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Niccolò di Pietro Gerini, The Execution of the Four Crowned Martyrs, About 1385/1390
tempera on panel, 15 13/16 x 17 1/2 x 1 1/16 inches
The legend of the Four Crowned Martyrs refers to Christian sculptors working for the Emperor Diocletian (depicted on the left with crown and scepter) who refused his order to carve a statue of a pagan god. As punishment the emperor had the sculptors sealed alive in lead coffins and thrown into a river. This panel originally depicted the flowing river in the foreground, but was cut along the bottom edge at some unknown date. The painting is one of a series by Gerini depicting different episodes from the same legend. They were grouped together around a central panel that probably portrayed the Four Crowned Martyrs, and were all attached to a pier in Orsanmichele, Florence.
(Birmingham Museum of Art)
During WWII Poland, brave young women from the Home Army pretended to be courtisanes, to get to German's officer homes and execute them.
To view more images, of Blickling Hall click "here"
Blickling Hall is a stately home which is part of the Blickling estate. It is located in the village of Blickling north of Aylsham in Norfolk, England and has been in the care of the National Trust since 1940. In the 15th century, Blickling was in the possession of Sir John Fastolf of Caister in Norfolk (1380–1459), who made a fortune in the Hundred Years' War, and whose coat of arms is still on display there. Later, the property was in the possession of the Boleyn family, and home to Thomas Boleyn, later Earl of Wiltshire, and his wife Elizabeth between 1499 and 1505. Although the exact birth dates of their children are unknown, historians including Eric Ives are confident that all three surviving children were likely born at Blickling - Mary in about 1500, Anne in about 1501, and George in about 1504. A statue and portrait of Anne may be found at Blickling Estate which carry the inscription, "Anna Bolena hic nata 1507" (Anne Boleyn born here 1507), based on earlier scholarship which assigned Anne a (now thought highly improbable) year of birth of 1507.
The house of Blickling seen today was built on the ruins of the old Boleyn property in the reign of James I, by Sir Henry Hobart, Lord Chief Justice of the Common Pleas and 1st Baronet, who bought Blickling from Robert Clere in 1616. The architect of Hatfield House, Robert Lyminge, is credited with the design of the current structure. The Lord Chief Justice married Dorothy, the daughter of Sir Robert Bell of Beaupre Hall, Outwell/Upwell, Norfolk, Speaker of the House of Commons 1572–1576. A grand display of heraldic material is present throughout the estate. During World War II the house was requisitioned and served as the Officers' Mess of nearby RAF Oulton. It was at this time that the house and its estate passed to The National Trust, under the terms of the Country Houses Scheme. RAF servicemen and women were billeted within the grounds in Nissen Huts, whilst RAF Officers were housed within Blickling itself. The National Trust has created the RAF Oulton Museum on site in tribute to the RAF pilots and ground crew who served in the Second World War, and this may be visited for no additional entrance fee.
At the end of the war, the house was de-requisitioned. The National Trust again let it to tenants until 1960, when the Trust began the work to restore the house to a style reflecting its history. The house and grounds were opened to the public in 1962 and remain open under the name of "Blickling Estate". The library at Blickling Estate contains one of the most historically significant collections of manuscripts and books in England. The most important manuscript associated with the house is the Blickling Homilies, which is one of the earliest extant examples of English vernacular homiletic writings. The Blickling homilies were first edited and translated in the 19th century by Richard Morris (Early English Text Society os 58, 63 & 73) and there is a more recent edition and translation by Richard J. Kelly (Continuum, 2003). It is said that every year, on the anniversary of her execution, Anne Boleyn's headless ghost arrives at Blickling in a carriage driven by an equally headless coachman. But she hasn't lost her head completely in the afterlife—she carries it along with her during her hauntings.
The exterior of the house was used as 'Maryiot Cells' at 'Maiden Worthy' in Buckinghamshire in the hit 1945 film The Wicked Lady.
It was voted the most haunted house in Britain in a National Trust survey in October 2007. A house and garden existed at Blickling before the estate was purchased by the Boleyn family in the 1450s, but no records survive to give an indication of their appearance. After Sir Henry Hobart acquired the estate in 1616, he remodelled the gardens to include ponds, wilderness and a parterre. A garden mount– an artificial hill in Blickling's flat landscape, was made to provide views of the new garden. With the accession of Sir John Hobart (later the 1st Earl of Buckingham) in 1698 the garden was expanded to add a new wilderness and the temple was constructed.
In the latter half of the 18th century John Hobart, 2nd Earl of Buckingham, embarked on works that would radically change the appearance of the gardens. All traces of formality were removed, and naturally arranged clumps of trees were planted to create a landscape garden. By the 1780s an orangery had been built to overwinter tender citrus trees. Following the 2nd Earl's death in 1793, his youngest daughter Caroline, Lady Suffield, employed landscape gardener Humphry Repton and his son John Adey Repton to advise on garden matters. John Adey Repton would go on to provide designs for many garden features. The estate was inherited by nine-year-old William Schomberg Robert Kerr, 8th Marquess of Lothian in 1840. He later re-introduced the formality and colour schemes of the parterre. After his death at the age of 38, responsibility for the gardens rested with Lady Lothian and her head gardener Mr Lyon. Philip Henry Kerr, 11th Marquis of Lothian, inherited the estate in 1930. After disparaging comments in a publication of Country Life, Lothian engaged socialite gardener Norah Lindsay to remodel the gardens. In the parterre she replaced the jumble of minuscule flower beds with four large square beds planted with a mixture of herbaceous plants in graduated and harmonious colours. Other improvements included removal of a line of conifers in the Temple walk, which were replaced with plantings of azaleas.
From Wikipedia, the free encyclopedia
Execution of P Zrinyi, F Nadasdy and F Frangepan (detail)
Unknown Master,1671, Hungarian National Museum
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Assassin's creed origins
Ingame Photomode
Bayek finishing of one of the feared "gaulish warriors".
I approached this one like a drawing
The Bridge of Sighs (Italian: Ponte dei Sospiri) is a bridge located in Venice, northern Italy. The enclosed bridge is made of white limestone and has windows with stone bars. It passes over the Rio di Palazzo and connects the New Prison (Prigioni Nuove) to the interrogation rooms in the Doge's Palace. It was designed by Antonio Contino (whose uncle Antonio da Ponte had designed the Rialto Bridge) and was built in 1600.
The view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. The bridge name, given by Lord Byron in the 19th century, comes from the suggestion that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells. In reality, the days of inquisitions and summary executions were over by the time the bridge was built and the cells under the palace roof were occupied mostly by small-time criminals. In addition, little could be seen from inside the Bridge due to the stone grills covering the windows.
A local legend says that lovers will be granted eternal love and bliss if they kiss on a gondola at sunset under the Bridge of Sighs as the bells of St Mark's Campanile toll.[1] This legend served as a plot line for the movie A Little Romance, featuring Laurence Olivier and Diane Lane.
Francisco de Goya en memoria de las ejecuciones de rebeldes antibonapartistas en España (1814). Se dice que esta obra inspiró otras posteriores como "La Ejecución del Emperador Maximiliano" de Manet en 1867 y aun el Guernica de Picasso en el siglo 20.
Francicsco de Goya recalls the executions of anti-Bonaparte rebels in Spain (1814). This work is said to have inspired others like Manet's "The Execution ef Emperor Maximilian" in 1867 and even Picasso's Guernica in the 20th century.
Corgi’s second attempt at a Maltese Bedford displayed more attention to detail, although the execution was rather clumsy. This green version used the same prototypically-incorrect Duple Vista casting. The colour layout was correct but there is some doubt about the grey, although the more usual off-white did vary between individual vehicles. The lining is wrong, both in colour and in the heavy-handed nature of its application. The route number is now correctly displayed in the nearside front window, although the offside destination unit still displays the actual destination (Maltese buses of this era only displayed a route number). The model carries registration number Y-0602, whereas I believe the real Y-0602 of this period was a Canadian Dodge (although it may have ended its days fitted with a Bedford OB bonnet and radiator). Like the yellow version, this model also appeared in the smaller-scale Original Omnibus Company range (12-Oct-22).
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Source: en.wikipedia.org/wiki/Rizal_Monument
The Rizal Monument (original title: Motto Stella, Latin, "guiding star") is a memorial in Rizal Park in Manila, Philippines built to commemorate the executed Filipino nationalist, José Rizal. The monument consists of a standing bronze sculpture of Rizal, with an obelisk, set on a stone base within which his remains are interred. A plaque on the pedestal's front reads: "To the memory of José Rizal, patriot and martyr, executed on Bagumbayan Field December Thirtieth 1896. This monument is dedicated by the people of the Philippine Islands".
The perimeter of the monument is guarded continuously by the Philippine Marine Corps’ Marine Security and Escort Group, the changing of the guard having become a daily ritual. About 100 m (330 ft) north-northwest of the monument is the exact location where Rizal was executed, marked by life-size dioramas depicting his final moments.
An exact replica of the Rizal Monument can be found in Madrid, Spain at the junction of Avenida de Las Islas Filipinas and Calle Santander.
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves.
The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm.
They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.
Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation.
The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum. Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
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Photograph taken at an altitude of Sixty one metres at 10:17am on a summer morning on Thursday 3rd June 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
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Nikon D850 Focal length 160mm Shutter speed: 1/500s Aperture f/7.1 iso400 Hand held with Tamron VC Vibration control set to ON in position 1 Image area FX (36 x 24) NEF RAW Size L (8256 x 5504) 14 bit uncompressed file AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4700k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LATITUDE: N 51d 28m 28.52s
LONGITUDE: E 0d 8m 10.45s
ALTITUDE: 60.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 91.00MB
PROCESSED (JPeg) FILE: 46.70MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Detail van het beeld ‘Fusillade – De gevallen hoornblazer’ van Gerrit Bolhuis. Ter nagedachtenis aan dertig mannen die hier op 12 maart 1945 op deze plek zijn gefusilleerd door de Duitse bezetter. Vele andere mensen, waaronder ook kinderen, werden door Duitse soldaten gedwongen de fusillade te aanschouwen, het hoofd afwenden werd bestraft.
De gezichtsuitdrukking vind ik bijzonder treffend: van een man die sterft terwijl het hoorngeschal van de bevrijding in aantocht is, hoewel de bevrijding van Amsterdam nog bijna twee lange maanden op zich liet wachten.
nos.nl/75jaarbevrijding/bericht/2326789-zoektocht-naar-co...
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Detail of the sculpture ‘Execution – The fallen hornblower’ by Gerrit Bolhuis. In remembrance of thirty men who were executed by a firing squad of the German occupier on 12 March 1945 at this location. Many other people, including children, were forced by German soldiers to witness the execution. Turning the head away was punished.
The expression of the face I find very poignant: that of a man who is dying while the horn scalding of the liberation is underway, although it would take nearly two long months before Amsterdam was liberated.
nos.nl/75jaarbevrijding/bericht/2326789-zoektocht-naar-co...
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Dank voor het bekijken, commentaren, favorieten en kritiek.
Geen verder gebruik zonder mijn uitdrukkelijke toestemming. ·
Thanks for watching, comments, favourites and critique.
No further use without my explicit consent.
or maybe i should title it "any last words?"
This is Chaari-,... the mouth of a sailor, this one, and she is a bit mad, and that's what i love about her. As will you if you ever have the good fortune to bump into her somewhere in the world.
What was that Kerouac line? the one that starts "the only people for me are the mad ones,..."
----------------------------------------
also,...
Dear Fujifilm,
Fuck you.
Since Fuji cant wait to get rid of their film division I say that we dont buy more in the hopes that they will change their minds, cos they wont.
so why throw money at people who cant wait to clock out?
Instead, I say we help them die. Because the faster fuji dies, the faster the market will move to Kodak and give them the financing necessary to feed our addiction for a long time.
I say we send our hard earned cash to people who intend to support our crazy analog fetish.
As such, in an effort to hasten the death of Fuji's film division, I shall mostly be shooting Kodak Alaris from here on out.
yeah i know, i'm sure that any fuji exec that happens to read this will be all "OoOoh we're shaking"
which is my point,... the wankers.
Hello Kodak :D
I feel like this sign literally sets the tone for everything you do during your day at either the Magic Kingdom in Florida, or at Disneyland in California. Absolute brilliance.
That said, it is executed far, far better in California. At Disneyland, these signs are out in the open, and you always see them before you pass under the railroad track. It is a constant reminder of what is to come, for new and old guests. In Florida, for some odd reason, they always have theirs covered by some stupid banner that goes along with their current promotion. Whether it is "What Will You Celebrate?" or "Let the Memories Begin", these staples of Disney storytelling are hidden from view from Magic Kingdom guests, unless you actively search them out.
Hopping off my soapbox now. This was shot with Ryan's favorite lens, the Canon 135mm f/2. Thanks for lookin', and have a great day!
Project Blur
stock-http://www.flickr.com/photos/29591209@N06/ www.sxc.hu/profile/bugdog
Thanks to Martin Widlund for using his photo...!
Looking out from the tower of Hereford Cathedral, in Hereford Herefordshire. The current Hereford Cathedral dates from 1079 and is a Grade I listed building. Its most famous treasure is Mappa Mundi, a mediaeval map of the world dating from the 13th century.
The cathedral is dedicated to two patron saints, namely Saint Mary the Virgin and Saint Ethelbert the King. The latter was beheaded by Offa, King of Mercia in the year 792. Offa had consented to give his daughter to Ethelbert in marriage: why he changed his mind and deprived him of his head historians do not know, although tradition is at no loss to supply him with an adequate motive. The execution, or murder, is said to have taken place at Sutton, four miles (6 km) from Hereford, with Ethelbert's body brought to the site of the modern cathedral by 'a pious monk'. At Ethelbert's tomb miracles were said to have occurred, and in the next century (about 830) Milfrid, a Mercian nobleman, was so moved by the tales of these marvels as to rebuild in stone the little church which stood there, and to dedicate it to the sainted king.
Before this, Hereford had become the seat of a bishopric. It is said to have been the centre of a diocese as early as the 6th century. In the 7th century the cathedral was refounded by Putta, who settled here when driven from Rochester by Æthelred of Mercia. The cathedral of stone, which
Milfrid raised, stood for some 200 years, and then, in the reign of Edward the Confessor, it was altered. The new church had only a short life, for it was plundered and burnt in 1056 by a combined force of Welsh and Irish under Gruffydd ap Llywelyn, the Welsh prince; it was not, however, destroyed until its custodians had offered vigorous resistance, in which seven of the canons were killed.
Hereford Cathedral remained in a state of ruin until Robert of Lorraine was consecrated to the see (made Bishop) in 1079 and undertook its reconstruction. His work was carried on, or, more probably, redone, by Bishop Reynelm, who was next but one in the succession, and reorganised the college of secular canons attached to the cathedral. Reynelm died in 1115, and it was only under his third successor, Robert de Betun, who was Bishop from 1131 to 1148, that the church was brought to completion.
Of this Norman church, little has survived but the choir up to the spring of the clerestory, the south transept, the arch between the north transept and the choir aisle, and the nave arcade. Scarcely 50 years after its completion William de Vere, who occupied the see from 1186 to 1199, altered the east end by constructing a retro-choir or processional path and a Lady Chapel; the latter was rebuilt not long afterwards—between the years 1226 and 1246, during the Early English style—with a crypt beneath. Around the middle of the century the clerestory, and probably the vaulting of the choir, were rebuilt, having been damaged by the settling of the central tower. Under Bishop Aquablanca (1240–68), one of Henry III's foreign favourites, the rebuilding of the north transept was begun, being completed later in the same century by Bishop Swinfield, who also built the aisles of the nave and eastern transept.
Braintree Essex glass, window, stained, light, background, church, pattern, abstract, cross, color, religion, mosaic, yellow, colorful, texture, red, style, interior, green, black, decorative, transparent, symbol, textured, design, vector, translucent, orange, cathedral, spectrum, blue, illustration, craftsmanship, chapel, creative, art, shapes, multicolored, lines, white, diagonals, form, irregular, amber, stained-glass, blocks, shape, catholic, christian, backdrop, square, architecture, bright, faith, violet, reflection, brown, concept, decoration, spirituality, religious, ornament, stained glass window, sky, pastel, decline, stylization, sunlight, worship, indigo, craft, image, sunrise, detail, sunset, jesus, artwork, backgrounds, spiritual, arts, colors, fragility, cover, clouds, illuminated, material, indoors, setting, beautiful, spirit, render, gothic, building, sea, christianity, element, holy, crucifix, arch, digital, circle, sacred, christ, pink, vertical, old, star, vibrant, lit, plant, cell, effect, god, divine, celebration, confession, confirmation, eucharist, leaves, colored, crown, culture, flowers, architectural, wall, spotlight, stained glass, the passion, illustrations, lead, anointing, baptism, believe, cartoon, traditional, rose, leaded, father, ornamental, catechist, belief, abbey, unclouded, altar, heritage, inside, indoor, sunny, ray, pray, peace, resurrection, flash, glow, monastery, norman, protection, pard, shade, shiny, toned, stain, opaque, line, curve, back, day, elegance, handmade, eps10, bible, sacraments, reconciliation, seven, sick, stole, son, priesthood, priest, marriage, liturgical, matrimony, orders, penance, symbolic, teaching, scilly, saint agnes, uk, blocks brown, antique, rural, isles, unction, theology, windows, anglican, england, hand, twine, water, field, grass, acute, sun, ocean, template, tracery, web, cloud, angle, broken, part, piece, purple, rainbow, imitation, glaze, contour, crack, decorate, example, technology, structure, convergence, diamond, flower, geometric, connect, communication, advert, ball, blindness, commerce, grilles, icon, round, set, sign, simple, precious, net, jewelry, mark, mesh, modern, sample, shell, artistic, close, closeup, decor, places, ideas, awe, buildings, concepts, defined, elements, gold, crucifixion, death, ethereal, execution, christians, catholicism, graphic, illumination, 3d, bricks, weave, wallpaper, ear, fabulous, fantastic, fantasy, dynamic, corn, substrate, tile, braid, computer, fractal, futuristic, scythe, spin, tongue, tress, plash, plait, generated, kaleidoscope, magical, pigtail, heavenly
Clearly the effeminate looking "New Kadampa" plastic buddha is disproportional: its head is too small by far and legs too long, like a fashion drawing. The creation of a genuine buddha rupa is not a random aesthetic exercise but rather subject to exact and thorough proportional measurements, all of which are imbibed with profound meaning.
In the scientific texts of Buddhism (art is consider a minor science) it is said "Iconometric scales are established so as to prevent the execution of poor art" (page 197)
Regarding details of incorrectly wrought images, we read:
"Each of these flaws (in draftsmanship) gives rise to its own particular defect or transgression. …In this context, if mistakes are made with regard to the curves of the eyes and so forth, or in respect of the hand gestures and hand held emblems, one will be afflicted by sorrow and suffering, and the icons (one has made) will be characterized a flawed and so forth…(if these are poorly executed) friends will say unpleasant things and one's prestige (as an artist) will fade. (These) therefore are the major defects which skilled artists should carefully scrutinize."
(page 229)
Jamgon Kongtrul’s Indo-Tibetan Classical Learning and Buddhist Phenomenology:
The Treasury of Knowledge, Book Six Parts One and Two
(Snow Lion Publications, 2012).
Following the death in 997 of Géza, Grand Prince of the Hungarians, succession to the throne by his zealous-Christian-convert son Stephen (István) via the medieval European law of primogeniture was challenged by his kinsman Koppány, Duke of Somogy, who claimed succession via the Magyar pagan tradition of seniority. Following Koppány’s execution, Stephen created Hungarian nationhood by forcing the various Magyar tribes to convert to Christianity. Hungary’s First King (Stephen I of Hungary, 997-1038) was thereafter sainted, making him King Saint Stephen (Szent István király). In his left hand is a two-barred apostolic cross, which was a symbol awarded to St. Stephen by the Pope in recognition of his efforts to convert Hungary to Christianity. In Hungarian, it is referred to as the apostolic double cross (Apostoli kettos kereszt).
Heroes Square (Hösök tere), Budapest, Hungary (Magyarország), Fujifilm X-Pro1, Fujinon XF 18-135 F3.5-5.6 R LM OIS WR, Gary Glen Price, Capture One Pro
2015-07-18 GGP07815 Convert or Die.jpg
Available for purchase from www.ballaratheritage.com.au
VHR - springthorpe
Statement of Significance
What is significant?
The Springthorpe Memorial within the Boroondara Cemetery (VHR0049)commemorates Annie Springthorpe, and was erected in 1897 by her husband Dr John Springthorpe. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures. It contains twelve columns of deep green granite from Scotland supporting a Harcourt granite superstructure, and a glass dome roof of lead lighting.
How is it significant?
The Springthorpe Memorial is of historic and architectural significance to the State of Victoria
Why is it significant?
The Springthorpe Memorial is historically important in demonstrating nineteenth century social and cultural attitudes to death, and for reflecting the ideals of the Victorian Garden Cemetery movement which aimed at providing comfort for mourners. The memorial is important in demonstrating uniqueness, no other example being known of such aesthetic composition, architectural design and execution, or scale. It is important in exhibiting good design and aesthetic characteristics and for the richness and unusual integration of features. The Springthorpe Memorial is also important in illustrating the principal characteristics of the work of a number of artists including Desbrowe Annear, Mackennal, the glass manufacturers Auguste Fischer and the bronze work of Marriots.
VHR Statement of Significance
What is significant?
Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery
Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society.
Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Strett was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum.
The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known.
The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end.
The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior.
By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia.
The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect.
The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum.
Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii')
Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria.
The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery.
How is it significant?
Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria.
Why is it significant?
The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery.
The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment.
The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907.
The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement.
The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (chamaecyparis funebris 'aurea') is the only known example in Victoria.
The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.
Five women fall victim to a firing squad, they were among 100 Slovenians shot in the village of Celje in 1942.
One method the Nazis used to discourage rebellion was the shooting of hostages, especially women and children, in retaliation for acts of resistance. Five women, about to fall victims to a firing squad, were among 100 Slovenians shot in the village of Celje in 1942. The Nazis believed that the shooting of women and children would be especially effective in discouraging resistance activity. Yet, even such atrocities did not completely halt the actions of the Yugoslavian partisans.
Photo: Lydia Chagoll / United States Holocaust Memorial Museum Photo Archive
Source: en.wikipedia.org/wiki/Rizal_Monument
The Rizal Monument (original title: Motto Stella, Latin, "guiding star") is a memorial in Rizal Park in Manila, Philippines built to commemorate the executed Filipino nationalist, José Rizal. The monument consists of a standing bronze sculpture of Rizal, with an obelisk, set on a stone base within which his remains are interred. A plaque on the pedestal's front reads: "To the memory of José Rizal, patriot and martyr, executed on Bagumbayan Field December Thirtieth 1896. This monument is dedicated by the people of the Philippine Islands".
The perimeter of the monument is guarded continuously by the Philippine Marine Corps’ Marine Security and Escort Group, the changing of the guard having become a daily ritual. About 100 m (330 ft) north-northwest of the monument is the exact location where Rizal was executed, marked by life-size dioramas depicting his final moments.
An exact replica of the Rizal Monument can be found in Madrid, Spain at the junction of Avenida de Las Islas Filipinas and Calle Santander.
A complete equipment for the execution with an axe (1:5 replicas). Used in Germany at the end of the 19-th and early 20-th century. The executions took place in the gray morning in each prison yard. The bench, as well as the block was attached to the bottom of the scaffold, in order not to endanger the safe running of the execution. Around the block was sprinkled a lot sawdust to soak up the blood. The convict was printed by the assistants of the executioner to the bank. Here, the arms of the condemned were pulled down by using the rope and shackles on the existing block rings around the block . The head was printed in the notch on the block and is fixed. The whole ceremony was "accompanied" by the ringing of the sinners' bell until the ax fell.
Visiting the historic French city of Rouen on our journey from Bayeux back to Paris. This is the city infamous for the trial and execution of Joan of Arc in the year 1431.
Here are some pics from inside the Rouen Cathedral.
The Postcard
A carte postale that was published by Laurent-Nel of Rennes. The image is a glossy real photograph. It was posted in Quiberon on Saturday the 10th. July 1937 to:
Miss M. Reeks,
74, Elphinstone Road,
Hastings,
England.
However, Miss Reeks' address has been crossed out and the card was forwarded from Hastings on the 13th. July 1937 to:
1, Chandos Road,
Cricklewood,
London NW2.
The pencilled message on the divided back of the card was as follows:
"Saturday.
Dear Miss Reeks,
No doubt you will be
surprised to hear from
me.
I had a very nice time in
Paris, the Exhibition was
really lovely, but not near
finished yet.
Now we have moved
further on to Quiberon, a
pretty seaside, but nothing
to do.
The women dress in their
national costume and the
men go out fishing.
There is no music or lights
in the town. All you do is
watch the fishermen or go
on the beach.
Kind regards to Mrs. Taylor.
Hoping to see you soon,
V. M. Alan".
The International Exhibition in Paris
The exhibition to which the writer referred was the
Exposition Internationale des Arts et Techniques Dans la Vie Moderne.
The Exposition was held from the 25th. May to the 25th. November 1937 in Paris, France. It was held in the Palais de Chaillot, with 45 countries participating.
