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Carpathian Lynx ~ Dudley Zoological Gardens ~ Birmingham ~ England ~ Saturday May 20th 2017.
www.flickriver.com/photos/kevenlaw/popular-interesting/ Click here to see My most interesting images
Purchase some of my images here ~ www.saatchiart.com/account/artworks/24360 ~ Should you so desire...go on, make me rich..lol...Oh...and if you see any of the images in my stream that you would like and are not there, then let me know and I'll add them to the site for you..:))
You can also buy my WWT card here (The Otter image) or in the shop at the Wetland Centre in Barnes ~ London ~ www.wwt.org.uk/shop/shop/wwt-greeting-cards/european-otte...
Have a Fabulous Monday Y'all..:)
Our Katie .... im getting to like doing this sort of work....View On Black
The Background was made by
Phil Straub's
146/365
This was a gift from god. Francesca and I went out shooting all day and couldn't think of anything.
But when we got home we made this mask, with real flowers (I have the burns to prove it).
LOVE LOVE LOVE this picture, possibly my favorite I've ever done.
May 27, 2011
© Austin Sullivan 2011
As we all bask in this weeks thaw here in the Midwest, this shot is a reminder of what the Great Lakes can stir up late in the winter season. Conrail 6314 at Porter, IN in heavy lake effect snow. Soon the Indiana Toll Road would be shut down, traffic at a standstill and white out conditions. This was the first and only time I experienced a white out, where for maybe 2 seconds, literally could see nothing on a highway ramp.
I didn't want to do it. I tried to reason with this local group of "economic terrorists" but they saw no reason to deal with the likes of me. Finally, I sat down in my office one evening and made my statement. If the "child's play" doesn't stop I'll get the London Press involved. I'm no Pamela Anderson as I have many years on her but I guarantee I'll fill the parking lot next door to the anti-fur offices with photographers who will take my picture, minus this fur coat, just to prove a point. No worries, I'll keep the shoes on.......its sort of my thing anyways."
The picture and that "Do Not Cross Me" look on my face was enough to send the local anti-fur people packing. Next, they began their attack strategy against a friend of mine who is in the fur business as well. My friend Morty attempted to invoke the same strategy. Unfortunately, the suspenders on his socks which hold them up, his lace up, spit shined shoes and a fur coat mostly covering his body did not have the same effect as my picture. I guess he thought humor would do the job. It didn't and the battle began between them. I did what I had to do and I would have done whatever it had taken without hesitation. There is a right way to be in the fur business and then there is the other way. I was glad my approach solved the problem with this anti fur group. As a parting shot in my final letter I wrote "and you can tell Pamela Anderson I hope she looks as good as me when she gets to my age. PS. Won't happen!"
Final Rule of Business: Never run the bluff if you can't or won't follow through.
One day someone is sure to call you on it.
I simply never bluff and that is what makes a business person like me so unpredictable
and at the same time so dangerous.
Balfour Beatty 20 905 leads sister locomotive 20 901 on a light engine move, 0Z20, from Woking to Ashford. During the past week the veteran locos had been used on 'Drain Train' workings in the Ascot/Bagshot area.
The leading loco entered service as D8325 in Scotland's Polmadie depot in November 1967. It was one of the last eleven of the class to be built, and has carried it's present number since 1989.
20 905 carries an early 1980s style 'domino' style headcode panel of two white spots, similar to a 'double 1' domino. This would have replaced the original 4 character headcode blinds.
I was very pleased to capture this working, which I'm guessing would normally have reversed at Redhill and run direct from there to Ashford. Currently though the route between Redhill and Tonbridge is closed for upgrade work, so a route via the south London suburbs was planned instead.
Mass Effect 2 Legendary Edition - Downsampled from ~20 MP, hotsampling! using SRWE (during photomode); my own mods for infinite tether distance and photomode in cutscenes; texture, mesh, and gameplay mods; Lightroom
Three Bottle Man provides a unique laneway experience. Café by day and bar by night.
Sydney Harbour Marriott Hotel, Circular Quay, Sydney
I tend to look at the sky, and when I was in southern South Africa I did so more as the weather changed very quickly within a single day. Every time I saw a low cloud layer on the horizon, I wished and hoped for what I call the layering effect. A ceiling of low clouds appears but they do not cover the horizon, so that during the sunset, the sun, covered by those clouds, at a given moment will appear below that layer and above the sea, and that light will be "trapped" in that narrow strip producing a series of really beautiful and special reflections.
Gansbaai, South Africa, 2022.
Mass Effect: Andromeda
Hattiwatti's cinematic tools; hotsampling via SRWE (~22MP) with resampling; Nvidia Freestyle
Noun: the continuing and spreading results of an event or action. You guessed it, the Derwent ferry from Surprise View at 300mm. Any easy one to shoot and process
A few of my contacts expressed an interest in knowing what the difference between the original image and the post processed image with the Orton Effect were.
I'd love to see what my contacts can come up with for this!! If you try it out, send me some Flickr Mail and let me know!
My 31st Photo in Explore!! July 16th, 2008 Highest #55!!
Hendrick Goltzius, Dutch, 1558-1617
Goltzius’ use of blue paper eliminated the need for tone blocks to provide depth. The Seashore and Waterfall both have a black line block with tone blocks of two different colours to cerate the artistic effect. These woodcut are dramatically different from the Goltzius’ landscapes etched by Simon Frisius on view in the exhibition. These are our favourite prints ad we hope to make a complete set of the two tone versions of the woodcut landscapes.
-Jonathan Meakins
On a day when the sky is overcast, the sunlight passes through the turbid layer of the clouds, resulting in scattered, diffuse light on the ground. This does not exhibit Tyndall scattering because the cloud droplets are larger than the wavelength of light and scatter all colors approximately equally. On a day when the sky is cloud-free, the sky's color is blue in consequence of light scattering, but this is not termed Tyndall scattering because the scattering particles are the molecules of the air, which are much smaller than the wavelength of the light. On occasion, the term Tyndall effect is incorrectly applied to light scattering by macroscopic dust particles in the air. However, this is more like reflection, not scattering, as the macroscopic particles become clearly visible in the process.
from: Wikipedia
L'effetto Tyndall
L'esperienza dell'effetto Tyndall è un evento comune. Esso si manifesta, ad esempio, quando i fanali di un'auto sono accesi in una giornata di nebbia. La luce con lunghezze d'onda più corte vengono disperse meglio, sicché il colore della luce dispersa assume una tinta azzurra. In maniera simile, ma per effetto dello scattering Rayleigh, il cielo assume colorazione azzurro-bluastre: la luce solare è dispersa dalle particelle in sospensione nell'aria: il cielo, pertanto, ci appare blu perché esso è più diffuso dall'atmosfera rispetto al giallo, al verde e al rosso.
da Wikipedia