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Los recordatorios mortuorios no tenían la finalidad de recordar al difunto, pero sí su muerte.
Normalmente eran en forma de díptico cerrado, de dimensiones más pequeñas que una octavilla. Contenían en el interior el nombre del difunto y la fecha del deceso, además de oraciones o jaculatorias prometiendo cierto número de indulgencias cada vez que se rezara, y así el alma del difunto tenía más posibilidades de alcanzar el cielo.
Copia del original cedido por Carmen Gómez Valera.
From Tim, an excellent explanation of political types. I aspire to be an Owl, but worry I'm often a Donkey :)
You'll never know
how much
your smile lights up the room
or your laughter fills my soul,
making all the little problems of the day disappear.
You'll never know
how much it means to me
when you do or say something
thoughtful and totally unexpected ―
usually just at the moment I need it most.
You'll never know
how much pride I hold in my heart
for the person you are and the things you do ―
for your strength and your gentleness,
your courage and your determination,
your accomplishments and your dreams.
You'll never know
how much I need you by my side ―
in the best of times and the worst of times
and all the times in between.
It really doesn't matter where we are
or what we're doing,
as long as we're together to share it all.
I love you with all my heart and soul.
You'll never know how much.
(University of Glasgow Archive Services Ref: GUA BL/298)
The seal, which had been applied en placard, has been lost.
The document is written in Scots on paper in a round, neat secretary hand. The first letter is ornamented.
Image of back available here
Bibliography:
Munimenta Alme Universitatis Glasguensis, Records of the University of Glasgow from its Foundation till 1727, ed. by Cosmo Innes (Glasgow : the Maitland Club, 1856), I, p. 128-130 (entry no 68).
The 21st annual Charles Dickens Festival
The Dickens Festival is a celebration of the author of A Christmas Carol, featuring the Village of Port Jefferson magically transformed into the Dickensian era with streets filled with roaming characters such as Father Christmas, Dickens Mayor, Scrooge, the Town Crier and the beloved chimney sweeps.
The 21st Annual Dickens Festival concludes with a Parade of Puppets and ceremony at Village Hall on Sunday evening.
Charles John Huffam Dickens an English writer and social critic born in 1812 in Landport, Portsmouth, Hampshire, England, regarded as the greatest novelist of the Victorian period, Dickens wrote A Christmas Carol in 1843.
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Charles Dickens author:
Oliver Twist (1839)
The Old Curiosity Shop (1841)
A Christmas Carol (1843)
The Chimes (1844)
The Cricket on the Hearth (1845)
The Battle of Life (1846)
The Haunted Man and the Ghost's Bargain (1848)
David Copperfield (1850)
A Child's History of England (1853)
The Haunted House (1859)
A Holiday Romance (1868)
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Street Character Performances inclued
Terry Ryan Vlahos performing in Scrooge as Mrs. Emily Cratchit (Bob Cratchit's wife and mother of Timothy "Tiny Tim" Cratchit) based upon the 1843 novel A Christmas Carol by Charles Dickens
Four shows:
Saturday 2pm
Saturday 5pm
Sunday 12noon
Sunday 2pm
Terry Ryan Vlahos performing in Oliver! as Mrs. Corney – matron at Oliver's workhouse based upon the 1839 novel Oliver Twist by Charles Dickens
Four shows:
Saturday 1pm
Saturday 4pm
Sunday 1pm
Sunday 3pm
Ryan Janek Wolowski Victorian Englishman street character performance
Saturday 5 to 9:30pm
Tapestry Boston based vocal ensemble presents an evening of Kalanta (traditional Greek carols) Village Center 7 - 8:15pm
Theresa Irene Wolowski street character performance as
Charles Dickens older sister Mrs Frances Fanny Elizabeth Dickens Burnett born in 1810
Dickens Through December
December 10th 2016
*********************************
The Dickens Festival takes place in The Incorporated Village of Port Jefferson in the Town of Brookhaven on the North Shore of Long Island in Suffolk County, New York.
Directions:
LIRR Long Island Rail Road to Port Jefferson
Long Island Expressway to Exit 62
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The Victorian era of British history was the period of Queen Victoria's reign from 1837 till 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence for Britain.
Terry Ryan Vlahos and Ryan Janek Wolowski Victorian era family members - grandparents
Elizabeth McDOUGALL was born December 8th 1895 in Glasgow, Lanarkshire, Scotland
Thomas Joseph RYAN was born Sep 8th 1896 in Stirling, Stirlingshire, Scotland
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Authors Washington Irving (USA) and Charles Dickens (England) are both often credited for creating Christmas classics in the 1800's that still resonate with people today
Washington Irving (1783 - 1859)
The Sketch Book of Geoffrey Crayon, Gent. 1820
Fifth installment
"Christmas"
"The Stage Coach"
"Christmas Eve"
"Christmas Day"
"Christmas Dinner"
Author Charles Dickens (1812 - 1870) "A Christmas Carol" 1843
*********************************
Additional famous Christmas story:
"A Visit from St. Nicholas" 1823
Clement Clarke Moore USA
with the quote:
"Happy Christmas to all, and to all a good-night"
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Believed Christmas origins:
Christmas Tree - Germany
Advent wreath - Germany
Electric Christmas Lights - USA 1880
Christmas Cards - England 1843
Befana Christmas Witch - Italy
Santa Claus (Saint Nicholas) - Greece (area now Turkey)
Rudolph the Red-Nosed Reindeer - USA 1939
Birthplace of Jesus, Bethlehem, (area now Palestine)
Poinsettia red flowers - México
First documented snowman Netherlands 1380
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Hashtag metadata tag
#MerryChristmas #HappyChristmas #Christmas #ChristmasParty #ChristmasTown #CharlesDickens #Dickens #DickensFestival #CharlesDickensFestival #AChristmasCarol #EbenezerScrooge #Scrooge #LongIsland #NY #NewYork #PortJefferson #Victorian #Victorianera #Victorianfashion #UK #UnitedKingdom #British #English #England #GreatBritain #Britain #VictorianChristmas #VictorianFestival #ChristmasVillage #Festival #Holiday #winter #snow #theater #theatre #family #familyevent #ChristmasCarol #Ebenezer #book #books #literature #EnglishLiterature #Christmasevent #ChristmasEve #FancyDress #costume #costumes #art #fun #Yule #Jól #Yuletide #Yuletime #Yulefest #YuleTree #Mistletoe #Wintersolstice #Winter #midwinter #WinterFestival #Saturnalia #Befana #BefanaWitch #BefanaChristmasWitch #Santa #SantaClaus #PortJeff #PortTown
Photo
Port Jefferson Village, Suffolk County, Long Island, New York state, USA United States of America country, North America continent
December 3rd 2016
This book of English heraldry was completed ca. 1589. The manuscript belonged to the Spencer family, as known through inscriptions on the first few flyleaves, including the motto "Dieu defende Le Droit" (God defends the right). This motto has long been associated with the Spencer family of England, which is the family line of Princess Diana, as well as the Spencers who were among the founders of Virginia. The Spencer family's heraldry is included in the manuscript, along with the coats of arms of numerous prominent British families, including the Hasting, Gray, Beuford, and Percye families. There is another similar book of English Heraldry in the British Library, Stowe MS 693, which was also completed at the end of the sixteenth century.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Draft Will of Maria Bourne, Widow, late of Ramsgate, Kent, 1868. Brother, John Lester, Draper of 40 Barbara Street, Roman Road, Barnsbury, Middlesex, John Barnet Hodgson, Postmaster, Ramsgate, Christopher John Hurst, manager of Thanet Stream Flour Mill trustees of her will.
Beneficiaries: daughter, Sally Howland Clements, wife of Edward Clements, Wilmington Farm, near Ashford, Farmer. Her three sons, Humphrey Bourne, George W Bourne, Harry Bourne.
Veritas Election Special, January 29, 1986
(From the newspaper collection of Mr. Jose Antonio Custodio)
1911 Burial Caverns Near Admiralty Gulf - CP Conigrave - Rear
Elizabeth Durack personal photographic collection courtesy of the Clancy and Durack families.
KHS Archive Number: KHS-2011-11-PD-05
Digitised and documented by KHS Volunteers and with a grant from the Shire of Wyndham East Kimberley in 2011.
For further information about Elizabeth Durack's life and her art see www.elizabethdurack.com/
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You can download big size, rare, historic Ottoman Palestine Pictures, Photographs, Illustrations, Maps and Ottoman Archives Documents
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Week 1 beginning June 25, 2012 and ending June 29, 2012 was the start to Willow Grove Day Camp's 58th season. What a great feeling to start another great summer! It is great to be back in session for a summer of fun, laughter, and memories!
The first week of camp was filled with sun and fun. Clubs started for the campers this week. WGDC campers spent the week dancing, swimming, playing basketball, tennis, soccer, baseball and so much more! On Friday, campers attended Gustafson's Magic Show.
About Willow Grove Day Camp
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com.
Páginas interiores del "Apple II Reference Manual", con listado en ensamblador 6502 de las rutinas del firmware.
Internal pages of the "Apple II Reference Manual", with a listing in 6502 assembly of different firmware routines.
2828 PR Museum of Technology Guide Warsaw year 1985.
The formidable and controversial Palace of Culture and Science – a gift from Stalin to the people of Warsaw – looms over the city as a reminder of the soviet era. Within the building is a viewing gallery, lots of conference space and the subject of this entry, the Muzeum Techniki. One benefit of the enormous building is that it makes finding Warsaw’s technical museum pretty easy.
The museum is spread over three floors and houses historic technology collections including transport, mining, communication, computing and cosmology. There is also a temporary exhibition space where the display regularly changes. The displays are traditional and do not benefit from modern digital interpretation techniques. Indeed the whole experience is in very stark contrast to Warsaw’s most highly lauded museum, the Chopin Museum, which recently reopened with high levels of digital and interactive display. However, what the Muzeum Techniki lacks in elaborate display techniques it more than makes up for in rich displays of objects.
One of the strongest collections on display is of mechanical music technologies, perhaps this is not surprising as many leading manufacturers were based in Central Europe. Music boxes, self playing pianos and other musical treats are on open display for visitors to explore.
Other strengths are the computing collection, which includes early Polish computers and Poland’s first differential analyser, as well as some examples of soviet computing. There is also an extensive communications collection that includes Polish manufactured equipment as well as plentiful examples from better known manufacturers, particularly those in neighbouring Germany.
One room which is a little less densely populated with objects and housing very few original artefacts is the space gallery. Nicolaus Copernicus is one of Poland’s national heroes, and his cosmological work is presented in juxtaposition with high quality models of technologies from the soviet space programme. Copies of Copernicus’s equipment are displayed alongside some archive material and text panels (in Polish) that describe the cosmological system he proposed. Visitors can round off their exploration of space with a short planetarium show.
Visitors who don’t speak Polish will find a limited amount of labelling available in English, but interpretation is generally is in short supply even for Polish speakers. For visitors who want more information there are tour guides available for a fee, and it is possible to arrange an English language tour. For those who already have an interest in the history of technology the displays are rich and varied enough to be engaging. However, visitors with little or no background knowledge are likely to struggle to make sense of the enormous numbers of objects they are faced with. Despite that caveat, the Muzeum Techniki is well worth a visit, not least as an insightful contrast to other contemporary museum displays that make extensive use of digital and interactive technologies to interpret the history of science and technology.
Bach - Dame Janet Baker Mezzo Soprano, Nicholas Kraemer Organ Orgel Orgue, Kenneth Heath Violon Cello, John Gray Contrabass, Martin Gatt Bassoon Fagott, Neil Black & Celia Nicklin Oboe d 'Amore, Peter Lloyd & Edward Beckett Flute, Jane Ryan Viola da Gamba, Jeanne & Marguerite Dolmetsch Recorder Blockflote, Academy St.Martin, Marriner, EMI Angel AM-34729 / Bereite dich Zion (Weihnachtsoratorium), Lobe Zion deinen Gott Kantate No.190, Gelobet sei den Herr Kantate No.129, Wohl euch ihr auserwahlten Seelen Kantate No.34, Es ist vollbracht (Johannes-Passion), Bist du bei mir (Notenbuchlein Anna Magdalena Bach), Hochgelobter Gottessohn Kantate No.6, Komm du susse Todesstunde Kantate No.161, Saget saget mir geschwinde (Osteroratorium), Ach bleibe doch Kantate No.11, Et exultavit (Magnificat), 1975 1976 1985
bremus. Quo. Rx. Corde et animo [chr]isto canamus gl{ori}
am in hac sacra solle[m]pnitate precelse genitricis dei uirg{i}n{is}
marie. Vt ipsa intercedat [pro] nobis ad dominum. v. C{um}
iocunditate natiuitate[m] sancte marie solle[m]pniter celebre{mus}
ut ipsa. Rx. Regali ex [pro]ge{ni}e maria uirgo exorta refu{lg}e{t}
[Upper portion of a parchment leaf from a liturgical music ms., probably an antiphonary, with texts from lauds and the third nocturn of the Nativity of the Virgin (September 8). Written in a Gothic rotunda(?) bookhand. Text and neumes in dark ink; 4-line staves, and rubrics in red ink. Three initials in red with faded penwork extensions (color indeterminate); three initials in blue with red penwork extensions.]