Quiberon
Quiberon is a commune in the French department of Morbihan, administrative region of Brittany, western France.
It is situated on the southern part of the Quiberon peninsula, the northern part being the commune of Saint-Pierre-Quiberon. It is primarily known as a seaside resort for French tourists during summer, and for its history of sardine production.
Quiberon is connected to the mainland by a tombolo which is a sandy isthmus.
History of Quiberon
During the Seven Years' War the bay was the site of the Battle of Quiberon Bay (1759) between the French and British fleets. Then later in July 1795 during the period of the French Revolution, Quiberon was used by French Royalist exiles, with assistance from the British, as the base for a failed invasion of Brittany (traditionally a royalist area). However the invasion was defeated by the Revolutionaries under General Lazare Hoche.
In the 19th. century, Nicolas Appert, a chemist, developed a technique that permitted the sterilisation of food. Thanks to this process, Quiberon became the leading harbour for sardine fishing and the production of canned sardines in France.
Many families from the Finistère département migrated to Quiberon for the fishing season (May to October). When the men put out to sea, the women worked in the sardine can factories.
The railway between Auray and Quiberon was inaugurated in 1882. It changed Quiberon's way of life. Fishing, canning and the exploitation of seaweed became replaced by tourism. At that time, some famous people stayed in Quiberon, including the writers Gustave Flaubert and Anatole France, and the actress Sarah Bernhardt.
The year 1924 was important for the peninsula because it was classified as health resort.
Penthièvre Fort
During the Second World War, Penthièvre Fort at the narrow isthmus was occupied by the Germans, and incorporated into the Atlantic Wall. It housed various blockhouses, but was mainly used by the infantry.
In July 1944, 59 resistance fighters were tortured and buried alive there. A Cross of Lorraine mounted on a stone pillar, with a plaque listing the names of the fighters, stands there in memory of them. Although the fort is still of military importance (as a training base), a tunnel where the bodies were discovered can be visited.
Note on the left of the photograph there is an advertisement for 'Bains Penthièvre'.
George Eliava
So what else happened on the day that the card was posted?
Well, the 10th. July 1937 was not a good day for George Eliava, because on that day he was executed at the age of 45 in Tbilisi, Georgian SSR, Soviet Union.
George, who was born on the 13th. January 1892 in Sachkhere, Kutais Governorate, Russian Empire, was a Georgian-Soviet microbiologist who worked with bacteriophages (viruses that infect bacteria).
George Eliava's Career
From 1909 to 1912 George studied medicine at Novorossiysk University and continued his studies in Geneva until 1914. He graduated at Moscow University in 1916. The same year, he became head of the bacteriological laboratory in Trabzon.
in 1917 he headed the bacteriological laboratory in Tbilisi. In 1918–1921, and again in 1926–1927, he worked at the Pasteur Institute in Paris, where he met Félix d'Hérelle, the co-discoverer of bacteriophages.
Eliava became excited about the potential of bacteriophages in medical applications, and brought the research (and, eventually, d'Hérelle), to Tbilisi.
In 1923, Eliava founded a bacteriological institute in Tbilisi to research and promote phage therapy. The institute was renamed George Eliava Institute in 1988.
From 1927, Eliava held the chair for hygiene at the medical faculty of Tbilisi, and from 1929 the chair for microbiology.
In 1934, the Tbilisi Black Death Centre was founded and headed by Eliava.
The Death of George Eliava
In 1937, Eliava was arrested and (together with his wife) executed as a "People's Enemy", either for being an intellectual or for competing for a woman with Lavrenti Beria, chief of the secret police to Joseph Stalin.
Mass Executions in Siberia
Also on that day, 24 people were executed in Siberia for sabotaging Soviet railways.
Chiang Kai-Shek
Also on the 10th. July 1937, Chiang Kai-Shek made a radio address to millions announcing the Kuomintang's policy of resistance against Japan.
I took this picture in 1992. My grandmother cut my cousin's hair, who was pulling his head into his shoulders and closing his eyes all the time. Somehow he was very afraid of this procedure.
Экзекуция
Эту фотографию я сделал в 1992 году. Бабушка стригла моего двоюродного брата, который всю дорогу втягивал голову в плечи и зажмуривал глаза. Почему-то он сильно боялся этой процедуры.
Execution on the Old Town Square 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth and Katrin Bock now take a look at the events that took place on the Old Town Square 380 years ago.
Execution on the Old Town Square 21. 6. 1621
If you have ever been to Prague, you may have noticed the 27 crosses which have been embedded into the pavement at the foot of the Old Town Town Hall. Perhaps you have wondered about their origin. Well, in the following minutes you will learn more about the context of these crosses. First of all, listen to the Czech writer Alois Jirasek portraying the events at the end of the 19th century in one of his stories:
"In the night of 20 to 21 June 1621, fear and grief prevailed everywhere in Prague, and the roads had become like deserted, for on Prague restrictions had been imposed. Only the clash of the weapons and the heavy steps of foreign soldiers broke through the oppressive silence. On the Old Town Square there was a lot of activity, and boards and beams were unloaded from wagons and carried to the middle of the place, where a scaffold grew by the flickering light of numerous torches. By daybreak a gallows covered with red cloth was towering. At sunrise fulminated a cannon cracker showing that the execution had to begin. On the scaffold dark hooded people were visible, the assistents of the executioner and the gravedigger. Finally, the executioner, Jan Mydláø, also appeared. Immediately the imperial judges took their seats, and the names of the twenty-seven death-condemned noblemen were exclaimed. While foreign soldiers were drumming in the streets of Prague, in the houses people of Prague prayed for their faithful, the 27 men who were either beheaded or hanged at the same time. It is reported that once a year, always in the night from the 20th to the 21st of June, the noblemen and citizens appear on the Old Town Square. Silently they walk over the square to the church, where, kneeling before the altar, they receive the Last Supper in both forms. And as silently as they have come they disappear again."
The Hradschin 1618, in the year of the window-lintel (contemporary engraving)
So far the Czech writer Alois Jirasek about the events of that night 380 years ago, when the leaders of the insurrection of the Estates against the Catholic Habsburgs were judged. 27 nobles, gentlemen and citizens, Czechs and Germans, Protestants and a Catholic then left their lives. They were punished for having joined an uprising against the legal Habsburg emperor which had a religious background, for the Emperor had previously tried to restrict the freedom of religion which had been in force in the Bohemian lands since the middle of the fifteenth century. The revolt had begun on May 23, 1618, with the famous Prague defenestration, and ended with the battle Battle of White Mountain in November 1620, for the Czechs still today a national trauma. In that battle before the gates of Prague the army of the Catholic Habsburgs the Protestant Estates had utterly vanquished. What followed was a relentless persecution of all insurgents, regardless of their social position or nationality. Emperor Ferdinand II used his military victory to strengthen his position in the rebellious Bohemian lands, to suppress the Protestant faith and to break the power of the Estates once and for all.
Procession on the White Mountains (Josef Berka and A. Gustav, around 1800)
All persons who had somehow participated in the uprising of the Estates were punished. The worst punishment experienced three lords, seven knights and 17 citizens, who were executed in the early morning hours of June 21, 1621 on the Old Town Square. The execution took place conforming to the etiquette: first came the lords, then the knights, and finally the citizens. It is said the bloodthirsty torture to have lasted for four hours, while the executioner Jan Mydlar in the proces was to have beaten blunt four swords.
Joachim Andreas Graf Schlick was the first to be beheaded, whose family had grown rich thanks to the silver mines in the west Bohemian Jáchymov valley. Count Schlick had worked for many years at the Saxon court as an educator of the future ruler Johann Georg. During the Bohemian uprising of the Estates, Schlick had been quite active. Among other things, he was one of the participants of the famous 1618 defenestration. Next came Vaclav Budova from Budovec. Since the beginning of the 17th century, he had been strongly committed to the observance of the freedom of belief in the Bohemian lands and had been one of the spokesmen of the insurgents. As the third nobleman, Krystof Harant of Polzice and Bezdruzice lost his head. He had been court musician and companion of Rudolf at the court of Emperor Rudolf II. He was not very interested in politics, but he had been one of the military leaders of the insurgents, which now cost him his head. All three of them, without any doubt, belonged to the intellectual elite of the country, all three of them had been to many places, were well-educated, spoke several languages, and were Protestants.
Among the 7 knights was also the Catholic Divis Cernin of Chudenice. This one had made the fatal mistake of opening the gates of the castle to the representatives of the Estates on the 23rd of May, 1618, who then threw the three representatives of the Habsburg power out of a window in protest against the restriction of the rights of the Protestants.
Jan Jesensky
Jan Jessenius, the rector of the Charles University of Prague, was one of those who got the severest judgement. He was not only beheaded, his tongue had been cut off before, additionally he was also quartered after the execution. Emperor Ferdinand had expressed himself personally for this harsh judgment. The internationally respected scholar, who had carried out the first public autopsy in Prague in 1600, had aroused the wrath of the ruler as he had himself pronounced against the election of Ferdinand for the King of Bohemia as well as published a series of harsh writings against the Habsburgs.
The heads of twelve executed were hanged in iron baskets for deterrence and warning at the Old Town Bridge Tower. From there they were removed only 10 years later, when the Saxons 1631 occupied Prague for a short time.
Ferdinand II.
Emperor Ferdinand II took advantage of the victory over the rebellious Protestant estates, which had dethroned him, the legitimate heir, and elected another one, the "Winter King", Frederick of the Palatinate. 166 nobles Ferdinand had completely dispossessed, another 500 lost a large part of their estates. On the other hand, his faithful were rewarded. Those were given great lands in the Bohemian lands. In addition, monasteries were returned lands that they had lost during the Hussite wars in the 15th century.
The greatest winners were probably Albrecht von Waldstein, Karl von Liechtenstein, and Johann Ulrich von Eggenberg, who were now able to call great domains their own. But also other noble families then settled in the Bohemian lands, like the Trauttmansdorff, Thun, Metternich and Clary families.
Even ordinary citizens and peasants were affected: those who did not convert to the Catholic faith had to leave the country. In 1624 the Catholic faith became the only one recognized in the Bohemian lands - more and more subjects saw themselves forced to emigrate. Some 150,000 people are said to have left the Bohemian lands for religious reasons in the years after the defeat of the Protestant Estates. The probably most famous emigrant of that time is Jan Amos Komensky - Comenius. The pedagogue and bishop of the Unity of the Brotherhood settled down after a few journeys in Holland, where he died in 1670 at the age of 78.
Even in the eyes of most of today's Czechs, the "time of darkness" began with the defeat of the Protestant estates in the Battle of Weissenberg. As such, the almost 300 years of the unrestricted rule of the Habsburgs over the Bohemian countries were designated, which ended only with the independence of Czechoslovakia in 1918. The formerly proud kingdom of Bohemia had been degrated to a Habsburg province according to the new regional order of 1627, and had lost most of its rights, including the freedom of faith for which its inhabitants had fought since the death for heresy of Jan Hus in 1415. Today, not only the 27 crosses embedded on the Old Town Square, but also all the magnificent Baroque buildings in the country, are reminiscent of this historic epoch. With these the Catholic Habsburgs showed their Bohemian and Moravian subjects who is the boss in the country.
And so we are already at the end of our trip into the 17th century.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth und Katrin Bock werfen heute einen Blick auf die Geschehnisse, die sich vor 380 Jahren auf dem Altstädter Ring ereigneten.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
Wer von Ihnen schon mal in Prag war, dem sind sie vielleicht aufgefallen, die 27 in das Pflaster eingelassenen Kreuze zu Füssen des Altstädter Rathausturmes. Vielleicht haben Sie sich über deren Ursprung gewundert. Nun in den folgenden Minuten erfahren Sie mehr über die Bewandtnis dieser Kreuze. Hören Sie zunächst einmal, wie der tschechische Schriftsteller Alois Jirasek die entsprechenden Ereignisse Ende des 19. Jahrhunderts in einer seiner Geschichten schilderte:
"In der Nacht vom 20. auf den 21. Juni 1621 herrschte überall in Prag Angst und Trauer. Die Strassen waren wie ausgestorben, denn über Prag war Ausgangsverbot verhängt worden. Nur das Klirren der Waffen und schwere Schritte fremder Soldaten durchbrachen die bedrückende Stille. Auf dem Altstädter Ring herrschte reger Betrieb. Bretter und Balken wurden von Wagen abgeladen und zur Platzmitte getragen, wo beim flackernden Licht zahlreicher Fackeln ein Gerüst wuchs. Als es zu dämmern begann, ragte da ein mit rotem Stoff überzogener Galgen empor. Beim Sonnenaufgang donnerte von der Prager Burg ein Kanonenschlag. Ein Zeichen dafür, dass die Exekution beginne. Auf dem Galgengerüst waren dunkle vermummte Gestalten zu sehen - die Henkershelfer und der Totengräber. Schliesslich erschien auch der Henker Jan Mydláø. Alsbald nahmen die kaiserlichen Richter ihre Sitze ein, und die Namen der 27 zum Tode verurteilten Standesherren wurden ausgerufen. Während in den Strassen Prags fremde Soldaten trommelten, beteten in den Häusern die Prager für ihre Getreuen, die 27 Herren, die zur selben Zeit geköpft oder gehängt wurden. Es wird berichtet, dass die hingerichteten Adeligen und Bürger einmal im Jahr, immer in der Nacht vom 20. auf den 21. Juni, auf dem Altstädter Ring erscheinen. Schweigend gehen sie über den Platz zur Kirche, wo sie, vor dem Altar knieend, das Abendmahl in beiderlei Gestalt empfangen. Und so lautlos wie sie gekommen verschwinden sie wieder."
Der Hradschin 1618, im Jahre des Fenstersturzes (Zeitgenössiger Stich)
Soweit der tschechische Schriftsteller Alois Jirasek über die Ereignisse jener Nacht vor 380 Jahren, als die Anführer des Ständeaufstandes gegen die katholischen Habsburger gerichtet wurden. 27 Adelige, Herren und Bürger, Tschechen und Deutsche, Protestanten und ein Katholik liessen damals ihr Leben. Bestraft wurden sie dafür, dass sie sich einem Aufstand gegen den rechtmässigen Habsburger Kaiser angeschlossen hatten, der einen religiösen Hintergrund hatte, denn der Kaiser hatte zuvor versucht, die seit Mitte des 15. Jahrhunderts in den Böhmischen Ländern geltende Religionsfreiheit einzuschränken. Der Aufstand hatte am 23. Mai 1618 mit dem berühmten Prager Fenstersturz begonnen und mit der für Tschechen noch heute ein nationales Trauma darstellenden Schlacht am Weissen Berg im November 1620 geendet. In jener Schlacht vor den Toren Prags hatte das Heer der katholischen Habsburger die protestantischen Stände vernichtend geschlagen. Was folgte war eine unbarmherzige Verfolgung aller Aufständischen, ungeachtet ihrer gesellschaftlichen Stellung oder Nationalität. Kaiser Ferdinand II. nutzte seinen militärischen Sieg, um seine Stellung in den aufständischen Böhmischen Ländern zu stärken, den protestantischen Glauben zurückzudrängen und die Macht der Stände ein für alle mal zu brechen.
Prozession am Weißen Berge (Josef Berka und A. Gustav, um 1800)
Alle Personen, die irgendwie an dem Ständeaufstand beteiligt gewesen waren, wurden bestraft. Am schlimmsten traf es dabei drei Herren, sieben Ritter und 17 Bürger, die in den frühen Morgenstunden des 21. Junis 1621 auf dem Altstädter Ring hingerichtet wurden. Bei der Hinrichtung wurde die Etike gewahrt: zuerst waren die Herren dran, dann die Ritter und schliesslich die Bürger. Vier Stunden lang soll die blutige Tortur gedauert haben, vier Schwerter soll der Henker Jan Mydlar dabei stumpf geschlagen haben.
Als erster wurde Joachim Andreas Graf Schlick geköpft, dessen Familie dank der Silberminen im westböhmischen Joachimsthal reich geworden war. Graf Schlick hatte jahrelang am sächsischen Hof als Erzieher des zukünftigen Herrschers Johann Georg gewirkt. Während des böhmischen Ständeaufstands war Schlick recht aktiv gewesen, unter anderem gehörte er zu den Teilnehmern des berühmten Fenstersturzes von 1618. Als nächstes kam Vaclav Budova von Budovec an die Reihe. Dieser hatte sich seit dem Beginn des 17. Jahrhunderts stark für die Einhaltung der Glaubensfreiheit in den Böhmischen Ländern eingesetzt und war einer der Wortführer der Aufständischen gewesen. Als dritter hochgestellter Adeliger verlor Krystof Harant von Polzice und Bezdruzice seinen Kopf. Dieser war am Hofe Kaiser Rudolfs II. Hofmusikant und Gesellschafter Rudolfs gewesen. Für Politik interessierte er sich nicht sehr, doch war er einer der Heerführer der Aufständischen gewesen, das kostete ihn nun seinen Kopf. Alle drei Herren gehörten ohne Zweifel zur geistigen Elite des Landes, alle drei waren weitgereist, hervorragend gebildet, sprachen mehrere Sprachen - und waren Protestanten.
Unter den 7 Rittern war auch der Katholik Divis Cernin von Chudenice. Dieser hatte den verhängnisvollen Fehler gemacht, am 23. Mai 1618 den Repräsentanten der Stände die Burgtore geöffnet zu haben, die dann die drei Vertreter der Habsburger Macht aus Protest gegen die Einschränkung der Rechte der Protestanten aus einem Fenster warfen.
Jan Jesensky
Eines der härtesten Urteile traf Jan Jessenius, den Rektor der Prager Karlsuniversität, der als 16. an die Reihe kam: er wurde nicht nur geköpft, zuvor wurde ihm die Zunge abgeschnitten, ausserdem wurde er nach der Hinrichtung noch geviertelt. Für dieses harte Urteil hatte sich Kaiser Ferdinand persönlich ausgesprochen. Der international angesehene Gelehrte, der 1600 in Prag die erste öffentliche Obduktion durchgeführt hatte, hatte den Zorn des Herrschers erregt, da er sich auf verschiedenen Landtagen gegen die Wahl Ferdinands zum böhmischen König ausgesprochen sowie eine Reihe von scharfen Schriften gegen die Habsburger veröffentlicht hatte.
Die Köpfe von zwölf Hingerichteten wurden in Eisenkörben zur Abschreckung und Warnung an den Altstädter Brückenturm gehängt. Von dort wurden sie erst 10 Jahre später entfernt, als die Sachsen 1631 Prag für kurze Zeit besetzten.
Ferdinand II.
Kaiser Ferdinand II. nutzte seinen Sieg über die aufständischen protestantischen Stände, die ihn, den rechtmässigen Erben, entthront hatten und einen anderen, den "Winterkönig" Friedrich von der Pfalz, gewählt hatten. 166 Adelige liess Ferdinand vollkommen enteignen, weitere 500 verloren einen Grossteil ihrer Güter. Belohnt wurden dagegen seine Getreuen. Diese erhielten grosse Ländereien in den Böhmischen Ländern. Ausserdem bekamen Klöster Ländereien zurück, die sie zur Zeit der Hussitenkriege im 15. Jahrhundert verloren hatten.
Die grössten Gewinner waren wohl Albrecht von Waldstein, Karl von Liechtenstein sowie Johann Ulrich von Eggenberg, die nun grosse Herrschaften ihr Eigen nennen konnten. Aber auch andere Adelsdfamilien setzten damals in den Böhmischen Ländern ihren Fuss, wie die Familien Trauttmansdorff, Thun, Metternich und Clary.
Auch einfache Bürger und Bauern waren betroffen: wer nicht zum katholischen Glauben übertrat, musste das Land verlassen. 1624 wurde der katholische Glaube der einzig anerkannte in den Böhmischen Ländern - immer mehr Untertanen sahen sich gezwungen, zu emigrieren. Rund 150.000 Menschen sollen in den Jahren nach der Niederlage der protestantischen Stände die Böhmischen Länder aus religiösen Gründen verlassen haben. Der wohl bekannteste Emigrant jener Zeit ist Jan Amos Komensky - Comenius. Der Pädagoge und Bischof der Brüderunität liess sich nach einigen Reisen in Holland nieder, wo er 1670 im Alter von 78 Jahren verstarb.
Auch in den Augen der meisten heutigen Tschechen begann damals mit der Niederlage der protestantischen Stände in der Schlacht am Weissen Berg die "Zeit der Finsternis". Als solche werden die knapp 300 Jahre der uneingeschränkten Herrschaft der Habsburger über die Böhmischen Länder bezeichnet, die erst mit der Unabhängigkeit der Tschechoslowakei 1918 endeten. Das einstmals stolze Königreich Böhmen war nach der neuen Landesordnung von 1627 zu einer Habsburger Provinz degradiert worden und hatte die meisten seiner Rechte verloren - auch das der Glaubensfreiheit, für das seine Bewohner seit dem Ketzertod des Jan Hus 1415 gekämpft hatten. Heute erinnern an diese Geschichtsepoche nicht nur die 27 in das Strassenpflaster eingelassenen Kreuze auf dem Altstädter Ring, sondern auch all die prächtigen Barockbauten im Lande. Mit diesen zeigten die katholischen Habsburger ihren böhmischen und mährischen Untertanen, wer der Herr im Lande ist.
Und damit sind wir bereits am Ende unseres Ausfluges in das 17. Jahrhundert.
www.radio.cz/de/rubrik/geschichte/hinrichtung-auf-dem-alt...
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www.missyomodel.com/coningsby131
My exceptionally comfortable, stylish & very swishy skirt is complemented by Very Voga peep toe Bowknot Kitten heeled slingbacks buckle shoes, with musical accompaniment entitled "Kingpin In A Skirt".
When I was very young & a shorts wearer, my Mother was also my Barber in the 1960`s. She would instruct me to sit on her stool in order to cut my hair. She frequently wore an evidently hypnotic black pleated cotton skirt which tickled my knees as it brushed across them while she was cutting my fringe. I now apparently have the image of her skirt deeply in my eyes. It was first noticed by my (secondary) School Teacher in the 1970`s & by subsequent girlfriends who have also mentioned it. The presence of the image & my Mother regularly sitting with her legs crossed on a high stool at our then Breakfast Bar with her new dark brown sequinned polyester Sunray pleated midi skirt very striking draped very close to the floor during the 1970s has strongly influenced my interest in cross-dressing & I regularly wear one of my pleated or circle skirts/dresses at home.
In November 2015, I was scapegoated by a group of criminals, who waited in a silver Private Hire Taxi outside the building in which I lived expecting me to emerge dressed as a woman with a bob hairstyle. My being dressed as a man rendered them indecisive with their execution plot, so the 3 men did not ambush & abduct me. In view of my cross-dressing hobby saving my life, I shall continue to enjoy femininity. There`s also additional information at; www.flickr.com/photos/127177664@N04/16024330889/in/datepo...
Accession Number: 1972:0033:0037
Maker: Unidentified
Title: Execution of the Conspirators - Springing of the Trap. [From Harpers Weekly, July 22, 1865]
Date: 1865
Medium: wood engraving
Dimensions: Image: 12.4 x 12.4 cm, Mount: 27 x 34.5 cm
George Eastman House Collection
About the Collection · Blog · Reproductions & Image Licensing
Executions down across globe, says Amnesty International
The number of people executed by their own governments fell by 25 per cent last year, with China carrying out the most executions, Amnesty International said Friday.
The human rights organization report — the Annual Death Penalty Statistics — outlines the number of executions and death sentences carried out in the world in 2006.
According to the report, at least 1,591 people were known to be executed by their own governments in 25 countries last year.
Of those executions, 90 per cent took place in six countries:
China - 1,010
Iran - 177
Pakistan - 82
Iraq - 65
Sudan - 65
U.S.A. - 53
Amnesty International believes the Chinese figures are drastically underestimated, suggesting the real total is close to 8,000 executions, based on information from a Chinese legal expert. China keeps its prisoner executions a state secret.
Five of the executions are known to be people under 18: four in Iran and one in Pakistan
"The death penalty is the ultimate cruel, inhuman and degrading punishment," said Amnesty Secretary General Irene Khan. "It must be abolished and a universal moratorium will be an important step forward."
Thousands on death row
The same year, 55 countries handed down 3,861 new death sentences, adding to the more than 20,000 people waiting on death row, said the report.
"A death penalty free world is possible if key governments are willing to show political leadership," said Khan.
Across the globe, Amnesty reports 128 countries have abolished the death penalty either by law or in practice, while 69 countries retain or use the death penalty.
Methods of execution include beheading, electrocution, hanging, lethal injection, shooting, stoning and stabbing.
While Canada abolished capital punishment in 1976, it retained the death penalty for military crimes such as treason or mutiny. All references to the death penalty were wiped from the National Defence Act in 1998.
The final execution in Canada took place in Toronto in December 1962, when two men were hanged for murder www.cbc.ca/world/story/2007/04/27/amnesty-executions.html...
*once the order is given, nothing and no one can stop it; all is done in perfect harmony;
shooters are trained to go for the heart, but frequently the bullets hit other parts of the body
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家住安南鹽溪邊
The family lives in nearby the Annan salt river
隔壁就是聽雨軒
The next door listens to the rain porch
一旦落日照大員
Once setting sun according to Taiwan
左岸青龍飛九天
The left bank white dragon flying in the sky