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+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The McDonnell F-101 Voodoo was a supersonic jet fighter which primarily served the United States Air Force (USAF). Initially designed by McDonnell Aircraft as a long-range bomber escort (known as a penetration fighter) for the Strategic Air Command (SAC), the Voodoo was instead developed as a nuclear-armed fighter-bomber for the Tactical Air Command (TAC) and later evolved into an all-weather interceptor as well as into a reconnaissance platform.
The Voodoo's career as a fighter-bomber (F-101A and C) was relatively brief, but the reconnaissance fighter versions served for some time. Along with the US Air Force's Lockheed U-2 and US Navy's Vought RF-8 Crusaders, the RF-101 reconnaissance variant of the Voodoo was instrumental during the Cuban Missile Crisis and saw extensive service during the Vietnam War. Beyond original RF-101 single seaters, a number of former F-101A and Cs were, after the Vietnam era, converted into photo reconnaissance aircraft (as RF-101G and H) for the US Air National Guards.
Delays in the 1954 interceptor project (also known as WS-201A, which spawned to the troubled F-102 Delta Dagger) led to demands for an interim interceptor aircraft design, a role that was eventually won by the Voodoo’s B model. This new role required extensive modifications to add a large radar to the nose of the aircraft, a second crewmember to operate it, and a new weapons bay using a unique rotating door that kept its four AIM-4 Falcon missiles (two of them alternatively replaced by unguided AIR-2 Genie nuclear warhead rockets with 1.5 Kt warheads) semi-recessed under the airframe.
The F-101B was first deployed into service on 5 January 1959, and this interceptor variant was produced in greater numbers than the original F-101A and C fighter bombers, with a total of 479 being delivered by the end of production in 1961. Most of these were delivered to the Air Defense Command (ADC), the only foreign customer was Canada from 1961 onwards (as CF-101B), after the cancellation of the CF-105 Arrow program in February 1959. From 1963–66, USAF F-101Bs were upgraded under the Interceptor Improvement Program (IIP; also known as "Project Bold Journey") with a fire control system enhancement against hostile ECM and an infrared sighting and tracking (IRST) system in the nose in place of the Voodoo’s original hose-and drogue in-flight refueling probe.
The F-101B interceptor later became the basis of further Voodoo versions which were intended to improve the tactical reconnaissance equipment of the US Air National Guards. In the early 1970s, a batch of 22 former Canadian CF-101Bs were returned to the US Air Force and, together with some USAF Voodoos, converted into dedicated reconnaissance aircraft, similar to the former RF-101G/H conversion program for the single-seat F-101A/C fighter bombers.
These modified interceptors were the RF-101B and J variants. Both had their radar replaced with a set of three KS-87B cameras (one looking forward and two as a split vertical left/right unit) and a panoramic KA-56 camera, while the former missile bay carried different sensor and avionics packages.
The RF-101Bs were exclusively built from returned Canadian Voodoos. Beyond the photo camera equipment, they featured upgraded navigational equipment in the former weapon bay and a set of two AXQ-2 TV cameras, an innovative technology of the era. A TV viewfinder was fitted to the cockpit and the system was operated effectively from altitudes of 250 ft at 600 knots.
The other re-built reconnaissance version, the RF-101J, was created from twelve former USAF F-101Bs, all of them from the final production year 1961 and with relatively few flying hours. Beyond the KS-87B/KA-56 camera set in the nose, the RF-101J featured a Goodyear AN/APQ-102 SLAR (Side-looking airborne radar) that occupied most of the interceptor’s former rotating internal weapon bay, which also carried a fairing for a heat exchanger. The radar’s conformal antenna array was placed on either side of the lower nose aft of the cameras and allowed to record radar maps from view to each side of the aircraft and pinpoint moving targets like trucks in a swath channel approximately 10 nautical miles (11.5 miles/18 km) wide. To identify potential targets along the flight path for the SLAR and to classify them, the RF-101J furthermore received an AN/AAS-18 Infrared Detecting Set (IRDS). It replaced the F-101B’s IRST in front of the cockpit and was outwardly the most obvious distinguishing detail from the RF-1010B, which lacked this hump in front of the windscreen. The IRDS’ range was almost six miles (9.5 km) and covered the hemisphere in front of the aircraft. With the help of this cryogenically-cooled device the crewman in the rear cockpit could identify through a monitor small heat signatures like hot engines, firing weapons or campfires, even in rough terrain and hidden under trees.
Both new Voodoo recce versions were unarmed and received AN/APR-36 radar homing and warning sensors to nose and tail. They also had an in-flight refueling receptacle re-fitted, even though this was now only compatible with the USAF’s high-speed refueling boom system and was therefore placed in a dorsal position behind the cockpit. Furthermore, both versions received a pair of unplumbed underwing pylons for light loads, e. g. for AN/ALQ-101,-119 or -184 ECM pods, photoflash ejectors for night photography or SUU-42A/A Flares/Infrared decoys and chaff dispenser pods.
The RF-101Bs were delivered in 1971 and allocated to the 192d Tactical Reconnaissance Squadron of the Nevada Air National Guard, where they served only through 1975 because their advanced TV camera system turned out to be costly to operate and prone to failures. Their operational value was very limited and most RF-101Bs were therefore rather used as proficiency trainers than for recce missions. As a consequence, they were already phased out from January 1975 on.
The RF-101Js entered service in 1972 and were allocated to the 147th Reconnaissance Wing of the Texas Air National Guard. Unlike the RF-101Bs’ TV cameras, the AN/APQ-102 SLAR turned out to be reliable and more effective. These machines were so valuable that they even underwent some upgrades: By 1977 the front-view camera under the nose had been replaced with an AN/ASQ-145 Low Light Level TV (LLLTV) camera, sensitive to wavelengths above the visible (0.4 to 0.7 micrometer) wavelengths and ranging into the short-wave Infrared (usually to about 1.0 to 1.1 micrometer). The AN/ASQ-145 complemented the IRDS with visual input and was able to amplify the existing light 60,000 times to produce television images as clearly as if it were noon. In 1980, the RF-101Js were furthermore enabled to carry a centerline pod for the gigantic HIAC-1 LOROP (Long Range Oblique Photography) camera, capable of taking high-resolution images of objects 100 miles (160 km) away.
USAF F-101B interceptors were, as more modern and effective interceptors became available (esp. the F-4 Phantom II), handed off to the Air National Guard, where they served in the fighter role until 1982. Canadian CF-101B interceptors remained in service until 1984 and were replaced by the CF-18 Hornet. The last operational Canadian Voodoo, a single EF-101B (nicknamed the “Electric Voodoo”, a CF-101B outfitted with the jamming system of the EB-57E Canberra and painted all-black) was returned to the United States on 7 April 1987. However, the RF-101Js served with the Texas ANG until 1988, effectively being the last operational Voodoos in the world. They were replaced with RF-4Cs.
General characteristics:
Crew: Two
Length: 67 ft 5 in (20.55 m)
Wingspan: 39 ft 8 in (12.09 m)
Height: 18 ft 0 in (5.49 m)
Wing area: 368 ft² (34.20 m²)
Airfoil: NACA 65A007 mod root, 65A006 mod tip
Empty weight: 28,495 lb (12,925 kg)
Loaded weight: 45,665 lb (20,715 kg)
Max. takeoff weight: 52,400 lb (23,770 kg)
Powerplant:
2× Pratt & Whitney J57-P-55 afterburning turbojets
with 11,990 lbf (53.3 kN) dry thrust and 16,900 lbf (75.2 kN) thrust with afterburner each
Performance:
Maximum speed: Mach 1.72, 1,134 mph (1,825 km/h) at 35,000 ft (10,500 m)
Range: 1,520 mi (2,450 km)
Service ceiling: 54,800 ft (17,800 m)
Rate of climb: 36,500 ft/min (185 m/s)
Wing loading: 124 lb/ft² (607 kg/m²)
Thrust/weight: 0.74
Armament:
None, but two 450 US gal (370 imp gal; 1,700 l) drop-tanks were frequently carried on ventral
hardpoints; alternatively, a central hardpoint could take single, large loads like the HIAC-1 LOROP
camera pod.