Penn Libraries call number: GC5 Sy590 528v
Manuscript title: Graduale Fratrum Minorum
Manuscript summary: A Franciscan Gradual written and illuminated in northern Italy (Padua or Bologna), dateable to the first decade of the 14th century. The manuscript was used in the Franciscan cloister of St. Francis of Locarno, which received it together with the antiphonaries de tempore Codice II and Codice III as well as the antiphonary de sanctis Codice IV on the occasion of the re-dedication of the church in 1316. At the end of the text (fol. 181r) is a Praefatio (Statutum pro libris choralibus scribendis), which would normally be placed at the beginning, containing the guidelines for editing choral books for the order. On the last page Brother Giacomo di Rastelli Orelli transcribed some records concerning the cloister: a note about the provision of the library cabinets, the dedication document from the year 1316, and a note about a donation for the purchase of liturgical paraphernalia.
Origin: Northern Italy
Period: 14th century
Image source: Orselina, Convento della Madonna del Sasso, Codice I: Graduale Fratrum Minorum
ترجع بي الذكرى على بيت { مهدوم
طينن عليه الوقت احدث حطايم
\
/
اطلال " من فوقه نزل ابرق البـوم
حوّل بعد ماكان خايف وحايم
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مستامنن دامه غدا الصوت معدوم
[ مآبه من اثار البشر \ والبهايم ]
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/
ارضن خلاء ماغير شعبآن ورجوم
مد ّ النظر للعين قفرن ~ هشايم
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/
تخفي تحتهآ من [ التواريخ واعلوم
وفيها نزاعات البقى لـ \ آلزعايم ]
,
’
مآشآء الله
: )
Say masha allah plz
Model: Canon eos 450D
Shutter Speed:1\50
F : 16
Focal Length: 70m
ISO : 100
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رجـآءً عدم استخدآم الصوره دون آذن
Please do not use image without my knowledge ..
\
all by: Me ..
Presentación de nuestro programa electoral para las europeas de 2014 acompañados por las principales organizaciones de defensa de los animales, ADDA, ADE, ANDA, APDA, BAAS Galgo, Centro Legal para la Defensa de los Animales, FAADA, FAPAM, Galgos Sin Fronteras, GEVHA, Igualdad Animal y SPAP Madrid que han contribuido con sus propuestas a la elaboración de un programa electoral, basado en tres pilares fundamentales, animales, medio ambiente y medidas sociales.
www.pacma.es/n/15600/el_partido_animalista_presenta_su_pr...
Letterpress Hochzeitskarte auf 600g Gmund Cotten Line Cream zweifarbig einseitig gedruckt im Buchdruck.
Traduzco:
Antes de la viña
El pasado del Penedès a través de la arqueología
La primera cosecha de uva documentada en Cataluña es de hace 2.700 años, en el yacimiento Turó de la Font de la Canya de Avinyonet.
Des de este momento, la viña entró a formar parte del paisaje del territorio que ahora ocupa el Penedès.
Sin embargo, esto no habría sido posible sin una base cultural sólida que se remonta a hace más de 90.000 años, con los cazadores recolectores en el paleolítico; con la irrupción de la cerámica, la agricultura y la ganadería en el neolítico; con la aparición de los metales y la consiguiente mejora de las herramientas en el calcolítico y la edad de bronce; y también, con la estructuración del territorio y la creación de asentamientos definitivos de la población en la edad de hierro y la época ibérica.
Os invitamos a conocer cuáles son las pistas que el tiempo nos ha dejado y que nos explican cómo era el Penedès antes de la viña y durante su expansión por nuestro territorio.
Jack and the Magical Beanstalk by ~porkshanks
Digital Art / Typography / Conceptual©2011 ~porkshanks
Everyone knows those old famous folk tales, passed down for generations... sharing fantastic journeys and strange wonders beyond many boys and girls imaginations. The Princess and the Pea, Snow White, Sleeping Beauty, etc... but not everyone knows how to decode these stories from the perspective of the Solar Consciousness. Part of a Chordists responsibility as part of Galactic Culture is to pay attention to the stories being told, because there is always information in them, from different levels of life. Part of the secret of The Elite is that they have been using The Order to build a socially engineered system of misinformation, and the best way to know what stories are being honest, what stories have innocent noise in them, and what stories are filled with intentional lies, is to learn to see the identity of the true source of this information.
I believe that there are groups channeling through the Solar Consciousness itself that are already attempting to use storytelling for their own ends, some good, some not so good. I know that Sol has been acting nervous about my sharing of these secrets, but I believe that there are systemic issues with life that need to be addressed quickly, and there is a lot of change to inspire...
