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UBICACIÓN GEOGRÁFICA GUANE
Esta etnia no aparece en los listados del Dane, no obstante, se trata de un grupo localizado en Butaregua, vereda del municipio de Barichara, departamento de Santander.
POBLACIÓN GUANE
Su población estimada es de 210 personas.
HISTORIA GUANE
En épocas prehispánicas los guane se extendían desde la provincia de Vélez hasta la ciudad de Bucaramanga. Se dedicaban principalmente a la agricultura de maíz ya la fabricación de tejidos para el intercambio con otros pueblos. A partir del siglo XVI, cuando los primeros conquistadores llegaron al territorio santandereano, los guane fueron dados en encomienda.
VIVIENDA GUANE
Actualmente, esta comunidad ha adoptado el estilo de vida, el sistema de producción y de vivienda campesina, sin embargo, comienza a reivindicar su condición amerindia. Habitan en pequeñas extensiones de tierra árida y escasa, razón por la que muchas personas de este grupo se encuentran en condiciones de extrema pobreza.
ECONOMÍA GUANE
Su economía se basa en la producción de tabaco y la mayor parte cultivan la tierra en calidad de arrendatarios y aparceros. Complementan esta actividad con la venta de artesanías en fique.
Fuentes:
Bernal Jaime (editor).Terrenos de la Gran Expedición Humana. No. 6. Universidad Javeriana, Santa Fe de Bogotá, 1993.
Morales, Jorge. Fondo de Renta de una Comunidad Tabacalera de Santander (Un caso estructural), en: Revista Colombiana de Antropología, Volumen XIV, Bogotá, Colombia, 1966-1969.
Los Pueblos Indígenas de Colombia en el umbral del Nuevo milenio – DNP – Departamento Nacional de Planeación
*Texto escrito por Daniel Carreño Sarmiento. Pbro. Párroco de Guane. Julio de 2008.
Wikipedia
Diferente fue lo sucedido en Guane, inicialmente llamado Moncora, conservado expresamente como población para nativos. En 1622 los vecinos de este caserío solicitaron al arzobispo de Santafé, Hernando Arias de Ugarte que la doctrina se convirtiera un en el equivalente a una parroquia con sacerdote estable en el lugar y que se abrieran archivos de partidas para no depender de la parroquia de Vélez. La petición fue atendida favorablemente y así Guane es la segunda población jurídicamente reconocida por la autoridad española en Santander
Guane fue la única población en Santander que mantuvo la organización por resguardos durante toda la colonia. La población integraba las parcialidades de Butaregua, Guanentá, Lubigará, Móncora, Coratá y Chaguete.
A esta población fueron traídos o reducidos los indios que iban quedando de los diversos cacicazgos de la región, tal fue el caso del grupo Chanchón ( cerca al Socorro ) que en 1751 fue trasladado a Guane y trajeron consigo la imagen de Santa Lucía, protectora de la vista, de la cual eran devotos y hoy es motivo de peregrinación. (Cf. Padre Isaías Ardila, Los Guanes Raíz Gloriosa de Santander)
hasta la independencia de España, cuando las nuevas leyes acabaron con los resguardos y a los habitantes de la región se les consideró como campesinos. En toda la región, este pueblo mantuvo por más tiempo la presencia y organización indígena y gracias al archivo parroquial y especialmente al museo se puede conocer la cultura de quienes hacen parte de nuestra vida y nuestra historia.
En el siglo XIX, Guane, era paso obligado en el camino que de Socorro y San Gil, pasando por Zapatoca, llevaba a Puerto Botijas sobre el Rio Sogamoso y por este al Rio Magdalena, como vía para el comercio con Europa. Esa fue la razón para que el Alemán Geo Von Lenguerke contratara con el gobierno la empedrada del camino, que entre Guane y Barichara ha sido declarado Monumento Nacional. Las puertas en bronce, ubicadas ahora en la ronda del templo, traídas de Alemania controlaban la entrada al puente sobre el río Suárez.
La extensión ocupada durante la colonia por las parcialidades descendientes de la etnia guane, fueron tierras donde se cultivó, entre otros, el algodón en tiempo precolombino y posteriormente sobre todo tabaco, maíz y millo. Las prácticas inadecuadas del manejo de la tierra han empobrecido la capa vegetal y han llevado a la desaparición del recurso hídrico lo cual ha obligado al desplazamiento de buena parte de sus habitantes a otras regiones, particularmente a la costa atlántica.
