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Dear Editor
I am eight years old. Some of my little friends say there is no Santa Claus. Papa says, "If you see it in The Sun, it's so." Please tell me the truth, is there a Santa Claus?
Virginia O'Hanlon
115 W. 95th St.
Editor's note: fantastic series of images of Comet Lovejoy coming from the ISS tonight. Be sure to view large size to see the nice details of the comet's tail! These have been pulled together into a photoset, Comet Lovejoy, at www.flickr.com/photos/28634332@N05/sets/72157628637946049/
Comet Lovejoy is visible near Earth's horizon in this nighttime image photographed by NASA astronaut Dan Burbank, Expedition 30 commander, onboard the International Space Station on Dec. 21, 2011.
Image credit: NASA
Original image:
spaceflight.nasa.gov/gallery/images/station/crew-30/html/...
More about space station research:
www.nasa.gov/mission_pages/station/research/index.html
There's a Flickr group about Space Station Research. Please feel welcome to join! www.flickr.com/groups/stationscience/
View more than 400 photos like this in the "NASA Earth Images" Flickr photoset:
www.flickr.com/photos/28634332@N05/
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
One of my immediate thoughts for this first redress of Darius (I refuse to call him Gus, he should never have had his name stolen) was to create a tribute to Edward Enninful, Ghanaian-British Editor-in-Chief of British Vogue. I was completely charmed by him when I heard him interviewed on Radio 4's Desert Island Discs. Edward started out as a model before becoming fashion director for the magazine i-D - he was the youngest ever fashion director for an international publication at the age of 18. He is a huge promoter and supporter of diversity both in his editorial team and between the pages of the magazine.
Unfortunately I only had an edition of Spanish Vogue to use for this photoshoot 😅 Maybe Edward is going to take it over?
_DSC0057 (2)S
Oh, it's so sexy y'all
I don't know where you're going
Or when you're coming home
I left the keys under the mat to our front door
For one more chance to hold you close
I don't know where you're going
Just get your ass back home
We both knew this type of life
Didn't come with instructions
So I'm trying to do my best
To make something outta nothing
And sometimes it gets
Downright shitty in fact
When you call and I don't even know
What city I'm at
Or what day of the week in the middle of the month
In a year I don't recall
It's like my life's on repeat and the last time we spoke
I told you I wouldn't be long
That was last November now December's almost gone
I'd apologize but I don't realize what I'm doing wrong
I don't know where you're going
Or when you're coming home
I left the keys under the mat to our front door
For one more chance to hold you close
I don't know where you're going
Just get your ass back home
And you been nothing but amazing
And I never take that for granted
Half of these birds would have flew
To coop with you, you truly understand it
And the fact you stood beside me
Every time you heard some bogusness
You deserve a standing o
'Cause they'd a just been over it
Let em talk, let em talk, let em talk, let em talk
Like we don't hear what they saying
Let em walk, let em walk, let em walk, let em walk
We'll just drive by and keep waving
Cause you and I above all that
Just let em wallow in it
Now they all choked up, yuck
Cause they be swallowing it
I don't know where you're going
Or when you're coming home
I left the keys under the mat to our front door
For one more chance to hold you close
I don't know where you're going
Just get your ass back home
No one holds me down like you do, sweetheart
You keep doing that, I'll keep doing this
We'll be all right in the end
Trust that
We put the us in trust, baby
Let's go!
I don't care what you're after
As long as I'm the one, no
I don't care why you're leaving
You'll miss me when you're gone
I don't know where you're going
Or when you're coming home
I left the keys under the mat to our front door
For one more chance to hold you close
I don't know where you're going
Just get your ass back home
One of my immediate thoughts for this first redress of Darius (I refuse to call him Gus, he should never have had his name stolen) was to create a tribute to Edward Enninful, Ghanaian-British Editor-in-Chief of British Vogue. I was completely charmed by him when I heard him interviewed on Radio 4's Desert Island Discs. Edward started out as a model before becoming fashion director for the magazine i-D - he was the youngest ever fashion director for an international publication at the age of 18. He is a huge promoter and supporter of diversity both in his editorial team and between the pages of the magazine.
Unfortunately I only had an edition of Spanish Vogue to use for this photoshoot 😅 Maybe Edward is going to take it over?
_DSC0067 (2)S
Editors
Unaltrofestival Day 2
Circolo Magnolia Segrate Milan, Italy IT
02 september 2016
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
live @ Colos Saal, Aschaffenburg (Germany), 2009-06-27
more photos and review (in German): www.laxmag.de/laxlive/1020-editors-aschaffenburg
Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.
(Edgar Allan Poe)
The only way to find true happiness is to risk being completely cut open.
(Chuck Palahniuk)
Really cool vintage signage on the abandoned metal grain elevator in Malvern, Iowa. Another from my recent trip to SW Iowa.
This is another page from my magazine. The entire backbone of the mag was about the new 1% fat milk 'the One' from Wisemans Milk. So, naturally, that theme oozes throughout the design.
TOM SMITH
- Editors -
@ Palatorino - Torino
12 Aprile 2010
foto: © Monelle Chiti
All rights reserved. Please don't use photos without my permission.
All the images are protected by copyright © Monelle Chiti.
Editors: EKW-Verlag; 1. Edition (9.
November 2023)
Language: German
Booklet, 248 pages
ISBN-10: 3947227159
ISBN-13: 978-3947227150
„Was empfanden Menschen vor Ort – in einer jüdischen württembergischen Landgemeinde –, als SA-Männer im November 1938 in den Häusern ihrer jüdischen Nachbarn randalierten, als deren Hab und Gut in den Gassen des Dorfes versteigert wurde und die letzten Juden 1942 auf Leiterwagen in die Konzentrationslager deportiert wurden?
Die Kulturwissenschaftlerin Franziska Becker hat Ende der 1980er-Jahre über das sogenannte Judendorf Baisingen im Landkreis Tübingen geforscht. Die Bewohner und Bewohnerinnen wurden nach ihren Erinnerungen
an die Auslöschung ihrer jüdischen Gemeinde befragt. Zugleich wurden die NS-Gewaltgeschehnisse anhand von Archivalien, u. a. in den lokalen Finanzämtern, minutiös rekonstruiert.
Das Buch geht diesen Versionen mündlich erzählter Heimatgeschichte nach und zeigt Techniken des lokalen Erinnerns auf, die weniger auf Tatsachen beruhen als vielmehr „Geschichte in Wunschform“ präsentieren.
Denn so verliert Geschichte ihre gefährliche Dimension. Wie modelliert das Gedächtnis fatale Ereignisse? Wie sehen solche Verdrängungen und Verdrehungen aus und wie können sie interpretiert und verstanden werden, ohne sie einfach als Unwahrheiten abzutun? Denn: Kommen uns die Bewohner und Bewohnerinnen dieses Dorfes nicht allzu bekannt vor?
Das erstmals 1994 erschienene Buch ist seit Jahrzehnten vergriffen und erscheint hier in einer überarbeiteten Neuauflage mit Vorworten von Hermann Bausinger und Karlheinz Geppert sowie einem Nachwort der Autorin.“
"What did local people - in a Jewish rural community in Württemberg - feel when SA men rioted in the houses of their Jewish neighbours in November 1938, when their belongings were auctioned off in the alleyways of the village and the last Jews were deported to concentration camps on wagons in 1942?
At the end of the 1980s, cultural scientist Franziska Becker researched the so-called Jewish village of Baisingen in the district of Tübingen. The residents were asked about their memories
about the extermination of their Jewish community. At the same time, the Nazi atrocities were meticulously reconstructed on the basis of archival documents, including those from the local tax offices.
The book explores these versions of oral local history and demonstrates techniques of local remembrance that are based less on facts and more on "history in wishful thinking".
In this way, history loses its dangerous dimension. How does memory model fatal events? What do such repressions and distortions look like and how can they be interpreted and understood without simply dismissing them as untruths? After all, don't the inhabitants of this village seem all too familiar?
First published in 1994, the book has been out of print for decades and is published here in a revised new edition with forewords by Hermann Bausinger and Karlheinz Geppert as well as an epilogue by the author." /
"Qu'ont ressenti les gens sur place - dans une commune rurale juive du Wurtemberg - lorsque des hommes SA ont saccagé les maisons de leurs voisins juifs en novembre 1938, lorsque leurs biens ont été vendus aux enchères dans les ruelles du village et que les derniers juifs ont été déportés en 1942 sur des chariots à échelle vers les camps de concentration ?
A la fin des années 1980, la spécialiste en sciences culturelles Franziska Becker a mené des recherches sur le soi-disant village juif de Baisingen dans le district de Tübingen. Les habitants et habitantes ont été interrogés sur leurs souvenirs
de l'extermination de leur communauté juive. Parallèlement, les violences nazies ont été minutieusement reconstituées à l'aide de documents d'archives, notamment dans les bureaux locaux des impôts.
Le livre se penche sur ces versions de l'histoire locale racontée oralement et montre les techniques de la mémoire locale qui reposent moins sur des faits que sur la présentation d'une "histoire sous forme de souhait".
Car c'est ainsi que l'histoire perd sa dimension dangereuse. Comment la mémoire modélise-t-elle les événements fatals ? A quoi ressemblent ces refoulements et ces déformations et comment peut-on les interpréter et les comprendre sans les rejeter simplement comme des contre-vérités ? Car : les habitants et habitantes de ce village ne nous sont-ils pas trop familiers ?
Le livre, paru pour la première fois en 1994, est épuisé depuis des décennies et paraît ici dans une nouvelle édition remaniée, avec des préfaces de Hermann Bausinger et Karlheinz Geppert ainsi qu'une postface de l'auteur". /
"¿Qué sintieron los habitantes de una comunidad rural judÃa de Württemberg cuando los hombres de las SA se amotinaron en las casas de sus vecinos judÃos en noviembre de 1938, cuando sus pertenencias fueron subastadas en los callejones del pueblo y los últimos judÃos fueron deportados a campos de concentración en vagones en 1942?
A finales de los años ochenta, la cientÃfica cultural Franziska Becker investigó el llamado pueblo judÃo de Baisingen, en el distrito de Tubinga. Preguntó a los habitantes por sus recuerdos
sobre el exterminio de su comunidad judÃa. Al mismo tiempo, se reconstruyeron meticulosamente las atrocidades nazis a partir de documentos de archivo, incluidos los de las oficinas tributarias locales.
El libro explora estas versiones de la historia oral local y demuestra técnicas de recuerdo local que se basan menos en hechos y más en la "historia en deseos".
De este modo, la historia pierde su peligrosa dimensión. ¿Cómo modela la memoria acontecimientos fatales? ¿Qué aspecto tienen esas represiones y distorsiones y cómo pueden interpretarse y comprenderse sin descartarlas sin más como falsedades? Después de todo, ¿no nos resultan demasiado familiares los habitantes de este pueblo?
Publicado por primera vez en 1994, el libro ha estado agotado durante décadas y se publica aquà en una nueva edición revisada con prólogos de Hermann Bausinger y Karlheinz Geppert, asà como un epÃlogo del autor." /
"Che cosa provò la gente del posto - in una comunità rurale ebraica del Württemberg - quando gli uomini delle SA fecero irruzione nelle case dei loro vicini ebrei nel novembre 1938, quando i loro beni furono messi all'asta nei vicoli del villaggio e gli ultimi ebrei furono deportati nei campi di concentramento su vagoni nel 1942?".
Alla fine degli anni '80, la scienziata culturale Franziska Becker ha condotto una ricerca sul cosiddetto villaggio ebraico di Baisingen, nel distretto di Tubinga. Gli abitanti sono stati interrogati sui loro ricordi
sullo sterminio della loro comunità ebraica. Allo stesso tempo, le atrocità naziste sono state meticolosamente ricostruite sulla base di documenti d'archivio, compresi quelli provenienti dagli uffici fiscali locali.
Il libro esplora queste versioni della storia locale orale e mostra le tecniche di ricordo locale che si basano meno sui fatti e più sulla "storia del desiderio".
È così che la storia perde la sua dimensione pericolosa. Come la memoria modella gli eventi fatali? Che aspetto hanno queste repressioni e distorsioni e come possono essere interpretate e comprese senza liquidarle semplicemente come falsità ? Dopo tutto, gli abitanti di questo villaggio non sembrano fin troppo familiari?
Pubblicato per la prima volta nel 1994, il libro è rimasto fuori catalogo per decenni e viene qui pubblicato in una nuova edizione riveduta con le prefazioni di Hermann Bausinger e Karlheinz Geppert e un epilogo dell'autore". /
cf.:
„https://de.wikipedia.org/wiki/Baisingen“
„https://en.wikipedia.org/wiki/Baisingen“
„https://fr.wikipedia.org/wiki/Baisingen“
„https://de.wikipedia.org/wiki/Synagoge_Baisingen“
„https://de.wikipedia.org/wiki/Jüdischer_Friedhof_(Baisingen)“