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Kodak Vision3 250D - RA4
Camara AE1 Program - Vivitar Series 1 70-210 3.5 VMC
Prueba a pleno sol
Prelavado
Pelicula: Kodak Vision3 250D IE 200 ASA
Rollo 11-12(Procesado en tambor paterson de 2 rollos)
Temperatura: 41,5 °C
Revelador: 4,5´
enjuague: 2´
stop: 1´
enjuague: 2´
bleach: 4´
enjuague: 2´
fijador: 5´
enjuague: 2´
estabilizador: 1´
enjuague: 1
foto flu:1
Agitacion continua.
tambor en bañomaria junto a los quimicos por 1/2 minuto, el resto del tiempo se aplico agitancion continua.
Basado en este proceso. red-photo.xf.cz/ECP-ECN_PROCESS.pdf
Pentax MZ-60 (S/N: 5505619)
SMC Pentax-FA 1:1.4 50mm (S/N: 4220696)
Kodak Vision3 500T
ECN2 processed by czarno-biale.pl
This room evokes the mood of the ocean scenes from Fellini's films. Films such as Casanova & And the Ship Sails On, feature artificial ocean scenes with the ocean being made out of some material rather than using actual water.
It adds to the dreamlike & surreal nature of his work. They recreated this artificial ocean which can be seen on the floor.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
Planten un Blomen
Radisson Blue Hotel Tower in the background
Spring is coming
Silbersalz 050D (Cine Film)
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Pentax MZ-60 (S/N: 5505619)
SMC Pentax-FA 1:1.4 50mm (S/N: 4220696)
Kodak Vision3 500T
ECN2 processed by czarno-biale.pl
Looking for something for those bright days? Well, look at Vision3 50D; this beautiful fine-grained warm film offers up something that even regular colour negative films cannot offer, something under ASA-100 at box speed.
You can read the full review online:
www.alexluyckx.com/blog/2023/07/10/film-review-blog-no-97...
Nikon D750 - AF Nikkor 50mm 1:1.4D
Editor: Adobe Photoshop CC
Elbe Philharmonic Hall, Crane, and Street Lamp
Sandtorhafen Kaiserkai
Silbersalz35 050D
Motion Picture Film for Stills
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD5
Minolta Rokkor 50mm f/1.7
Test shots from the second roll of Kodak Vision ECN2 320T film that was kindly sent to me by Max Miedinger Max Miedinger.
This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.
The expected blue cast is due to the film being used in daylight without a correcting filter.
I used an Olympus XA camera, and set the meter to ISO 200.
canon AE1P
canon fd 200mm f2.8
multi image & color filters
kodak 5218 500T expired
home crew diy ECN2
v600 scan
Película: Kodak Visión 3 250D
Cámara: Olympus MJU1
IE: 200 ASA
Revelador: RA4
Tiempo: 4 minutos
Temp:37C
Rollo: 1-2
35mm kodak vision 3 500t film
There is no gap at all between the alternating flights as the banister turns sharply round, no gap for air or light, no breathing space.
Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)
Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...
Dignan / Ackley ECN-2 (SCN-2) simple development
DEVELOPMENT SCHEDULE AT 75° F + ½° F •
Develop ................. 14 Minutes
Rinse ......................(two quick fills and dumps)
Short Stop
Remove Rem Jet Backing
Wash . . . . . . . . . . . 2 Minutes
Bleach . . . . . . . . . . 6 Minutes
Wash . . . . . . . . . . . 4 Minutes
Fix . . . . . . . . . . . . . 6 - 8 Minutes
Wash . . . . . . . . . . . 5 Minutes
DEVELOPER (One Shot)
Part A
Water (de-ionized) ................ 350.0 ml
Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams
Potassium Bromide ................... 0.5 gram
Sodium Carbonate (mono) ..... 12.5 grams
Part B
Water (de-ionized) ............... 100.0 ml
CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams
pH 10.25 . . . . . . . .. . . . . . . . . 10.25
Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.
SHORT STOP
Water ............................ 450.0 ml
Sodium Bisulfite . . .. . .. . 2.5 grams
Add water to ............... 500.0 ml
pH 4.5
COPPER SULFATE BLEACH
Water ........................... 400.0 ml
Copper Sulfate ...... . . . . 25.0 grams
Ammonium Chloride ... 25.0 grams
When mixed, add water to .. . . . . 500.0 ml
pH 3.0
Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS
Hamburg Poststraße
Old Post Office
Film is not dead
#MinoltaXD5
#Minolta MD35-70 f/3.5
#Silbersalz 050D
#ECN2 developed and 14K scanned by Silbersalz35
Downsampled from super high to medium resolution
Fujicolor 100 expired 2010 shot @ iso 50
Nikkormat FTn + Nikkor 50/1.4
Dev in homemade ECN2 chemistry
jamesharrphoto.blogspot.com/2017/10/diy-color-dev-compari...
At an exhibition of historic bicycles
Details of a headlight
Analog times
When LED lamps had not yet been invented.
Kodak Ektar 100
ECN2 developed and 4K developed by Silbersalz35
Minolta XD5 manual focus
Minolta MD35-70 f/3.5
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For a change of pace, I loaded the film into my Zorki 4 range finder fitted with the standard Jupiter 8 50mm lens. While the camera has shortcomings it also has one huge advantage for me. Since I wear glasses that have ... #etbtsy
Continued on my blog: A Walk through East Aurora
Photographed with a 35mm Zorki 4 camera and Jupiter 8 50mm lens on Kodak Vision 3 250D color negative movie film, developed in ECN2.