View allAll Photos Tagged effect
I was taking a pic of a WW2 Hurricane flying over the town (on my iphone - as the camera is being repaired !) and luckily I liked this effect.
(The Hurricane is the little 'smudge' bottom right !)
Blue has a cool, calming effect which makes time pass more quickly.
This was taken by an older Canon digital camera sometimes ago. The flowers clusters formed criss cross patterns. Though this was not a great photo but special for me. In real life there are lot of criss crosses.
The Observer Effect: refers to changes that the act of observing will make on the phenomenon being observed.
Is this a self-portrait? The capture of the shadow of a tree?
Whatever it is, I like it so I'm sharing it.
And it's HDR.
Sometimes I like to jazz-up a pic purely to make it somewhat different to the norm. Roses are always beautiful 'au naturelle' but I liked the impact of the colourful effect on this one.
My go to post processing is usually done with Paintshop Pro , but I used 'Smart Photo Editor' for this pic. They have hundreds of instant artistic effects to choose from, which themselves can be altered/ adjusted to your own taste. They are effects that have been submitted by the site's users. It's great fun and gets the creative juices flowing.
That's what i was immediately reminded.
I later saw on flickr, that i wasn't the only one who though about that title ;)
My views somehow go crazy today... This one got over a 1000 views in a few seconds. What's up flickr?
When you paint with watercolour and add salt on it while the paint is still wet, this is the effect you will get. It made me smile when I saw that and had to capture it. I will go back tomorrow and attempt a macro shot with my point and shoot before it washes out by the rain. This is part of a bridge.
Upside down reflection in Mill Lake in Abbotsford BC of 1980s townhouse set against new apartment building.
From the parlor at the Pratt-Taber Inn in Red Wing, Minnesota, you can catch a glimpse of the elegant formal dining room. The warm light of the parlor sharply changes to cool as you enter the dining area, creating a striking contrast that sets the perfect ambiance for a luxurious dining experience. The dining room is adorned with beautiful antiques, from the beautifully upolstered wooden chairs to the ornate chandelier that hangs from the ceiling. The overall effect is one of timeless elegance and sophistication, creating a truly unforgettable dining experience that transports you back to a bygone era.
From what you see is not the original photo, I have enhanced the color and filter to make it with this effect. There is a million reasons for us to touch up the photo, but not everyone will agree or like it. As long as I like it.
The state tree for Oklahoma is the Redbud and right now they are popping pinkish purples across the state. I was working on the light and color to get it to that 3D effect in 2D.
Maybe a bit cliche, but the idea grabbed me and my son was (somewhat) willing. I first saw this effect used on Pink Floyd's Ummagumma album - released in 1969. I can't imagine how the photographer did it without the help of the computer programs we have today, but then again Pink Floyd always had cool album covers. The name Droste harkens back to the early 1900s when a company named Droste ran an advertisement of a woman carrying a tray with the product on it. Of course the product showed an ad of a woman carrying a tray with the product on it, and so forth.
62 pairs of my reading glasses. This is not a b/w image. I placed my glasses against a sheet of white paper. There is again a flipping element in this image. :)
Home, Sydney
by Remigius Hogenbergh,print,published 1572
Matthew Parker (6 August 1504 – 17 May 1575) was Archbishop of Canterbury from 1559 until his death in 1575. He was also an influential theologian and arguably the co-founder (with Thomas Cranmer and Richard Hooker) of Anglican theological thought.
Parker was one of the primary architects of the Thirty-Nine Articles, the defining statements of Anglican doctrine. The Parker collection of early English manuscripts, including the book of St. Augustine Gospels and Version A of the Anglo-Saxon Chronicle, was created as part of his efforts to demonstrate that the English Church was historically independent from Rome, creating one of the world's most important collections of ancient manuscripts.
