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Music Monday is an annual national event, which highlights the importance of music in our lives and especially in our schools. Celebrating its 10th anniversary, Music Monday brings together thousands of students, musicians, parents and community members across the country to celebrate the gift of music in our lives, on the same day at the same time.
This year, Vancouver was chosen as the official location where the Music Monday song will be broadcast from, and the nationwide performance, led by Maestro Bramwell Tovey of the VSO, also had a live feed of Hadfield playing from Edmonton.
Dozens of students from a wide variety of musical backgrounds met early on Monday morning to rehearse together for the big performance. The Jamieson Elementary Strings, Tecumseh Elementary Ukulele Band, and Magee Secondary Choir played alongside Seaquam Secondary Choir (Delta), Seycove Secondary Concert Band (North Vancouver), and special guests the UBC Brass Quintet.
The Music Monday song, entitled I.S.S. (Is Somebody Singing) was co-commissioned by the coalition and CBC Music, and written by Commander Chris Hadfield and Barenaked Ladies front-man Ed Robertson.
hello, shiny new passport!
[the hologram of my photo on the passport is much cooler, actually, but wasn't cooperating when it was supposed to be photographed.]
Beskrivning: Nothandskrift
Källa: Stifts- och landsbiblioteket i Skara: Skara Läroverks musikaliedeposition, Sk 466, s. 37[b]
Thanks to the help of several Hungarian speakers, I could make up what is described in this article from 1930. So, here it what it says:
Béla Klein was sitting in a café when a High ranking officer, Denes Dobak (accompanied by other soldiers), who was also in this café, asked a band of gypsies to play an antisemitic song called "Erger Berger" Here is how a website refers to this song: ""Erger,
Berger, Sósberger, minden zsidó gazember" (Erger, Berger, Sósberger, all jews are thugs.)"
Béla Klein, my grandfather, and also a 36-months WWI verteran who is told to have earned several medals, ordered the band to stop "because there are jews here" (my note: he was Jewish as demonstrated by the other documents posted in this set). The officer told my grandfather to go outside to settle the matter. A far-right journalist (Laszlo Zsolnai-Grosz) who was present struck my grandfather's head (who bled as a consequence). My grandfather reacted by suing him and by challenging the officer to a duel (as was customary when offences involved soldiers). The officer accepted and Bela eventually won the duel (both protagonists came out slightly wounded). They left together. The trial against the journalist was yet to take place at the time of the writing of this article.
Other info:
"I will try to answer your questions, although my Hungarian is limited.
Klein was at the table with a woman, but no name or relationship is mentioned. THere are no dates mentioned in this article and some of it is hard to read, but I have to believe this happened in the early 40's. It does not say where he he was stationed or which front he was on.
The motive for the fight is unclear, this part I don't really understand but to the best of my ability this is what happened, A song was being sung and a high ranking officer said to stop singing it because there are jews here. After someone asked Klein to step outside of the bar for a moment and thats when he was attacked.
He did fight back and both parties were bloodied, the two officers were made to shake hands and left the premises peacefully but another involved who was a civilian was going to press charges against the military. Sorry. But I hope this explains something to you.
Klein said to stop the music, because there are jews there. Maybe he tought himself.(Sorry I understand the hungarian text, but I can't very well English:)
The song was the cuse of the fight and a bickering with the officer.
ma tentative de traduction:
Bokszeres : phalanges
verekedes: combat
affer?
egy: un
budai: de budapest
kocsmaban: bar
veres:
* abats, battement, battirent, battent, abattîmes
* abattant, pulsation, battant
* impulsion
* pouls
* pulsation
* rincer
sulyos: mauvais
kardparbaj: duel à l'épée?
es: et, plus, davantage
vendegloi: auberges
bunteto: criminel
It is basically about a fight in a bar between Klein Bela and another sargent in the army.
It says Klein was a sargent in the army and was a reservist, but had been at the front for 36 months and had been awarded several medals for his service.
Hope this helps.
Grand Forks ND Amtrak Station. DPU's on a loaded coal train headed east at the north end of the Hillsboro sub.
M1_20160805_172305_0153_v01
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Rühmatöö Tallinna Ülikooli haridustehnoloogia magistriõppe kursusel IFI7053 Digitaalsete õppematerjalide koostamine. 1 veebruar 2014.
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Outside of American Bank at University and Snelling Avenues, in St. Paul, MN
1. en.wikipedia.org/wiki/Special:Random
The first article title on the page is the name of your band.
2. www.quotationspage.com/random.php3
The last four words of the very last quote is the title of your album.
3. www.flickr.com/explore/interesting/7days/
The third picture, no matter what it is, will be your album cover.
Larry Liang – Travelsky (left) and Xue Jun– Air China (right) with a Electronic Document Certificates
Center: Sébastien Touraine, IATA
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Simon Baker
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Peter McNally
de 26.6 a 4.10.2015
A arte da Itália recebeu atenção especial do diretor-fundador do museu, o italiano Pietro Maria Bardi (1900-1999), com aquisições extraordinárias de obras de Rafael, Mantegna, Bellini, Ticiano e Tintoretto, entre outros. Esta exposição inclui obras da coleção do MASP do século 13 ao 18, do período medieval à Renascença e ao Barroco. Ao lado das pinturas, na mesma parede, são mostrados documentos e fotografias sobre doações, aquisições, empréstimos, atribuições e exposições, parte dos arquivos histórico e fotográfico do museu. O interesse é considerar a obra não apenas no contexto da história da arte, mas também em sua relação com o MASP, São Paulo e o Brasil.
O núcleo central de Arte da Itália são as transformações estéticas e técnicas da Renascença, período fundamental da história da arte, abrangendo um arco temporal que vai do classicismo de Rafael às experiências cromáticas de Ticiano, que influenciaram as gerações posteriores. Os trabalhos exibidos foram produzidos na região que hoje se conhece como Itália, mas que até o século 19 era um conjunto de pequenos Estados, administrados por poderes locais independentes, pela Igreja Católica ou por potências estrangeiras. Dessa forma, cada região desenvolveu uma produção em pintura bastante particular, com características distintas, como as linhas precisas em Florença, a preocupação com a arquitetura e a perspectiva na Úmbria ou o uso da cor em Veneza. Cada artista utilizava esse repertório local à sua maneira, recebendo também influências externas, e produzindo obras que refletiam momentos específicos, expressando visões próprias.
A expografia é uma retomada de dois projetos de Lina Bo Bardi (1914-1992), arquiteta responsável pelo MASP, para o acervo do museu. O primeiro é uma reconfiguração dos painéis suspensos utilizados para expor a coleção do museu na Fundação Armando Alvares Penteado (FAAP), entre 1957 e 1959 – originalmente, painéis de dezoito metros, aqui eles têm 24 metros. O segundo resgata as estruturas tubulares de metal que exibiam as pinturas, também de forma suspensa, projetadas para o MASP em 1947, ano de sua fundação, na antiga sede da rua 7 de Abril – com elas são expostas aqui pinturas de Perugino e Ticiano. A recuperação de projetos de Lina nas exposições de 2015 apresenta ao público o percurso da arquiteta até chegar aos famosos cavaletes de vidro. Lina projetou os cavaletes para a exposição do acervo no segundo andar do museu na avenida Paulista, inaugurado em 1968. Sem uso desde 1996, eles voltarão no final do segundo semestre de 2015.
Os longos painéis utilizados na exposição favorecem a organização cronológica dos trabalhos. Ao recusar o agrupamento por escolas artísticas, que pautavam o gosto e o estilo de uma região, busca-se evidenciar as singularidades de cada obra. Nesse sentido, a ideia de cronologia aqui empregada não carrega uma noção evolutiva ou de progresso, mas reforça as concepções de mundo e as formas de conhecimento de cada artista.
Curadoria: Adriano Pedrosa, diretor artístico; Eugenia Gorini Esmeraldo, coordenadora de intercâmbio; Tomás Toledo, curador assistente.
Documenting musicians happens to be at the top of my favorite subjects to photograph. I've always said that music is what I think the heart sounds like and to capture those beings that open up their soul, always creates for real and raw settings. Fearless Records contacted me about documenting one of their bands, blessthefall, in the studio recording there third album. Check it out!
read more about it here: www.altpress.com/features/entry/in_the_studio_blessthefall/
Atas do Athletic Club de São João Del Rei, MG, que retrata a historia do alvinegro Esquadrão de Aço. Os documentos estão em ordem cronológica e tem o propósito documentar e divulgar o clube mais querido dos sanjoanense. Este é um trabalho de iniciativa do Presidente Claudio Gonçalves, preocupado em resguardar a memória do Athletic, e disponibilizar para os atleticanos e pesquisadores o acervo esportivo e cultural do clube.
Vice-Presidente de Marketing: João Ramalho, Assessoria de Imprensa: Dermeval Filho
A shot of a collection of slide cases and index cards taken in the 1990s. The early work of masterminds, Tony Hill as photographer and Ruth Serjeant as archivist is only marginally indicated here.
The twelve slide cases and the fourteen drawers of cards which were finally digitsed with the assistance of Chris Wiltshire in 2011/2012 were finally placed in the Ipswich branch of the Suffolk Record Office.