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Michael Corcoran with One Man Gathers putting on a searing performance at the Grateful Garcia Gathering 2011.
Flower: HA G5749
Colored with Tim Holtz Distress Markers
Sentiment: HA CL129 Anytime Messages
Butterfly: Martha Stewart Punch
I designed a logo and etched it into the steel using a battery charger and salt water. It's a little crude, but works. The stencil needs a little refining, too.
So most of you know that I've wanted to etch the top of my black macbook for some time now. Here is a sketch my brother drew for me; I like it! For those of you who don't know what etching is, here are some examples:
www.flickr.com/photos/63458495@N00/414062721/
www.flickr.com/photos/myuserid/262707483/
www.flickr.com/photos/myuserid/262671521/
Let me know what you guys think.
Glass vase with figure of a girl holding a bouquet etched in the glass. 1 7/8" x 2 1/2" x 3" tall, of 1/4" thick glass.
Individual upright memorial with sandblasted lettering and laser etched design.
tablet size: 24x08x26
color: Jet Black
type: std. monument
top: serp
polish: P3
base size: 42x14x08
color: Jet Black
type: std. base
vase size: 4"x10"
color: Jet Black
type: turned granite
qty: 2
Description
stone: tall individual serp top with two cremain holes in tablet
litho: no sandblasting on this stone
etching: laser etching for all lettering and designs (name, dates, and full woods scene with deer and ducks on front, additional on back)
front and back design
A small part of the medieval crypt survives from the pre-fire building and a delightful chapel has been made at the north east corner incorporating some beautiful back-lit etched glass panels.
St Bride's in Fleet Street is renowned for its famous 'wedding cake' spire (its unusual tiered form is said to have inspired the traditional form of today's wedding cakes). It is one of Christopher Wren's finest City of London churches and sits in a secluded space set back behind the facades of Fleet Street in a quiet enclosure of its own.
The interior was one of the more ornate of the City churches but was sadly burned out during the Blitz, leaving the famous spire and the gutted shell of the building after the War. The interior was restored in the 1950s in Baroque style, largely following the original design though deviating from it in the treatment of the east wall (decorated with a trompe-l'oeil mural and partially hidden by a large reredos) and collegiate style seating in the nave. The effect of the interior is therefore not as Wren left it, but is an impressive ensemble nonetheless.
Here we are passing Etches Park again, just after departing Derby. Those Cement presflo wagons may not have been in store after all. A Freightliner class 66 seems to have attached to the front of the rake of wagons so perhaps they were staging on their journey two or from the Hope works in the Peak District? It's 1245 on Saturday 24th September 2011.