A pair of retrofitted underwing hardpoints could carry light loads like ECM jammer pods,
flare/chaff dispensers or photoflash ejectors
The kit and its assembly:
This is another project that I had on my agenda for a long while. It originally started with pictures of an RF-101H gate guard in Louisville at Standiford Field International from around 1987-1991:
imgproc.airliners.net/photos/airliners/6/2/9/1351926.jpg?...
www.aerialvisuals.ca/Airframe/Gallery/0/41/0000041339.jpg
This preserved machine wore a rather unusual (for a Voodoo) ‘Hill’ low-viz scheme with toned-down markings, quite similar to the late USAF F-4 Phantom IIs of the early Eighties. The big aircraft looked quite good in this simple livery, and I kept the idea of a Hill scheme Voodoo in the back of my mind for some years until I recently had the opportunity to buy a cheap Matchbox Voodoo w/o box and decals. With its optional (and unique) RF-101B parts I decided to take the Hill Voodoo idea to the hardware stage and create another submission to the “Reconnaissance and Surveillance” group build at whatifmodellers.com around July 2021: an ANG recce conversion of a former two-seat interceptor, using the RF-101B as benchmark but with a different suite of sensors.
However, the Matchbox Voodoo kit is rather mediocre, and in a rather ambitious mood I decided to “upgrade” the project with a Revell F-101B as the model’s basis. This kit is from 1991 and a MUCH better and finely detailed model than the rather simple Matchbox kit from the early Eighties. In fact, the Revell F-101B is actually a scaled-down version of Monogram’s 1:48 F-101B model kit from 1985, with many delicate details. But while this downscaling practice has produced some very nice 1:72 models like the F-105D or the F-4D, the scaling effect caused IMHO in this case a couple of problems. Revell's assembly instructions for the 1:72 kit are not good, either. While the step-by-step documentation is basically good, some sketches are so cluttered that you cannot tell where parts in the cockpit or on the landing gear are actually intended to be placed and how. This is made worse by the fact that there are no suitable markings on the parts – you are left to guessing.
Worse, there is a massive construction error: the way the wings section is to be assembled and mounted to the hull is impossible! The upper wing halves have locator pins for the fuselage, but they are supposed to be glued to the lower wing half (which also encompasses the aircraft's belly) and the mounted to the hull. The locator pins make this impossible, unless you bend the lower wing section to a point where it might warp or break, or you just cut the pins off - and live with some instability. Technically the upper wing halves have to be mounted to the fuselage before you glue the lower wing section to them, but I am not certain if this would work well because you also have to assemble the air intakes at the same time “from behind”, which is only feasible when the wings have already been completed but still left away from the fuselage. It’s a nonsense construction! I cannot remember when I came across a kit the last time with such an inherent design flaw?
Except for the transplanted RF-101B nose section, which did not fit well because the Matchbox Voodoo apparently has a more slender nose, the Revell kit was built mostly OOB. However, this is already a challenge in itself because of the kit’s inherent flaws (see above), its complex construction and an unorthodox assembly sequence, due to many separate internal modules including the cockpit tub, a separate (fully detailed) front landing gear well, a rotating weapon bay, air intakes with complete ducts, and the wing section. A fiddly affair.
Only a few further changes beyond the characteristic camera fairing under the radome were made. The rotating weapon bay was faired-over with the original weapon pallet, just fixing it into place and using putty to blend it into the belly. The small underwing pylons (an upgrade that actually happened to some late Voodoos) were taken from a vintage Revell F-16. The SLAR antenna fairings along the cockpit flanks were created with 0.5mm styrene sheet and some PSR. They are a little too obvious/protruding, but for a retrofitted solution I find the result acceptable. The drop tanks came from the Revell kit, the underwing ordnance consists of an ALQ-119 ECM pod from a Hasegawa aftermarket set and a SUU-42 dispenser, scratched from a Starfighter ventral drop tank, bomb fins and the back of a Soviet unguided missile launcher.
Painting and markings:
Very simple and basic. While I originally wanted to adopt the simple two-tone ‘Hill’ scheme from the gate guard for my fictional Voodoo, I eventually settled for the very similar but slightly more sophisticated ‘Egypt One’ scheme that was introduced with the first F-16s – it just works better on the F-101’s surfaces. This scheme uses three grey tones: FS 36118 (Gunship Gray, ModelMaster 1723) for the upper wing surfaces, the “saddle” on the fuselage and the canopy area with an anti-glare panel, FS 36270 (Medium Grey, Humbrol 126) on the fin and the fuselage area in front of the wing roots, and FS 36375 (Light Ghost Grey, Humbrol 127) for all lower surfaces, all blended into each other with straight but slightly blurred edges (created with a soft, flat brush). The radome and the conformal antennae on the flanks became Revell 47 for a consistent grey-in-grey look, but with a slightly different shade. The model received an overall black ink washing and some post panel shading, so that the large grey areas would not look too uniform.
As an updated USAF aircraft I changed the color of the landing gear wells’ interior from green zinc chromate primer to more modern, uniform white, even though the red inside of the covers was retained. The interior of the flaps (a nice OOB option of Revell’s kit) and the air brakes became bright red, too.
The cockpit retained its standard medium grey (Humbrol 140, Dark Gull Grey) interior and I used the instrument decals from the kit – even though these did not fit well onto the 3D dashboards and side consoles. WTF? Decal softener came to the rescue. The exhaust area was painted with Revell 91 (Iron) and Humbrol’s Steel Metallizer (27003), later treated with graphite for a dirty, metallic shine.
Markings/decals primarily come from a 1:72 Hi-Decal F-4D sheet that contains (among others) several Texas ANG Phantoms from the mid-Eighties. Some stencils were taken over from the original Voodoo sheet, the yellow formation lights had to be procured from a Hasegawa F-4E/J sheet (the Matchbox sheet was lost and the Revell sheet lacks them completely!). The characteristic deep yellow canopy sealant stripes came from a CF-101 sheet from Winter Valley Decals (today part of Canuck Models as CAD 72008). I was lucky to have them left over from another what-if build MANY moons ago, my fictional CF-151 kitbashing.
Everything went on smoothly, but the walkway markings above the air intakes became a problem. I initially used those from the Revell sheet, which are only the outlines so that the camouflage would still be visible. But the decal film, which is an open square, turned out to be so thin that it wrinkled on the curved surface whatever I tried, and what looked like a crisp black outline on the white decal paper turned out to be a translucent dark blue with blurry edges on the kit. I scrapped them while still wet… Enter plan B: Next came the walkway markings from the aforementioned Winter Valley sheet, which were MUCH better, sharper and opaque, but they included the grey walking areas. While the tone looked O.K. on the sheet it turned out to be much too light for the all-grey Voodoo, standing out and totally ruining the low-viz look. With a bleeding heart I eventually ripped them off of the model with the help of adhesive tape, what left light grey residues. Instead of messing even more with the model I finally decided to embrace this accident and manually added a new black frame to the walkway areas with generic 2mm decal stripe material from TL Modellbau The area now looks rather worn, as if the camouflage had peeled off and light grey primer shows through. An unintentional result, but it looks quite “natural”.
The “Rhino Express” nose art was created with Corel Draw and produced with a simple inkjet printer on clear decal sheet. It was inspired by the “toenail” decoration on the main landing gear covers, a subtle detail I saw IIRC on a late CF-101B and painted onto the model by hand. With its all-grey livery, the rhino theme appeared so appropriate, and the tag on the nose appeared like a natural addition. It’s all not obvious but adds a personal touch to the aircraft.
Finally, after some more exhaust stains had been added to various air outlets around the hull, the model was sealed with matt acrylic varnish, position lights were added with clear paint and the camera windows, which had been created with black decal material, received glossy covers. The IRST sensor was painted with translucent black over a gold base.
