View allAll Photos Tagged ecn2
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Malcesine, Lago di Garda
Pentacon Six TL / Carl Zeiss Jena MC Flektogon 4/50 / Kodak Vision3 250D / ECN2
Malcesine, Lago di Garda
Pentacon Six TL / Carl Zeiss Jena MC Flektogon 4/50 / Kodak Vision3 250D / ECN2
kodak 5219 (vision 3 500t) developed in home-mixed ecn2 type developer
shot w praktica mtl 3 + helios 44-2
Nikon FE
Walimex Pro 14 2.8
Vision Cinema Pro 50D by Six Gates Films
Exposed in Daylight around sunset time
Home processed in ECN-2 chemicals
#14reels
Two consecutive frames taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
2011
Revelado color casero con química ECN2 cedida por Jorge Burning.
CÁMARA: Hasselblad 500CM
FORMATO: 120
PELÍCULA: Kodak Pro
ISO: 160
Nikon FE
Walimex Pro 14 2.8
Vision Cinema Pro 50D by Six Gates Films
Exposed in Daylight around sunset time
Home processed in ECN-2 chemicals
#14reels
Nikon FE
Nikkor 50 1.4 ais
Exposed in Daylight between 2pm and 4pm
Vision Cinema Pro 50D by Six Gates Films
Home processed in ECN-2 chemicals
#14reels
Revelado color casero con química ECN2 cedida por Jorge Burning. Gracias!!
Revelado cruzado xPro
CÁMARA: Hasselblad 500CM
FORMATO: 120
PELÍCULA: Kodak E100S (E6)
ISO: 100
Caducada 2002 revelada 2011
Sesión para el Sr. Diamante
Modelo: Iris
Pentax MZ-60 (S/N: 5505619)
SMC Pentax-FA 1:1.4 50mm (S/N: 4220696)
Kodak Vision3 500T
ECN2 processed by czarno-biale.pl
Neighborhood. First use of Kodak 5277. Developed in ECN-2 One Shot developer.
Kodak 5277 Vision 320T shot with Nikon with N90s with Auto Vivitar 21mm Wide Angle lens in T4 mount with Nikon adapter converted to AI. (no filter) Developed in one shot ECN-2 developer from linuxphreak2005 www.flickr.com/photos/132303390@N02/
DEVELOPER
Water 250ml 70-100f
Sodium Sulfite .5 gram
Potassium Bromide .35 gram
Sodium Carbonate 6.4 grams
Sodium Bicarbonate .70 grams
CD3 1 gram
I doubled the recipe for my tank.
Prebath was Kodak PB-1
Prebath 2 (PB-2)
Water 27 to 38°C (80 to 100°F) 800 mL
Borax (Decahydrated) 20.0 g
Sodium Sulfate (Anhydrous) 100 g
Sodium Hydroxide 1.0 g
Water to make 1 L
pH at 25.0°C (77.0°F) 9.25 ± 0.10
Stop was Kodak SB-14 (modifed)
Stop (SB-14)
Water 21 to 38°C (70 to 100°F) 900 mL
Sulfuric Acid (7.0 N) 50 mL
Water to make 1 L pH at 25.0°C (77.0°F) 0.8 to 1.5
(Added 5g/L Sodium Sulfite for clearing)
Potassium Ferricyanide Bleach
Ilford Hypam fix.
Times (As listed by linuxphreak2005
Dev 3mins@106f
Stop Bath 1Min 100f
Wash 1min 100f
Bleach 6Min 100-106
Wash 1min 100
Fixer 5min 100-106
Scanned with Canon 9000F
Post processing in photoshop.
20201129 in Ogden, Utah USA
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 200.
For this exposure I used a flashgun with a pale orange filter taped over it, the aim was to get a "natural" colour for near subjects, with the more distant objects left with the blue cast. Results were variable.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
2011
Revelado color casero con química ECN2 cedida por Jorge Burning.
CÁMARA: Hasselblad 500CM
FORMATO: 120
PELÍCULA: Kodak Pro
ISO: 160
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Nikon FE
Walimex Pro 14 2.8
Vision Cinema Pro 50D by Six Gates Films
Exposed in Daylight around sunset time
Home processed in ECN-2 chemicals
#14reels
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 200.
For this exposure I used a flashgun with a pale orange filter taped over it, the aim was to get a "natural" colour for near subjects, with the more distant objects left with the blue cast. Results were variable.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.
Double exposure taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
When I first processed the film I thought it was blank, but the partially removed remjet looked interesting, so I scanned the negatives before wiping off the dried remjet and re-scanning, which did manage to reveal some very faint images, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.