View allAll Photos Tagged ecn2

Kodak Duaflex IV Kodacolor-X DIY ECN2. Room temperature ECN2 developer. 18 min with inversions for the first minute with 3 gentle inversions every minute after. Bleach for 5 minutes (same agitation schedule). Fix for 5 minutes (same agitation schedule). Rinse and photoflo as normal.

"Kodak Vision3 250D Color Negative Film 5207"

Kodak5207

400asa

kodak

kodakvision3

ecn2

kodakMotionPictureFilm

kodakvision3250d

homedevelop

expiredfilm

contax139q

"Yashica ML 50mm 1:1.9"

Film: Kodak Vision 250D

Camera: Olympus OM-10

Lens: Sakar 1:3.5 f=35-135mm

Saint-Petersburg, November 2023

Olympus 35RC; various emulsions devved in ECN2 chemistry

ECN 5274 Nikkor 50mm 1.4 diy processed with published formula

Neighborhood. First use of Kodak 5277. Developed in ECN-2 One Shot developer.

Kodak 5277 Vision 320T shot with Nikon with N90s with Auto Vivitar 21mm Wide Angle lens in T4 mount with Nikon adapter converted to AI. (no filter) Developed in one shot ECN-2 developer from linuxphreak2005 www.flickr.com/photos/132303390@N02/

 

DEVELOPER

Water 250ml 70-100f

Sodium Sulfite .5 gram

Potassium Bromide .35 gram

Sodium Carbonate 6.4 grams

Sodium Bicarbonate .70 grams

CD3 1 gram

 

I doubled the recipe for my tank.

 

Prebath was Kodak PB-1

Prebath 2 (PB-2)

Water 27 to 38°C (80 to 100°F) 800 mL

Borax (Decahydrated) 20.0 g

Sodium Sulfate (Anhydrous) 100 g

Sodium Hydroxide 1.0 g

Water to make 1 L

pH at 25.0°C (77.0°F) 9.25 ± 0.10

 

Stop was Kodak SB-14 (modifed)

Stop (SB-14)

Water 21 to 38°C (70 to 100°F) 900 mL

Sulfuric Acid (7.0 N) 50 mL

Water to make 1 L pH at 25.0°C (77.0°F) 0.8 to 1.5

(Added 5g/L Sodium Sulfite for clearing)

 

Potassium Ferricyanide Bleach

Ilford Hypam fix.

 

Times (As listed by linuxphreak2005

 

Dev 3mins@106f

Stop Bath 1Min 100f

Wash 1min 100f

Bleach 6Min 100-106

Wash 1min 100

Fixer 5min 100-106

 

Scanned with Canon 9000F

Post processing in photoshop.

 

20201129 in Ogden, Utah USA

   

Olympus Stylus 140 Zoom Fujifilm Color 100 DIY ECN2

Nikon F2

Kodak Ektachrome Slide Dupe (x-1981)

DIY ECN2

Minolta X700 28mm 1:2.8 lens Fujifilm F-500 DIY ECN2

Fuji Eterna 500t

Nikon FM2 |Kodak Vision2 | ECN2

ONDU 135 Pano Kodak 500T DIY ECN2

minolta srt101

Vision ECN2 320T film

accidentaly redscaled

expired (04?)

tetenal c41

remjet preremoved before shooting

Minolta Maxxum 5 Kodak Vision 2 500T shot at 320 iso with an 85b filter - DIY ECN2 developer

"Kodak Vision3 250D Color Negative Film 5207"

Kodak5207

400asa

kodak

kodakvision3

ecn2

kodakMotionPictureFilm

kodakvision3250d

homedevelop

expiredfilm

contax139q

"Yashica ML 50mm 1:1.9"

kodak5203 ecn2 iso100 hasselblad Xpan

minolta srt101

Vision ECN2 320T film

accidentaly redscaled

expired (04?)

tetenal c41

remjet preremoved before shooting

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Brownie 2a box camera

Vericolor II 70mm

DIY ECN2

14Reels test

 

The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.

 

A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance

Camera: Nikon F601

Film: Cinestill 800 iso 800

Dev: DIY ECN2 Kit

Scan: Epson V550

Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.

 

Street photography San Antonio Texas

 

Leica MP

TTArtisans 28mm f5.6

Kodak 250D plus 1

Home developed in FPP ECN2 kit

 

"Kodak Vision3 250D Color Negative Film 5207"

Kodak5207

400asa

kodak

kodakvision3

ecn2

kodakMotionPictureFilm

kodakvision3250d

homedevelop

expiredfilm

contax139q

"Yashica ML 50mm 1:1.9"

www.facebook.com/sixgatesfilmsmilano

 

we developed this great cinema film in real ECN2 chemistry in my kitchen. Nothing is impossible.

 

VisionCinemaPro 50D by Six Gates Films

self-developed in ECN2 at home.

epson v700

 

Nikon F5

micro nikkor ai 55mm

"Kodak Vision3 250D Color Negative Film 5207"

Kodak5207

400asa

kodak

kodakvision3

ecn2

kodakMotionPictureFilm

kodakvision3250d

homedevelop

expiredfilm

contax139q

"Yashica ML 50mm 1:1.9"

kodak5207 ecn2 iso250 leicaM6

Fuji Eterna ECN2 @ iso 400

cross processed C-41

Nikkormat Ftn

At SFMoMA. The film is totally under-exposed. I guess I need to use the "night mode (crescent moon)" on the Pentax 17 instead of the P mode.

 

Technical info:

 

- Camera: Pentax 17 half frame

- Lens: Pnetax HD 25mm f/3.5

- Film: Kodak Vision 3 500T cine film

- Development: ECN2 home processing

- Scanning: Nikon Coolscan V with Nikon Scan

- PostPro: Adobe Lightroom

Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.

 

leica m4-2 -voigtlander 28mm f2 - fuji250d-ecn2

Six Gates Films Vision Cinema Pro 500T

no filters

Nikon F3

Nikkor 20mm AI 2.8

self developed in ECN2 original chemistry

epson v700

 

leica m4-2 - voigtlander 28mm f2 - fuji250d- ecn2 -motion picture film

Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.

Six Gates Films Vision Cinema Pro 500T

no filters

Nikon F3

Nikkor AI 50mm 1.4

self developed in ECN2 original chemistry

epson v700

 

Camera: Canon AE1 Program

Film: Kodak Vision3 250D ie 200ASA

Develop: Fuji RA4

Dilution: 1/29

Temp: 40 °C

 

Development times

 

remove rem-jet

Develop: 4´

Rinse: 2´

Stop: 1´

Rinse: 2´

Fix: 4´

Rinse: 4´

Photo-Flo:1´

 

Agitation 10 seconds every 1/2 minute

 

More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf

Street photography San Antonio Texas

 

Leica MP

TTArtisans 28mm f5.6

Kodak 250D plus 1

Home developed in FPP ECN2 kit

 

"Kodak VISION3 250D Color Negative Film 5207"

kodak5207

kodak

kodakvision3

ecn2

kodakMotionPictureFilm

kodakvision3250D

homedevelop

expiredfilm

400asa

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

Testing ECN-2 Chemistry @ Six Gates Films Lab in Milan, on 21 rolls of SGF Cinema film.

 

Nikon FE + Ai-S 50 1.4

Ilford Fp4+ in Fomadon Excel

"Kodak VISION3 250D motion picture film 5207"

kodak5207

ecn2

ecn2film

kodakmotionfilm

Contax139Q

 

minolta srt101

Vision ECN2 320T film

accidentaly redscaled

expired (04?)

tetenal c41

remjet preremoved before shooting

5203 diy processed using published formula

Pentax K1000

Fuji Eterna Cine Film

DIY ECN2 developer

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

EXPIRED 2009

 

ECN II

 

ISO 160

 

FUJI FRONTIER SP3000

 

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