connect Ferryside with Llansteffan until the early part of the twentieth century.

 

Agriculture and forestry are the main sources of income over most of the county of Carmarthenshire. On improved pastures, dairying is important and in the past, the presence of the railway enabled milk to be transported to the urban areas of England. The creamery at Whitland is now closed but milk processing still takes place at Newcastle Emlyn where mozzarella cheese is made. On upland pastures and marginal land, livestock rearing of cattle and sheep is the main agricultural activity. The estuaries of the Loughor and Towy provide pickings for the cockle industry.

 

Llanelli, Ammanford and the upper parts of the Gwendraeth Valley are situated on the South Wales Coalfield. The opencast mining activities in this region have now ceased but the old mining settlements with terraced housing remain, often centred on their nonconformist chapels. Kidwelly had a tin-plating industry in the eighteenth century, with Llanelli following not long after, so that by the end of the nineteenth century, Llanelli was the world-centre of the industry. There is little trace of these industrial activities today. Llanelli and Burry Port served at one time for the export of coal, but trade declined, as it did from the ports of Kidwelly and Carmarthen as their estuaries silted up. Country towns in the more agricultural part of the county still hold regular markets where livestock is traded.

 

In the north of the county, in and around the Teifi Valley, there was a thriving woollen industry in the nineteenth and early twentieth centuries. Here water-power provided the energy to drive the looms and other machinery at the mills. The village of Dre-fach Felindre at one time contained twenty-four mills and was known as the "Huddersfield of Wales". The demand for woollen cloth declined in the twentieth century and so did the industry.

 

In 2014, West Wales was identified as the worst-performing region in the United Kingdom along with the South Wales Valleys. The gross value added economic indicator showed a figure of £14,763 per head in these regions, as compared with a GVA of £22,986 for Cardiff and the Vale of Glamorgan. The Welsh Assembly Government is aware of this, and helped by government initiatives and local actions, opportunities for farmers to diversify have emerged. These include farm tourism, rural crafts, specialist food shops, farmers' markets and added-value food products.

 

Carmarthenshire County Council produced a fifteen-year plan that highlighted six projects which it hoped would create five thousand new jobs. The sectors involved would be in the "creative industries, tourism, agri-food, advanced manufacturing, energy and environment, and financial and professional services".

 

Carmarthenshire became an administrative county with a county council taking over functions from the Quarter Sessions under the Local Government Act 1888. Under the Local Government Act 1972, the administrative county of Carmarthenshire was abolished on 1 April 1974 and the area of Carmarthenshire became three districts within the new county of Dyfed : Carmarthen, Dinefwr and Llanelli. Under the Local Government (Wales) Act 1994, Dyfed was abolished on 1 April 1996 and Carmarthenshire was re-established as a county. The three districts united to form a unitary authority which had the same boundaries as the traditional county of Carmarthenshire. In 2003, the Clynderwen community council area was transferred to the administrative county of Pembrokeshire.

 

Prior to the Industrial Revolution, Carmarthen and Wrexham were the two most populous towns in Wales. In 1931, the county's population was 171,445 and in 1951, 164,800. At the census in 2011, Carmarthenshire had a population of 183,777. Population levels have thus dipped and then increased again over the course of eighty years. The population density in Carmarthenshire is 0.8 persons per hectare compared to 1.5 per hectare in Wales as a whole.

 

Carmarthenshire was the most populous of the five historic counties of Wales to remain majority Welsh-speaking throughout the 20th century. According to the 1911 Census, 84.9 per cent of the county's population were Welsh-speaking (compared with 43.5 per cent in all of Wales), with 20.5 per cent of Carmarthenshire's overall population being monolingual Welsh-speakers.

 

In 1931, 82.3 per cent could speak Welsh and in 1951, 75.2 per cent. By the 2001 census, 50.3 per cent of people living in Carmarthenshire could speak Welsh, with 39 per cent being able to read and write the language as well.

 

The 2011 census showed a further decline, with 43.9 per cent speaking Welsh, making it a minority language in the county for the first time. However, the 2011 census also showed that 3,000 more people could understand spoken Welsh than in 2001 and that 60% of 5-14-year-olds could speak Welsh (a 5% increase since 2001). A decade later, the 2021 census, showed further decrease, to 39.9% Welsh speakers -- the largest percentage drop in all of Wales.

 

With its strategic location and history, the county is rich in archaeological remains such as forts, earthworks and standing stones. Carn Goch is one of the most impressive Iron Age forts and stands on a hilltop near Llandeilo. The Bronze Age is represented by chambered cairns and standing stones on Mynydd Llangyndeyrn, near Llangyndeyrn. Castles that can be easily accessed include Carreg Cennen, Dinefwr, Kidwelly, Laugharne, Llansteffan and Newcastle Emlyn Castle. There are the ruinous remains of Talley Abbey, and the coastal village of Laugharne is for ever associated with Dylan Thomas. Stately homes in the county include Aberglasney House and Gardens, Golden Grove and Newton House.

 

There are plenty of opportunities in the county for hiking, observing wildlife and admiring the scenery. These include Brechfa Forest, the Pembrey Country Park, the Millennium Coastal Park at Llanelli, the WWT Llanelli Wetlands Centre and the Carmel National Nature Reserve. There are large stretches of golden sands and the Wales Coast Path now provides a continuous walking route around the whole of Wales.

 

The National Botanic Garden of Wales displays plants from Wales and from all around the world, and the Carmarthenshire County Museum, the National Wool Museum, the Parc Howard Museum, the Pendine Museum of Speed and the West Wales Museum of Childhood all provide opportunities to delve into the past. Dylan Thomas Boathouse where the author wrote many of his works can be visited, as can the Roman-worked Dolaucothi Gold Mines.

 

Activities available in the county include rambling, cycling, fishing, kayaking, canoeing, sailing, horse riding, caving, abseiling and coasteering.[7] Carmarthen Town A.F.C. plays in the Cymru Premier. They won the Welsh Football League Cup in the 1995–96 season, and since then have won the Welsh Cup once and the Welsh League Cup twice. Llanelli Town A.F.C. play in the Welsh Football League Division Two. The club won the Welsh premier league and Loosemores challenge cup in 2008 and won the Welsh Cup in 2011, but after experiencing financial difficulties, were wound up and reformed under the present title in 2013. Scarlets is the regional professional rugby union team that plays in the Pro14, they play their home matches at their ground, Parc y Scarlets. Honours include winning the 2003/04 and 2016/17 Pro12. Llanelli RFC is a semi-professional rugby union team that play in the Welsh Premier Division, also playing home matches at Parc y Scarlets. Among many honours, they have been WRU Challenge Cup winners on fourteen occasions and frequently taken part in the Heineken Cup. West Wales Raiders, based in Llanelli, represent the county in Rugby league.

 

Some sporting venues utilise disused industrial sites. Ffos Las racecourse was built on the site of an open cast coal mine after mining operations ceased. Opened in 2009, it was the first racecourse built in the United Kingdom for eighty years and has regular race-days. Machynys is a championship golf course opened in 2005 and built as part of the Llanelli Waterside regeneration plan. Pembrey Circuit is a motor racing circuit near Pembrey village, considered the home of Welsh motorsport, providing racing for cars, motorcycles, karts and trucks. It was opened in 1989 on a former airfield, is popular for testing and has hosted many events including the British Touring Car Championship twice. The 2018 Tour of Britain cycling race started at Pembrey on 2 September 2018.

 

Carmarthenshire is served by the main line railway service operated by Transport for Wales Rail which links London Paddington, Cardiff Central and Swansea to southwest Wales. The main hub is Carmarthen railway station where some services from the east terminate. The line continues westwards with several branches which serve Pembroke Dock, Milford Haven and Fishguard Harbour (for the ferry to Rosslare Europort and connecting trains to Dublin Connolly). The Heart of Wales Line takes a scenic route through mid-Wales and links Llanelli with Craven Arms, from where passengers can travel on the Welsh Marches Line to Shrewsbury.

 

Two heritage railways, the Gwili Railway and the Teifi Valley Railway, use the track of the Carmarthen and Cardigan Railway that at one time ran from Carmarthen to Newcastle Emlyn, but did not reach Cardigan.

 

The A40, A48, A484 and A485 converge on Carmarthen. The M4 route that links South Wales with London, terminates at junction 49, the Pont Abraham services, to continue northwest as the dual carriageway A48, and to finish with its junction with the A40 in Carmarthen.

 

Llanelli is linked to M4 junction 48 by the A4138. The A40 links Carmarthen to Llandeilo, Llandovery and Brecon to the east, and with St Clears, Whitland and Haverfordwest to the west. The A484 links Llanelli with Carmarthen by a coastal route and continues northwards to Cardigan, and via the A486 and A487 to Aberystwyth, and the A485 links Carmarthen to Lampeter.

 

Bus services run between the main towns within the county and are operated by First Cymru under their "Western Welsh" or "Cymru Clipper" livery. Bus services from Carmarthenshire are also run to Cardiff. A bus service known as "fflecsi Bwcabus" (formerly just "Bwcabus") operates in the north of the county, offering customised transport to rural dwellers.

 

Carmarthenshire has rich, fertile farmland and a productive coast with estuaries providing a range of foods that motivate many home cooks and chefs.

The Su-24 first flew in 1970 and entered Soviet service in 1974. It serves to this day as an attack aircraft/interdictor but is also well equipped to conduct missions against enemy radar and anti-aircraft assets.

 

Original Su-24s had limited avionics but were gradually improved with radar-warning and active ECM equipment. The Su-24M was also compatible with TV-guided missiles and laser guided bombs.

 

About the model:

This was the first plane I designed with a side-by-side cockpit arrangement and offered unique challenges. I used a lot of the techniques from this build when designing the EF-111A. It's quite a boxy plane, which is often a bit tedious to build, but proved to be a welcome feature when trying to get the swing-wings to work!

04 Mar 2004, Petit-Goave, Haiti --- A Haitian, suspected of being a multiple assassin for President Jean Bertrand Aristide's Lavalas party, is stoned in Petit-Goave, some 50 kilometers south of Port-au-Prince, three days after the departure of Aristide. The man was arrested by armed citizens of Petit-Goave who proceeded to stone him and then burn him alive. --- Image by � Daniel Aguilar/Reuters/Corbis

St Albans Cathedral, also known as the Cathedral and Abbey Church of St Alban, is a Church of England cathedral church within St Albans, England. At 84 metres (276 ft), its nave is the longest of any cathedral in England. With much of its present architecture dating from Norman times, it was formerly known as St Albans Abbey before it became a cathedral in 1877. It is the second longest cathedral in the United Kingdom (after Winchester). Local residents often call it "the abbey", although the present cathedral represents only the church of the old Benedictine abbey.

 

The abbey church, although legally a cathedral church, differs in certain particulars from most of the other cathedrals in England: it is also used as a parish church, of which the dean is rector. He has the same powers, responsibilities and duties as the rector of any other parish.

 

Alban was a pagan living in the Roman city of Verulamium, now Verulamium Park, in St Albans, in Hertfordshire, England, about 22 miles (35 km) north of London along Watling Street. Before Christianity became the official religion of the Roman Empire, local Christians were being persecuted by the Romans. Alban sheltered their priest, Saint Amphibalus, in his home and was converted to the Christian faith by him. When the soldiers came to Alban's house looking for the priest, Alban exchanged cloaks with the priest and let himself be arrested in his place. Alban was taken before the magistrate, where he avowed his new Christian faith and was condemned for it. He was beheaded, according to legend, on the spot where the cathedral named after him now stands. The site is on a steep hill and legend has it that his head rolled down the hill after being cut off and that a well sprang up at the point where it stopped.

A well certainly exists today and the road up to the cathedral is named Holywell Hill. However the current well structure is no older than the late 19th century and it is thought that the name of the street derives from the "Halywell" river and "Halywell Bridge", not from the well.

 

The date of Alban's execution is a matter of some debate and is generally given as "circa 250"—scholars generally suggest dates of 209, 254 or 304.

 

History of the abbey and cathedral

 

A memoria over the execution point and holding the remains of Alban existed at the site from the mid-4th century (possibly earlier); Bedementions a church and Gildas a shrine. Bishop Germanus of Auxerre visited in 429 and took a portion of the apparently still bloody earth away. The style of this structure is unknown; the 13th century chronicler Matthew Paris (see below) claimed that the Saxons destroyed the building in 586.

 

Saxon buildings

Offa II of Mercia, who ruled in the 8th century, is said to have founded the Benedictine abbey and monastery at St Albans. All later religious structures are dated from the foundation of Offa's abbey in 793. The abbey was built on Holmhurst Hill—now Holywell Hill—across the River Ver from the ruins of Verulamium. Again there is no information to the form of the first abbey. The abbey was probably sacked by the Danes around 890 and, despite Paris's claims, the office of abbot remained empty from around 920 until the 970s when the efforts of Dunstanreached the town.

 

There was an intention to rebuild the abbey in 1005 when Abbot Ealdred was licensed to remove building material from Verulamium. With the town resting on clay and chalk the only tough stone is flint. This was used with a lime mortar and then either plastered over or left bare. With the great quantities of brick, tile and other stone in Verulamium the Roman site became a prime source of building material for the abbeys, and other projects in the area, up to the 18th century. Sections demanding worked stone used Lincolnshire limestone (Barnack stone) from Verulamium, later worked stones include Totternhoe freestone from Bedfordshire, Purbeck marble, and different limestones (Ancaster, Chilmark, Clipsham, etc.).