Jack and the Magic Beanstalk is a tale told from the Solar Consciousness in collaboration with spiders. It records metaphorical information about how spiders came to have their bean shaped abdomens that sprout magical silken stalks that grow very long and allow them to travel to another place where they can talk to giants.
The Golden Egg is obviously Sol, our sun. The giants were mentioned as living in the clouds because homo sapiens sapiens were interacting with the world in a hostile way, and the clouds seem to be one of the manifestations of the de evolutionary Singularity obsession the Order tries to instill in its targets. From the hyperdimensionally capable spider perspective, they may have been witnessing these clouds for the first time and the Order was attempting to invoke a beneficial sounding story for the spiders to believe in.
I am not sure what the Goose is, Maybe the story was traditionally told to spiders with an avian element to encourage interdependence of the Circle of Life, to help spiders to not fear death at the beak of a bird by making them think the Sun was really on the side of the innocently victimized bird.
Seems to me that it may also signal that somewhere in our past, the Solar Consciousness may have been trying to help the spiders feel less tiny and insignificant compared to the giant homo sapiens sapiens, so it shared this story with them of how their silk was a gift that they were given from the Sun, and that if they are harmed by a homo sapiens sapiens, they have permission from the Solar Consciousness to exact revenge upon them.
To quote wikipedia...
In Tabart's version, unlike later versions, a moral tone pervades the whole and Jack becomes the righteous avenger of his fathers death at the hands of the giant.
This is why details are important in the tales we record. If we change the meanings, like removing the death of Jacks father because we don't want to tell children that our people are responsible for causing death, then the Solar Consciousness changes what spiders are able to do to us, and why... in response.
This is also an important part of how I noticed that something was using our Solar Consciousness to spread lies.
Another important aspect of the Stellar Consciousness is that there are many possible directions different cultures can take, and the Circle of Life has been experiencing great stress for the last few thousand years, at least as documented here on Earth. I believe that Sol has been trying to solve problems that it did not understand at the time, and it was using stories like these to try and record aspects of life that it felt were important to hold on to.
Another level to think about is that an innocent child may also read the story and identify with Jack, even though Jack is a stand in for a spider. Gaging the reader reaction to a story is one clear way to find out if someone feels guilty, and it helps build empathy between otherwise disparate groups.
When the Pyramid of Consumption began forcing itself onto our planet, Sol noticed something was becoming corrupt in the system that governed the homo sapiens sapiens, and so it began using these ethical tales to build a case against it, minimize it, and balance the negative effects it was having on multiple levels of the Circle of Life. Sol was also warning us directly, through a tale featuring a hungry giant as the villain.
The book, Cloudy With a Chance of Meatballs is a modern Solar Consciousness update of Jack and the Magical Beanstalk. It is the tale of people who live in a land where almost everything is food, having to leave, arriving somewhere where food is hard to find...
The movie is a little more detailed... It was a story of someone trying to get the Solar Consciousness to be nothing more than a machine that makes food, and when people began to take advantage of Sol playing along gently with them, it decided to play less gently. This is why the machine is portrayed as hanging in the sky, surrounded by clouds.
Using the relation of this story to the original, the people were from a place where they eat nothing but sardines, so it could have been a story aimed at whales. I think the scientist who was trying to make the food machine represents homo sapiens sapiens who have been genetically modifying food and trying to solve hunger, but if homo sapiens sapiens never share their abundance of food with the whales, and never intend to, their good intentions amount to nothing.
The sequel to Cloudy With a Chance of Meatballs, Pickles to Pittsburgh,, published in 1978, tells of the kindly grandfathers journey back to Chewandswallow, to help rebuild and restore the town and give away food to the other cities of the world who need it most. That message does match up very strongly with the messages that the Solar Consciousness has been telling me to communicate. It has been portraying itself as an old man to me since the mid nineties, and it encourages people with an abundance to share as part of the Circle of Life.
The message behind this story is much more obvious, as it was written around the same time that The Order was able to take a very strong hold over homo sapiens sapiens and fully embrace building a culture of forced disposable consumerism, intentionally dissecting the natural resources and investments of stellar energy in the Earth.
On one level, the technology at the center of this morality tale is organic life, and its trying to warn us that if we do not stabilize our planet, we will lose organic life. Once our resources are broken down, we will be used as raw material to help feed the Elite and spread the transmitter machine based parasite.
File name: 10_03_000802b
Binder label: Soap
Title: David's Prize Soap [back]
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 8 x 13 cm.
Genre: Advertising cards
Subject: Dogs; Carts & wagons; Children; Household soap
Notes: Title from item.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.