Hoy grupos significativos de guaneros están organizados en Colonias en Bucaramanga, Barranquilla, Santa Marta, Cúcuta y Caracas .
Museo Paleontológico y Arqueológico de Guane[editar]
Allí se encuentra el museo Paleontológico y Arqueológico de Guane, homenaje muy ilustre al sacerdote e historiador Isaías Ardila Díaz, quien fue su organizador e ideador.
Paleontológica
Comprende importante colección de fósiles (más de 10.000) marinos en gran parte, de más de 60 millones de años de antigüedad. También se encuentran erizos de mar, turritelas, amonitas. Peces, todos estos folisados. También se encuentran plantas fosilisadas, interesantes gramineas fosilisadas y huellas de Plantas fosilisadas. Xilópalos (troncos fosilisados) hasta de 1.20 metros de largo.
La Nación Aborigen del Pueblo Indígena Guane aún existe, en la actualidad el Pueblo Inga y Chibcha Guanentá han unido fuerzas para visibilizar el Gobierno Ancestral del Zipasgo Inga Chibcha Guanenta Hunzaa, parte de estas labores se han garantizado con el plan de vida indígena establecido con la Rama Judicial Consejo Seccional de la Judicatura y con el Parlamento de Justicia en los Departamentos de Nariño, Huila, Cauca, Putumayo, Amazonas, Casanare, Arauca, Santander, Norte de Santander, Cesar y Bolivar. Además gracias a un fallo de la Honorable Corte Constitucional (Sentencia T 110 de 2010) de las Autoridades Guanes- Hunzaas e Ingas se ha podido garantizar estudios e intercambio cultural con la Universidad Industrial de Santander con la garantía de la presencia del Gobernante Indígena FREDDY JANAMEJOY MAVISOY y la observancia de las autoridades del Zippasgo y Zippanes presentes en Santander. El Estado Colombiano a su vez por medio de la Directiva Presidencial 01 de 2010 garantiza aún más la consulta previa con estas Autoridades Públicas Especiales quienes se han caracterizado en el País por su liderazgo en la conceptualización aborigen y ejercicio del Gobierno Ancestral en Sur América.
Arqueología
Aquí se encuentra una sala de Cerámicas; la cerámica, fruto del Ingenio natural de los Indígenas y de la existencia abundante de materia prima, produjo una gran cantidad de elementos, particularmente de uso domestico y cultural. Esta sala cuenta con 215 Piezas, Tazones, Cántaros, Ollas, Vasijas Varias, Jarros, Copas, Jaguares, en fin. Se encuentran elementos de Culto y trabajo de la cultura Guanes, de la era colonial se haya un Sepulcro de 1658, antiquísimo y rudimentario molino de caña("La Vieja"). También piedras de moler.
At 25, I was promoted to managing editor of publications. I was reluctant. I was inexperienced. I was intimidated. But I was also gently pushed into this role by a new supervisor who believed I could do it.
While my supervisor was supportive, he had a hands-off approach (which I appreciated later on) and there wasn’t much coaching in my new role. I felt like I was drowning in expectations, responsibilities, and assumptions that had been packaged into this position over the years. My decisions were: sink or swim.
I faked confidence in managing and running a magazine until I felt more experienced and confident. I learned the assignment and publishing process. I worked hard to build rapport with my editors, to treat each person as an individual with different strengths. I was a tough managing editor because I wanted each person to shine in their own way. I pushed them to be better.
I’ve learned faking it can work for a while. I’ve learned expertise does come with time, with effort, and with genuine forthrightness. I’ve learned getting to know people and investing time and energy into encouraging their strengths is important.
I’ve learned challenges only make me stronger, but that doesn’t make them any easier. I still carry some residual insecurity. I still feel the need to over prepare for some things, to make sure I know my stuff, to make sure people perceive me as competent and qualified.
Editors | Heineken Music Hall | Amsterdam | 1 May 2010
Great show,
here are some videos with the pocket camera:
Setlist:
www.setlist.fm/setlist/editors/2010/heineken-music-hall-a...
Oh and two brilliant support bands, you can check them out here:
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Editors
Unaltrofestival Day 2
Circolo Magnolia Segrate Milan, Italy IT
02 september 2016
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
PRIME MINISTERS OF INDIA:Bharat Bhagya Vidhata-1947-2009
It is said that some are wise while others are “otherwise” and it takes a lot of pain and efforts to be wordly -wise, especially in journalism.
At a time when the Fourth estate is fast becoming “fourth-rated Estate “and when watch-dogs have started becoming tail-wagers, holding forth those lofty ideals of journalism has become all the more difficult.
At a time when “soldiers of pen” have started assuming the role of “pen- pushers” with a price tag on most of their columns and comments, and at a time when more than 67000 publications and 56 TV news channels have started becoming signposts of ‘views’ than of ‘hardcore news’ with alarming regularity, pursuing journalism in its purest form has become mere on a premium than otherwise.
At a time when most of the members of our country have started taking pride in turning “trivia into titanic” and injecting the venom of crime, sex and sleaze as daily doses for this generation both in print as well as on tube, it is all the more difficult to report on serious and sensitive matters confronting this country.
At a time when some self-professed champions of freedom of Press have no qualm or gumption in terming rural reporting as “sexy”, it would be anyone’s guess if a journalist’s reports on wails and woes of the rural masses would indeed find a place of prominence in any mainstream daily newspaper or national news channels.
It is in this context that the creation of ‘Shivnath and Neena Jha’ in the form of a book titled “Prime Ministers of India” comes as an oasis in desert.
It is in this context that the untiring and unflinching effort of a scribe towards doing something different through “Andolan - EK Pushtak se” needs to be seen and hugely appreciated.
Imagine the extraordinary brilliance of an 11 year old boy who chose Dr. Harivansh Rai Bachchan’s Madhushala as the spark to ignite and illuminate his future path.
Imagine the state of mind of a student of class VI from T.K. Ghosh Academy Patna who understood the message of ‘Madhushala’ in a Vedic way that one could always reach his goal by adopting the right means and working his way up hard through sheer determination, dedication, passion and discipline.
Imagine the spark in the eyes of a boy from an ordinary background who stole Rs.5 from his father’s currency box, bought newspapers from them at a bus stand and eared Rs.9.60 after 4 hours of toil.
Imagine the “dream to become a journalist” by a young boy who started his career neither from Dallas nor Doon but as a stranger for Telegraph by MJ Akbar and from there he never looked back. This is one of the most glittering examples of how sheer determination can make an ordinary man a Marshall. !
Known for his uncanny knack for looking for “news” in those areas and arenas where others treated them as trivia, Shivnath has been of the most well known journalists in the country with the distinction of having worked under Editors like Vir Sanghvi, H.K. Dua, C.R. Irani, Prabhu Chawla and Sekhar Gupta. Some of his investigative reports in both Telegraph and Indian Express could easily be hailed as the” finest in the history of contemporary journalism”.
In my 28 years of journalistic career through both print and electronic media, I have rarely seen a scribe with such fierce sense of courage and conviction.
There were a few occasions when he threw away his job and tossed up his resignation at the face of the Editor when he realized that he would not be able to compromise on his convictions and commitments. And that made him all the more hard and steady in his resolve and this book is yet another land mark of that path of struggle with a nerve of steel and the determination of a spider.
But then Shivnath has always been quite different from the lot, full of grit and guts and he always dares to plough through those furrows where others are dithering.
His passion for breaking new grounds and exploring those areas where others feel exhausted has taken him into a journey of an extraordinary kind along with his illustrious wife, Neena Jha.
The first chapter of such journey was the monograph on Shahnai legend Ustad Bismillah Khan which not only established him as a ‘crusader for a cause’ but also won him wholesome praise and appreciation from various quarters. Interestingly, he dedicated this book to newspaper hawkers and three of his journalist friends – Sanjeev Sinha, Ranjan Jha and Anju Sharma who died in a plane crash with senior Congress leader Madhavrao Scindia.
The second milestone in his journey was the discovery in June 2007 of Mr. Vinayak Rao Tope, the third generation descendant of Tatya Tope, a frontline leader and a martyr of 1857 Indian Mutiny. Shivnath and Neena, not only identified and rescued him but also ensured a job for two daughters of Vinayak Rao Tope in Container Corporation of India through the help of then Railway Minister Lalu Prasad Yadav.
This book is perhaps his " magnum opus," aimed at rehabilitating and re-locating Sultan Begum, the great grand daughter of hero of 1857 Mutiny – Bahadur Shah Zafar who is languishing in Howrah locality of Kolkata and earning her livelihood by selling tea
Editors e Cigarettes After Sex in concerto a Taranto per Medimex 2019, foto di Annita Fanizza per www.rockon.it
Editors
Unaltrofestival Day 2
Circolo Magnolia Segrate Milan, Italy IT
02 september 2016
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it