Renewed Viking raids from 1016 stalled the Saxon efforts and very little from the Saxon abbey was incorporated in the later forms.

 

The nave. The north wall (left) features a mix of Norman arches dating back to 1077 and arches in the Early English style of 1200.

 

Norman abbey

Much of the current layout and proportions of the structure date from the first Norman abbot, Paul of Caen (1077–1093). The 14th abbot, he was appointed by the new Archbishop of Canterbury, Lanfranc.

 

Building work started in the year of Abbot Paul's arrival. The design and construction was overseen by the Norman Robert the Mason. The plan has very limited Anglo-Saxon elements and is clearly influenced by the French work at Cluny, Bernay, and Caen and shares a similar floor plan to Saint-Étienne and Lanfranc's Canterbury—although the poorer quality building material was a new challenge for Robert and he clearly borrowed some Roman techniques, learned while gathering material in Verulamium. To take maximum use of the hilltop the abbey was oriented to the south-east. The cruciform abbey was the largest built in England at that time, it had a chancel of four bays, a transept containing seven apses, and a nave of ten bays—fifteen bays long overall. Robert gave particular attention to solid foundations, running a continuous wall of layered bricks, flints and mortar below and pushing the foundations down to twelve feet to hit bedrock. Below the crossing tower special large stones were used.

 

The tower was a particular triumph—it is the only 11th century great crossing tower still standing in England. Robert began with special thick supporting walls and four massive brick piers. The four-level tower tapers at each stage with clasping buttresses on the three lower levels and circular buttresses on the fourth stage. The entire structure masses 5,000 tons and is 144 feet high. The tower was probably topped with a Norman pyramidal roof; the current roof is flat. The original ringing chamber had five bells—two paid for by the Abbot, two by a wealthy townsman, and one donated by the rector of Hoddesdon. None of these bells has survived.

There was a widespread belief that the abbey had two additional, smaller towers at the west end. No remains have been found.

 

The monastic abbey was completed in 1089 but not consecrated until Holy Innocents' Day, 1115, (28 Dec) by the Archbishop of Rouen. King Henry I attended as did many bishops and nobles.

A nunnery (Sopwell Priory) was founded nearby in 1140.

 

Internally the abbey was bare of sculpture, almost stark. The plaster walls were coloured and patterned in parts, with extensive tapestries adding colour. Sculptural decoration was added, mainly ornaments, as it became more fashionable in the 12th century—especially after the Gothic style arrived in England around 1170.

 

In the current structure the original Norman arches survive principally under the central tower and on the north side of the nave. The arches in the rest of the building are Gothic, following medieval rebuilding and extensions, and Victorian era restoration.

 

The abbey was extended in the 1190s by Abbot John de Cella (also known as John of Wallingford) (1195–1214); as the number of monks grew from fifty to over a hundred, the abbey was extended westwards with three bays added to the nave. The severe Norman west front was also rebuilt by Hugh de Goldclif—although how is uncertain, it was very costly but its 'rapid' weathering and later alterations have erased all but fragments. A more prominent shrine and altar to Saint Amphibalus were also added. The work was very slow under de Cella and was not completed until the time of Abbot William de Trumpington (1214–35). The low Norman tower roof was demolished and a new, much higher, broached spire was raised, sheathed in lead.

The St Albans Psalter (ca. 1130–45) is the best known of a number of important Romanesque illuminated manuscripts produced in the Abbey scriptorium. Later, Matthew Paris, a monk at St Albans from 1217 until his death in 1259, was important both as a chronicler and an artist. Eighteen of his manuscripts survive and are a rich source of contemporary information for historians.

Nicholas Breakspear was born near St Albans and applied to be admitted to the abbey as a novice, but he was turned down. He eventually managed to be accepted into an abbey in France. In 1154 he was elected Pope Adrian IV, the only English Pope there has ever been. The head of the abbey was confirmed as the premier abbot in England also in 1154.

 

13th to 15th centuries

 

An earthquake shook the abbey in 1250 and damaged the eastern end of the church. In 1257 the dangerously cracked sections were knocked down—three apses and two bays. The thick Presbytery wall supporting the tower was left. The rebuilding and updating was completed during the rule of Abbot Roger de Norton (1263–90).

 

On 10 October 1323 two piers on the south side of the nave collapsed dragging down much of the roof and wrecking five bays. Mason Henry Wy undertook the rebuilding, matching the Early English style of the rest of the bays but adding distinctly 14th century detailing and ornaments. The shrine to St Amphibalus had also been damaged and was remade.

 

Abbey Gateway, now part of St. Albans School.

Richard of Wallingford, abbot from 1297 to 1336 and a mathematician and astronomer, designed a celebrated clock, which was completed by William of Walsham after his death, but apparently destroyed during the reformation.

 

A new gateway, now called the Abbey Gateway, was built to the abbey grounds in 1365, which was the only part of the monastery buildings (besides the church) to survive the dissolution, later being used as a prison and now part of St Albans School. The other monastic buildings were located to the south of the gateway and church.

 

In the 15th century a large west window of nine main lights and a deep traced head was commissioned by John of Wheathampstead. The spire was reduced to a 'Hertfordshire spike', the roof pitch greatly reduced and battlements liberally added. Further new windows, at £50 each, were put in the transept by Abbot Wallingford (also known as William of Wallingford), who also had a new high altar screen made.

 

Dissolution and after

After the death of Abbot Ramryge in 1521 the abbey fell into debt and slow decay under three weak abbots. At the time of the Dissolution of the Monasteries and its surrender on 5 December 1539 the income was £2,100 annually. The abbot and remaining forty monks were pensioned off and then the buildings were looted. All gold, silver and gilt objects were carted away with all other valuables; stonework was broken and defaced and graves opened to burn the contents.

 

The abbey became part of the diocese of Lincoln in 1542 and was moved to the diocese of London in 1550. The buildings suffered—neglect, second-rate repairs, even active damage. Richard Lee purchased all the buildings, except the church and chapel and some other Crown premises, in 1550. Lee then began the systematic demolition for building material to improve Lee Hall at Sopwell. In 1551, with the stone removed, Lee returned the land to the abbot. The area was named Abbey Ruins for the next 200 years or so.

 

In 1553 the Lady chapel became a school, the Great Gatehouse a town jail, some other buildings passed to the Crown, and the Abbey Church was sold to the town for £400 in 1553 by King Edward VI to be the church of the parish.

 

The cost of upkeep fell upon the town, although in 1596 and at irregular intervals later the Archdeacon was allowed to collect money for repairs by Brief in the diocese. After James I visited in 1612 he authorised another Brief, which collected around £2,000—most of which went on roof repairs. The English Civil War slashed the monies spent on repairs, while the abbey was used to hold prisoners of war and suffered from their vandalism, as well as that of their guards. Most of the metal objects that had survived the Dissolution were also removed and other ornamental parts were damaged in Puritan sternness. Another round of fund-raising in 1681–84 was again spent on the roof, repairing the Presbytery vault. A royal grant from William and Mary in 1689 went on general maintenance, 'repairs' to conceal some of the unfashionable Gothic features, and on new internal fittings. There was a second royal grant from William in 1698.

By the end of the 17th century the dilapidation was sufficient for a number of writers to comment upon it.

 

In 1703, from 26 November to 1 December, the Great Storm raged across southern England; the abbey lost the south transept window which was replaced in wood at a cost of £40. The window was clear glass with five lights and three transoms in an early Gothic Revival style by John Hawgood. Other windows, although not damaged in the storm, were a constant drain on the abbey budget in the 18th century.

 

A brief in 1723–24, seeking £5,775, notes a great crack in the south wall, that the north wall was eighteen inches from vertical, and that the roof timbers were decayed to the point of danger. The money raised was spent on the nave roof over ten bays.

 

Another brief was not issued until 1764. Again the roof was rotting, as was the south transept window, walls were cracked or shattered in part and the south wall had subsided and now leant outwards. Despite a target of £2,500 a mere £600 was raised.

In the 1770s the abbey came close to demolition; the expense of repairs meant a scheme to destroy the abbey and erect a smaller church almost succeeded.

 

A storm in 1797 caused some subsidence, cracking open graves, scattering pavement tiles, flooding the church interior and leaving a few more arches off-vertical.

 

19th century

 

The Wallingford Screen of c. 1480—the statues are Victorian replacements (1884–89) of the originals, destroyed in the Dissolution of the Monasteries, when the screen itself was also damaged. Statues of St Alban and St Amphibalus stand on either side of the altar.

 

This century was marked with a number of repair schemes. The abbey received some money from the 1818 "Million Act", and in 1820 £450 was raised to buy an organ—a second-hand example made in 1670.

 

The major efforts to revive the abbey church came under four men—L. N. Cottingham, Rector H. J. B. Nicholson, and, especially, George Gilbert Scott and Edmund Beckett, first Baron Grimthorpe.

 

In February 1832 a portion of the clerestory wall fell through the roof of the south aisle, leaving a hole almost thirty feet long. With the need for serious repair work evident the architect Lewis Nockalls Cottingham was called in to survey the building. His Survey was presented in 1832 and was worrying reading: everywhere mortar was in a wretched condition and wooden beams were rotting and twisting. Cottingham recommended new beams throughout the roof and a new steeper pitch, removal of the spire and new timbers in the tower, new paving, ironwork to hold the west transept wall up, a new stone south transept window, new buttresses, a new drainage system for the roof, new ironwork on almost all the windows, and on and on. He estimated a cost of £14,000. A public subscription of £4,000 was raised, of which £1,700 vanished in expenses. With the limited funds the clerestory wall was rebuilt, the nave roof re-leaded, the tower spike removed, some forty blocked windows reopened and glazed, and the south window remade in stone.

 

Henry Nicholson, rector from 1835 to 1866, was also active in repairing the abbey church—as far as he could, and in uncovering lost or neglected Gothic features.

 

In 1856 repair efforts began again; £4,000 was raised and slow moves started to gain the abbey the status of cathedral. George Gilbert Scottwas appointed the project architect and oversaw a number of works from 1860 until his death in 1878.

Scott began by having the medieval floor restored, necessitating the removal of tons of earth, and fixing the north aisle roof. From 1872–77 the restored floors were re-tiled in matching stone and copies of old tile designs. A further 2,000 tons of earth were shifted in 1863 during work on the foundation and a new drainage system. In 1870 the tower piers were found to be badly weakened with many cracks and cavities. Huge timbers were inserted and the arches filled with brick as an emergency measure. Repair work took until May 1871 and cost over £2,000. The south wall of the nave was now far from straight; Scott reinforced the north wall and put in scaffolding to take the weight of the roof off the wall, then had it jacked straight in under three hours. The wall was then buttressed with five huge new masses and set right. Scott was lauded as "saviour of the Abbey." From 1870–75 around £20,000 was spent on the abbey.

In 1845 St Albans was transferred from the Diocese of Lincoln to the Diocese of Rochester. Then, in 1875, the Bishopric of St Albans Act was passed and on 30 April 1877 the See of St Albans was created, which comprises about 300 churches in the counties of Hertfordshire and Bedfordshire. The then Bishop of Rochester, the Right Revd Dr Thomas Legh Claughton, elected to take the northern division of his old diocese and on 12 June 1877 was enthroned first Bishop of St Albans, a position he held until 1890. He is buried in the churchyard on the north side of the nave.

George Gilbert Scott was working on the nave roof, vaulting and west bay when he died on 27 March 1878. His plans were partially completed by his son, John Oldrid Scott, but the remaining work fell into the hands of Lord Grimthorpe, whose efforts have attracted much controversy—Nikolaus Pevsner calling him a "pompous, righteous bully." However, he donated much of the immense sum of £130,000 the work cost.

 

Whereas Scott's work had clearly been in sympathy with the existing building, Grimthorpe's plans reflected the Victorian ideal. Indeed, he spent considerable time dismissing and criticising the work of Scott and the efforts of his son.

Grimthorpe first reinstated the original pitch of the roof, although the battlements added for the lower roof were retained. Completed in 1879, the roof was leaded, following on Scott's desires.

 

1805 engraving of the west front of the abbey showing the lost Wheathampstead window.

His second major project was the most controversial. The west front, with the great Wheathampstead window, was cracked and leaning, and Grimthorpe, never more than an amateur architect, designed the new front himself—attacked as dense, misproportioned and unsympathetic: "His impoverishment as a designer ... [is] evident"; "this man, so practical and ingenious, was utterly devoid of taste ... his great qualities were marred by arrogance ... and a lack of historic sense". Counter proposals were deliberately substituted by Grimthorpe for poorly drawn versions and Grimthorpe's design was accepted?. During building it was considerably reworked in order to fit the actual frontage and is not improved by the poor quality sculpture. Work began in 1880 and was completed in April 1883, having cost £20,000.

 

The Lady Chapel at the east end of the cathedral.

Grimthorpe was noted for his aversion to the Perpendicular—to the extent that he would have sections he disliked demolished as "too rotten" rather than remade. In his reconstruction, especially of windows, he commonly mixed architectural styles carelessly (see the south aisle, the south choir screen and vaulting). He spent £50,000 remaking the nave. Elsewhere he completely rebuilt the south wall cloisters, with new heavy buttresses, and removed the arcading of the east cloisters during rebuilding the south transept walls. In the south transept he completely remade the south face, completed in 1885, including the huge lancet window group—his proudest achievement—and the flanking turrets; a weighty new tiled roof was also made. In the north transept Grimthorpe had the Perpendicular window demolished and his design inserted—a rose window of circles, cusped circles and lozenges arrayed in five rings around the central light, sixty-four lights in total, each circle with a different glazing pattern.

 

Grimthorpe continued through the Presbytery in his own style, adapting the antechapel for Consistory Courts, and into the Lady Chapel. After a pointed lawsuit with Henry Hucks Gibbs, first Baron Aldenham over who should direct the restoration, Grimthorpe had the vault remade and reproportioned in stone, made the floor in black and white marble (1893), and had new Victorian arcading and sculpture put below the canopy work. Externally the buttresses were expanded to support the new roof, and the walls were refaced.

As early as 1897, Grimthorpe was having to return to previously renovated sections to make repairs. His use of over-strong cement led to cracking, while his fondness for ironwork in windows led to corrosion and damage to the surrounding stone.

Grimthorpe died in 1905 and was interred in the churchyard. He left a bequest for continuing work on the buildings.

 

During this century the name St Albans Abbey was given to one of the town's railway stations.

 

20th century

John Oldrid Scott (died 1913) (George Gilbert Scott's son), despite frequent clashes with Grimthorpe, had continued working within the cathedral. Scott was a steadfast supporter of the Gothic revival and designed the tomb of the first bishop; he had a new bishop's throne built (1903), together with commemorative stalls for Bishop Festing and two Archdeacons, and new choir stalls. He also repositioned and rebuilt the organ (1907). Further work was interrupted by the war.

A number of memorials to the war were added to the cathedral, notably the painting The Passing of Eleanor by Frank Salisbury (stolen 1973) and the reglazing of the main west window, dedicated in 1925.

 

Following the Enabling Act of 1919 control of the buildings passed to a Parochial Church Council (replaced by the Cathedral Council in 1968), who appointed the woodwork specialist John Rogers as Architect and Surveyor of the Fabric. He uncovered extensive death watch beetledamage in the presbytery vault and oversaw the repair (1930–31). He had four tons of rubbish removed from the crossing tower and the main timbers reinforced (1931–32), and invested in the extensive use of insecticide throughout the wood structures. In 1934, the eight bells were overhauled and four new bells added to be used in the celebration of George V's jubilee.

 

Cecil Brown was architect and surveyor from 1939 to 1962. At first he merely oversaw the lowering of the bells for the war and established a fire watch, with the pump in the slype. After the war, in the 1950s, the organ was removed, rebuilt and reinstalled and new pews added. His major work was on the crossing tower. Grimthorpe's cement was found to be damaging the Roman bricks: every brick in the tower was replaced as needed and reset in proper mortar by one man, Walter Barrett. The tower ceiling was renovated as were the nave murals. Brown established the Muniments Room to gather and hold all the church documents.

In 1972, to encourage a closer link between celebrant and congregation, the massive nine-ton pulpit along with the choir stalls and permanent pews was dismantled and removed. The altar space was enlarged and improved. New 'lighter' wood (limed oak) choir stalls were put in, and chairs replaced the pews. A new wooden pulpit was acquired from a Norfolk church and installed in 1974. External floodlighting was added in 1975.

A major survey in 1974 revealed new leaks, decay and other deterioration, and a ten-year restoration plan was agreed. Again the roofing required much work. The nave and clerestory roofs were repaired in four stages with new leading. The nave project was completed in 1984 at a total cost of £1.75 million. The clerestory windows were repaired with the corroded iron replaced with delta bronze and other Grimthorpe work on the clerestory was replaced. Seventy-two new heads for the corbel table were made. Grimthorpe's west front was cracking, again due to the use originally of too strong a mortar, and was repaired.

 

A new visitors' centre was proposed in 1970. Planning permission was sought in 1973; there was a public inquiry and approval was granted in 1977. Constructed to the south side of the cathedral close to the site of the original chapter house of the abbey, the new 'Chapter House' cost around £1 million and was officially opened on 8 June 1982 by Queen Elizabeth. The main building material was 500,000 replica Roman bricks.

 

Other late 20th-century works include the restoration of Alban's shrine, with a new embroidered canopy, and the stained glass designed by Alan Younger for Grimthorpe's north transept rose window, unveiled in 1989 by Diana, Princess of Wales.

 

Modern times

The Bishop is the Right Reverend Alan Smith, installed in September 2009. The Venerable Jonathan Smith is Archdeacon of St Albans, installed in October 2008. On 2 July 2004, the Very Reverend Canon Dr Jeffrey John became the ninth Dean of the Cathedral.

 

Robert Runcie, later Archbishop of Canterbury, was bishop of St Albans from 1970 to 1980 and returned to live in the city after his retirement; he is commemorated by a gargoyle on the Cathedral as well as being buried in the graveyard. Colin Slee, former Dean of Southwark Cathedral, was sub-dean at St Albans under Runcie and then Dean, Peter Moore. The bishop's house is in Abbey Mill Lane, St Albans, as is the house of the Bishop of Hertford. The Reverend Canon Eric James, Chaplain Extraordinary to HM the Queen, was Canon at St Albans for many years.

 

en.wikipedia.org/wiki/St_Albans_Cathedral

 

This is in the window of Dave's Pawn Shop in downtown El Paso, Texas. As I have said before this is one of the most fascinating places in El Paso.

Germans and Austrians pose around men that have been hung.The guard in the background is Austrian so I suspect these are more executions by the Austrians.The reverse appears to reference the French, but I doubt this photo was taken in France.

www.youtube.com/watch?v=JjHZeZkoXiM

 

sugerido por Arrano:

www.goear.com/listen/e18a485/Pido-Castigo-quilapayun

 

Lazaretto Island, (Greek: Λαζαρέτο, also Lazareto, formerly known as Agios Dimitrios) is located two nautical miles northeast of Corfu. It gets its name from the lazaretto located there.

During Venetian rule in the early 16th century a monastery was built on the islet and a leprosarium was established there later that century, after which the island was named.

In 1798, during the French occupation, it was occupied by the Russo-Turkish fleet which ran it as a military hospital. During the British occupation, in 1814, the leprosarium was again opened after renovations. After Corfu was united with Greece in 1864 the leprosarium was occasionally used.

During World War II, the Axis Occupation of Greece established a concentration camp there for the prisoners of the Greek National Resistance movement. There remains today the two-storied building that served as the Headquarters of the Italian army, a small church, and the wall against which those condemned to death were shot.

During the Greek Civil War, 1946-1949, it became a concentration camp for political prisoners, a large number of whom were executed, 112 executions have been confirmed.

The 112 people executed in Lazaretto belonged to the left resistance and were in prison in Corfu during the Greek Civil War. There were prisoners of conscience and fighters for national independence and democracy. Among the 112 people executed in Lazaretto were leaders, members and supporters of the communist movement. Another reason for their execution was their refusal to renounce the communist ideology and action.

