View allAll Photos Tagged ecn2

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

leica m4-2 - fuji250d - canon 35mm 2.8 ltm

Kodak Vision 3 500T, shot on Olympus Mju II, developed in DIY ECN-2

Nikon F3

Six Gates Film 200T

Self-developed in ECN2

Testing expired Kodak Vision 3 50D and ECN2 chemistry

 

I find this film difficult to colour balance but found the easiest method was to use a curves adjustment layer created from a shot of a Gretag colour chart on this same film.

 

Nikon F3

55mm macro

Eastman 50D (expired)

ECN2 chemistry

RB67

127mm

Cinestill 50D developed in ECN2

www.facebook.com/sixgatesfilmsmilano

 

we developed this great cinema film in real ECN2 chemistry in my kitchen. Nothing is impossible.

 

VisionCinemaPro 50D by Six Gates Films

self-developed in ECN2 at home.

epson v700

 

Nikon F5

micro nikkor ai 55mm

Lomo LCA-120

Fuji CDUii iso12 duplicating film (www.ebay.co.uk/usr/northernfilm)

ECN2 kit (www.qwdlab.com/)

kodak 5219 (vision 3 500t) developed in home-mixed ecn2 type developer

 

shot w praktica mtl 3 + helios 44-2

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Leica M3, konica m-hexanon 28/2.8, 85b filter, kodak vision 3 500t (2011), ECN2 home development

Fukkatsu 400, developed in DIY ECN-2, shot on Pentax Auto 110

canon AE1P

canon fd 200mm f2.8

multi image & color filters

kodak 5218 500T expired

diy home brew ECN2

v600 scan

Kodak Vision 3 250D, @100, ECN2, Leica M4, konica m-hexanon 28/2.8

Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.

Camara: Minolta XD

Película:Kodak Vision3 250D

  

Nikon F2

Ektachrome Slide Dupe (x-1981)

DIY ECN2

Nikon F3

Six Gates Films Orwell BW @400 iso

developed in Tmax dev 7''

epson v700

 

almost all of this picture were taken by Luca (Laszlo K.) while i was developing.

 

it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.

 

Bottom line:

1)ECN2 is totally feasible for home processing

2) Morse G3 tank agitation could not be the best for these films.

3) we took a little step forward for DIY film photography

ONDU 6x9 rise Kodak Ektar 100 DIY ECN2 Quarantine Self Portraint

ECN II

 

ISO 250

 

FUJI FRONTIER SP3000

Kodak Vision 3 500T, shot on Agus C3, developed in DIY ECN-2

Sitting outside at a restaurant (The Starving Artist in Ocean Grove) for brunch two weekends ago. Pentax 67, Reflx Lab Pro 100 in 220 (respooled Kodak Aerocolor), ECN-2 development.

Kodak Vision 3 500T, shot on Argus C3, developed in DIY ECN-2

canon p - canon 35mm 2.8 Ltm- expired Fuji F250 (8552) Motion Picture Stock - Ecn2 processing

Pelicula: Kodak Vision2 200T expirada.

  

Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)

Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...

 

Dignan / Ackley ECN-2 (SCN-2) simple development

DEVELOPMENT SCHEDULE AT 75° F + ½° F •

Develop ................. 14 Minutes

Rinse ......................(two quick fills and dumps)

Short Stop

Remove Rem Jet Backing

Wash . . . . . . . . . . . 2 Minutes

Bleach . . . . . . . . . . 6 Minutes

Wash . . . . . . . . . . . 4 Minutes

Fix . . . . . . . . . . . . . 6 - 8 Minutes

Wash . . . . . . . . . . . 5 Minutes

 

DEVELOPER (One Shot)

Part A

Water (de-ionized) ................ 350.0 ml

Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams

Potassium Bromide ................... 0.5 gram

Sodium Carbonate (mono) ..... 12.5 grams

Part B

Water (de-ionized) ............... 100.0 ml

CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams

pH 10.25 . . . . . . . .. . . . . . . . . 10.25

Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.

SHORT STOP

Water ............................ 450.0 ml

Sodium Bisulfite . . .. . .. . 2.5 grams

Add water to ............... 500.0 ml

pH 4.5

COPPER SULFATE BLEACH

Water ........................... 400.0 ml

Copper Sulfate ...... . . . . 25.0 grams

Ammonium Chloride ... 25.0 grams

When mixed, add water to .. . . . . 500.0 ml

pH 3.0

Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS

Kodak Vision3 250D - RA4

Camara AE1 Program - Vivitar Series 1 70-210 3.5 VMC

  

Prelavado

 

Pelicula: Kodak Vision3 250D IE 200 ASA

Rollo 9-10(Procesado en tambor paterson de 2 rollos)

  

Temperatura: 41,2 °C

  

Revelador: 4,5´

enjuague: 2´

stop: 1´

bleach: 4´

enjuague: 2´

fijador: 5´

enjuague: 2´

estabilizador: 1´

enjuague: 1

foto flu:1

  

Agitacion continua.

tambor en bañomaria junto a los quimicos por 1/2 minuto, el resto del tiempo se aplico agitancion continua.

 

Basado en este proceso. red-photo.xf.cz/ECP-ECN_PROCESS.pdf

 

Minolta freedom vista, Kodak vision

Kodak Vision 3 500T, shot on Agus C3, developed in DIY ECN-2

Nikon F2

Kodak Ektachrome Slide Dupe (x-1981)

DIY ECN2

Kodak Vision 3/50D film developed in home-brew ECN2 chemicals

Had bad luck getting the color developer (compound CD-3) to dissolve in the developer solution, so I had to test a different mixing method. It worked!

 

Basically, CD-3 should be added before adding carbonate and bicarbonate to guarantee the CD-3 dissolves (and stays dissolved) when the carbonates raise the pH of the solution.

 

Exposed on Kodak Vision3 250D (Eastman 5207) with a Canon FTb + 50/1.4 lens; developed in ECN-2 chemistry.

remjet remove: Teaspoon of caustic soda in a quart of water, 3 minutes of very energetic agitation, then change the water until it came out clean. (came out only partially, once fixed remove the remaining film with a sponge and water shampo baby)

Develop: Kodak-RP X-OMAT-1:5 -

time: 6 minutes with stirring 5 seconds.

camera:Mamiya U

 

Various combinations of ISO 50 to 200, and there seems to be large differences in exposure.

 

Very dense negative, impossible to process in scanner. So I did test prints in enlarger light source with 250 W for 4 minutes slower paper fastened.

 

Pictures of the newly washed back into the bathroom

 

It's my first test development of film cross-processed film, black and white chemical xray developer Kodak

  

Not expecting much from this film processed in black and white chemicals but for my first try I'm satisfied. I have to accomplish remject completely remove the start next time. I would like to clarify the movie somehow to scan.

 

=====================================================

Primer intento de procesado en químicos blanco y negro de película Cine color KODAK VISION2 50D.

Primer paso Remover capa REMJECT

(1 litro de agua a 35 grados c + una cucharada sopera de soda caustica)

Me falto tiempo en el proceso de remover REMJECT, le di un baño enérgico de dos minutos, bote el gua salió muy negra y luego le di otro baño enérgico de un minuto al botar el agua salió magenta y me asuste, pensé que se me había pasado la mano y que quedaría el plástico pelado. Por lo que no seguí con los 3 baños de dos minutos que recomendaban.

4 minutos de enjuague enérgico también

6 minutos de revelado en revelador kodak de rayos X dilusion 1:6

3 o 4 minutos de enjuague enérgico

4 o 5 minutos de fijado

4 o 5 minutos de enjuague enérgico

Como aun quedaba remject lo removí frotando muy suavemente con una esponja en una mescla de agua + shampoo de bebe.

Enjuagado y colgado de película

Sorpresa! muy muy oscura solo se logra ver con una potente luz del otro lado.

No se puede escanear aun que la película se ve bien expuesta con información pero muy muy densa

Si se pudo imprimir en ampliadora durante 5 minutos con una ampolleta de 250W con diafragma abierto en un papel foma muy lento que tengo, tengo que probar con uno mas rápido para disminuir este proceso y buscar alguna forma de blanquear la película.

 

Foto tomada con una digital a la impresión recién colgada en la pared del baño.

 

EXPIRED 2009

 

ECN II

 

ISO 200

 

FUJI FRONTIER SP3000

Nikon F3

Six Gates Film 200T

Self-developed in ECN2

EXPIRED 2009

 

ECN II

 

ISO 500

 

FUJI FRONTIER SP3000

Kodak Vision 3 500T, shot on Agus C3, developed in DIY ECN-2

Kodak Vision 3 500T+3 + F100

A newly placed plaque for Martha Tabram at the City of London Cemetery taken with my Daguerreotype lens from Lomography. I placed the flower here.

 

Nikon F4. Mr. Negative 50D 35mm ECN2 film.

Minsk, Sep. 2021

 

Kodak Vision3 50D

Nikon F4s + Nikkor 35 2

EXPIRED 2009

 

ECN II

 

ISO 400

 

FUJI FRONTIER SP3000

Camara: Canon AE1

Film: Kodak Vision3 250D

  

Revelado

Revelador RA4

Temperatura: 38 grados

 

Remojo: 2minutos

Rem-jet: 2 minutos

Revelador: 3,5 minutos (Dilusion 1:29)

Blanqueador: 6 minutos

Fijador: 3,5 minutos (Dilusion 1:29)

Estabilizador: 6 minutos

Agitación suave y continua

 

Se agrego 10cc de peróxido de hidrógeno(agua oxigenada corriente) por litro de revelador para aumentar el contraste.

 

Taken with an Olympus XA4 camera using Kodak Vision ECN2 320T film from Six Gates Films of Milan.

This film stock was made for cinematography, and is balanced for Tungsten light and uses the ECN-2 process. The film has a sticky black "Remjet" coating which must be removed, and prevents the film being processed in a standard C41 lab. I used my exhausted Tetenal C41 kit so as not to risk spoiling a new batch.

The expected blue cast is due to the film being used in daylight without a correcting filter.

When I first processed the film I thought it was blank, only after scanning was some detail visible, this is probably because the Tetenal C41 chemistry is exhausted, as I achieved denser negatives from a previous roll of the same film.

Malcesine, Lago di Garda

 

Pentacon Six TL / Carl Zeiss Jena MC Flektogon 4/50 / Kodak Vision3 250D / ECN2

EXPIRED 2009

 

ECN II

 

ISO 200

 

FUJI FRONTIER SP3000

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