View allAll Photos Tagged ecn2

Kodak Vision 3 500T, shot on Olympus Mju II, developed in DIY ECN-2

Beacon 127 camera Kodak Vericolor film DIY ECN2

Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 200.

Camera: Canon AE1 Program

Film: Kodak Vision3 500T

Develop: Fuji RA4

Dilution: 1/29

Temp: 38 °C

 

Development times

 

remove rem-jet

Develop: 5´

Rinse: 2´

Stop: 1´

Rinse: 2´

Fix: 4´

Rinse: 4´

Photo-Flo:1´

 

Agitation 10 seconds every 1/2 minute

 

More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf

A lemonade shot. Old roll of color film, no expiration date, probably at least 25 years old. Overexposed and over-developed, but still faint. Wild color shifts. Perfect for experimenting!

 

Pentax PZ-10, Unknown Expired Film

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 200.

Olympus OM1n Kodak Vision2 250D DIY ECN2

Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.

Pentax K1000

Kodak Ektachrome Slide Dupe exp. 1981

DIY ECN2

EXPIRED 2009

 

ECN II

 

ISO 250

 

FUJI FRONTIER SP3000

EXPIRED 2009

 

ECN II

 

ISO 250

 

FUJI FRONTIER SP3000

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 200.

Malcesine, Lago di Garda

 

Pentacon Six TL / Carl Zeiss Jena MC Flektogon 4/50 / Kodak Vision3 250D / ECN2

Olympus Stylus 140 Zoom Fujifilm Color 100 DIY ECN2

Revelado color casero con química ECN-2 (cine) cedida por JorgeBurning. Mil gracias!

 

CÁMARA: Hasselblad 500CM

LENTE: Carl Zeiss Planar 2,8 80mm T*

PELÍCULA: Kodak Pro 120

ISO: 160

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

Fujica ST801 + Takumar SMC 50mm f1.4 + Fuji 8592 Reala 500D cinefilm

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 200.

For this exposure I used a flashgun with a pale orange filter taped over it, the aim was to get a "natural" colour for near subjects, with the more distant objects left with the blue cast. Results were variable.

"kodak vision2 200T color negative film 5217"

kodak5217

ek5217

200asa

NikonF4

ecn2

ecn-2

"kodak vision2"

kodak

 

EXPIRED 2009

 

ECN II

 

ISO 500

 

FUJI FRONTIER SP3000

2011

Revelado color casero con química ECN2 cedida por Jorge Burning.

 

CÁMARA: Hasselblad 500CM

FORMATO: 120

PELÍCULA: Kodak Pro

ISO: 160

EXPIRED 2009

 

ECN II

 

ISO 250

 

FUJI FRONTIER SP3000

Ondu 6x12 multiformat @ 6x12

Kodak Ektachrome Slide Dupe @ iso 25

DIY ECN2 x 4.5 min

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Minolta X700 Fujifilm F-500 DIY ECN2

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

Voigtländer Bessa 6x9

Kodak Portra 800 @ 1600

DIY ECN2 developer bleach bypass

Kodak Vision 3 500T, shot on Agus C3, developed in DIY ECN-2

Kodak Ektachrome Slide Dupe

exp. 12/1996

ISO 25

DIY ECN2 dev

Street photography San Antonio Texas

 

Leica MP

TTArtisans 28mm f5.6

Kodak 250D plus 1

Home developed in FPP ECN2 kit

 

Holga 120S Kodak Vericolor II Type L expired 1981 DIY ECN2

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

EXPIRED 2009

 

ECN II

 

ISO 500

 

FUJI FRONTIER SP3000

Minolta Maxxum 5 Kodak 2254 color duplicating film DIY ECN2. This was an experiment to see if I could remove the blue cast from the film. I shot it at 6 iso (It should be shot even lower - 3 or 1.6 - but camera only goes to 6). I added an 85b correcting filter (the same you use when shooting tungsten balanced film outdoors). It was a sunny morning in early March so there wasn't much natural color. I succeeded in removing the blue color, but the trade-off is that the shutter speed was so low there's a lot of camera shake in these photos.

Pentax K1000 Fujifilm Superia 400 DIY ECN2

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