Well, while the all-grey USAF livery in itself is quite dull and boring, but I must say that it suits the huge and slender Voodoo well. It emphasizes the aircraft's sleek lines and the Texas ANG fin flash as a colorful counterpoint, as well as the many red interior sections that only show from certain angles, nicely break the adapted low-viz Egypt One livery up. The whole thing looks surprisingly convincing, and the subtle rhino markings add a certain tongue-in-cheek touch.
502 Server Error
Error
Server Error
The server encountered a temporary error and could not complete your request.
Please try again in 30 seconds.
googleblog.blogspot.com/2009/02/update-on-gmail.html
Update on Gmail
2/24/2009 07:29:00 AM
The Gmail outage that affected many consumers and Google Apps users worldwide is now over. Users should find that they’re able to access their email now without any further problems.
Before you can access your Gmail, you may be asked to fill in what’s called a ‘CAPTCHA’ which asks you to type in a word or some letters before you can proceed. This is perfectly normal when you repeatedly request access to your email account, so please do go through the extra step – it’s just to verify you are who you say you are.
The outage itself lasted approximately two and a half hours from 9.30am GMT. We know that for many of you this disrupted your working day. We’re really sorry about this, and we did do everything to restore access as soon as we could. Our priority was to get you back up and running. Our engineers are still investigating the root cause of the problem.
Obviously we’re never happy when outages occur, but we would like to stress that this is an unusual occurrence. We know how important Gmail is to you, and how much people rely on the service.
Thanks again for bearing with us.
Posted by Acacio Cruz, Gmail Site Reliability Manager
googleblog.blogspot.com/2009/02/current-gmail-outage.html
Current Gmail outage
2/24/2009 04:28:00 AM
If you’ve tried to access your Gmail account today, you are probably aware by now that we’re having some problems. Shortly after 10 9:30am GMT our monitoring systems alerted us that Gmail consumer and businesses accounts worldwide could not get access to their email.
We’re working very hard to solve the problem and we’re really sorry for the inconvenience. Those users in the US and UK who have enabled Gmail offline through Gmail Labs should be able to access their inbox, although they won’t be able to send or receive emails.
We’re posting updates to the Gmail Help Centre at mail.google.com/support/ and Google Apps users can visit the Google Apps help centre at www.google.com/support/a.
Thanks for bearing with us while we sort this out. We'll report back as we make progress.
Posted by Acacio Cruz, Gmail Site Reliability Manager
www.zdnet.be/news.cfm?id=98895
Nieuws » Internet » Webappsdinsdag 24 februari 2009
Wereldwijde problemen met Gmail
Paniek op het internet
Andy Stevens
24 februari 2009
Bron: Clickx.be
dit artikel
Gmail, de webmaildienst van Google, is tijdelijk niet beschikbaar. Wie de site probeert te openen, krijgt de volgende foutmelding voorgeschoteld:
Server Error. The server encountered a temporary error and could not complete your request.
Google Nederland bevestigt dat de problemen met Gmail wereldwijd zijn, maar voegt eraan toe dat de oorzaak nog niet bekend is. Het zou overigens alleen om de webdienst gaan: wie Gmail via POP3/IMAP gebruikt, zou geen problemen ondervinden. Het probleem ontstond iets voor de middag, ondertussen lijkt de maildienst opnieuw te werken.
Opvallend is de paniek die bij veel mensen toeslaat omdat ze Gmail niet meer kunnen openen. Op Twitter is de berichtenstroom over het falen van Gmail (intussen al smalend 'Gfail' genoemd) niet bij te houden.
Verwacht wordt dat Gmail in de komende uren weer volledig operationeel is.
www.news24.com/News24/Technology/News/0,,2-13-1443_247529...
Panic: Gmail turns into Gfail
24/02/2009 14:15 - (SA)
Birgit Ottermann
Cape Town - Users of Google's Gmail are in a flat spin and experiencing a collective nervous breakdown online because they are unable to access their Gmail accounts.
According to nervous twittering and numerous blog entries, the problem kicked in at around 12:20 (10:20 GMT) on Tuesday morning.
Looking at the tweets and moans posted from all over the world, the problem seems to be global.
"Server Error. The server encountered a temporary error and could not complete your request. Please try again in 30 seconds," reads the message to users, who try to access their mail.
A Google spokesperson told British gadget news and reviews website Pocket Lint that their engineers are working on it but have no clue why the errors are turning up.
The problem seems to be related to the website, as users report that they are still able to access email via their desktop inboxes and phones.
In the meantime, Google posted the following message on its Gmail support site:
"We're aware of a problem with Gmail affecting a small subset of users. The affected users are unable to access Gmail. We will provide an update by February 24, 2009 6:30 AM PST detailing when we expect to resolve the problem. Please note that this resolution time is an estimate and may change."
At the time of publishing this story, Gmail was still not working.
- News24
www.webuser.co.uk/news/news.php?id=277521
News > Surfers hit by Gmail breakdown
Surfers hit by Gmail breakdown
February 24, 2009
Web User
Some internet users are unable to access their Google Mail account this morning because of a server error.
After signing into a Gmail account, a 502 server error message appears which says: "Server Error. The server encountered a temporary error and could not complete your request. Please try again in 30 seconds."
>> 15 top tips for Google Mail
A 502 server error does not mean that there is anything with your computer, rather the server is experiencing high volumes of traffic and is congested.
Google said that the problem is affecting a 'small subset of users' and it will make further announcements detailing the problems with the Gmail servers on its Gmail Discussion page in Google Groups.
More than 113 million people use Google mail worldwide, according to comScore.
Are you experiencing problems with Google Mail? Let us know on the Web User forums.
webwereld.nl/nieuws/55727/google--gmail-storing-onder-con...
Gepubliceerd: Dinsdag 24 februari 2009
Auteur: Loek Essers
Volgens Google zijn de wereldwijde problemen met Gmail voorbij. De oorzaak is nog onbekend.
"Als je geprobeerd hebt om je Gmail account te bereiken ben je erachter gekomen dat we een paar problemen hebben. Kort na 10:30 uur vanochtend wezen onze systemen ons erop dat consumenten en zakelijke klanten wereldwijd niet bij hun Gmail accounts kwamen", aldus Acacio Cruz, Gmail Site Reliability Manager, op het Google Blog.
Die problemen hielden in Nederland tot rond half twee aan. De site was volgens Google zelf 2,5 uur niet bereikbaar, en zou dus vanaf 1 uur weer volledig functioneren.
Toegang met Captcha
Nu moet de e-mailservice overal ter wereld weer normaal werken. Voordat gebruikers opnieuw kunnen inloggen bij Gmail wordt er gevraagd om een Captcha in te vullen. Volgens Cruz is dit geen beveiligingsmaatregel. "Dit is volstrekt normaal als je vaak achter elkaar probeert in te loggen." De maatregel is ingebouwd om te controleren of het daadwerkelijk om de gebruiker gaat die probeert in te loggen en niet om bijvoorbeeld een computeraanval.
"We weten dat deze storing bij veel van jullie een werkdag heeft verstoord. Hiervoor onze excuses. We hebben er alles aan gedaan om iedereen zo snel mogelijk weer in te laten loggen. Onze prioriteit was jullie weer aan de slag te krijgen", gaat Cruz door het stof.
Oorzaak onbekend
Over de exacte problemen wil hij echter niets kwijt. "Onze technici onderzoeken nog steeds wat de oorzaak van dit probleem is." Volgens de Reliability Manager bestempelt de storing als 'ongebruikelijk'.
