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The Numbers and a big fan. From the May 18th 2010 benefit show at the Greene Street Club.
For more details visit www.oftenawesome.org/ and www.oftenawesome.com
Photo by Mark Smith
Someone apparently made use of the printer and The Print Shop software I left running in the hackerspaces room
edited by Geof Huth.
Horseheads, Dbqp, 3o january 1988. 1oo copies issued as dbqp 21 in 2 equal variants:
a) 5o copies with diagonal slash on front cover formed from printed areas;
b) 5o copies with diagonal slash on front cover formed from unprinted areas.
4-1/8 x 2, 7 sheets plain offwhite waxed backing sheets, perforated 4 times along right edge, with a pair of 3-1/2 x 15/16 white bond labels each printed black dotmatrix & alternating red & black rubberstamp, stab-stitched red & black in 3 stitches into 2-1/2 x 2-1/2 pink manila card endsheet printed ballpoint, black recto only on front/red verso only rear, & 4-1/4 x 3-1/8 white bond wrappers printed black & red rubberstamp outside covers only, some copies over found blue offset strip along top of front cover.
cover by Geof Huth.
7 contributors ID'd:
John M.Bennett, Greg Evason, Crag Hill, Wharton Hood, Geof Huth, Karl Kempton, M.Kettner.
curry contributes:
i) "receding train", as by "Wharton Hood" (poem, sheet 4)
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
Print: 15.5" x 19.5"
White matt, no frame
Price: $40
Photographer: Kevin Belton
All proceeds go to the American Red Cross.
If you'd like to purchase this print, please contact Sean Coon
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
THE HOT LIGHTS CAME ON THANK GOD...seriously...it was so dark and when LIGHT came I was all over that shit. He was pretty in the moment and it helped make a pretty epic shot with the lens flare coming in CL and the color noise coming in ALL OVER THE PLACE.
[by Judith Copithorne; photograph by jwcurry. Kingston, Puddles Of Sky Press, october 2o13. 1oo copies issued as part of Illiterature #3; not released separately].
6 x 4, white semigloss Kodak broadside printed colour photography, with found black dotmatrix rear.
by bpNichol.
[Toronto], Ganglia Press, 21 december 1983. 5o copies, of which the 1st 1o were released unnumbered, copies 11-5o machine-numbered on front cover - this is one of the latter copies, printed out early 1984 - issued as grOnk Zap 3.
5o pp/23 printed, dotmatrix. 9 x 11-1/4, side-stapled plain acetate wrappers.
the best printed bibliography of the press yet, despite its glitches, omissions & errors (copies later in the run incorporated further corrections).
125.oo
Annabeth made a paper robot from old dot matrix printer paper (very fitting). I think this thing is just awesome.
It's early (you can tell because there's room to move....that went away by about 10 min into the set) so Renee Mendoza, David Moore, and Bruce Piephoff are working with the
monkeywhale crew.
Photo by Mark Smith
Názov: Tlačiareň OKI Microline 393/393C
Autor: OKI TOKYO Japan
Rokvydania: 1989
ISBN: M-520510
Jazyk: DE
Formát: A4
Strán: 88
Vydavateľ: JAPAN
Benut-zerhandbuch
All Aces' Micah Moore catches Jimmy Tremor at the top of his game for the live video.
Photo by Mark Smith
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
edited by Janet Uren.
Ottawa, National Arts Centre, for december 1996-january 1997.
56 pp printed, offset. 5-5/16 x 8-3/8, stapled wrappers.
programme for the NAC w/ cover graphic by Paula Taaffe. variant w/ the 12 pp programme for The Dangerous Kitchen bound in, a performance of 16 works by Frank Zappa by the 16-piece ACREQ ensemble under the direction of Alain Thibault & conducted by Walter Boudreau, w/ a brief essay on Zappa by Louise Morand. laid in are the National Arts Centre's programme for the same period (2o pp offset, 4 x 8-7/8, stapled selfwrappers folded in half; 1/8th page ad w/ oval-cropped Greg Gorman portrait & a paragraph's description), the Generations X,Y&Z programme for 3-1o january 1997, in which series the concert occurred (1o pp offset, 3-1/2 x 8-1/2, leaflet; 1/3rd of a page ad w/ the same text & uncropped Gorman portrait), & a 2-5/8 x 2 dotmatrix over offset ticket stub for january 3 at 19:3o.
1o.oo
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Doug Pike continues his mastery of the drumstick twirl while waiting on the video crew to get set up.
Photo by Mark Smith
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn