View allAll Photos Tagged ecn2
Nikon FE
Walimex Pro 14 2.8
Vision Cinema Pro 50D by Six Gates Films
Exposed in Daylight around sunset time
Home processed in ECN-2 chemicals
#14reels
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 200.
For this exposure I used a flashgun with a pale orange filter taped over it, the aim was to get a "natural" colour for near subjects, with the more distant objects left with the blue cast. Results were variable.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.
Double exposure taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
When I first processed the film I thought it was blank, but the partially removed remjet looked interesting, so I scanned the negatives before wiping off the dried remjet and re-scanning, which did manage to reveal some very faint images, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.
Neighborhood. First use of Kodak 5277. Developed in ECN-2 One Shot developer.
Kodak 5277 Vision 320T shot with Nikon with N90s with Auto Vivitar 21mm Wide Angle lens in T4 mount with Nikon adapter converted to AI. (no filter) Developed in one shot ECN-2 developer from linuxphreak2005 www.flickr.com/photos/132303390@N02/
DEVELOPER
Water 250ml 70-100f
Sodium Sulfite .5 gram
Potassium Bromide .35 gram
Sodium Carbonate 6.4 grams
Sodium Bicarbonate .70 grams
CD3 1 gram
I doubled the recipe for my tank.
Prebath was Kodak PB-1
Prebath 2 (PB-2)
Water 27 to 38°C (80 to 100°F) 800 mL
Borax (Decahydrated) 20.0 g
Sodium Sulfate (Anhydrous) 100 g
Sodium Hydroxide 1.0 g
Water to make 1 L
pH at 25.0°C (77.0°F) 9.25 ± 0.10
Stop was Kodak SB-14 (modifed)
Stop (SB-14)
Water 21 to 38°C (70 to 100°F) 900 mL
Sulfuric Acid (7.0 N) 50 mL
Water to make 1 L pH at 25.0°C (77.0°F) 0.8 to 1.5
(Added 5g/L Sodium Sulfite for clearing)
Potassium Ferricyanide Bleach
Ilford Hypam fix.
Times (As listed by linuxphreak2005
Dev 3mins@106f
Stop Bath 1Min 100f
Wash 1min 100f
Bleach 6Min 100-106
Wash 1min 100
Fixer 5min 100-106
Scanned with Canon 9000F
Post processing in photoshop.
20201129 in Ogden, Utah USA
Neighborhood. First use of Kodak 5277. Developed in ECN-2 One Shot developer.
Kodak 5277 Vision 320T shot with Nikon with N90s with Auto Vivitar 21mm Wide Angle lens in T4 mount with Nikon adapter converted to AI. (no filter) Developed in one shot ECN-2 developer from linuxphreak2005 www.flickr.com/photos/132303390@N02/
DEVELOPER
Water 250ml 70-100f
Sodium Sulfite .5 gram
Potassium Bromide .35 gram
Sodium Carbonate 6.4 grams
Sodium Bicarbonate .70 grams
CD3 1 gram
I doubled the recipe for my tank.
Prebath was Kodak PB-1
Prebath 2 (PB-2)
Water 27 to 38°C (80 to 100°F) 800 mL
Borax (Decahydrated) 20.0 g
Sodium Sulfate (Anhydrous) 100 g
Sodium Hydroxide 1.0 g
Water to make 1 L
pH at 25.0°C (77.0°F) 9.25 ± 0.10
Stop was Kodak SB-14 (modifed)
Stop (SB-14)
Water 21 to 38°C (70 to 100°F) 900 mL
Sulfuric Acid (7.0 N) 50 mL
Water to make 1 L pH at 25.0°C (77.0°F) 0.8 to 1.5
(Added 5g/L Sodium Sulfite for clearing)
Potassium Ferricyanide Bleach
Ilford Hypam fix.
Times (As listed by linuxphreak2005
Dev 3mins@106f
Stop Bath 1Min 100f
Wash 1min 100f
Bleach 6Min 100-106
Wash 1min 100
Fixer 5min 100-106
Scanned with Canon 9000F
Post processing in photoshop.
20201129 in Ogden, Utah USA
practika mtl3. pentacon 50mm.kodak ektachrome slide duplicating film 5038. e4 film.ecn2 bleach bypass process. febrero 2012.
Nikon F3
Six Gates Films Orwell BW @400 iso
developed in Tmax dev 7''
epson v700
almost all of this picture were taken by Luca (Laszlo K.) while i was developing.
it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.
Bottom line:
1)ECN2 is totally feasible for home processing
2) Morse G3 tank agitation could not be the best for these films.
3) we took a little step forward for DIY film photography
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Six Gates Films Vision Cinema Pro 500T
no filters
Nikon F3
Nikkor AI 50mm 1.4
self developed in ECN2 original chemistry
epson v700
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Pentax MZ-60 (S/N: 5505619)
SMC Pentax-FA 1:1.4 50mm (S/N: 4220696)
Kodak Vision3 500T
ECN2 processed by czarno-biale.pl
minolta srt101
Vision ECN2 320T film
accidentaly redscaled
expired (04?)
tetenal c41
remjet preremoved before shooting
Nikon FE
Nikkor 50 1.4 ais
Exposed in Daylight between 2pm and 4pm
Vision Cinema Pro 50D by Six Gates Films
Home processed in ECN-2 chemicals
#14reels
Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 200.
For this exposure I used a flashgun with a pale orange filter taped over it, the aim was to get a "natural" colour for near subjects, with the more distant objects left with the blue cast. Results were variable.