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the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Elizabeth Lemon
Top: How DLR (DAISY) Train Describers display information messages - these messages take up the majority of screentime these days, leaving next to no time for 'Next Train' information.
Bottom: How such messages could be displayed in a much more satisfactory manner.
Názov: Cut Sheet Feeder for Microline 192/193/292/293
Autor: OKI TOKYOJapan
Rok vydania: 1987
ISBN: M-520440
Jazyk: EN
Formát: A5
Strán:22
Vydavateľ: JAPAN
Printer Handbook
by Neil Hennessy.
[Brampton?], Poetic Immolation Press, after june 2oo1. unnown number of unique copies.
8-1/2 x 5-1/2, 13 sheets dark-flecked grey bond in buff mayfair card covers, 2-hole punched at right & bound with 3-1/8" Acco aluminum clasp binding, interiors printed black laser rectos only, with 6 x 4 Konika colour photograph in black plastic photocorners on front cover unique to each copy (manufacturer's grey dotmatrix print on verso with Hennessy's blue ballpoint title) with 3-7/16 x 11/16 white bond label printed black laser mounted alonside at left.
includes:
i) Acknowledgements (prose with reference to bpNichol via "St. An Bevington")
reference to Saint An
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
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Photo by Mark Smith
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Stephen Charles
Vicissitude for dotMatrix - Feb 26, 2016
Choreographer: Melodie Carr
Live Digital Performer: Petronio Dendito
Dancers: Brooke Bloom, Amelia Kramer, Savannah Werne
We watched 5 planes following parallel paths and releasing carefully timed bursts of vapor create very cool ads for very bad shows in the sky over Venice Beach.
iPhoned in
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
Názov: Cut Sheet Feeder for Microline 192/193/292/2-93/294
Autor: OKITOKYO Japan
Rok vydania: 1988
ISBN: M-520541
Jazyk: EN-DE-FR
Formát:A5
Strán: 78
Vydavateľ: JAPAN
user-s manual
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Andy Henley
the second dotmatrix project event was a blast. both carolina clearwater and old stone revue flexed their talents.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Andy Henley
Vicissitude for dotMatrix - Feb 26, 2016
Choreographer: Melodie Carr
Live Digital Performer: Petronio Dendito
Dancers: Brooke Bloom, Amelia Kramer, Savannah Werne
2009-09-05
Nikon F2
Nikon Pre-Ai 50mm f/1.4 lens
Ilford Delta 100 (200-push) 35mm film
Acufine developer
~ 20ºC ~ 6min
2009-09-05
Nikon F2
Nikon Pre-Ai 50mm f/1.4 lens
Ilford Delta 100 (200-push) 35mm film
Acufine developer
~ 20ºC ~ 6min
Typical of First this - only doing half a job. They have fitted an LED display to the front, but they've simply took the side one out and left the DotMatrix display in tbe back!
the sixth dotmatrix project brought together two greensboro acts with very different sounds. janik started off the evening employing a rich sound (stand-up bass, keyboard, castanets, drums, electric bass and guitar), changing up between textured melodies and jungle, lyrical tunes layered with lead singer mariana bracone's unique vocals. the tiny meteors then came on and tried to blow their amps with a hard driving rock, guitar/bass/drums set. kemp stroble brought his vocals with straight-forward intensity over sheets of guitar rock madness.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Kevin Belton
2009-09-05
Nikon F2
Nikon Pre-Ai 50mm f/1.4 lens
Ilford Delta 100 (200-push) 35mm film
Acufine developer
~ 20ºC ~ 6min
Marshall Owen and Jack Carter slipped easily between banjo and guitar during the Subterreanean Bums set.
Photo by Mark Smith