They were put in jail, as dozens of other resistance leaders who were persecuted by the Greek fascist monarchist state. The state led the country in the Civil War with the full support of the British and Americans. The prisoners were condemned by the Emergency Millitary Courts and executed under the anti-communist legislation of the fascist monarchist state of that time.

   

"Reporting from the front", this is the first installation, created by Alejandro Aravena himself, stunning in both the execution, and the values expressed through stamps and video projected on ipads attached to the walls. Awesome hymn to recycling.

Here is a picture I took in Vienna around 2010 when I was still quite new in my New city... Yes I still hadn´t got my painting boxes so and we just rented a flat, but I had a camera and wanted to get to knows everything about my new city... so I took long walks and photographed...

 

Peace and Noise!

 

Mushroombrain the anthropomorphizator

 

...

,,,

 

--------------------------------------------

Café Frequenters Episode 248

--------------------------------------------

 

Hello Dear Lisa my tiny skunk and friend!

 

...Imagine this, we both escaped The Grasp of the dull yellow and grey-blue monsters grasp...

 

...oh wait, pinch me or am I dreaming, we don´t have to imagine it... we did it we got away... Me here in Vienna and you in paris and so did Mr. White, we where the ones who got away before the zombie-machine turned us dull and grey...

 

...sometimes it makes me cry, that is when I pinch my arm and find out that I am not dreaming while enjoy a cuppa on some café and hear people debating, laughing and yes.. they live...

sometimes It makes me cry of joy... I will never go back to that prison...

 

Loads of Love from sunny Vienna!

 

/ Johnny escaper of destiny

The Final Judgement is upon us. Arrow can face death because of his rebellious crimes or reveal were the other Rebels are hiding.

Just a scene to use the parts from my last Bricklink order. I hope you enjoy. Decals from Roaglaan. C & C appreciated.

His execution was an hour away. Not much time to think through his mistakes, but Cazzmir managed. . . .

 

For more photos and the full story, go here: www.mocpages.com/moc.php/411467

Windsor (/ˈwɪnzər/) is a town and unparished area in the Royal Borough of Windsor and Maidenhead in Berkshire, England. It is widely known as the site of Windsor Castle, one of the official residences of the British Royal Family.

 

The town is situated 23 miles (37 km) west of Charing Cross, London. It is immediately south of the River Thames, which forms its boundary with Eton. The village of Old Windsor, just over 2 miles (3 km) to the south, predates what is now called Windsor by around 300 years; in the past Windsor was formally referred to as New Windsor to distinguish the two.

 

The early history of the site is unknown, although it was almost certainly settled some years before 1070 when William the Conquerorhad a timber motte and bailey castle constructed.[2] The focus of royal interest at that time was not the castle, however, but a small riverside settlement about 3 miles (5 km) downstream, possibly established from the 7th century.

 

Windsor, or Windlesora as it was called in the 11th century, is first mentioned in the Anglo-Saxon Chronicle. The name originates from old English Windles-ore, or 'winch by the riverside'. The settlement had used an earlier name, but this is unknown. From about the 8th century, high status people started to visit the site occasionally, and possibly this included royalty. From the 11th century the site's link with king Edward the Confessor is documented, but again, information about his use of the place is scant. After the Conquest of 1066 royal use of the site increased, probably because it offered good access to woodlands and opportunities for hunting – a sport which also practised military skills. By the late 12th century, and the relocation of the royal household to an enlarged castle in 1110, the site was renamed Old Windsor.

 

Windsor Castle is noted in the Domesday Bookunder the entry for Clewer, the neighbouring manor to Windsor. Although this might seem strange, it occurred because plans for the castle had changed since 1070, and more land had been acquired in Clewer on which to site a castle town. This plan was not actioned until the early 12th century. By 1110, meetings of the Great Council, which had previously taken place at Windlesora, were noted as taking place at the Castle – referred to as New Windsor, probably to indicate that it was a two ward castle/borough complex, similar to other early castle designs, such as Denbigh. Henry I – according to one chronicle – had rebuilt it, and this followed the Norman kings' actions at other royal sites, such as Westminster, where larger and more magnificent accommodation was thought necessary for the new dynasty. King Henry married his second wife at Windsor Castle in 1121, after the White Ship disaster. The settlement at Old Windsor largely transferred to New Windsor during the 12th century, although substantial planning and setting out of the new town (including the parish church, marketplace, bridge, hermitage and leper hospital) did not take place until c. 1170, under Henry II, following the civil war of Stephen's reign. At about the same time, the present upper ward of the castle was rebuilt in stone. Windsor Bridge is the earliest bridge on the Thames between Staines and Reading, built at a time when bridge building was rare; it was first documented in 1191, but had probably been built, according to the Pipe rolls, in 1173. It played an important part in the national road system, linking London with Reading and Winchester, but also, by diverting traffic into the new town, it underpinned the success of its fledgling economy.

 

The town of New Windsor, as an ancient demesne of the Crown, was a privileged settlement from the start, apparently having the rights of a 'free borough', for which other towns had to pay substantial fees to the king. It had a merchant guild (known by the 14th century as the Fraternity or brotherhood of the Holy Trinity) from the early 13th century and, under royal patronage, was made the chief town of the county in 1277, as part of its grant of royal borough status by Edward I's charter. Somewhat unusually, this charter gave no new rights or privileges to Windsor but probably codified the rights which it had enjoyed for many years. Windsor's position as chief town of Berkshire was short-lived, however, as people found it difficult to reach. Wallingford took over this position in the early 14th century. As a self-governing town Windsor enjoyed a number of freedoms unavailable to other towns, including the right to hold its own borough court, the right of membership (or 'freedom') and some financial independence. The town accounts of the 16th century survive in part, although most of the once substantial borough archive dating back to the 12th century was destroyed, probably in the late 17th century.

 

The early history of the site is unknown, although it was almost certainly settled some years before 1070 when William the Conquerorhad a timber motte and bailey castle constructed.[2] The focus of royal interest at that time was not the castle, however, but a small riverside settlement about 3 miles (5 km) downstream, possibly established from the 7th century.

 

Windsor, or Windlesora as it was called in the 11th century, is first mentioned in the Anglo-Saxon Chronicle. The name originates from old English Windles-ore, or 'winch by the riverside'. The settlement had used an earlier name, but this is unknown. From about the 8th century, high status people started to visit the site occasionally, and possibly this included royalty. From the 11th century the site's link with king Edward the Confessor is documented, but again, information about his use of the place is scant. After the Conquest of 1066 royal use of the site increased, probably because it offered good access to woodlands and opportunities for hunting – a sport which also practised military skills. By the late 12th century, and the relocation of the royal household to an enlarged castle in 1110, the site was renamed Old Windsor.

