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So this dude was totally in the moment and I always wanted a shot where I could be ungodly close to a performer with a UWA. Needless to say it made his bass look HUGE
Micah Moore films drummer Brennan O'Brien for another great Dot Matrix music video. Photo byElizabeth Lemon
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
Hehehehe. How AMAZING is this??
This is the first paragraph from a letter from my mom at Christmas time, written to me from her visit to my stepfather's family in Chicago. Sadly, it is undated, but I know that it was written no later than 1986. More likely 1985 or 1986.
Dig that rad fancy paper too. A few years later, it turned out that a Kaypro was the first computer that we had and it was a doozy!
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Kevin Belton
a fictional issue. edited by jwcurry.
Ottawa, Curvd H&z, 9 january 2ooo. 96 unique numbered copies issued as Curvd H&z 446.
44 pp/3o printed, mimeo over found offset, dotmatrix & used mailing envelopes. 9 x 12, various-sized sheets sewn into wrappers with cover label.
prose by Al Ackerman, Bill Bissett, Daniel F.Bradley, curry, M.B.Duggan, M.A.C.Farrant, Laurent Fels, Gerry Gilbert, Mark Laba, James Loverde, Sheila E.Murphy, D.M.Owen, Richard Truhlar, David UU, Steve Venright; cover photo by Mike Bonner.
45.oo
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
The simple control panel. LEDs for power/error and paper out. And a switch to restart the printer after reloading the paper.
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Scan from 1984's "The Complete Commodore 64" Edited by Allan Scott. From the collection of K. View larger size for best effect.
the third dotmatrix project event was a shoegazing fest. andrew dudek brought the white sheets and pants, and both dawn chorus and citified rocked the night away.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
One of my favorite extracurricular activities in Easton has to be joining friends from work for food and beverage at Porter's. Porter's has quite a selection of beer and if you drink everyone of them you will be provisioned a metal stein to hang in their pub. So, prior to ordering we always print off our beer record using this really old program and this equally old dot matrix printer. It sounds loud when it prints, but it works like a charm. Dot matrix printing may not be precisely smooth, but it almost always works.
(I'm probably about halfway through the list.)
Back in the days before laser printing, the Internet and 8-bit graphics, we made our pictures with ASCII characters.
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Passenger information matrix sign for the 11:45 Abellio Greater Anglia departure to Cromer and Sheringham at Norwich Railway Station in Norfolk (UK).
Model SSD0132-0030, data sheet dated 1972, display date coded 1976 week 23. It needs a 250V DC power supply, amongst others, so this one will be more tricky to get working.
Názov: Drukarka Mozaikowa D-100M – katalog dielov
Autor: Polsko
Rok vydania:
ISBN: 77KC0001–011
Jazyk: PL
Formát: A4
Strán: 32
Vydavateľ: PL
katalog szesci skladowych
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Stephen Charles
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard