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This is the proximity of where 29 Aldgate High Street used to be, where Catherine Eddowes was arrested for drunkenness on the night of September 29 1888. She was arrested around 8 pm, & then released after sobering up around 12:55 am.
She was found murdered in Mitre Square nearly an hour later.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
fr.wikipedia.org/wiki/Ch%C3%A2teau_de_Sanzay
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Pentax Super ME
Film Santacolor 100 (Kodak Aerocolor)
Développement avec un kit Cinestill ECN2
The out of focus boxes of unused Colorplus 200 on the back that I used to be able to buy for almost nothing almost made me cry, Also the Heineken bottle caps from a time Heineken was still bitter around here...and affordable.
Taken> ~2015
Dev> ECN2 [2022]
Dig> Canon EOS 60D
First chrome film I developed in ECN2. Not as interesting results as processing chrome in C-41 but the film was already expired when I exposed it in 2011. Who knows...
I kinda remember this day.
Zenit DF300
Kodak Elite Chrome 100
Home Dev: ECN2
Duke's Place at night. Around the spot near the corner of the building on the left (the light reflecting on the square on the ground), is about the spot where Catherine Eddowes was seen with a man by the three men leaving the Jewish Imperial Club at 1:35am on September 30th 1888.
This corner was once known as Church Passage & it was a much narrower passage that led into Mitre Square.
Eddowes was found viciously murdered in the south west corner of Mitre Square by PC Edward Watkins at 1:45am.
At 1:40am, PC James Harvey entered Mitre Square through Church Passage, but stopped at the edge of the square. He saw nothing unusual, but his lantern would not have given him enough light to see the square completely.
I think it is probable that the Ripper was hiding in that dark corner when PC Harvey entered.
There has been more nonsense lately about some shawl that had DNA on it. Even without this claim, the shawl can be written off as bogus.
It was Mitochondrial DNA, which is only a match for a certain percentage group of the population. Its not a conclusive match.
The provenance of the shawl itself is nonsense. It was allegedly found by PC Amos Simpson who took it home as a gift for his wife before it could be cataloged.
With the times of witnesses I've written above, it makes it even more beyond probability for a third police officer to some how discover the scene before Watkins, & not only not catch the Ripper in the act, but instead decides to desecrate the scene & takes a piece of evidence home.
The Ripper inflicted a lot of damage to poor Eddowes. If Simpson some how stumbled upon the scene, there is no way he wouldn't have been caught.
PC Simpson was also with the Metropolitan Police. Mitre Square is in the jurisdiction of the City of London Police. He was not anywhere near the scene of the crime.
The City of London Police were pretty thorough in cataloging & recording the scene. If Eddowes had a shawl they would have cataloged it. This story about Simpson is drivel that only started with descendants.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
mju 1
fuji c200
ecn-2 and apollon scan by silbersalz.lab
03.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day
Une prise instantanée unique avec mon Pentax Super ME et un 28mm à mise-au-point manuelle
Pellicule Santacolor 100 (Kodak Aerocolor)
Développement Cinestill ECN2
Amélioration de la netteté sous Pica Ai
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Pentax Super ME
Film Santacolor 100 (Kodak Aerocolor)
Développement avec un kit Cinestill ECN2
Piano - 2015
First colour roll developed at home.
The scanner is dead. I'm building something to use a DSLR to do the job.
Pentax K1000
Kodak Colorplus 200
Dev. ECN2
Mitre Street at night, with Mitre Square on its left. At 1:45am on September 30 1888, PC Edward Watkins entered Mitre Square through Mitre Street & discovered the horrific murder of Catherine Eddowes (the spot is basically just behind the bushes on the left).
In 1888, the square was surrounded by buildings & was quite isolated. There were three entrances to the square, from Mitre Street, Church Passage (from the opposite side of the square on Duke Street), & St. James Passage.
There has been claims since a decade ago that Jack The Ripper was identified from DNA from some shawl found at the scene. This is not true.
The DNA was mitochondrial DNA, & it only matches a certain percentage group. Its not used to nail suspects.
Even without this DNA, the provenance of the shawl is beyond unbelievable. There was no shawl found at the scene.
The story is that PC Amos Simpson discovered the scene & took a shawl as a gift for his wife before it could be cataloged. Another story more recently (the shawl has been around for decades), is PC Simpson received permission from a superior to take it home.
There are too many flaws in these stories. Firstly, Mitre Square fell in the jurisdiction of the City of London Police. PC Amos Simpson was part of the Metropolitan Police. He would not have been anywhere near that area.
Secondly, the timeline of events of that night are too narrow for this rogue officer to discover the scene, take the shawl & not catch the Ripper in the act.
At 1:35 am, Catherine Eddowes was seen with a man at the entrance to Church Passage by the three men leaving the Imperial Club on Duke Street (Joseph Levy, Joseph Lawende & Harry Harris).
At 1:40am, PC James Harvey entered Church Passage into Mitre Square, but stopped at the edge of the square. He saw nothing unusual, but his lantern would not have given enough light to see in the dark corner where Eddowes was found. I think it is probable that the Ripper was hiding in the corner.
And of course, at 1:45, PC Watkins discovered the scene while entering from Mitre Street.
The Ripper inflicted so much damage to poor Eddowes that he only had a narrow window of time to do what he did & escape undetected. It is simply too improbable for PC Simpson to have come across the scene & instead of sounding the alarm, decided to take some bloody evidence instead.
The more recent claim about how he received permission to take this shawl before it could be cataloged is also ludicrous. The police were being heavily attacked by the press for not catching the Ripper. Had a superior let an officer from the Met take a piece of evidence, the press would have had a field day if they got wind of it.
This was also the same night that Sir Charles Warren, head of the Metropolitan Police, controversially ordered the graffito on Goulston Street before it could be photographed. He was concerned about anti-Jewish riots, which there were tensions about at the time before.
I was very disappointed when some Youtubers I really liked a lot, The Grimm Life Collective, did not do much proper research into the case & passed this shawl off as factual. They are usually very good with their research. This wasn't the only mistake they made though. They usually do excellent videos, but I've been soured on them because of how much they got wrong in their Ripper videos.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
Two of the many deteriorating houses on Officers’ Row at Fort Hancock on Sandy Hook. Hasselblad 500cm, Kodak Portra 160NC (220), expired Feb 2009, ECN-2 development.
I've been developing a decade's worth of film backlog. It's interesting to say the least.
Pentax K1000
Kodak Ultramax 400
Home Dev: ECN-2
Dig: Canon EOS 60D
Chamber Street at night. In the distance on the left is the railway arch where Frances Coles was found murdered at around 2:15am on February 13th 1891 by PC Ernest Thompson. Frances Coles was the last victim listed in the Metropolitan Police Files titled "The Whitechapel Murders."
This was taken in the early evening, but I was too frightened to walk further.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
svema ds4 shot at ei 6
developed in d76, then rehalogenated and developed in low temperature ecn2 chemistry
Obi’s Filling Station is a fun place to eat. The whole place is car themed. There’s even a table you can eat at that’s made of a car hood. Pentax 17, Harman Phoenix, ECN-2 development. Phoenix was absolutely the right choice to capture this wall.