View allAll Photos Tagged ecn2

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Olympus OM1n Kodak Vision2 250D DIY ECN2

Tomatoes shot on Kodak Vision 3 500T in my Nikon F3 and processed with QWDLabs ECN2 developing kit at my studio. Any questions about the kit, feel free to ask!

"kodak vision3 200T color negative film 5213"

kodak5213

ek5213

200asa

NikonF4

ecn2

ecn-2

"kodak vision3"

kodak

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 400.

Five consecutive frames taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

14Reels test

 

The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.

 

A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance

Film: Kodak Vision 3 250D

Camera: Olympus Infinity Stylus Zoom 38 70

IE: 200 ASA

Time Develop: 4 min

Developer: RA-4

Temp: 37 C

Babiničy, May 2021

 

Expired Kodak Vision2 200T rated at 100

Nikon F4s + Nikkor 35 2

Minolta X700 45mm 1:2 Kodak Vision2 250D DIY ECN2 expired film

Leica M3, M-hexanon 28/2.8, Kodak vision 3 500t, ECN2

Voigtlander Ultron 50/2

Kodak Vision3 50D 5203

ECN-2

Kodak Vision 3 200T (Film for ECN2 process), developed for 3 minutes in RA4 (colour paper) chemistry. Test film, see this discussion.

Canon 33

Kodak Vision3 500T

Vivitar 28mm f2.5

 

Olympus OM-1

Cinestill 50D developed in ECN2

Malcesine, Lago di Garda

 

Pentacon Six TL / Carl Zeiss Jena MC Flektogon 4/50 / Kodak Vision3 250D / ECN2

EXPIRED 2009

 

ECN II

 

ISO 400

 

FUJI FRONTIER SP3000

Nikon F2

Kodak Ektachrome Slide Dupe (x-1981)

DIY ECN2

Aprendé a revelar tus rollos C41 y ECN2!!! Inscripción abierta hasta el 18 de febrero.

Nikon FE

Nikkor 50 1.4 ais

 

Six Gates Films Vision Cinema Pro 500T in ECN-2 chemistry

 

#14reels #24fpd

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Fukkatsu 400, developed in DIY ECN-2, shot on Pentax Auto 110

Camara: Canon AE1 Program

Película:Kodak Vision3 250D

  

Zeiss-Opton Biogon 35/2.8

Fuji Reala 500D 8592

ECN-2

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Pentax K1000

Fujicolor 100 (exp 2010)

DIY ECN2

Nikon F3

Six Gates Film 200T

Self-developed in ECN2

canon AE1P

canon fd 55mm f1.2

multi image filter

kodak vision 5201 50D expired

home brew diy ECN2

v600 scan

Olympus OM1n Fujicolor F500T 8572 Expired 8/200 DIY ECN2

New day new film. Recently I got some long expired Fujifilm F-64D cine film, which is supposedly have very fine grain, good resolution and daylight balanced. The results shows it aged pretty well.

 

Technical info:

 

- Camera: Zeiss Contarex Bullseye

- Lens: Zeiss Sonnar 85mm f2

- Film: Fujifilm F-64D cine film (expired, shot at ISO 25)

- Development: ECN2 home processing

- Scanning: Nikon Coolscan V with Nikon Scan

- PostPro: Adobe Lightroom

Pentax Espio 120 SW at 28mm on expired and frozen Kodak 250D.

Three consecutive frames taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

At SFMoMA. The film is totally under-exposed. I guess I need to use the "night mode (crescent moon)" on the Pentax 17 instead of the P mode.

 

Technical info:

 

- Camera: Pentax 17 half frame

- Lens: Pnetax HD 25mm f/3.5

- Film: Kodak Vision 3 500T cine film

- Development: ECN2 home processing

- Scanning: Nikon Coolscan V with Nikon Scan

- PostPro: Adobe Lightroom

Olympus OM1n Fujicolor F500T 8572 Expired 8/200 DIY ECN2

Minolta X700 45mm 1:2 Kodak Vision2 250D DIY ECN2 expired film

Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.

 

Vacaciones 2014.

Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

I used an Olympus XA camera, and set the meter to ISO 50.

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