"According" "Birgit" "British" "Cape" "Clickx.be" "Discussion" "Error" "February" "Gfail" "Gmail" "Google" "Google's" "Groups" "Internet" "Looking" "Mail" "More" "News" "News24" "Nieuws" "Opvallend" "Ottermann" "POP3/IMAP" "PST" "Paniek" "Please" "Pocket" "Server" "Some" "Stevens" "Surfers" "Tuesday" "Twitter" "Verwacht" "Web" "Wereldwijde" "able" "access" "according" "account" "accounts" "affected" "affecting" "announcements" "anything" "appears" "around" "artikel" "aware" "because" "bekend" "berichtenstroom" "beschikbaar" "bevestigt" "blog" "breakdown" "collective" "comScore" "complete" "computer" "congested" "desktop" "detailing" "email" "encountered" "engineers" "entries" "error" "errors" "estimate" "expect" "experiencing" "falen" "februari" "flat" "following" "forums" "foutmelding" "gadget" "gebruikt" "global" "high" "hit" "inboxes" "internet" "mail" "maildienst" "mean" "meantime" "million" "nervous" "numerous" "oorzaak" "operationeel" "paniek" "people" "phones" "posted" "probleem" "problem" "problemen" "problems" "provide" "publishing" "related" "resolution" "resolve" "reviews" "server" "servers" "site" "spin" "spokesperson" "subset" "support" "temporary" "tijdelijk" "tips" "top" "traffic" "tweets" "twittering" "volledig" "volumes" "voorgeschoteld" "webdienst" "webmaildienst" "website" "wereldwijd" "working" "world" "worldwide"
matadornetwork.com/notebook/how-to/how-to-back-up-google-...
www.genbeta.com/buscadores/marissa-mayer-habla-sobre-los-...
Is it just me, or do others think that errors like this shouldn't be shown to the public? Both buttons asked for a 4digit pin (which I didn't have, but which I'm sure could have been shoulder surfed). I wonder what operator functions were available...
How can this ever happen? Is a whole corporation so stupid that nobody at any point spotted it?
Mobile phone shot.
Well my luck with electronic gear continues. I swear every device I purchase has something go wrong with it :o). My 7D comes up with an "error 40" and refuses to turn on or do anything. Also don't do what I did and purchase these devices cheaply as the ensuing fight with the supplier is not fun.
I think it'll take a while before I'm up to full steam.
Happy sunday all and enjoy mother's day all the mums :o)
u-ziq...wheel of time | a memory of light
This is what happens when the first stage bootloader, in ROM, can't find the second stage (in NAND flash). In this case, it's because I desoldered the NAND flash chip :)
Fare errori è naturale, andarsene senza averli compresi vanifica il senso di una vita. Le cose che ci accadono non sono mai fini a se stesse, gratuite, ogni incontro, ogni piccolo evento racchiude in sé un significato, la comprensione di se stessi nasce dalla disponibilità di accoglierli, lasciare la pelle vecchia come le lucertole al cambio di stagione. ( Susanna Tamaro )
The RAW version of this image displayed correctly, but it turned out like this when converted to JPG.
Just thought it made a boring photo a little bit interesting.
An error was found (passive). Candy Crush error - It's the beginning of the end. Eventually, like Restaurant City, the owners of Candy Crush will run out of money and close the game down. You have been told!
The back office computer at work seems to be having a bit of a meltdown today, who am I to argue with that instruction! Early finish for me then!
Tiesto during the TIESTO-Kaleidoscope World Tour performance held at InterContinental Hotels Doha Beach Area in Doha, Qatar, 01 October 2010.
DJ TIESTO live performance at the stage of InterContinental Hotels Doha, Beach Area on October 01, 2010 Doha, Qatar.
Music fans of local and foreign nationalities welcomes back in an up-close-and-personal experience the ever smiling world famous DJ as he performs his best selling music in unison with his own extravagant and jaw-dropping giant LED screen, animated light works and powerful sound system.
TIESTO "Kaleidoscope World Tour" was a success full house brought-in Doha, organized and managed by Jared Mcculloch of Global DJs.
Hotel InterContinental Doha Beach Area is the premier concert venue in Doha.
(Photo and Text by ROMMEL T. BANGIT
Resolution in Mega pixels:
Camera: Nikon D300
12.3 Mega pixels
ALL Original Image Dimension: (14.293 x 9.493 inch)
(4288 x 2848 px) unless cropped
Resolution: 300 pixels/inch
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TIESTO also known as DJ Tiësto, Allure, Da Joker, Drumfire, Handover Circuit, Paradise In Dubs, Passenger, Roze, Steve Forte Rio, Stray Dog, Tom Ace, Wild Bunch
Tiësto OON (Dutch pronunciation: [ˈcɛstoː]; born Tijs Michiel Verwest [ˈtɛi̯s miˈxil vərˈʋɛst] on January 17, 1969) is a Dutch musician, DJ and record producer of electronic dance music. Although he has used many aliases in the past, he is best known for his work as DJ Tiësto. On his latest productions, however, he has dropped the "DJ" label and is now known simply as "Tiësto", an alias which is a twist of his childhood nickname.
In 1997, he founded the label Black Hole Recordings with Arny Bink, where he released the Magik and In Search of Sunrise CD series. In 1999 and 2000 he collaborated with Ferry Corsten to create Gouryella. His 2000 remix of Delerium's "Silence" featuring Sarah McLachlan exposed him to more mainstream audiences. In 2001 he released his first solo album In My Memory which gave him several major hits that launched his career. He was named "World’s No.1 DJ" 3 consecutive times by DJ Magazine from 2002 through 2004.
Just after releasing his second studio album Just Be in 2004 at the Summer Olympics, he performed live at the opening ceremony in Athens, Greece, becoming the first DJ to play live on stage at an Olympics. Tracks he made especially for the Olympics were mixed together and released as the mix compilation Parade of the Athletes later that year. In April 2007 Tiësto launched both his radio show Tiësto's Club Life on Radio 538 in the Netherlands and released his third studio album titled Elements of Life. The album reached number one on the Dutch album chart as well on "Billboard Top Electronic Albums" in the U.S. and received a nomination for a Grammy Award in 2008. Tiësto released his fourth studio album called Kaleidoscope in October 2009.
Early Life and Career
Tijs Michiel Verwest was born in Breda, North Brabant, Netherlands on January 17, 1969. He had an interest in music since the age of twelve. When he was fourteen he decided to dedicate more time to it and began DJing professionally at school parties. He then moved on to become a resident DJ between 1985 and 1994 at several clubs in the Netherlands after his manager and friend Wilfred encouraged him. However, it was at The Spock, a small club in Breda, where he was able to fine-tune his own style by playing in a separate room from 10 p.m. until 4 a.m. on weekends. In the beginning of his career, as a DJ he played mostly New Beat and acid house.
In 1994, he began releasing material on Noculan Records' sub-labels Chemo and Coolman. During these years, he produced hardcore/gabber tracks under aliases such as Da Joker and DJ Limited. He was later discovered by the general manager of Rotterdam-based Basic Beat Recordings. In late 1994, he signed to Basic Beat where he met Arny Bink, Tiësto released records on the sub-label Trashcan, founded by Arny, and later created the Guardian Angel sub-label with Arny in which they introduced the popular Forbidden Paradise series. Meanwhile from 1995 to 1996 he released four extended plays on Bonzai Jumps and XTC, sub-labels of Lightning Records. In 1997, Tiësto joined his friend Yves Vandichel on his sub-label, DJ Yves, a division of the now defunct Human Resource label XSV Music. In the fall of 1997, both Arny and Tiësto decided to leave Basic Beat and create their own parent label, now known as Black Hole Recordings, Trashcan was discontinued and Guardian Angel continued releasing music until 2002. Through Black Hole, Tiësto released the Magik series and also created two major sub-labels in 1998; In Trance We Trust and SongBird.
From 1998 to 1999, Tiësto released music on Planetary Consciousness were he met A&R Hardy Heller and invited him to release some records on Black Hole. Tiësto later included the In Search of Sunrise series on SongBird. In 1999, Tiësto joined forces with fellow Dutch deejay Ferry Corsten to create the trance based duo of Gouryella. He also collaborated with Benno de Goeij from 1998 to 2000 under the name Kamaya Painters. Since November 1999 he performed monthly as a resident at Gatecrasher in Sheffield, one of the most popular clubs in England. In 1999 he also played in a 12-hour set, being his longest lasting concert in Amsterdam.
Late in 2000, Tiësto decided to concentrate on his personal work and left Corsten by himself to write and produce Gouryella's next single with John Ewbank, the record company was demanding more tracks and neither Tiësto or Ferry could work together at the time. Tiësto introduced Armin van Buuren, Johan Gielen and Ferry Corsten to the mainstream with his first compilations and the In Trance We Trust series. Summerbreeze became Tiësto's debut DJ mix album in the US with the help of a contract signed to Nettwerk. Summerbreeze featured his remix of Delerium's "Silence", it spent four weeks in the UK's Top Ten chart, it reached number three in the Billboard dance chart. In Search of Sunrise 2 was released in 2000. Tiësto decided to create a sub-label, known as Magik Muzik. The label began releasing Tiësto’s own releases, but it has also released tracks for the Filterheadz, Oliver Lieb, Mark Norman, Mojado, Phynn and Jes Brieden. The label became a trademark which stands for high quality electronic dance music which was due to the release of Tiësto's classic dance anthem "Flight 643" in 2001.
In My Memory era (2001–2004)
Tiësto's fame started to rise in the early 2000s after his set at the first ID&T Innercity party (Live at Innercity: Amsterdam RAI), and the release of In My Memory, his first solo album released in 2001 which contained 10 singles and 5 major hits; The singles from the album were: "Lethal Industry" which was actually produced in 1999 and had only 3 copies released at that time, the track was officially released in 2001 which was remixed by Richard Durand in 2006 along with "Flight 643" which was another leading single that was later adapted with vocals by Suzanne Palmer and released as "643 (Love's on Fire)". Other tracks were "Obsession" in which Tiësto worked alongside Junkie XL, the instrumental tracks "Dallas 4PM" and "Suburban Train" with "Urban Train" as its B-Side which contained some vocals. The last singles to be released were "In My Memory" which is the title track for the album as it only received high ratings in the United States and the opening track "Magik Journey" which opened Tiësto in Concert (2003). On February 2, 2002 Tiësto played nine consecutive hours during the second edition of the Dutch Dimension festival. On February 27 he was awarded a Zilveren ('Silver') Harp music award. The same year he also received a Lucky Strike Dance Award in the category Best DJ Trance/Progressive. In August he became part of Moby's Area2 Tour. For eighteen days he travelled through the United States with artists such as Moby himself, but also David Bowie and Busta Rhymes. In January 2003 Tiësto received the annual Dutch Popprijs ('Pop Award') during the Noorderslag festival. After touring with Moby, Tiësto remixed two songs from him, "We Are All Made of Stars" and "Extreme Ways" in the same year, having "We Are All Made of Stars" reach #13 in the Hot Dance Club Play. In 2002 he released his first In Search of Sunrise mix to feature a place on its name, In Search of Sunrise 3: Panama. On March 28, 2003; Tiësto, Dieselboy, Bad Boy Bill, and Noel Sanger joined the PlayStation2 Dual Play tour. Tiësto and Noel's appearance began on April 13 and ended on June 6.
His fame continued to skyrocket in the early 2000s, following his six-hour "Tiësto Solo" sets which he performed without other DJs or opening acts. This idea, of one DJ playing alone to a large crowd, was brought to its pinnacle when Tiësto was the first DJ to hold a solo concert in a stadium; on May 10, 2003, he performed for over 25,000 people in Arnhem's GelreDome. This concert was later called Tiësto in Concert, the event was an enormous success. He repeated the same type of concert the following year during two consecutive nights in late October. In addition to holding these two concerts for 35,000 of his fans, he held another concert for a crowd of 20,000 in Hasselt, Belgium the following week. DVDs of both his May 10, 2003 and October 30, 2004 concerts have been released, having the other DVD titled Tiësto in Concert 2. The DVD's show the journey from the first idea to the main event, it features live performances by Andain, Dinand Woesthoff, and Jan Johnston. The event includes live music and dancers performing at different times throughout the set. The theme of the event is a mystical, musical journey around the world based on the theme of Magik. It consists of 200+ minutes of performances with a second disc with special features, It includes a behind-the-scenes looking at The Making Of the event, the music video for his song "Traffic" and TV Commercials for the event. The second DVD has performances from Aqualung and violin player DJ Mason, Micha Klein and the Bulgarian Children of Orpheus choir. During this period, he was crowned as "No. 1. DJ in the World" by DJ Magazine (UK) in 2002, 2003, and 2004.
Just Be era (2004–2007)
In 2004, he released his second artist album Just Be, which featured his first single "Traffic" which is the first non-vocal track to reach number one spot in the Dutch national charts for 23 years. The track "Sweet Misery" was originally written for Evanescence but it did not meet the deadline for the release of their album. In support to his Just Be album, he played at Breda, Eindhoven, Utrecht, and Amsterdam; these stops were later named Just Be: Train Tour. On May 20, 2004 he was appointed Officer of the Order of Orange-Nassau by Her Majesty Queen Beatrix of the Netherlands.
The Athens Organizing Committee for the Olympic Games (ATHOC) asked Tiësto to perform at the Olympic Games, making him the first DJ to play live on stage at an Olympic Games at the 2004 Summer Olympics opening ceremony in Athens, where he played for 90 minutes. Tiësto flew to Athens in January 2004 to have a meeting with the ATHOC. His Tiësto in Concert DVD caught their attention, after which he was asked to write more tracks based on his opening tune "Adagio for Strings" which could fit in with the Olympic spirit and combine the classical with the modern age; They also requested that he play his own produced music. The first rehearsal was on Saturday August, 7, for an empty stadium; the second rehearsal was on Sunday August 8 with 35,000 volunteers, a lot of the people recognised some tracks like "Traffic" and "Adagio for Strings". The last rehearsal included almost 60,000 people in the stadium which was on Tuesday August 10, there were some technical problems, the mixer broke down, the monitors dropped out a couple of times and the music in the stadium was not continuously on the right volume.
During the parade on Friday, August 13, 2004, all participating nations introduced their athletes—10,500 in total There were 80,000 spectators, only 75,000 knowing about dance music. During the course of his performance the Dutch athletes started dancing in front of the DJ booth and had to be moved on by officials. The performance included new tracks produced especially for the Opening Ceremony and songs that were created to complement the spirit and theme of the ceremony. A condensed studio-recorded album of the songs played on the Olympic set was later released, including new songs specially composed for the occasion, entitled Parade of the Athletes in October 2004. In the liner notes, he noted the IOC requested that the music not contain any lyrics as they could be inadvertently misinterpreted.
In late 2004, he began his touring across Latin America, with his release of In Search of Sunrise 3: Panama in which he gained influence from the sun and sand in summer 2002. The tour continued in 2005, and Tiësto performed live at Brazil, Argentina, Panama, Peru, Costa Rica, Uruguay, Paraguay, Ecuador and Colombia. Following the tours, In Search of Sunrise 4: Latin America was released in 2005, featuring a second CD for the first time in the In Search of Sunrise series.
In 2005, his Perfect Remixes Vol. 3 compilation was released through Warlock Records, containing ten tracks which were created during the beginning of his career, between those is Junkie XL, Mauro Picotto and The Roc Project. On August 20, 2005, Verwest took Tiësto in Concert to the US when he played to 16,000 at the Los Angeles Memorial Sports Arena with Cirque du Soleil dancers. For the second year in a row he performed live at a New Year's Eve/New Year's concert in Las Vegas, Nevada at the Orleans Arena to a sell-out crowd. Despite his four-city US tour being postponed due to the hurricane damage in New Orleans and Miami, playing such cities further expanded and cemented his popularity among mainstream audiences. This was surpassed later in summer 2007 when some 250,000 danced on Ipanema Beach, Brazil, becoming the second largest concert in history. BPM magazine has an annual poll in the US which is unveiled in the WMC, in 2005 Tiësto took the No. 1 spot. The influences of Los Angeles remained with him and would later influence his In Search of Sunrise compilation.
A wax sculpture of Tiësto was placed behind a turntable at Madame Tussauds in Amsterdam where visitors can mix Tiësto's music together. In the fall of 2005 he went on a very successful tour across Central and Eastern Europe where he played once in each country to crowds of 10,000 to 15,000 fans. Stops were made in Ukraine, Slovakia, Serbia, Macedonia, Romania, Hungary, the Czech Republic, Turkey, Croatia, Poland and South Africa. The United States tour that was part of Tiësto in Concert was dwarfed by his appearance at Sensation White in 2006 where he performed to over 45,000 people in the world's biggest dance event in Amsterdam, Holland.
In Search of Sunrise 5: Los Angeles was released in 2006 which was certified Gold in Canada for sales over 50,000 copies. It also charted, peaking #34 in Canada and #59 in Austria. The compilation was launched in the Winter Music Conference at Mansion in South Beach Miami to support his release, Tiësto went on his In Search of Sunrise 5 Asia Tour for more than 3 weeks.
In September 2006, Tiësto was admitted to hospital after experiencing pain in his chest. He was diagnosed with pericarditis and subsequently had to cancel a number of shows. With the diagnosis, he was invited to support Dance4Life to help teens who are not aware of the risks of HIV/AIDS. He was chosen as the official ambassador for the Dance4Life foundation in May 2006, and released the song "Dance4Life" with Maxi Jazz to help spread the awareness of HIV/AIDS.
On April 6, 2007 Tiësto began presenting a new weekly two-hour radio show called Tiësto's Club Life on Dutch radio station Radio 538. It is syndicated worldwide and later released as a Podcast.
Elements of Life era (2007-2009)
On April 16, 2007, Tiësto released his third studio album Elements of Life, the album moved 73,000 units in its April release, according to Nielsen SoundScan. During the production of the album Tiësto in several cases sent a demo with the music to certain artists, and they replied back with the lyrics and vocals and other duration times. In the case of Christian Burns from BBMak, Tiësto met him through MySpace and got in contact with him and the production of the single "In the Dark". The album consists of rock, trance and experimental music, which shows the style Tiësto has grown throughout the years since his previous albums which contained lyrics, In My Memory and Just Be. Producer Brian Transeau collaborated with Tiësto in three tracks, he composed "Bright Morningstar" and "Sweet Things", he also performed the vocals in the single "Break My Fall". Together, they produced more tracks which were not released in the album, Tiësto has mentioned they would work again during the coming summer. In December 2007 it was announced that the album was nominated for a Grammy Award, in the category "Best Electronic/Dance Album." The album also received gold certifications in Belgium, Hungary, Netherlands, and Romania.[28] A special release party was held at the Heineken Music Hall in Amsterdam on November 3, 2007 for In Search of Sunrise 6: Ibiza.
His last three full-length releases broke the 70,000 mark, and the 2003 2CD compilation Nyana recently hit 87,000, according to Nielsen SoundScan. In support of the album, he embarked on his Elements of Life World Tour which had shows across the world. Tiësto's performance at Parken Stadium in Copenhagen, Denmark on November 10, 2007 was also sold out.[30] The Copenhagen: Elements of Life World Tour DVD was released in a party which was held on February 29, 2008 in London at the IndigO2 club.
Tiësto announced his residence at Privilege, officially recognised by the Guinness World Records as being the largest club in the world. He played in Ibiza every Monday, from July 7 until September 22. The gigs consisted of sets in the style of his In Search of Sunrise series. In 2007, he had released In Search of Sunrise 6: Ibiza which was inspired by the island. The residencies also featured the performance of guest deejays, all selected by Tiësto, such as Chris Lake, Andy Duguid, Mat Zo, Cosmic Gate, Alex Kunnari and Sander van Doorn as well as exclusive appearances by Fonzerelli and Airbase.
On April 28, Tiësto released Elements of Life: Remixed, a recompilation of the Elements of Life album with all songs being replaced by remixed versions. In mid-2008, Tiësto announced his In Search of Sunrise: Summer Tour 2008, which will be presented by Armani Exchange on May in support of his upcoming In Search of Sunrise 7: Asia compilation[34] and the previously released In Search of Sunrise 6: Ibiza. On August 8, 2008 Tiësto became the first DJ to perform at the famous O2 Arena in London as part of his In Search of Sunrise 7 summer tour, the event was sold out with a capacity of 20,000 people. Earlier that day, Tiësto had performed in-store at Armani Exchange on Regent Street in central London.
A sole production was prepared for Tiësto from June 8 to September 21 for his return at club Privilege for the second year in a row on Monday nights, after a successful year as a resident in 2008. During his time at Privilege he previewed tracks from his upcoming artist album. InTheBooth, the official members-only fansite of Tiësto launched July 17, 2009. On July 31, he was the first DJ to perform for 25,000 people at an exclusive outdoor concert in Victoria Park, London.
Kaleidoscope era (2009–present)
On October 6, 2009, Tiësto released his fourth studio album Kaleidoscope, which featured artists such as Priscilla Ahn, Calvin Harris, Tegan & Sara and Nelly Furtado. Unlike his earlier albums, which were all mostly trance, Kaleidoscope explores other electronic genres, and is considered Tiesto's most experimental album. The first single "I Will Be Here" featuring Sneaky Sound System being released in July 2009.[37][38][39] In its first week, the album reached the Top 10 chart on iTunes.
To release the album he has set up a new record label called Musical Freedom after parting ways with Black Hole Recordings. Tiësto felt that his music was evolving in a new direction and his focus as an artist was moving away from what Black Hole was set up to support. His new tour, sharing the name of his new album, called Kaleidoscope World Tour commenced in late September.
Tiësto contributed songs to both DJ Hero and DJ Hero 2 video games and is a playable character in the second game. He contributed two exclusive mixes to the second game, and used content from DJ Hero 2 to create the official video for his single 'Speed Rail' - the world's first music video to be created entirely using in-game footage.
Tiësto has produced a trance-flavoured song on Memphis rap duo Three 6 Mafia's upcoming album Laws of Power called "Feel It," which features Flo Rida and Sean Kingston.
On March 16, 2010, Tiësto released his greatest hits album called Magikal Journey: The Hits Collection 1998-2008, a two disc album focusing on his most famous songs and remixes of his songs.
On April 7, 2010, Tiësto announced that he would start a new compilation series called A New Dawn with his own label Musical Freedom. In his interview Tiësto furthermore confirmed that he will no longer have any more involvement with Black Hole Recordings.
On August 31, 2010 Kaleidoscope: Remixed was released, a remix album of his album Kaleidoscope.
On December 11, 2010, Tiësto was one of the headlining acts at ZoukOut 2010,[48] which was held in Singapore at Siloso Beach, Sentosa Island.
Philanthropy
On January 6, 2005, Tiësto performed in an outdoor fundraiser in De Dam, Amsterdam. The event was free, and many famous Dutch artists like Dinand Woesthoff, BLØF, Acda & De Munnik, Di-rect, Berget Lewis, Xander de Buisonjé and Trijntje Oosterhuis were involved in it to provide financial aid to the people who suffered from the 2004 Indian Ocean earthquake and tsunami in Southern and Southeastern Asia. All profits made of all TV commercials and live broadcast were given to the organisations collecting the relief funds.
In April 2006, Tiësto was named the official worldwide ambassador for the Dance4Life foundation promoting awareness of HIV/AIDS, as the foundation's ambassador he has helped the organisation with fundraising along with recording the track "Dance4life" that he recorded with Maxi Jazz from Faithless. The foundation consists on a better way of living with safe sex in exchange of entertainment to the young crowd.[50] The song was a huge success, peaking for five weeks in #3 and eleven consecutive weeks in the Top 10 of the Dutch Singles Chart, it also reached #5 in Belgium, #6 in Finland and also charting in the UK and Germany. With the successful release of Elements of Life, Tiësto and fashion designer Giorgio Armani collaborated together on a limited edition Tiësto T-shirt available at Armani Exchange stores. His single "Sweet Things" comes with the shirt including an exclusive "A|X Remix" by Tom Cloud which shows the great influence Tiësto has in fashion culture.[51] The charity raised over US$300,000.[34] On November 29, 2008 artists like Tiësto himself, Sied van Riel, Leon Bolier, Joop, and MC Gunner presented a concert at The Sand, Amsterdam promoted by Dance4Life, the sales from the event will go to the foundation to support next year's Schools4Life project.
Personal life
Until early 2006, Tiësto was in a relationship with Dutch model Monique Spronk. On January 10, 2008, Dutch newspaper De Telegraaf announced that Tiësto and his girlfriend Stacey Blokzijl were going to get married on October 10, 2008 in Cartagena, Colombia. He proposed to her in December 2007 while they were visiting Mauritius. Tiësto cancelled his wedding for October 10, because he claimed to have a busy schedule and too little time for the preparations. During Christmas 2008, Blokzijl broke off the engagement due to the constant delays to their wedding.
Source: Wikipedia
TIESTO, hotel intercontinental hotels and resorts, kaleidoscope,Hotel "InterContinental Hotels and Resorts Doha" Kaleidoscope TIESTO rommelbangit rommelbangit@yahoo.com "electronic dance music" "global DJ" "Nikon D300" trance clubbing dancing lights music musician nightlife party progreesive remix strobe "Top 100 DJ's" "doha qatar" "club culture" "trance sounds" pioneer "US Dance Chart" "Radio 538" "Trance DJ Netherlands" "Digital Spy" "DJ Mag" "DJ Magazine" "Music News" MixMag "Trance Artist" "Progressive Trance" electronic electronix
Windows error on gas station pump screen -- it says "the file or directory C://XPE_ROOT/system32 is corrupt and unreadable. Please run the Chkdsk utlity."
A graphic depiction of the definition of medical error: Medical error includes but is not limited to the misdiagnosis and/or mismanagement of an ailment that a patient is afflicted with. Medical error can result in extreme, lifelong preventable injuries in affected patients.
Windows error on the display screen at the Rome airport
11/20/2004 When in Rome! Heather and Rich fly to Rome and have fun on their first day.
It is 11:30 pm local time, and oh but we've been footsore and on the way. It all started a couple of day ago, Thursday for us, when we left home about 6:40 pm with Maddy and Spencer. I officially finished the book by writing two chapter intros. I later got on line and learned that Schuyler planned to do intros for ch1 and ch6, and write the 'how gps works' section for ch5. This meant that I am, officially, at least until QC (quality control) comes back, done with the book.
Wow.
And we drove to Dad's and the kids were rambunctious until we opened up our new CD's for Harry Potter and the Prisonar of Azkaban...we listened to the first CD and that quieted them right down!
And we had a dinner at Dad and Judy's and then up to my Mom's, where we chatted a bit...then bed. And the 5:15 am alarm. It didn't feel all that bad, surprisingly.
The flight to NY went well. I watched the incredibly stupid, but still amusing, movie Anchor Man, heather geeked on our itinery. Then I did a bit, then geeked with my GPS.
Note to self...GPS is cool, and this whole idea of narrative of place is cool, but really, taking GPS tracks in Rome doesn't work that well. I think it is best supplemented with voice recordings of places and later geocoding to a map.
hmmm. I try and create meaning by automatically/quasi automatically parsing track logs of less meaningful trips or segments of trips-down I5 to go lobster diving, for example, but perhaps it is the meaning in the trip that is more important. The GPS is a tool for helping to look at that, but I think I can post process intermittent track points, coupled with memory and photos and voice recordings, to get a better sense of trip.
Anyway...the leg to NY went very quickly. Then we were stuck on the tarmac for a bit while our gate was cleared for us. Eeeks...I had to pee!
Then we actually were in a bit of a rush to make our connection...we got there before the 'we are closing the door on your ass' stage, but not much!
I felt a bit ick for a bit, but once I took an ibuprofen, got rid of my heart burn and had some dinner i was okay. We took sleeping pills when we took off. I took another one after dinner, and then forced myself to try to sleep.
It didn't feel as though it were working-almost as though the sleeping pill made weary but not asleep...odd feeling. But I guess I slepped. Heather woke me when they served breakfast. I did not wake easily, and I went back to sleep a couple of times. I was seeing double for part of the time.
Poor Heather says she only slept about 2 hours.
But we arrived, and waltzed through customs and onto the train. Amazing! About 10 euros apiece and we had a nice train ride with two Italian women and an italian man...we didn't really talk, but, oh well.
Into the train station, and a bit of trouble getting oriented to find our hotel. Now it is easy, but the first time was not so easy.
And then somehow it got later and we figured out the metro to go to the vatican. I was pissy about wanting to eat, and we had trouble with that-the place Heather wanted for us wasn't open until 12:30. We had okay ham and cheese sandwiches and excellent olives from a deli, ate in the plazza (?) by the gellatti milleneum.
Then we went up to the vatican. We had missed the vatican museum, sadly, but we perservered and toured Saint Peters. Heather and I were seperated at this point. I hooked up with a free tour guide and learned lots of great stuff.
Heather called when I was about to learn how to become a Swiss Guard. I accidentally hung up on her, and then couldn't figure out how to call her back, but I guessed she'd be in the front, and she was. She was pooped! But gamely lead me through the tombs of the popes. That is neat...it is so non-cave like...and yet, there is plenty of room for more of them :-)
Well we hiked back to the metro, metroe'd back to the train station and walked back to the hotel and took a 2ish hour nap...it was about 3:00 when we started this 'nap' thing.
Well we woke and did like the Romans, and then got ourselves out of the hotel. We took the 40 bus out and walked down to campo di fiori and did Rick Steve's 'Nighttime rome' walk...
We had dinner in the Piazza Navona at the 'Tre Scalini' cafe/Mokarabina coffee bar. We had drinks an appetizer and a primi-ie, we shared 1 appetizer and 1 primi, and a desert, shared, and it cost a bit. Later we saw what looked like better food for much less money. live and learn. I loved the pantheon (only the outside, as it was closed) and saw where kids had set up to camp at the pantheon, etc.
We got minorly scammed at the Trevi fountain over some flowers that were 'given' to us...and when I didnt' pay enough for them the guy took 2 of three back! ack. I was not too annoyed-I mean, I should know better, right?
And I took pictures and we made our way back to the hotel.
tags: italy heather rich rome
On a transatlantic fight, you might think to bring reading material. Just be sure have your trusty iPhone ready when the PANO-vision impulse strikes.
If she only knew there was some dork ass standing behind her she would have had an even more evil look on her face.
Working on a Windows-only app for work, inside Parallels of course, I got this stupid error message. Not only is it less than useful (What am I supposed to do now that I know this error occurred?), it is missing a period at the end of the sentence blaming my computer for the problem.
These were printed on a Replicator 2, and the error was caused by build plate leveling problems and a setup error. The person who set up the printer put the plastic feed tube on the wrong side of the printer, which caused the extruder to have problems when it travelled to the far side of the platform.
Answer to the Ultimate Question of Life, the Universe, and Everything (42). In the first novel and radio series, a group of hyper-intelligent pan-dimensional beings demand to learn the Answer to the Ultimate Question of Life, The Universe, and Everything from the supercomputer, Deep Thought, specially built for this purpose. It takes Deep Thought 7½ million years to compute and check the answer, which turns out to be 42. The Ultimate Question itself is unknown. When asked to produce The Ultimate Question, Deep Thought says that it cannot; however, it can help to design an even more powerful computer, the Earth, that can. The programmers then embark on a further ten-million-year program to discover The Ultimate Question. This new computer will incorporate living beings in the "computational matrix", with the pan-dimensional creators assuming the form of mice. The process is hindered after eight million years by the unexpected arrival on Earth of the Golgafrinchans and then is ruined completely, five minutes before completion, when the Earth is destroyed by the Vogons to make way for a new Hyperspace Bypass. This is later revealed to have been a ruse: the Vogons had been hired to destroy the Earth by a consortium of psychiatrists, led by Gag Halfrunt, who feared for the loss of their careers when the meaning of life became known. Lacking a real question, the mice decide not to go through the whole thing again and settle for the out-of-thin-air suggestion "How many roads must a man walk down?" from Bob Dylan's song "Blowin' in the Wind". At the end of the radio series (and television series, as well as the novel The Restaurant at the End of the Universe) Arthur Dent, having escaped the Earth's destruction, potentially has some of the computational matrix in his brain. He attempts to discover The Ultimate Question by extracting it from his brainwave patterns, as abusively suggested by Ford Prefect, when a Scrabble-playing caveman spells out forty two. Arthur pulls random letters from a bag, but only gets the sentence "What do you get if you multiply six by nine?" "Six by nine. Forty two." "That's it. That's all there is." "I always thought something was fundamentally wrong with the universe" Six times nine is, of course, fifty-four. The program on the "Earth computer" should have run correctly, but the unexpected arrival of the Golgafrinchans on prehistoric Earth caused input errors into the system—computing (because of the garbage in, garbage out rule) the wrong question—the question in Arthur's subconscious being invalid all along. Quoting Fit the Seventh of the radio series, on Christmas Eve, 1978: Narrator: There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable. There is another theory which states that this has already happened. Some readers subsequently noticed that 613 × 913 = 4213 (using base 13). Douglas Adams later joked about this observation, saying, "I may be a sorry case, but I don't write jokes in base 13." In Life, the Universe and Everything, Prak, a man who knows all that is true, confirms that 42 is indeed The Answer, and confirms that it is impossible for both The Answer and The Question to be known about in the same universe (compare the uncertainty principle) as they will cancel each other out and take the Universe with them to be replaced by something even more bizarre (as described in the first theory) and that it may have already happened (as described in the second). Though the question is never found, 42 is shown as the table number at which Arthur and his friends sit when they arrive at Milliways at the end of the radio series. Likewise, Mostly Harmless ends when Arthur stops at a street address identified by his cry of, "There, number 42!" and enters the club Beta, owned by Stavro Mueller (Stavromula Beta). Shortly after, the earth is destroyed in all existing incarnations. The number 42 Douglas Adams was asked many times why he chose the number 42. Many theories were proposed, including the fact that 42 is 101010 in binary code, the fact that light refracts off water by 42 degrees to create a rainbow, the fact that light requires 10−42 seconds to cross the diameter of a proton. Adams rejected them all. On November 3, 1993, he gave an answer on alt.fan.douglas-adams: The answer to this is very simple. It was a joke. It had to be a number, an ordinary, smallish number, and I chose that one. Binary representations, base thirteen, Tibetan monks are all complete nonsense. I sat at my desk, stared into the garden and thought '42 will do'. I typed it out. End of story. Adams described his choice as 'a completely ordinary number, a number not just divisible by two but also six and seven. In fact it's the sort of number that you could without any fear introduce to your parents'. While 42 was a number with no hidden meaning, Adams explained in more detail in an interview with Iain Johnstone of BBC Radio 4 (recorded in 1998 though never broadcast) to celebrate the first radio broadcast's 20th anniversary. Having decided it should be a number, he tried to think what an "ordinary number" should be. He ruled out non-integers, then he remembered having worked as a "prop-borrower" for John Cleese on his Video Arts training videos. Cleese needed a funny number for the punchline to a sketch involving a bank teller (himself) and a customer (Tim Brooke-Taylor). Adams believed that the number that Cleese came up with was 42 and he decided to use it. Adams also had written a sketch for The Burkiss Way called "42 Logical Positivism Avenue", broadcast on BBC Radio 4 on 12 January 1977[10] – 14 months before the Hitchhiker's Guide first broadcast "42" in fit the fourth, 29 March 1978. In January 2000, in response to a panelist's "Where does the number 42 come from?" on the radio show "Book Club" Adams explained that he was "on his way to work one morning, whilst still writing the scene, and was thinking about what the actual answer should be. He eventually decided that it should be something that made no sense whatsoever- a number, and a mundane one at that. And that is how he arrived at the number 42, completely at random." Stephen Fry, a friend of Adams, claims that Adams told him "exactly why 42", and that the reason is "fascinating, extraordinary and, when you think hard about it, completely obvious." However, Fry says that he has vowed not to tell anyone the secret, and that it must go with him to the grave. John Lloyd, Adams' collaborator on The Meaning of Liff and two Hitchhiker's fits, said that Douglas has called 42 "the funniest of the two-digit numbers." The number 42 also appears frequently in the work of Lewis Carroll, and some critics have suggested that this was an influence. Other purported Carroll influences include that Adams named the episodes of the original radio series of The Hitchhiker's Guide to the Galaxy "fits", the word Carroll used to name the chapters of The Hunting of the Snark. There is the persistent tale that forty-two is actually Adams' tribute to the indefatigable paperback book, and is really the average number of lines on an average page of an average paperback book. On the Internet The number 42 and the phrase, "Life, the universe, and everything" have attained cult status on the Internet. "Life, the Universe, and Everything" is a common name for the off-topic section of an Internet forum and the phrase is invoked in similar ways to mean "anything at all". Many chatbots, when asked about the meaning of life, will answer "42". Several online calculators are also programmed with the Question. If you type the answer to life the universe and everything into Google (without quotes or capitalising the small words), the Google Calculator will give you 42, as will Wolfram's Computational Knowledge Engine. Similarly, if you type the answer to the ultimate question of life, the universe and everything into DuckDuckGo, the 0-click box will read "42".[19] In the online community Second Life, there is a section on a sim called "42nd Life." It is devoted to this concept in the book series, and several attempts at recreating Milliways, the Restaurant at the End of the Universe, were made. In the OpenOffice.org software, if you type into any cell of a spreadsheet =ANTWORT("Das Leben, das Universum und der ganze Rest"), which means the answer to life, the universe and everything, the result is 42.[20] ISO/IEC 14519-2001/ IEEE Std 1003.5-1999, IEEE Standard for Information Technology - POSIX(R) Ada Language Interfaces - Part 1: Binding for System Application Program Interface (API) , uses the number '42' as the required return value from a process that terminates due to an unhandled exception. The Rationale says "the choice of the value 42 is arbitrary" and cites the Adams book as the source of the value. The random seed chosen to procedurally create the whole universe including all the regions, constellations, stars, planets, moons and mineral distribution of the online massively multi-player computer game EVE Online was chosen as 42 by its lead game designer in 2002. Cultural references The Allen Telescope Array, a radio telescope used by SETI, has 42 dishes in homage to the Answer. In the TV show Lost, 42 is the last of the mysterious numbers, 4, 8, 15, 16, 23, and 42. In an interview with Lostpedia, producer David Fury confirmed this was a reference to Hitchhiker's. The TV show The Kumars at No. 42 is so named because show creator Sanjeev Bhaskar is a Hitchhiker's fan.[24] The band Coldplay's album Viva la Vida includes a song called "42". When asked by Q magazine if the song's title was Hitchhiker's-related, Chris Martin said, "It is and it isn't." The band Level 42 chose its name in reference to the book. The episode "42" of the British science fiction television series Doctor Who was named in reference to the Answer. Writer Chris Chibnall acknowledged that "it's a playful title". Ken Jennings, defeated along with Brad Rutter in a Jeopardy match against IBM's Watson, writes that Watson's avatar which appeared on-screen for those games showed 42 "threads of thought," and that the number was chosen in reference to this meme.