View allAll Photos Tagged dotmatrix
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
I've seen descriptions of bike and cars that print messages on pavement. The messages were mostly personal and mostly in English. My google-fu failed me and I can't find any information about who put them there, and why.
Vicissitude for dotMatrix - Feb 26, 2016
Choreographer: Melodie Carr
Live Digital Performer: Petronio Dendito
Dancers: Brooke Bloom, Amelia Kramer, Savannah Werne
Professinal digital MP3 recorder
This new product will be lounched for
USA market on NOV of 2010.
New DAR-101 has added a telephone recording interface and extra voice reminder than primary concept.
the microphone recorder add dual AGC, one for maximum level limitation, another one make the recording level keeping stable even if the voice source come from far away.
1. recorder interface: SD card
2. USB jack for playing MP3/WMA media
3. DC-IN AC9V by AC adaptor, DC-IN 9V 0.7A is also workable.
4. high sensitivity stereo microphone with dual AGC
5. I/O interfaces:
LINEOUT
LINEIN
REC remote
Digital OUT
Stereo Microphone Input 6.5mm D
DC-IN/AC-IN power source
Telephone input interface
headphone out
6. mode selector: Telephone/Music/reminder
7. output power: 1W (battery) 1.5W (AC9V)
8. recording frequency response: 40~16kHz (-3dB)
9. display: STN dotmatrix 128*32 reversed type with white back light
10 play mode: repeat 1/folder/all/random
11. Repeat A/B
12. USB/SD support MP3 and WMA up to 32GB
13. Batteries: AAA/UM-3 x4
14. battery Charging current: 0.5A +-0.1A
15. recording bit rate: 64k/128k/192k
16. file broswer function
17. timer recorder x1
18 standby recording by external remote interface.
19 auto level limitation for Line in recording.
20. record S/N ratio>85dB
21. upgradeable software
22. realtime clock
23. timer play
24. speaker: 3 inches full range (same speaker as ATS-909X)
25. recording format: MP3 only in SD card.
26. can connect to ATS-909 and CCR2 radio which has standby rec control interfaces for external timer recording.
HOT LIGHTS!!!!!!!!!!!!! Gotta love the concentration and the look of peace between loud and beautiful Punk music. Doesn't happen too often and with the 40D motor driving it, I got about 10 images of it happening. Hell yeah.
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Computer Poems. by bpNichol.
Toronto, Underwhich Editions, 28 september 1984. 1oo copies numbered & signed, issued as Software Series 1.
a 5-1/4 x 5-1/4 plastic floppy disc (compatible with Apple 2e of ago) in paper pocket, both with dotmatrix labels, in 8-11/16 x 11-15/16 pocketed folder with interior & exterior labels & 8-1/2 x 11 photocopied broadside A Few Notes opposite.
animated concrete poetry. this was posthumously reprinted by Red Deer College Press as a now equally-obsolete miniharddisc; "for the collection".
25o.oo SOLD
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
At work today, this typewriter was in one of several office dumpsters, along with other gems such as strap-on, office chair lumbar support cushion, and a barely used box of transparent copier sheets for use on an overhead projector.
An overhead projector.
I would have loved to have had a typewriter this nice when I was in college in the 1990's.
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
Model SSD0132-0030, data sheet dated 1972, display date coded 1976 week 23. Tricky to get a good shot of this, but it's a white ceramic chip on the PCB, with gold plating.
Názov: Tlačiareň STAR LC-20
Autor: Star Micronics Japan
Rokvydania: 1990
ISBN: 80820466
Jazyk: EN
Formát: A5
Strán: 120
Vydavateľ: JAPAN
user-s manual
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon