View allAll Photos Tagged error
Sculpture by Vendel and Wolf
Can technology correct human error, or are imperfections inevitable—whether human or machine-made? This thought-provoking question take centre stage in Error, inviting us to contemplate the unpredictable nature of imperfection and what this might mean in the context of Artificial Intelligence.
A massive, swirling and illuminated disc appears to hover, its surface pulsing with random bursts of light. This trance-like display mirrors the chaos of both the universe and technology, where glitches—like dreams—are unpredictable and chaotic but also hold the potential for creativity, change and new discoveries.
Error reminds us that to err is human, but perhaps those very errors open the door to divine possibility.
6N71 1145 Doncaster Up Decoy to Tyne S.S. at Gascoigne Wood.
This might be my 1st Pole shot, what a comedy of errors it was, but practice makes perfect they say.
------------------------ JESUS ✝️ SAVES -------------------------
Grace and Peace to you from God our Father in the Lord Jesus Christ, FOREVER! Through Faith in Jesus!
10 The thief comes only to STEAL and KILL and DESTROY; I have come that they may have LIFE, and have it to the FULL. (John 10:10)
Jesus came to bring spiritual LIFE to the spiritually dead and set the captives FREE! FREE from RELIGION, ERROR and outright LIES, so they might serve THE LIVING GOD! In SPIRIT and in TRUTH!
For the best Biblical teaching in the last 2 centuries! Please listen to and down load these FREE audio files that were created with YOU in mind. It's ALL FREE, if you like it, please share it with others. ❤️ ✝️ ❤️
archive.org/details/PeopleToPeopleByBobGeorgeFREE-ARCHIVE...
CLICK THE LETTER "L" TO ENLARGE THE IMAGE.
My THANK'S to all those who have taken the time to view, fave, comment or share my photo's with others. I really appreciate it! ❤️
What's art about if it isn't about learning something? Well I learnt something. Several things actually. Will I use what I've learnt to grow and become wiser? That seems unlikely. So what did I learn?
1) Ice is very cold.
2) Icy water feels even colder.
3) Even kneeling on ice might not spread your weight enough to prevent it cracking.
4) Don't ever admit to doing something stupid. Especially not on the internet. You'll never know who might read it.
I've resigned myself to the fact that I won't ever feel confident enough in my creativity to know what it is I will make ahead of time, and I won't know how, whatever it is, will turn out. It was never an issue when noone ever saw what I make but now, a little self doubt lurks in the back of my mind, that I must make something interesting otherwise I shouldn't have bothered. Often, as I wander around some wild place somewhere (no not a bar in Blackpool on a Saturday night), I am thinking about future land art projects and the potential of different places. But always lurking there is the thought that it better be good when I get round to doing it.
On the face of it, this voice at the back of the room would seem to be a help, always encouraging me to try harder. But the weird thing is, this voice actually seems to be a hindrance. There is a subtle but important difference between "it better be good" and "I wonder if it'll be any good?"
When I listen to those words it seems to be an extra burden, a burden that makes it harder to tap into any creativity. I have no idea what creativity actually is, where it lives or how it operates. But what I do know is that you can plug into it directly if you would just relax and go with the flow. A sense of expectation of how something should be, how it ought to be, if only you tried hard enough is not where it's at. I think this is what I love about land art. As I start, the distractions, the so called "encouraging" voices just fade away and all that matters is the moment. And when enough moments join together, I often end up exactly where I wanted to be had I been thinking about it in the first place. I've said it before but it seems it is a hard lesson to learn. It's about the doing. The thinking, the planning, the expectations. None of this really helps.
So I set off, the frost crunching under my feet and doubting/encouraging voices in my head struggling to help me think of what I could do. I went to a small pool of dark water and tried to chop out some ice. Fun though that was, it didn't inspire me, so I continued to trudge up the hill. On the slopes either side of me, camo jacketed plonkers with shotguns and dogs attempted to shoot, stupid and inbred pheasants. A fitting challenge for the Saturday shotgun warriors. We haven't quite gone to the lengths of fencing in animals for rich (and fat) obnoxious clients to shoot but it isn't far off.
Now don't get me wrong, I am not hypocritical enough to suggest that shooting is completely wrong. I could only occupy the moral highground if I didn't eat industrially farmed animals and didn't ignore the fact that I couldn't kill, what I eat, myself. But I do wonder at the mentality of people who shoot animals for a hobby, as a way to relax, to let off steam on a Saturday morning. Does it make you feel manly to outwit a pheasant with a bunch of beaters, dogs and high powered weaponry? Is it simply target practice and honing a skill?
I always wonder whether they have something missing in their lives and their neuroses drive them to show off, inaudibly shouting "look at me, look at me, LOOK AT ME! I'm really, really important! I demand your attention!" Because what seems to be common amongst this activities is noise. Lots of it and the seemingly willfull need to pee off as many people as possible. Especially people who like peace and quiet!
How many examples can you think of? Here's a few for starters: riding big, powerful motorbikes around country lanes in the summer, riding jet skis across lakes and off shore, off roading on green lanes and shooting things for fun. Why oh why do all these things have to be so loud? And why do you have to do them in beautiful and quiet places and spoil the peace and quiet for so many others? Are you so lacking in empathy that you have no idea how you are spoiling it for everyone else? Or do you have a pathological need to take over places and claim them as yours to make up for your inadaquecies? I think this is one of the biggest splits in our species. The sensitive and the not sensitive. The noisy and the quiet. The considerate and inconsiderate.
So the soundtrack to my sculpturing went like this "hey, hey, hey, hey, hey!" As the beaters flushed the doomed birds from the undergrowth and "KABOOM! KABOOM!" as another pheasant bit the dust. I expect that if I ever go mad that that will be the soundtrack to my insanity too. I wanted to stand on a rock and shout out "shut the hell up you noisy idiots!" to try and get rid of my frustrated feeling. But I don't think they were going to see the error of their ways so I went back to what I was doing with the frustrated feeling still present.
So what was a I doing I hear you ask?
A bank of fog was sliding in from the south, leaving the tips of the mountains poking through the sea of moisture. Unusually for an inversion, a layer of cloud lay above us too (me and the mountains) and gradually the temperature began to warm.
On another small dark pool I begun to lay out sections of frosted bracken, to make a pattern on the ice. When I leant back I noticed I had left hand prints where my body heat had melted the surface and I liked them and decided to do something along those lines instead. On all fours, I kneeled on the ice, positioning my hands to make prints in the surface, when suddenly cracks spread across the surface like fractured glass and I was about to become more acquainted with this medium than I originally planned. I had one of those Wiley Coyote moments like when he runs over the cliff's edge, only to be found pedalling in mid-air. Just for a split second gravity didn't grab me and then all at once the icey water and me, became intimate. I managed to extricate myself after immersing only one leg and fortunately I was wearing two pairs of trousers for warmth and had some spare socks, so pretty quickly I was dry again. I smirked to myself at being such a fool but soon found that the broken ice was fantastically clear and square edged so my foolishness had served a purpose and revealed to me the beauty of this ice.
I took a section and rounded the edges before trying to melt my hand print into it. I could only manage a little at a time before I had to rewarm my hand, so I challenged myself to count to fifty before I would put on a glove to warm up, only to try and melt some more for another count to fifty.
As the handprint begun to form I started to think about how I would be able to photograph it. The imprint was like a ghost, difficult to pin down, like a fleeting image in the corner of your eye. I put the ice back in the water but the image disappeared so I went searching for another way.
I found a slab with thick frost on it, so I melted another handprint onto it and placed the ice on top, in an effort to put a black background behind the imprint. This didn't work either. I then picked some holly berries thinking that I would squish them up and fill in the mould but that was also a failure. And then it dawned on me, bubbles underwater are very bright, especially against the dark, peaty water!
I went back to the little pool and to its twin with the unbroken ice. I put my handprint on top of it, face down so that air would be trapped and then started to ladle (I didn't actually use a ladle - who carries around a ladle?!) water from the broken pool onto the ice of the intact one. Soon the effect was working and I had learnt something new about contrast and ice.
After taking some more pictures of it set against the sky, I collected my gear and headed off downhill. The cretins were still shooting at anything that moved and the irritation at the noisy buggers still dwelled in the pit of my stomach.
At the bottom of the hill I sat and watched two Buzzards sitting in adjacent trees, one of which kept calling and flying to the other one, perhaps with spring on her mind. For a few minutes I watched transfixed and thought what magnificent creatures they are. As I set off again towards home I noticed that the feeling in my stomach had gone and a few quiet moments observing the wonder of nature had calmed and comforted me. That is all that is required for peace. An open mind and a moment to fill it. Perhaps the Saturday shotgunners should try it one day. They might actually like it and discover that there is another way.
SPONSOR: Deiamos
⚡ 🏁💥 ᴅᴇɪᴀᴍᴏꜱ💥 🏁 ⚡
⋆ ⁶ ˢᵉˣᵘᵃˡᶦᵗᶦᵉˢ & ¹⁰ ᵍᵉⁿᵈᵉʳˢ
*ʰᵘᵈ ᵈʳᶦᵛᵉⁿ
*ʳᶦᵍᵍᵉᵈ ᶠᵒʳ ˡᵉᵍᵃᶜʸ ᵐ ᵒⁿˡʸ
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Taken at Sunny's Photo Studio.. Pose Used: 1768 Poses #3
💜 💜 💜 💜 💜 💜 💜 💜 💜 💜
New release exclusive to event "BLACK FAIR"
Available for purchase 13 colors + additional 7 to fatpack
Legacy - Perky / Maitreya / eBODY
Please try a DEMO before purchasing
PLEASE WEAR #ERROR GROUP TAG TO GET STORE CREDIT!
BLACK FAIR - TP maps.secondlife.com/secondlife/Meadow%20Grove/130/130/22
i like the browny dark nebula near the left upper corner.
Equipment: Takahashi FSQ-130ED, F3 Reducer 0.6x, IDAS Clear Filter, and EOS R-SP4II, modified by Seo San on ZWO AM5n Equatorial Mount, autoguided with Fujinon 1:2.8/75mm C-Mount Lens, Pentax x2 Extender, ZWO ASI 174MM-mini, and PHD2 Guiding
Exposure: 18 times x 600 seconds, 1 x 240 sec, and 6 x 60 seconds at ISO 1,600 and f/3.0, focal length 390mm
site: 2,560m above sea level at lat. 24 23 21 South and long. 70 12 01 West near the peak of Cerro Ventarrones Chile
Ambient temperature was 11 degrees Celsius or 52 degrees Fahrenheit. Wind was mild, and guide error RMS was 0.73". Sky was dark, and SQML was 21.77 at the night.
Handmade Collage... www.kieransperring.tumblr.com
© All Rights Reserved - Do Not Use Without My Permission.
Exclusive to event "DOLLHOLIC "
10 Standart Color + 10 in Fatpack
Sizes: Legacy-Perky-PinUp x Bombshell / eBODY-Waifu
Please try DEMO first
♥GIVEAWAY♥ You will need like and comment under this post with your SL name(Avatar name, not a screen name). Two luckiest of you will get a fatpack of the product!
event - maps.secondlife.com/secondlife/Sweet%20Daydream/56/207/29
home - maps.secondlife.com/secondlife/Crystal%20Isle/116/185/25
Here are a few interesting pieces of odd and super rare factory errors that missed the qc people's eyes!
Short shot samurai sword and green stem, (both came out of sets)
The Duplo brick was from the Brickworld charity auction
The 2x4 plate came out of a set, hot release, pushed out of the mold to quickly
and the blank trooper helmet came from a mixed bin of bricks.
NEW EXCLUSIVE FOR ''TRES CHIC EVENT''
-Katisha dress
-10 Standart Color + 10 in Fatpack
-Sizes:
-Waifu
-Reborn
I did not look around me for things that seemed out of place. I tried to create an "error" myself by taking unsharp and underexposed images.
A crash assignment means you go to school, get a subject, shoot for max 2 hours, come back to school and show your image(s).
Errores de cálculo en la mirada.
El error es mirar lo de ayer con ojos de hoy.
Querer que las cosas vuelvan a ser igual
Cuando tú ya no eres el mismo,
Como si se pudieran reciclar los suspiros
O dar un mismo beso por segunda vez.
Los mudos no gritan, los sordos no ven la música,
Con las cinco letras que se escribe tarde
no puedes escribir ahora,
el amor que fue, ese ya nunca vuelve.
Poema de Laura Jiménez-México.
Back in time again for another of those 'Special Steam Moments'...
It's 12.30pm I'm outside Grosmont Engine Shed on the North Yorkshire Moors Railway as USA S160 2-8-0 6046 storms away from Grosmont Station towards Goathland with 'The Moorlander'- Luncheon Dining Train.
If you have good eyesight you should be able to read the signage on the building opposite - if not try zooming in on the image, anyway it reads " Armstrong Oiler" - " Axle Box Lubrication for Locomotives and R" - presumably the other words are Rolling Stock. Looks like the S160 is making good use of the product judging by the speed it's going!
This 'Unique Loco' has a very interesting history and I've since seen it running on the Churnet Valley Railway in Cheddleston Staffordshire.
6046 was built as works No. 70280 by the Baldwin Locomotive Company in Philadelphia, Pennsylvania USA and it was exported to straight to France in 1945 to help with the war effort.
Once her use with French SNCF ceased many S160's were scrapped though 6046 found her way to Hungary. The S160's were re-classified as the MAV411 Class by the Hungarian State Railways and 6046 became 411.144 - spending most of her working life on industrial lines before being withdrawn. She was formerly preserved in the Hungarian National Collection, but due to an administrative error was sent for scrap.
Eventually though she was sold to a private buyer who moved her kit of parts to the Churnet Valley Railway(CVR), who then started its restoration in 2006.
On 29th June 2012 - 6046 was steamed and moved under her own power for the first time ever on UK metals. Since then she has proved to be a reliable performer - working at both CVR and the North Yorkshire Moors Railway as pictured here.
★ Today I’m wearing:
★ #ERROR · ASHLEY Outfit (FATPACK)
Exclusive @ Tres Chic
🚕 Event Taxi
✧ Rigged for:
• E-body (+Waifu) • Legacy (+Perky)
✧ Includes:
Dress • Color HUD
✧ Copy / No Modify / No Transfer
🚕 Taxis
★
★ Aerav · Deni Shape
✧ Made for Lelutka Camile 4.0
✧ Made with E-body but modifiable
🌐 Marketplace
🌐 Socials
DMIR #404 begins the trip up to the Mesabi Range with limestone loads from the junction. In the background is the DW&P flyover, used by CN southbounds.
Yep, the site is down fuckin' suits. Boo-hoo. Should thank me for your free synth-coffee break. Call IT, sure. Be my guest. The line is busy too. Until I say otherwise. Sorry, not sorry.
★ Today I’m wearing:
★ #ERROR · Maria dress (FATPACK)
✧ Rigged for:
• E-body (+Waifu) • Squishie
✧ Includes:
Dress • Color HUD
✧ Copy / No Modify / No Transfer
🚕 Taxis
★
★ Aerav · Deni Shape
✧ Made for Lelutka Camile 4.0
✧ Made with E-body but modifiable
🌐 Marketplace
🌐 Socials
+sekai+ chain mask
+sekai+ cyber counter
Dura U123
Toksik vortex top
Toksik vortex jacket
Toksik vortex sleeves
Toksik invasion pants
Farinas 50
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Operator: Fariñas Trans Inc.
Fleet No.: 50
Type of Service: Public Utility Bus - Provincial Operation
Route:
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ENGINE
Maker: Volvo Bus Corp.
Model: D7E-290
CHASSIS
Maker: Volvo Bus Corp.
Model: B7RLE
COACH
Coachbuilder: Autodelta Coach Builders, Inc.
Model: GDW6121 (repl.)
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captured at Laon Laan St., Sampaloc, Manila
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NOTE: Errors may be evident with this description. Corrections will be done once verified.
Today I am wearing:
★ #Error - Lucia set (Fatpack)
Exclusive @ The Warehouse Sale
✧ Rigged for:
E-body
✧ Copy / No Modify / No Transfer
✧ Includes: Cardigan • Turtleneck • Leggings • StyleHUD
🚕 Taxis
🌐 Socials
✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧
Aerav ·Ari Shape
★ Made for Lelutka Ceylon 4.0
★ Made with E-body but modifyable
🌐 Marketplace
An old photograph taken at Wood Green, of London Transport (LT) tram No. 2304 showing '37 - Wood Green - Wood Green Station' side destination boards. Because of bridge height restrictions on the Alexandra Palace routes single deck cars were used.
On the roof advert is, "Alexandra Palace Oct 9 - 26, 2 to 10pm daily. The event of the year. North London Exhibition. For home lovers.", I think this might have been taking place in 1935.
The photo reverse has no photographer name but is annotated with "London Transport 2304, Wood Green train station". If anyone knows who took the photo please let me know and I will credit them.
No. 2304 was ex *Metropolitan Electric Tramways (MET) class E car No. 134 built in 1905 by Brush seating 36 and running on a 4-wheel Brush radial (using Warner radial gears) truck. Its ownership transferred from MET to the London Passenger Transport Board (LPTB) in 1933 when it was renumbered from 134 to 2304.
It was withdrawn from service when the Alexandra Palace routes closed on 23 Feb 1938. and broken up in Walthamstow Depot. The parts of the London tramways system that had not already been withdrawn or transferred to trolleybus/bus operation closing in Jul 1952.
🚃 Thanks to JB (KK 69521) for this comment/information:-
Possibly on Buckingham Road, outside what's now Alexandra Palace railway station, but was then Wood Green Station, about here - tinyurl.com/2hbppv4k
MET service 32 (later LT service 37 after the October 1934 tidying up of service numbers) ran as a shuttle from Wood Green (Underground) station to Wood Green (LNER) station much of the day, extending to Alexandra Palace after 2.30 pm daily, and then not in the winter.
Tram appears to be in the act of changing ends, as trolley direction doesn't match the track it's on. 🚃
If there are any errors in the above description please let me know. Thanks.
📷 Any photograph I post on Flickr is an original in my possession, nothing is ever copied/downloaded from another location. 📷
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Danbo juega al Scrabble para personalizar la página de error de mi nuevo blog www.photoinstants.com
Hey, come back here, I was just kidding, honey.
----------------------------- JESUS ✝️ SAVES-------------------------------
SALVATION THROUGH FAITH IN JESUS CHRIST - ALONE!
12 Salvation is found in no one else, for there is no other name under heaven given to men by which we must be saved."
❤️❤️ IT'S ALL JESUS AND NONE OF OURSELVES! ❤️❤️
16 I am not ashamed of the gospel, because it is the power of God for the SALVATION of everyone WHO BELIEVES: first for the Jew, then for the Gentile. 17 For in the gospel a RIGHTEOUSNESS FROM GOD IS REVEALED, a righteousness that is by FAITH FROM FIRST TO LAST, just as it is written: "THE RIGHTEOUS WILL LIVE BY FAITH." (Romans 1:16-17)
16 KNOW that a man is NOT justified by observing the law, but by FAITH IN JESUS CHRIST. So we, too, have put our faith in Christ Jesus that we may be JUSTIFIED BY FAITH in CHRIST and NOT by observing the law, BECAUSE BY OBSERVING THE LAW NO ONE WILL BE JUSTIFIED. (Galatians 2:16)
1. Now, brothers, I want to remind you of the gospel I preached to you, which you received and on which you have taken your stand. 2. BY THIS GOSPEL YOU ARE SAVED, if you hold firmly to the word I preached to you. Otherwise, you have believed in vain.