The eldest son of William Parker, he was born in Norwich, in St. Saviour's parish. His mother's maiden name was Alice Monins, and she may have been related by marriage to Thomas Cranmer. When William Parker died, in about 1516, his widow married John Baker. Matthew was sent in 1522 to Corpus Christi College, Cambridge,[1] where he is said to have been contemporary with William Cecil, but Cecil was only two years old at the time. Parker graduated BA in 1525, was ordained deacon in April and priest in June 1527, and was elected fellow of Corpus in the following September. He commenced MA in 1528, and was one of the Cambridge scholars whom Thomas Wolsey wished to transplant to his newly founded "Cardinal College" at Oxford.
Parker, like Cranmer, declined the invitation. He had come under the influence of the Cambridge reformers, and after Anne Boleyn's recognition as queen he was made her chaplain. Through her, he was appointed dean of the college of secular canons at Stoke-by-Clare in 1535. Hugh Latimer wrote to him in that year urging him not to fall short of the expectations which had been formed of his ability. In 1537 he was appointed chaplain to King Henry VIII. In 1538 he was threatened with prosecution, but the Bishop of Dover, however, reported to Thomas Cromwell that Parker "hath ever been of a good judgment and set forth the Word of God after a good manner. For this he suffers some grudge." He graduated DD in that year, and in 1541 was appointed to the second prebend in the reconstituted cathedral church of Ely. In 1544, on Henry VIII's recommendation, he was elected master of Corpus Christi College, and in 1545 vice-chancellor of the university. He got into some trouble with the chancellor, Stephen Gardiner, over a ribald play, Pammachius, performed by the students, which derided the old ecclesiastical system.
On the passing of the act of parliament in 1545 enabling the king to dissolve chantries and colleges, Parker was appointed one of the commissioners for Cambridge, and their report may have saved its colleges from destruction. Stoke, however, was dissolved in the following reign, and Parker received a generous pension. He took advantage of the new reign to marry in June, 1547, before clerical marriages had been legalized by parliament and convocation, Margaret, daughter of Robert Harlestone, a Norfolk squire. During Kett's Rebellion, he preached in the rebels' camp on Mousehold Hill, without much effect, and later encouraged his secretary, Alexander Neville, to write his history of the rising.
Parker's association with Protestantism advanced with the times, and he received higher promotion under John Dudley, 1st Duke of Northumberland than under the moderate Edward Seymour, 1st Duke of Somerset. At Cambridge, he was a friend of Martin Bucer and preached Bucer's funeral sermon in 1551. In 1552 he was promoted to the rich deanery of Lincoln, and in July 1553 he supped with Northumberland at Cambridge, when the duke marched north on his hopeless campaign against the accession of Mary Tudor. As a supporter of Northumberland and a married man, under the new regime Parker was deprived of his deanery, his mastership of Corpus Christi, and his other preferments. However, he survived Mary's reign without leaving the country – a fact that probably aggravated more ardent Protestants who went into exile and idealized their fellows who were martyred by Queen Mary. Parker respected authority, and when his time came he could consistently impose authority on others. He was not eager to assume this task, and made great efforts to avoid promotion to the archbishopric of Canterbury, which Elizabeth designed for him as soon as she had succeeded to the throne.
He was elected on 1 August 1559 but, given the turbulence and executions that had preceded Elizabeth's accession, it was difficult to find the requisite four bishops willing and qualified to consecrate Parker, and not until December 19 was that ceremony performed at Lambeth by William Barlow, formerly Bishop of Bath and Wells, John Scory, formerly Bishop of Chichester, Miles Coverdale, formerly Bishop of Exeter, and John Hodgkins, Bishop of Bedford. The allegation of an indecent consecration in the Nag's Head Fable seems first to have been made by the Jesuit, Christopher Holywood, in 1604, and has since been discredited. Parker's consecration was, however, legally valid only by the plentitude of the royal supremacy; the Edwardine Ordinal, which was used, had been repealed by Mary Tudor and not re-enacted by the parliament of 1559. The Roman Catholic Church asserted that the form of consecration used was insufficient to make a bishop, and therefore represented a break in the Apostolic Succession, but the Church of England has rejected this, arguing that the form of words used made no difference to the substance or validity of the act.
