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Pan-African News Wire editor Abayomi Azikiwe was deeply moved when he was taken to the last home of the legendary cultural worker, activist and Pan-Africanist socialist Paul Robeson on Feb. 25, 2014.
Editors e Cigarettes After Sex in concerto a Taranto per Medimex 2019, foto di Annita Fanizza per www.rockon.it
Golden Cargo recebe prêmio de comunicação visual e pintura de frotas
Empresa foi reconhecida com o primeiro lugar na categoria “Rodoviário de Carga” em evento realizado pela OTM Editora, que comemorou seu Jubileu de Prata
A Golden Cargo, empresa especializada no gerenciamento e operação da cadeia logística de mercadorias especiais, como defensivos agrícolas e produtos químicos embalados, foi premiada, no dia 27 de novembro, durante o 44º Concurso de Comunicação Visual e Pintura de Frotas, realizado pela OTM Editora, na categoria “Rodoviário de Carga”.
A seleção das melhores empresas em cada uma das 3 categorias (Rodoviário de Carga, Metropolitano de Passageiros e Rodoviário de Passageiros) aconteceu no dia 31 de outubro e fizeram parte da comissão julgadora os profissionais Carlos Ferro, da Carlos Ferro Arquitetura e Design Ltda., Roberto Takara, da Neoband Soluções Gráficas e Marcelo Fontana, da OTM Editora.
Na escolha das empresas vencedoras foram analisadas a estética, originalidade, segurança, praticidade, identificação e promoção. Dentre as 13 companhias que concorreram na categoria “Rodoviário de Carga”, o projeto desenvolvido para a Golden Cargo pela Wopz Propaganda e Marketing, ficou em primeiro lugar.
Para Luiz Filho, sócio proprietário da Wopz, o prêmio fortalece ainda mais o trabalho e o posicionamento da agência que nasceu e tem seu foco no atendimento ao segmento de transportes, seja no aéreo, rodoviário, fluvial ou ferroviário.
“A preocupação com a identidade visual das nossas frotas sempre foi uma constante na empresa e ser reconhecido por isso é uma honra”, ressalta Mauri Mendes, diretor comercial da Golden Cargo.
Fonte: DFreire Comunicação
ezimba is a web site that can apply different imaging effects.
I used one picture for all the effects just for consistency for comparison. The title for each photo consists of the category of the effect and the name of the effect. Some effects would be better used on a different image. There are some effects also that appear to do the same thing in different effect categories.
Ezimba also has a Facebook app, Google Android app, and a free iPhone app. Please note that the free iPhone app puts a small logo on the edited image. You can buy the paid ezimba app and not have the logo.
Rob Hamelijnck and Nienke Terpsma, the artists and editors of Rotterdam-based magazine Fucking Good Art (www.fuckinggoodart.nl) were ‘embedded’ on Maasvlakte for a month during August–September 2009 from where they produced Portscapes_ON AIR Station Maasvlakte.
Comprising a series of audio walks, field recordings and conversations with guests from different disciplines Portscapes_ON AIR Station Maasvlakte was broadcast on Portscapes' website (www.portscapes.nl). Inspired by their camp’s proximity to the pipeline which carries sand from the Yangtzehaven to the future Maasvlakte 2, the editors of FGA approached their endeavour both as inhabitants of an industrial and man-made territory and in relation to the redistribution and displacement of knowledge. Alongside other grand movements of transportation and trade taking place in the port, FGA’s broadcasts took shape through encounters to reflect on the role that art and artists have in other registers of exchange. Starting from the principle that to understand a place one needs to inhabit it, and the question of how to represent a place like Maasvlakte 2 which does not yet entirely exist yet, the editors of FGA also aimed to stimulate discussion about the representation of Dutch landscape. They hope their project can be a pilot for further research residencies.
Portscapes ON_AIR is a collaborative effort of Frank Bruggeman, designer, artist and editor of Club Donny; Hans Aarsman, columnist 'De Volkskrant' and writer; Remko Andeweg, botanical analyst Lino Hellings, Errorist and editor of P.A.P.A., and Rob van Maanen; Gijsbert Korevaar, industrial Ecologist; Aurélie Barbier, urban planner; Martin Blum, artist and farmer; Marjolijn Kok, theoretical archaeologist; Line Kramer, artist – drawing; John Lonsdale, architect; Maarten Jansen, Hydraulic engineer and morphologist; Achilleka Komguem, artist, and Lionel Manga, writer.
FGA would also like to thank: Menno Steenman and Sjoerd Figdor, Port of Rotterdam; Roeterink, for assistance and building our working sleeping unit; Erik de Plaa and Jaap Korshuize from Delta, green power from Wind turbine; Bas van de Brand and PUMA, container; Eelco Muns, PUMA; Sander Boom, captain of The Spirit; Mooike de Moor, Radio Rijmond; Erik Post, Radio Rijmond; Maarten de Reus, artist, aerial photography; Helmi Weststrate; Roderick Hietbrink, artist - recording equipment.
Photo: FGA
Editors Live @ Optimus Alive'13 (13-07-2013) - see more @ arte-factos.net/2013/07/14/optimus-alive13-2o-dia-13072013/
Microchip makes it easy to generate configuration settings and program the OTP memory of its USB Controller Hubs, via its new ProTouch Configuration Editor software tool. It is available today via a free download from www.microchip.com/ProTouch.
20 May 2019 - OECD Forum: Bridging Digital Divides. OECD Paris, France.
Moderator
Jason Karaian, Global Finance and Economics Editor, Quartz
Speakers
Chiara Condi, President and Founder, Led by Her
Guðrún Ágústa Guðmundsdóttir, General Secretary, ASI, Iceland
Enrique Medina, Chief Policy Officer, Telefónica S.A.
Federico Batista Poitier, Director of External Affairs and Partnerships, World Enabled
OECD Headquarters, Paris.
Photo : Hubert Raguet / OECD
Questo è uno degli editor standard di VMS. Sta visualizzando un file di comandi DCL, una command procedure (estensione .COM), quella che in un sistema Unix sarebbe uno script della shell.
1247b
This house formerly known as Strelda and Admaston was built in 1878 as the residence of John Harvey Finlayson, the editor of the major newspaper in Adelaide at the time, the ‘Register’.
It is believed that the house was designed by Rowland Rees.
*Obit
Death of Mr J H Finlayson
Late Editor of “Register”
The death of Mr John Harvey Finlayson at his residence, "Strelda," Stanley street, North Adelaide, on Tuesday, after a painful and protracted illness, removes from the ranks of Australian journalism one of its ablest and most respected veterans. The deceased gentleman was connected with the literary staff of the "Register" for nearly half a century. He began his successful career as a junior reporter, and rose to the position of editor, acquiring also an interest in the proprietary. When he retired in June, 1899, from the editorial chair, after having occupied it for nearly 25 years, Mr Finlayson had to his credit a record of honourable and most useful labour in the interests of the community.
He was a powerful writer, and all his journalistic work was distinguished by a high regard for principle. His advocacy of causes he believed to be right was independent and outspoken, and in his criticism of opponents, while fearless, he was always fair. Personally, he enjoyed the esteem of a large circle of friends, who not only recognised his ability and integrity as a public writer, but appreciated his many excellent qualities as a man.
The deceased gentleman was of Scottish extraction, and his parents—Pastor William Finlayson and his wife (formerly Helen Harvey)—arrived (in South Australia in February, 1837. He was the third son, and was born on February 3, 1843, at Helenholme, Mitcham, where his father had been carrying on farming operations since 1840. In his youth the son shared the vicissitudes common to the early settlers, and his experience of the hard work of farming led him in after years to place the agricultural and pastoral interests in the forefront of things, which conduce to make South Australia prosperous.
The first school he attended was that kept by the late Mr Mugg, and among his schoolmates were the Hon Thomas Playford and others of note, whose success in afterlife showed the value of the instruction they had received.
When about 15 years of age Mr Finlayson went to the Adelaide educational institution conducted by the late Mr J L Young, where his elder brothers had preceded him, and from the first he was one of the most successful scholars. He took prizes for industry, geography, German, political economy, and moral philosophy. On one occasion during the absence of Mr Young the late Mr John Howard Clark, Mr Finlayson's predecessor in the editorial chair of the "Register"— gave a series of lectures to the school on English composition, and Mr Finlayson carried off all the prizes which were awarded in connection with them. He was at the school for three years, and left with a most satisfactory record. In recounting the experiences of his life he attributed much of his success to the influence of Mr Young — an influence which was distinctly seen in the case of some of the most prominent men of South Australia. Mr Young seemed to have the happy knack of instilling in the pupils a real love for education, and impressed upon them the valuable idea that it was not a mechanical system merely to acquire a certain thing by rote as a matter of necessity, but that education was a careful study, which should have the result of calling up the best powers of the mind. Among Mr Finlayson's schoolfellows were the late Right Hon C C Kingston, Mr L H Sholl, ISO. (the present Under-Secretary), Mr J W Jones, ISO, (ex-secretary to the Commissioner of Public Works), Mr G S Wright (Inspector General of the State Bank), and many other prominent men of the State.
Ref: Daily Herald (Adelaide SA) Thursday 1 April 1915.