View allAll Photos Tagged ecn2
kodak 5219 (vision 3 500t) developed in home-mixed ecn2 type developer
shot w praktica mtl 3 + helios 44-2
Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)
Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...
Dignan / Ackley ECN-2 (SCN-2) simple development
DEVELOPMENT SCHEDULE AT 75° F + ½° F •
Develop ................. 14 Minutes
Rinse ......................(two quick fills and dumps)
Short Stop
Remove Rem Jet Backing
Wash . . . . . . . . . . . 2 Minutes
Bleach . . . . . . . . . . 6 Minutes
Wash . . . . . . . . . . . 4 Minutes
Fix . . . . . . . . . . . . . 6 - 8 Minutes
Wash . . . . . . . . . . . 5 Minutes
DEVELOPER (One Shot)
Part A
Water (de-ionized) ................ 350.0 ml
Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams
Potassium Bromide ................... 0.5 gram
Sodium Carbonate (mono) ..... 12.5 grams
Part B
Water (de-ionized) ............... 100.0 ml
CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams
pH 10.25 . . . . . . . .. . . . . . . . . 10.25
Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.
SHORT STOP
Water ............................ 450.0 ml
Sodium Bisulfite . . .. . .. . 2.5 grams
Add water to ............... 500.0 ml
pH 4.5
COPPER SULFATE BLEACH
Water ........................... 400.0 ml
Copper Sulfate ...... . . . . 25.0 grams
Ammonium Chloride ... 25.0 grams
When mixed, add water to .. . . . . 500.0 ml
pH 3.0
Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS
New day new film. Recently I got some long expired Fujifilm F-64D cine film, which is supposedly have very fine grain, good resolution and daylight balanced. The results shows it aged pretty well.
Technical info:
- Camera: Zeiss Contarex Bullseye
- Lens: Zeiss Sonnar 85mm f2
- Film: Fujifilm F-64D cine film (expired, shot at ISO 25)
- Development: ECN2 home processing
- Scanning: Nikon Coolscan V with Nikon Scan
- PostPro: Adobe Lightroom
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Taken with a Praktica BC1 and Carl Zeiss Jena 2.4:/35 lens on Kodak Vision3 50D. The film was procesed in ECN2.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Nikon FE
Nikkor 50 1.4 ais
Exposed in Daylight between 2pm and 4pm
Vision Cinema Pro 50D by Six Gates Films
Home processed in ECN-2 chemicals
#14reels
Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
When I first processed the film I thought it was blank, but the partially removed remjet looked interesting, so I scanned the negatives before wiping off the dried remjet and re-scanning, which did manage to reveal some very faint images, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.
Test shots from a roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used a Lomography LC-Wide camera, and set the meter to ISO 200. Max sent me another roll, which I will try out in due course.
Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.
Kodak Vision 3 200T (Film for ECN2 process), developed for 3 minutes in RA4 (colour paper) chemistry. Test film, see this discussion.
FPP's kit develops both C-41 and Vision3 ECN2 Film.
filmphotographystore.com/collections/darkroom-supplies/pr...
Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)
Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...
Dignan / Ackley ECN-2 (SCN-2) simple development
DEVELOPMENT SCHEDULE AT 75° F + ½° F •
Develop ................. 14 Minutes
Rinse ......................(two quick fills and dumps)
Short Stop
Remove Rem Jet Backing
Wash . . . . . . . . . . . 2 Minutes
Bleach . . . . . . . . . . 6 Minutes
Wash . . . . . . . . . . . 4 Minutes
Fix . . . . . . . . . . . . . 6 - 8 Minutes
Wash . . . . . . . . . . . 5 Minutes
DEVELOPER (One Shot)
Part A
Water (de-ionized) ................ 350.0 ml
Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams
Potassium Bromide ................... 0.5 gram
Sodium Carbonate (mono) ..... 12.5 grams
Part B
Water (de-ionized) ............... 100.0 ml
CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams
pH 10.25 . . . . . . . .. . . . . . . . . 10.25
Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.
SHORT STOP
Water ............................ 450.0 ml
Sodium Bisulfite . . .. . .. . 2.5 grams
Add water to ............... 500.0 ml
pH 4.5
COPPER SULFATE BLEACH
Water ........................... 400.0 ml
Copper Sulfate ...... . . . . 25.0 grams
Ammonium Chloride ... 25.0 grams
When mixed, add water to .. . . . . 500.0 ml
pH 3.0
Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS
Tomatoes shot on Kodak Vision 3 500T in my Nikon F3 and processed with QWDLabs ECN2 developing kit at my studio. Any questions about the kit, feel free to ask!
"kodak vision3 200T color negative film 5213"
kodak5213
ek5213
200asa
NikonF4
ecn2
ecn-2
"kodak vision3"
kodak
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 400.
Five consecutive frames taken with a Lomography LC-W camera on Kodak Vision ECN2 320T film from Six Gates Films of Milan.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
14Reels test
The day when we dicided to splice 23 Six Gates Films Cinema rolls; process them in ecn-2, all together in Morse G3.
A huge mistake with the bleach turned all the rolls in a psychedelic magenta/green/cyan bunch of nuance
Film: Kodak Vision 3 250D
Camera: Olympus Infinity Stylus Zoom 38 70
IE: 200 ASA
Time Develop: 4 min
Developer: RA-4
Temp: 37 C
Kodak Vision 3 200T (Film for ECN2 process), developed for 3 minutes in RA4 (colour paper) chemistry. Test film, see this discussion.