Elizabeth wanted a moderate man, so she chose Parker. There was also an emotional attachment. Parker had been the favourite chaplain of Elizabeth's mother, Anne Boleyn. Before Anne was arrested in 1536, she had entrusted Elizabeth's spiritual well-being to Parker. A few days after this, Anne had been executed following charges of adultery, incest and treason. Parker also possessed all the qualifications Elizabeth expected from an archbishop except celibacy. He mistrusted popular enthusiasm, and he wrote in horror of the idea that "the people" should be the reformers of the Church. He was not an inspiring leader, and no dogma, no prayer-book, not even a tract or a hymn is associated with his name. The 56 volumes published by the Parker Society include only one by its eponymous hero, and that is a volume of correspondence. He was a disciplinarian, a scholar, a modest and moderate man of genuine piety and irreproachable morals. His historical research was exemplified in his De antiquitate ecclesiae, and his editions of Asser, Matthew Paris, Thomas Walsingham, and the compiler known as Matthew of Westminster; his liturgical skill was shown in his version of the psalter and in the occasional prayers and thanksgivings which he was called upon to compose. He left a priceless collection of manuscripts, largely collected from former monastic libraries, to his college at Cambridge. The Parker Library at Corpus Christi bears his name and houses his collection.
Parker avoided involvement in secular politics and was never admitted to Elizabeth's privy council. Ecclesiastical politics gave him considerable trouble. Some of the evangelical reformers wanted liturgical changes and at least the option not to wear certain clerical vestments, if not their complete prohibition. Early presbyterians wanted no bishops, and the conservatives opposed all these changes, often preferring to move in the opposite direction toward the practices of the Henrician church. The queen herself begrudged episcopal privilege until she eventually recognised it as one of the chief bulwarks of the royal supremacy. To Parker's consternation, the queen refused to add her imprimatur to his attempts to secure conformity, though she insisted that he achieve this goal. Thus Parker was left to stem the rising tide of Puritan feeling with little support from parliament, convocation or the Crown. The bishops' Interpretations and Further Considerations, issued in 1560, tolerated a lower vestiarian standard than was prescribed by the rubric of 1559, but it fell short of the desires of the anti-vestiarian clergy like Coverdale (one of the bishops who had consecrated Parker) who made a public display of their nonconformity in London.
The Book of Advertisements, which Parker published in 1566, to check the anti-vestiarian faction, had to appear without specific royal sanction; and the Reformatio legum ecclesiasticarum, which John Foxe published with Parker's approval, received neither royal, parliamentary nor synodical authorization. Parliament even contested the claim of the bishops to determine matters of faith. "Surely," said Parker to Peter Wentworth, "you will refer yourselves wholly to us therein." "No, by the faith I bear to God," retorted Wentworth, "we will pass nothing before we understand what it is; for that were but to make you popes. Make you popes who list, for we will make you none." Disputes about vestments had expanded into a controversy over the whole field of Church government and authority, and Parker died on May 17, 1575, lamenting that Puritan ideas of "governance" would "in conclusion undo the queen and all others that depended upon her." By his personal conduct he had set an ideal example for Anglican priests, and it was not his fault that national authority failed to crush the individualistic tendencies of the Protestant Reformation.
Looking east into the western edge of Hurricane Isaac which touched Topeka, Kansas in August of 2012. Several other photos are featured below.
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Copyright © 2012 bartholowaty All rights reserved
If you would like to use one of my images for any purpose please get in contact first, to get my written permission. Manipulation of a copyright image or use only a portion of the image still infringes my copyright.
First quick attempt at a technique some Flickr friends have been working on for a while.
I just went my own way with THIS Gimp tut in Photoshop.
Thanks to Don for passing this tut on.
For It's An Addiction tutorial discussion HERE
I think it needs some fine tuning at this stage.
Text texture created by me, available HERE with creative commons if anyone would like to use
Lovely Mother & Son image with thanks to IQuitCountingStock