 

Windsor Castle is noted in the Domesday Bookunder the entry for Clewer, the neighbouring manor to Windsor. Although this might seem strange, it occurred because plans for the castle had changed since 1070, and more land had been acquired in Clewer on which to site a castle town. This plan was not actioned until the early 12th century. By 1110, meetings of the Great Council, which had previously taken place at Windlesora, were noted as taking place at the Castle – referred to as New Windsor, probably to indicate that it was a two ward castle/borough complex, similar to other early castle designs, such as Denbigh. Henry I – according to one chronicle – had rebuilt it, and this followed the Norman kings' actions at other royal sites, such as Westminster, where larger and more magnificent accommodation was thought necessary for the new dynasty. King Henry married his second wife at Windsor Castle in 1121, after the White Ship disaster. The settlement at Old Windsor largely transferred to New Windsor during the 12th century, although substantial planning and setting out of the new town (including the parish church, marketplace, bridge, hermitage and leper hospital) did not take place until c. 1170, under Henry II, following the civil war of Stephen's reign. At about the same time, the present upper ward of the castle was rebuilt in stone. Windsor Bridge is the earliest bridge on the Thames between Staines and Reading, built at a time when bridge building was rare; it was first documented in 1191, but had probably been built, according to the Pipe rolls, in 1173. It played an important part in the national road system, linking London with Reading and Winchester, but also, by diverting traffic into the new town, it underpinned the success of its fledgling economy.

 

The town of New Windsor, as an ancient demesne of the Crown, was a privileged settlement from the start, apparently having the rights of a 'free borough', for which other towns had to pay substantial fees to the king. It had a merchant guild (known by the 14th century as the Fraternity or brotherhood of the Holy Trinity) from the early 13th century and, under royal patronage, was made the chief town of the county in 1277, as part of its grant of royal borough status by Edward I's charter. Somewhat unusually, this charter gave no new rights or privileges to Windsor but probably codified the rights which it had enjoyed for many years. Windsor's position as chief town of Berkshire was short-lived, however, as people found it difficult to reach. Wallingford took over this position in the early 14th century. As a self-governing town Windsor enjoyed a number of freedoms unavailable to other towns, including the right to hold its own borough court, the right of membership (or 'freedom') and some financial independence. The town accounts of the 16th century survive in part, although most of the once substantial borough archive dating back to the 12th century was destroyed, probably in the late 17th century.

  

The Last Supper by Franz de Cleyn in the West Gallery of Windsor parish church of St John The Baptist.[3]

New Windsor was a nationally significant town in the Middle Ages, certainly one of the fifty wealthiest towns in the country by 1332. Its prosperity came from its close association with the royal household. The repeated investment in the castle brought London merchants (goldsmiths, vintners, spicers and mercers) to the town in the late 13th century and provided much employment for townsmen. The development of the castle under Edward III, between 1350–68, was the largest secular building project in England of the Middle Ages, and many Windsor people worked on this project, again bringing great wealth to the town. Although the Black Death in 1348 had reduced some towns' populations by up to 50%, in Windsor the building projects of Edward III brought money to the town, and possibly its population doubled: this was a 'boom' time for the local economy. People came to the town from every part of the country, and from continental Europe. The poet Geoffrey Chaucerheld the honorific post of 'Clerk of the Works' at Windsor Castle in 1391.

 

The development of the castle continued in the late 15th century with the rebuilding of St George's Chapel. With this Windsor became a major pilgrimage destination, particularly for Londoners. Pilgrims came to touch the royal shrine of the murdered Henry VI, the fragment of the True Cross and other important relics. Visits to the chapel were probably combined with a visit to the important nearby Marian shrine and college at Eton, founded by Henry VI in 1440, and dedicated to the Assumption; which is now better known as Eton College. Pilgrims came with substantial sums to spend. From perhaps two or three named inns in the late 15th century, some 30 can be identified a century later. The town again grew in wealth. For London pilgrims, Windsor was probably – but briefly – of greater importance than Canterbury and the shrine of the City's patron Saint Thomas Becket. With the closures of the Reformation, however, Windsor's pilgrim traffic died out. Henry VIII was buried in St George's Chapel in 1547, next to Jane Seymour, the mother of his only legitimate son, Edward (Edward VI). Henry, the founder of the Church of England, may have wanted to benefit from the stream of Catholic pilgrims coming to the town. His will gives that impression.

 

The town began to stagnate about ten years after the Reformation. The castle was considered old-fashioned and shrines to the dead were thought to be superstitious. The early modern period formed a stark contrast to the medieval history of the town. Most accounts of Windsor in the 16th and 17th centuries talk of its poverty, badly made streets and poor housing. Shakespeare's play The Merry Wives of Windsor is set in Windsor and contains many references to parts of the town and the surrounding countryside. Shakespeare must have walked the town's streets, near the castle and river, much as people still do. The play may have been written in the Garter Inn, opposite the Castle, but this was destroyed by fire in the late 17th century. The long-standing – and famous – courtesan of king Charles II, Nell Gwyn, was given a house on St Albans Street: Burford House (now part of the Royal Mews). Her residence in this house, as far as it is possible to tell, was brief. Only one of her letters addressed from Burford House survives: it was probably intended as a legacy for her illegitimate son, the Earl of Burford, later the Duke of St Albans.

 

Windsor was garrisoned by Colonel Venn during the English Civil War. Later it became the home of the New Model Army when Venn had left the castle in 1645. Despite its royal dependence, like many commercial centres, Windsor was a Parliamentarian town. Charles Iwas buried without ceremony in St George's Chapel after his execution at Whitehall in 1649. The present Guildhall, built in 1680–91, replaced an earlier market house that had been built on the same site around 1580, as well as the old guildhall, which faced the castle and had been built around 1350. The contraction in the number of old public buildings speaks of a town 'clearing the decks', ready for a renewed period of prosperity with Charles II's return to the Castle. But his successors did not use the place, and as the town was short of money, the planned new civic buildings did not appear. The town continued in poverty until the mid 19th century.

 

In 1652 the largest house in Windsor Great Park was built on land which Oliver Cromwell had appropriated from the Crown. Now known as Cumberland Lodge after the Duke of Cumberland's residence there in the mid 18th century, the house was variously known as Byfield House, New Lodge, Ranger's Lodge, Windsor Lodge and Great Lodge.

 

In 1778, there was a resumption of the royal presence, with George III at the Queen's Lodge and, from 1804, at the castle. This started a period of new development in Windsor, with the building of two army barracks. However the associated large numbers of soldiers led to a major prostitution problem by 1830, in a town where the number of streets had little changed since 1530. In the 18th c. the town traded with London selling the Windsor Chair which was actually made in Buckinghamshire.

 

A number of fine houses were built in this period, including Hadleigh House on Sheet Street, which was built in 1793 by the then Mayor of Windsor, William Thomas. In 1811 it was the home of John O'Reilly, the apothecary-surgeon to George III.

 

Windsor Castle was the westernmost sighting-point for the Anglo-French Survey (1784–1790), which measured the precise distance between the Royal Greenwich Observatory and the Paris Observatory by trigonometry. Windsor was used because of its relative proximity to the base-line of the survey at Hounslow Heath.

 

The substantial redevelopment of the castle in the subsequent decade and Queen Victoria's residence from 1840, as well as the coming of two railways in 1849, signalled the most dramatic changes in the town's history. These events catapulted the town from a sleepy medieval has-been to the centre of empire – many European crowned heads of state came to Windsor to visit the Queen throughout the rest of the 19th century. Unfortunately, excessive redevelopment and 'refurbishment' of Windsor's medieval fabric at this time resulted in widespread destruction of the old town, including the demolition of the old parish church of St John the Baptist in 1820. The original had been built around 1135.

 

Most of the current town's streets date from the mid to late 19th century.[5] However the main street, Peascod Street (pronunciation: /ˈpɛskɒd/) is very ancient, predating the castle by many years, and probably of Saxon origin. It formed part of the 10th-century parish structure in east Berkshire[citation needed] and is first referred to as Peascroftstret in c. 1170. The 1000-year-old royal Castle, although the largest and longest-occupied in Europe, is a recent development in comparison. "New Windsor" was officially renamed "Windsor" in 1974.

 

is accessible from Junction 6 of the M4 and from Slough via a 3 mile long dual carriageway. Bus services in the town are mostly provided by First Berkshire & The Thames Valley, although a park-and-rideservice and one local route are operated by Courtney Coaches.

 

Windsor has two railway stations. Windsor & Eton Central railway station has a shuttle service to Slough. Windsor & Eton Riverside station provides a service to London Waterloo. Both stations were time in the 19th century, as the two train companies which owned the lines both wanted to carry Queen Victoria to Windsor, with the first line opened gaining the privilege.[8] From 1883 to 1885, the London Underground's District line's westbound service ran as far as Windsor.

 

Windsor has frequent bus services to/from London Heathrow Airport, Victoria Coach Station in central London and Legoland Windsor Resort.

  

en.m.wikipedia.org/wiki/Windsor,_Berkshire

  

Apologies in getting these photos up so late in the day...

 

An Entergy crew (the local power company) was seen working at the power poles along the south side of the Hernando Millennium Kroger just after noon on Monday, September 26, 2016: the planned day for the Kroger's demolition to start. Not sure if this was a planned delay, or somebody just suddenly thought it might not be a bad idea to remove live wires from the building before starting to demolish it :P

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Kroger, 2001 built, Commerce St. at Mt. Pleasant Rd., Hernando, MS

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

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Photograph taken at an altitude of Fifty two metres at 15:43pm on a beautiful summer afternoon on Tuesday 8th June 2021, off Chessington Avenue in Bexleyheath, Kent.

  

Here we see a large adult male Carrion crow (Corvus corone), taking time to preen the feathers of his female partner after both taking a dip under a water sprinkler on a hot summer day.

 

AN IN DEPTH LOOK AT CORVUS CORONE

  

LEGEND AND MYTHOLOGY

By Paul Williams

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.

  

A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.

  

Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.

  

Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....

  

I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

  

A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.

  

I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.

  

Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

  

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

  

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Nikon D850 Focal length 600mm Shutter speed: 1/800s Aperture f/9.0 iso160 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4940k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

     

LATITUDE: N 51d 28m 28.35s

LONGITUDE: E 0d 8m 10.52s

ALTITUDE: 52.00m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 89.5MB

PROCESSED (JPeg) FILE: 39.00MB

    

PROCESSING POWER:

 

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

 

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

 

Editor's note: this is worth zooming in on the large size! From astronaut Don Pettit's blog: the San Antonio Astronomical Association sends a signal to the Station! Posted to the NASA Views Earth at Night photoset: www.flickr.com/photos/28634332@N05/sets/72157625188331491/

 

From the blog: It sounds deceptively easy. In an earlier post I wrote about the technical requirements. But like so many other tasks, it becomes much more involved in the execution than in the planning.

 

Early Sunday morning (Mar. 4) at 01:27 our time, the San Antonio Astronomical Association, an amateur astronomy group, succeeded in flashing the space station with a one-watt blue laser and a white spotlight as we passed overhead. This took a number of engineering calculations. Projected beam diameters (assuming the propagation of a Gaussian wave for the laser) and intensity at the target had to be calculated. Tracking space station’s path as it streaked across the sky was another challenge. I used email to communicate with Robert Reeves, one of the association’s members. Considering that it takes a day, maybe more, for a simple exchange of messages (on space station we receive email drops two to three times a day), the whole event took weeks to plan.

 

I was ready with cameras for the early morning San Antonio pass and can report that it was a flashing success. Here’s one of the pictures to prove it!

 

Image credit: NASA

 

Original image/read the blog:

blogs.nasa.gov/cm/blog/letters/posts/post_1330964044656.html

 

More about space station research:

www.nasa.gov/mission_pages/station/research/index.html

 

There's a Flickr group about Space Station Research. Please feel welcome to join! www.flickr.com/groups/stationscience/

 

View more than 400 photos like this in the "NASA Earth Images" Flickr photoset:

www.flickr.com/photos/28634332@N05/

 

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These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...

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Execution Rocks Light

The Bronx, NY

February 6, 2016

Erected in 1746 at the centre of Emmet Square. The column once supported a statue of the Duke of Cumberland but it was removed in the early twentieth century. A plaque inserted to pedestal reads:

 

'Erected by Birr Town Council to commemorate the bicentenary of the execution of Robert Emmet 1778-1803. Emmet Square was renamed in his honour in 1922. "When my country takes her place among the nations of the earth, then and not till then, let my epitaph be written", R. Emmet.'

  

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Street View

Final Entry for Advanced 053.

 

When Peugeot introduced the 908 HDi Le Mans car, it didn't feature much in the way of technical innovations or interesting rule interpretations. However, one interesting feature of the car was it's remarkably thin rear wing. The wing's leading edge was razor thin and as far as engineering execution went, it was arguably the only part of the car they could make better than Audi. Although this small innovation wasn't marketed, advertised, or bolstered by Peugeot because it would never be used on a road car, it quietly being a staple of Peugeot's motorsport effort. The same wing would be used again on the 908 HDi's 2011 successor, the 908, and was the only part of the car other than the windshield to be reused. When Peugeot closed the doors on its Le Mans program at the end of 2011, the wing still hadn't seen its last use. It was implemented again in 2013, where it featured on Sebastian Loeb's Pikes Peak record smashing 208 T16.

Pelham Bay Park, The Bronx, NY

October 22, 2016

An unfortunate who ran afoul of the Austrians is photographed after his execution.

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