View allAll Photos Tagged ecn2
Camera: Nikon F601 50mm f1.8
Film: Kodak 400 @ iso 200
Dev: ECN2.
This chair was sitting on the nature strip just off Cullen Ave on my way to work last week. Not in shot was a flat bed tow truck sitting to the right, waiting for his next accident. The driver was watching me, I can only guess what he was thinking when I walked pat the cab and started taking photos of this random chair under a tree. I nodded at him, got back in my car and continued on. He must have thought"did that realy just happen".
This is from a film I forgot to develop and found in my fridge. Taken this January just after the new year in New town Sydney NSW Australia. I went for a late night walk through the high street of New town with my Pentax ME F with a 50mm F1.4 lens loaded with Kodak Vision 3 tungsten 500 T film hand held at night at F1.4.
Developed at home with a ECN2 developer and remjet removal solution then a standard C41 bleach and fix solution.
Scanned on my Epson V600 scanner.
I have just realised there is a reflection for Domino's pizza in the left side of my picture, so its a proper pizza restaurant with a Domino's opposite. i know which one I would go for.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
minolta srt101
Vision ECN2 320T film
accidentaly redscaled
expired (04?)
tetenal c41
remjet preremoved before shooting
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Always great to see some extra creativity with business signage, like the Bruce's Automotive sign here. It brings me back to the days of Route 66 when signage was essential to grab the ... #etbtsy
Part of the East Aurora Walking Series, this one on color cinema film.
Continued on my blog: A Walk through East Aurora
Photographed with a 35mm Zorki 4 camera and Jupiter 8 50mm lens on Kodak Vision 3 250D color negative movie film, developed in ECN2.
kodak 5219 (vision 3 500t) developed in home-mixed ecn2 type developer
shot w praktica mtl 3 + helios 44-2
2011
Revelado color casero con química ECN2 cedida por Jorge Burning.
CÁMARA: Hasselblad 500CM
FORMATO: 120
PELÍCULA: Kodak Pro
ISO: 160
Testing expired Kodak Vision 3 50D and ECN2 chemistry
I find this film difficult to colour balance but found the easiest method was to use a curves adjustment layer created from a shot of a Gretag colour chart on this same film.
Nikon F3
28/2.8
Eastman 50D (expired)
ECN2 chemistry
kodak 5219 (vision 3 500t) developed in home-mixed ecn2 type developer
shot w praktica mtl 3 + helios 44-2
Kodak Vision3 250D - RA4
Camara AE1 Program - Vivitar Series 1 70-210 3.5 VMC
Prueba a pleno sol
Prelavado
Pelicula: Kodak Vision3 250D IE 200 ASA
Rollo 11-12(Procesado en tambor paterson de 2 rollos)
Temperatura: 41,5 °C
Revelador: 4,5´
enjuague: 2´
stop: 1´
enjuague: 2´
bleach: 4´
enjuague: 2´
fijador: 5´
enjuague: 2´
estabilizador: 1´
enjuague: 1
foto flu:1
Agitacion continua.
tambor en bañomaria junto a los quimicos por 1/2 minuto, el resto del tiempo se aplico agitancion continua.
Basado en este proceso. red-photo.xf.cz/ECP-ECN_PROCESS.pdf
The latest film stock from CineStill, known for their trademark stripping of remjet from Kodak motion picture film, 400D, dropped last year with great fanfare. While the exact base stock is unknown, the results speak for themselves. And when they say that the D stands for Dynamic, they're on point.
You can read the full review online:
www.alexluyckx.com/blog/index.php/2023/01/09/film-review-...
Mamiya m645 - Mamiya-Sekor C 1:2.8 f=80mm - CineStill 400D @ ASA-200
FPP Super Color Negative ECN-2 Kit
Meter: Gossen Lunasix F
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
This room evokes the mood of the ocean scenes from Fellini's films. Films such as Casanova & And the Ship Sails On, feature artificial ocean scenes with the ocean being made out of some material rather than using actual water.
It adds to the dreamlike & surreal nature of his work. They recreated this artificial ocean which can be seen on the floor.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
Planten un Blomen
Radisson Blue Hotel Tower in the background
Spring is coming
Silbersalz 050D (Cine Film)
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Nikon FE
Walimex Pro 14 2.8
Vision Cinema Pro 50D by Six Gates Films
Exposed in Daylight around sunset time
Home processed in ECN-2 chemicals
#14reels
Not everything I shot on the boardwalk was abstract. Contax III, Original Wolfen NC400 Color, ECN-2.