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My photo of Bleeding Heart, rendered in a lovely soft pastel [my favorite medium] by Google's Deep Dream Generator.
© All rights reserved.
I followed this simple tutorial found here to create this effect. I also added a texture, just because I can.
Noun: the continuing and spreading results of an event or action. You guessed it, the Derwent ferry from Surprise View at 300mm. Any easy one to shoot and process
My first Agfa.
Two lenses? That close together? A stereo camera?
But then why is one on top of the other? The stereo effect would then only work for people who also have one eye on top of the other. That should have reduced the customer base quite significantly.
No, this camera is one of a rare breed. It is a TLR for 35 mm film, the Agfa Optima Reflex, made between 1960 and 1966. This was the successor to the Flexilette, which had a similar layout, but no meter and no prism finder - only a WLF.
On mine, the selenium meter is still working, which is a good thing, because there is no way to set the exposure time manually. The f-stop ring can be set to "A" for automatic, or to fixed f-stops between 2.8 and 22 on either side, black for Bulb mode (? actually, I am not quite sure about that. I could find a manual somewhere and look it up there, but manuals are for weenies), yellow for flash mode at 1/30.
The viewfinder is extraordinarily bright and contains a spliit image focusing aid. The magic lever on the left side (when looking from the front) can be pressed only when the film has been transported and the leaf shutter cocked with the film advance on the bottom. When half pressing it, first a red, the a green flag will appear in the viewfinder. Red means that the shutter is cocked, and if the red flag stays after half pressing the magic lever, it means that there isn't enough light), green means that a valid combination of f-stop and exposure time was found and the camera is ready to fire. When the green flag is there, you can push the lever down all the way and the shutter will actuate with a barely audible click and no vibration at all, so 1/30 should be no problem.
The film sensitivity can be set between 10 and 250 ASA. The film counter counts backwards, like on many other old German cameras. The close focusing range appears to be about 50 cm, which is not bad at all for that time. The lens is a coated 45 mm triplet with a maximum aperture of f/2.8.
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
A few of my contacts expressed an interest in knowing what the difference between the original image and the post processed image with the Orton Effect were.
I'd love to see what my contacts can come up with for this!! If you try it out, send me some Flickr Mail and let me know!
My 31st Photo in Explore!! July 16th, 2008 Highest #55!!
On a day when the sky is overcast, the sunlight passes through the turbid layer of the clouds, resulting in scattered, diffuse light on the ground. This does not exhibit Tyndall scattering because the cloud droplets are larger than the wavelength of light and scatter all colors approximately equally. On a day when the sky is cloud-free, the sky's color is blue in consequence of light scattering, but this is not termed Tyndall scattering because the scattering particles are the molecules of the air, which are much smaller than the wavelength of the light. On occasion, the term Tyndall effect is incorrectly applied to light scattering by macroscopic dust particles in the air. However, this is more like reflection, not scattering, as the macroscopic particles become clearly visible in the process.
from: Wikipedia
L'effetto Tyndall
L'esperienza dell'effetto Tyndall è un evento comune. Esso si manifesta, ad esempio, quando i fanali di un'auto sono accesi in una giornata di nebbia. La luce con lunghezze d'onda più corte vengono disperse meglio, sicché il colore della luce dispersa assume una tinta azzurra. In maniera simile, ma per effetto dello scattering Rayleigh, il cielo assume colorazione azzurro-bluastre: la luce solare è dispersa dalle particelle in sospensione nell'aria: il cielo, pertanto, ci appare blu perché esso è più diffuso dall'atmosfera rispetto al giallo, al verde e al rosso.
da Wikipedia
The snow clouds are beginning to break up in this shot of the high field on saturday. The perfect rows are the stubs of the cotton plants from the summer and fall. There was about 8 inches of snow here.
Click on Large for the full monty.
More snow pictures on the blog. Go Here: johntharding.wordpress.com/
Mass Effect: Andromeda
Hattiwatti's cinematic tools; hotsampling via SRWE (~76MP); bicubic smother resampling; reshade 4.0.2
2018 | © All rights reserved
Photography by aRtphotojart
arT · creativE
> Thanks to all for your comments !!!
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Maple leaves opening photo with an orange textured effect added using the iPiccy website
The Rainbow Works May 2016 Texture Challenge
Textures by Elné
Photography Zoom Effect: Racking the Lens
This was a fun technique to get the light moving. You really need a smooth zoom mechanism and a few practice exposures to get it just right.
The beautiful and mesmerizing colours of the Portsmouth City skyline at dusk, highlighted by Spinnaker Tower. It looks quite arty when someone kicks your tripod too! :P
Please check out my new photography web site here
The Butterfly Effect: In chaos theory, the butterfly effect notes the importance of choices and change. A small disruption or insignificant action can lead to immeasurable consequences.
I've been lost in taking photos lately and am unsure how to improve when I seem to have no time. There's been a lot on my mind lately (mostly school)...
Stock: Dreamweaver69
Thank you for letting me use your photo! :)
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London | Architecture | Night Photography | Guggenheim | Bilbao Set
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The story is, by now, familiar to almost everyone: A sleepy, seaside, former industrial city in Northern Spain gets a new museum housed in a building already called--on its completion at the end of the 20th century--the most important building of the 21st. The city, of course, is Bilbao; the museum is Frank O. Gehry's Guggenheim. Virtually overnight, the small city became one of the most popular destinations in Europe. From all reports, Bilbao is rapidly metamorphosing from a sort of one-hit wonder to a genuinely vibrant city with restaurants, nightlife, theatre, and art. Gehry's radical, shimmering metal building has become a source of immense civic pride.
Call it the Bilbao Effect, though it predates the Guggenheim there by at least a few thousand years. Great architecture should be the centerpiece of urban space. Whether religious, governmental, commercial, or cultural, buildings define their cities; think of the Pantheon, of the Forbidden City--more than one building, I know--of any one of a thousand Parisian buildings and monuments, of the Empire State and Chrysler Buildings. The critics who complain about the Bilbao Guggenheim's sometimes lackluster collection and exhibitions--the same criticism has been leveled at Los Angeles' just-as-impressive Getty Center--do have a point, but they also miss the point. The point is the building as art, not just as a house for art. Architecture is the only truly public art form left. Frank Gehry, Richard Meier, Rem Koolhaas: they are the cathedral builders of our time. Not since Frank Lloyd Wright or Mies van der Rohe have so many architects become so nearly household names.
www.newcolonist.com/bilbao.html
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Bilbao Effect
This photo kinda happened by accident. I was trying to capture her in the snowy landscape but didn't realize I was over-exposed until I looked at the screen. I like the effect! Reminds me of a lightbox or some sort of studio setting.
DAY and NIGHT effect
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ranking on my stream #001
compfight.com/search/eagle1effi/1-0-1-1
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Highest position: #122
on Tuesday, February 24, 2009
velvia colors: retouched by a digital filter
made with picnik or photoscape software
define Velvia:
a reference positive film with a finer grain, RMS 9 , very saturated colors under daylight, high contrast, and exceptional sharpness.
__ e.g.
Maker: Fujifilm
Speed: 50/18°
Type: Color slide
Balance: Daylight
Velvia is a brand of daylight-balanced color reversal film produced by the Japanese company Fujifilm.
The name is a contraction of "Velvet Media", a reference to its smooth image structure.
The original incarnation of the film was called "Velvia for Professionals", known as RVP, a classification code meaning "Reversal/Velvia/Professional series".
Spring effect in Minneapolis. The ground is green, but the trees are still hesitating to wear green:)
playing around in the darkroom, managed to achieve a partial sabattier effect image - Ilford HP5 Plus film, Nikon F3 camera, Nikkor 50mm f/1.8 lens
Week No: 37
Theme: Harris shutter effect
Category: Processing
The Harris Shutter Effect involves 3 exposures taken with red, green and blue filters over them that are then blended together. Any object in the frame that moved is shown as red, green or blue.
It's one effect that I've done before for the 52 Week project, so I knew the basics, but had to remind myself of the method used for blending the shots.
Anyway, this one came out quite well. I'll post a couple of alternatives on my other socials linked below.
Go see my Vero page for more.
You can also head to my 52 week Instagram to see the alternative shots.
I post most frequently to my main Instagram and Vero so there are more photos there.