View allAll Photos Tagged ecn2
canon AE1P
canon fd 55mm f1.2
multi image filter
kodak 5212 100T expired
double exposure
home brew diy ecn2
v600 scan
In the Spa Gardens of Bad Oeynhausen
Winter says goodbye
Fujifilm c200 (made in USA)
Minolta Dynax 500SI
Minolta AF 35-70
ECN2 developed and 4k scanned by SILBERSALZ35
Bathroom selfie. Aputure MC Pro used as key light.
Cinema scanned via Cintel. Edited in Photomator. Leica M-A / 250D / 50mm Summicron.
This is a filming location from Federico Fellini's The White Sheik. In the scene, the character Ivan is unable to find his wife & sits on the fountain crying.
Two prostitutes (one is Cabiria, played by Giulietta Masina, who would reprise the role in Nights of Cabiria), come across & try to cheer him up.
Nikon F4. AF Nikkor 24mm F2.8D lens. Mr. Negative 200T 35mm ECN2 cinema film.
Taken with my Daguerreotype lens from Lomography.
Durward Street used to be called Buck's Row, & was where Mary Ann Nichols became a victim of Jack The Ripper on August 31 1888. The spot where she was found it about where the street light is behind the tube station. This building on the right overlooked the spot when it happened.
Nikon F4. Mr. Negative 250D 35mm ECN2 film.
Testing expired Kodak Vision 3 50D and ECN2 chemistry
I find this film difficult to colour balance but found the easiest method was to use a curves adjustment layer created from a shot of a Gretag colour chart on this same film.
Nikon F3
28/2.8
Eastman 50D (expired)
ECN2 chemistry
City Hall and a few of Hamburg's main churches and spires.
City Hall on the left and St. Catherine Church on the right.
Shot from the Plaza of the Elbe Philharmonic Hall (Elbphilharmonie)
The spire of St. Nicholas Church (Nikolai Memorial, only the tower and a small part of the church's ruin is standing) remains the tallest with 147 m (482 ft.)
Silbersalz 050D (Cine film)
ECN2 developed and 4K scanned by Silbersalz35
Minotla XD5
Minolta MD35-70 f/3.5
Some of Fellini's drawings projected in this room. I can't remember which room this is.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.
This is from a film I forgot to develop and found in my fridge. Taken this January just after the new year in New town Sydney NSW Australia. I went for a late night walk through the high street of New town with my Pentax ME F with a 50mm F1.4 lens loaded with Kodak Vision 3 tungsten 500 T film hand held at night at F1.4.
Developed at home with a ECN2 developer and remjet removal solution then a standard C41 bleach and fix solution.
Scanned on my Epson V600 scanner.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
Night shot of Henriques Street, which used to be Berner Street & is where Elizabeth Stride became a victim of Jack The Ripper in the early hours of 30th September 1888.
The gated entrance to Dutfield's Yard, which she was found inside, used to be along the right at the end of the gate on the right & toward the second tree.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
This is from a film I forgot to develop and found in my fridge. Taken this January just after the new year in New town Sydney NSW Australia. I went for a late night walk through the high street of New town with my Pentax ME F with a 50mm F1.4 lens loaded with Kodak Vision 3 tungsten 500 T film hand held at night at F1.4.
Developed at home with a ECN2 developer and remjet removal solution then a standard C41 bleach and fix solution.
Scanned on my Epson V600 scanner.
Film: Kodak-Vision2- 250D
IE: 200ASA
Camera: Canon AE1 - Vivitar 70-210-Macro
Time Develop: 4 min
Developer: Fuji RA4
Temp: 37 C
----
Minolta Dimage Scan Multi PRO
camera > Kiev 3a (1958)
lens > Jupiter 8 1:2 (1958)
film > Vision Cinema Pro 250D Daylight (Six Gates Films) 250iso
www.flickr.com/groups/2379501@N20/
www.facebook.com/sixgatesfilmsmilano/app_144228972310103
remjet removal 1 > Sodium Carbonate 1 tespoon 1lt water 35°C agitation continued, 10min about, wash with running water 35 °C 5min.
development > Tetenal Colortec C41 38 °C 3min 30sec.
stop > Kodak Stopbath 1+9 38 °C 30 sec.
fix&blix > 4min 38 °C
remjet removal 2 > try, with running water 35 °C and buckskin
stab > 1min 35 °C
scanned > Epson V600
Milldale, Peak District.
Minolta Dynax 5
Fuji Eterna 64D (expired) Developed in Bellini ECN2 kit, Sony Mirrorless scan,
Processed in grain2pixel (PS).
Camera: Minolta XD
Film: Fujifilm Super F Series 250D
Develop: Fuji RA4
Dilution: 1/29
Temp: 38 °C
Development times
remove rem-jet
Develop: 5´
Rinse: 2´
Stop: 1´
Rinse: 2´
Fix: 4´
Rinse: 4´
Photo-Flo:1´
Agitation 10 seconds every 1/2 minute
More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf
Expired Fuji Eterna Motion picture Ecn2 film 500T shot at 400asa with an 85A filter.
Minolta 700si and Beercan.
Developed in Bellini Ecn2 kit,
Scanned using the Pixl-latr x Valoi hybrid holder and converted in Grain2pixel.
Película: Kodak Visión 2 500T
Cámara: Canon EOS 500
Objetivo: 50 MM FD 1.8 con adaptador FD a EOS sin cristal.
IE: 400 ASA
Revelador: RA4 (echo en agua destilada,primera prueba)
Tiempo: 4 minutos
Rollo: 1-2
Camera: Canon AE1 Program
Film: Kodak Vision3 250D ie 200ASA
Develop: Fuji RA4
Dilution: 1/29
Temp: 39,4 °C
Development times
remove rem-jet
Develop: 5´
Rinse: 2,5´
Stop: 1´
Rinse: 3´
Bleach: 5´
Rinse: 3´
Fix: 5´
Rinse: 3´
Stabilizer: 1´
Rinse: 3´
Photo-Flo:1´
Agitation 10 seconds every 1/2 minute
More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf
Deutschland
Segelschulschiff Deutschland
Bremerhaven, Havenwelten, Sail 2024
Film is not dead.
Minolta XD5
Minolta MD35-70 f/3.5
Kodak Gold 200
ECN2 developed and 4K scanned by Silbersalz35
This was a recent client shoot I had a couple weeks back. I ended up wanting to try Kodak's Vision3 film but having it developed in ECN2 instead of C41. Had the courage to make my own ECN2 chemistry and I'm really excited about the results. There's some smaller fine tuning I can do in the developing process, such as finding an effective way of removing remjet, but other than that I'm really happy!
Rolleiflex 3.5F / Kodak Vision3 250D film
Homebrew ECN2 dev
Patriotische Gesellschaft
de.wikipedia.org/wiki/Patriotische_Gesellschaft_von_1765
Analog photography
Film is not dead
Kodak Gold 200
ECN2 processed and 4K scanned by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Camera: Olympus OM2 SP
Film: Kodak Vision2 50D ie 40ASA
Temp: 38 °C
Development times
remove rem-jet+wash: 5´
Develop: 4,5´
Rinse: 2´
Stop: 1´
Rinse: 2´
Bleach: none
Rinse: 2´
Fix: 5´
Rinse: 2´+2´+2´+2´+
Stabilizer: none
Photo-Flo:1´
Agitation initial 30 seconds
Agitation 10 seconds every 1/2 minute
More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf