View allAll Photos Tagged ecn2
New day new film. Recently I got some long expired Fujifilm F-64D cine film, which is supposedly have very fine grain, good resolution and daylight balanced. The results shows it aged pretty well.
Technical info:
- Camera: Zeiss Contarex Bullseye
- Lens: Zeiss Sonnar 85mm f2
- Film: Fujifilm F-64D cine film (expired, shot at ISO 25)
- Development: ECN2 home processing
- Scanning: Nikon Coolscan V with Nikon Scan
- PostPro: Adobe Lightroom
Three consecutive frames taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
At SFMoMA. The film is totally under-exposed. I guess I need to use the "night mode (crescent moon)" on the Pentax 17 instead of the P mode.
Technical info:
- Camera: Pentax 17 half frame
- Lens: Pnetax HD 25mm f/3.5
- Film: Kodak Vision 3 500T cine film
- Development: ECN2 home processing
- Scanning: Nikon Coolscan V with Nikon Scan
- PostPro: Adobe Lightroom
Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.
Nikon FE
Walimex Pro 14 2.8
Exposed in Daylight between 2pm and 4pm
Vision Cinema Pro 50D by Six Gates Films
Home processed in ECN-2 chemicals
#14reels
Two takes on the Ferris Wheel on the boardwalk in Ocean City, Maryland. This shot was taken with a Pentax 67, 105mm f/2.4 lens, CineStill 400D film pushed two stops to 1600, and ECN-2 development.
Testing expired Kodak Vision 3 50D and ECN2 chemistry
I find this film difficult to colour balance but found the easiest method was to use a curves adjustment layer created from a shot of a Gretag colour chart on this same film.
Nikon F3
28/2.8
Eastman 50D (expired)
ECN2 chemistry
Street photography San Antonio Texas
Leica MP
TTArtisans 28mm f5.6
Kodak 250D plus 1
Home developed in FPP ECN2 kit
20240622 MP 250D 065
minolta srt101
Vision ECN2 320T film
accidentaly redscaled
expired (04?)
tetenal c41
remjet preremoved before shooting
ECN2 - Kodak 50d in Caffenol, developed with Coffee, washing soda, 2 fresh tomatoes cut up and squeezed, leave for 4 days to stew, develop for 30 mins, constant agitation for first 5 mins, stand for 25. Fixed with Aquarium Dechlorinator overnight. No remjet removal required, washed right off after developing. Olympus Pen D, 35mm
Nikon FE
Walimex Pro 14 2.8
Exposed in Daylight between 2pm and 4pm
Vision Cinema Pro 50D by Six Gates Films
Home processed in ECN-2 chemicals
#14reels
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
New day new film. Recently I got some long expired Fujifilm F-64D cine film, which is supposedly have very fine grain, good resolution and daylight balanced. The results shows it aged pretty well.
Technical info:
- Camera: Zeiss Contarex Bullseye
- Lens: Zeiss Sonnar 85mm f2
- Film: Fujifilm F-64D cine film (expired, shot at ISO 25)
- Development: ECN2 home processing
- Scanning: Nikon Coolscan V with Nikon Scan
- PostPro: Adobe Lightroom
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Prueba 1 de una nueva lata
"Kodak Vision2 500T - motion picture film - type 5218"
kodak5218
kodak
kodakvision2
ecn2
kodakMotionPictureFilm
kodakvision2500t
500t
homedevelop
expiredfilm
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.