3. For what I received I passed on to you as of first importance: that Christ died for our sins according to the Scriptures, 4. that he was buried, that he was raised on the third day according to the Scriptures, 5. and that he appeared to Peter, and then to the Twelve. 6. After that, he appeared to more than five hundred of the brothers at the same time, most of whom are still living, though some have fallen asleep. 7. Then he appeared to James, then to all the apostles, 8. and last of all he appeared to me also, as to one abnormally born.
9. For I am the least of the apostles and do not even deserve to be called an apostle, because I persecuted the church of God. 10. But by the grace of God I am what I am, and his grace to me was not without effect. No, I worked harder than all of them--yet not I, but the grace of God that was with me. 11. Whether, then, it was I or they, this is what we preach, and this is what you believed. (1 Corinthians 15:1-11)
7. Therefore Jesus said again, "I tell you the truth, I am the gate for the sheep. 8. All who ever came before me were thieves and robbers, but the sheep did not listen to them. 9. I am the gate; whoever enters through me WILL BE SAVED. He will come in and go out, and find pasture. 10. The thief comes only to STEAL and KILL and DESTROY; I have come that they may have LIFE, and have it to the FULL. (John 10:7-10)
1 Brothers, my heart's desire and prayer to God for the Israelites is that they may be saved. 2 For I can testify about them that they are zealous for God, but their zeal is not based on knowledge. 3 Since they did not know the righteousness that comes from God and sought to establish their own, they did not submit to God's righteousness. 4 Christ is the end of the law so that there may be righteousness for everyone who believes.
5 Moses describes in this way the righteousness that is by the law: "The man who does these things will live by them." 6 But the righteousness that is by faith says: "Do not say in your heart, 'Who will ascend into heaven?'" (that is, to bring Christ down) 7 "or 'Who will descend into the deep?'" (that is, to bring Christ up from the dead). 8 But what does it say? "The word is near you; it is in your mouth and in your heart," that is, the word of faith we are proclaiming: 9 That if you confess with your mouth, "Jesus is Lord," and believe in your heart that God raised him from the dead, you will be saved. 10 For it is with your heart that you believe and are justified, and it is with your mouth that you confess and are saved. 11 As the Scripture says, "Anyone who trusts in him will never be put to shame." 12 For there is no difference between Jew and Gentile--the same Lord is Lord of all and richly blesses all who call on him, 13 for, "Everyone who calls on the name of the Lord will be saved." (Romans 10:1-13)
Jesus came to bring spiritual LIFE to the spiritually dead and set the captives FREE! FREE from RELIGION, ERROR and outright LIES, so WE might serve THE LIVING GOD! In SPIRIT and in TRUTH!
So you'll KNOW, and not think you're to bad for God to love. The Christian LIFE isn't about how good WE are, because NONE of us are! It's about how GOOD JESUS IS! Because JESUS LOVES US, so much he died in our place and took the punishment for all of our sins on himself. The wages of sin is DEATH, and Jesus took the death WE so richly deserved for us and died in our place. The good news is, there's no more punishment for sin left. WE, you and I were all born forgive as a result of the crucifixion of God himself on the cross that took away the sins of the whole world. All we have to do is believe it, and put your Faith in the finished work of Jesus Christ. That my friends is REAL UNCONDITIONAL LOVE! YOU ARE LOVED. ❤️ ✝️ ❤️
For the best Biblical teaching in the last 2 centuries! Please listen to and down load these FREE audio files that were created with YOU in mind. It's ALL FREE, if you like it, please share it with others. ❤️
archive.org/details/PeopleToPeopleByBobGeorgeFREE-ARCHIVE...
CLICK ON THE LETTER "L" TO ENLARGE.
My THANK'S to all my Flickr friends who've favored and/or commented on my photos, I very much appreciate you're kindness! ❤️
© All Rights reserved no publication or copying without permission from the author.