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this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
edited by Janet Uren.
Ottawa, National Arts Centre, for december 1996-january 1997.
56 pp printed, offset. 5-5/16 x 8-3/8, stapled wrappers.
programme for the NAC w/ cover graphic by Paula Taaffe. variant w/ the 12 pp programme for The Dangerous Kitchen bound in, a performance of 16 works by Frank Zappa by the 16-piece ACREQ ensemble under the direction of Alain Thibault & conducted by Walter Boudreau, w/ a brief essay on Zappa by Louise Morand. laid in are the National Arts Centre's programme for the same period (2o pp offset, 4 x 8-7/8, stapled selfwrappers folded in half; 1/8th page ad w/ oval-cropped Greg Gorman portrait & a paragraph's description), the Generations X,Y&Z programme for 3-1o january 1997, in which series the concert occurred (1o pp offset, 3-1/2 x 8-1/2, leaflet; 1/3rd of a page ad w/ the same text & uncropped Gorman portrait), & a 2-5/8 x 2 dotmatrix over offset ticket stub for january 3 at 19:3o.
1o.oo
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Doug Pike continues his mastery of the drumstick twirl while waiting on the video crew to get set up.
Photo by Mark Smith
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Drummer is hiding in this shot though you can see a drumstick making a move. Everyone is hardcore into their playing and it was awesome.
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
Názov: Tlačiareň Seikosa SP 180 AI
Autor: Bramfelder Hamburg
Rokvydania: 1984
ISBN:
Jazyk: EN
Formát: A5
Strán: 134
Vydavateľ:JAPAN
owner-s manual
I was lost as Hell in Fortville, a nice local guy tried to give me directions and I eventually found the road I was looking for.
the second dotmatrix project event was a blast. both carolina clearwater and old stone revue flexed their talents.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
2009-09-05
Nikon F2
Nikon Pre-Ai 50mm f/1.4 lens
Ilford Delta 100 (200-push) 35mm film
Acufine developer
~ 20ºC ~ 6min
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The parts for the first stage in assembling the mechanism. The 2 side plates and a bearing that is fitted on the inside face of each.
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
Top: How DLR (DAISY) Train Describers display information messages - these messages take up the majority of screentime these days, leaving next to no time for 'Next Train' information.
Bottom: How such messages could be displayed in a much more satisfactory manner.
Názov: Cut Sheet Feeder for Microline 192/193/292/293
Autor: OKI TOKYOJapan
Rok vydania: 1987
ISBN: M-520440
Jazyk: EN
Formát: A5
Strán:22
Vydavateľ: JAPAN
Printer Handbook
by Neil Hennessy.
[Brampton?], Poetic Immolation Press, after june 2oo1. unnown number of unique copies.
8-1/2 x 5-1/2, 13 sheets dark-flecked grey bond in buff mayfair card covers, 2-hole punched at right & bound with 3-1/8" Acco aluminum clasp binding, interiors printed black laser rectos only, with 6 x 4 Konika colour photograph in black plastic photocorners on front cover unique to each copy (manufacturer's grey dotmatrix print on verso with Hennessy's blue ballpoint title) with 3-7/16 x 11/16 white bond label printed black laser mounted alonside at left.
includes:
i) Acknowledgements (prose with reference to bpNichol via "St. An Bevington")
reference to Saint An
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith