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Handwritten catalog cards from the library's old card catalog...

 

- from the collections of the Ohio County Public Library Archives.

 

Visit the Library's Wheeling History website

 

The photos on the Ohio County Public Library's Flickr site may be freely used by non-commercial entities for educational and/or research purposes as long as credit is given to the "Ohio County Public Library, Wheeling WV." These photos may not be reproduced in any format for profit or other presentation without the permission of The Ohio County Public Library.

13 février 1911. Naissance d’Albert MARTIN à EURVILLE (Haute-Marne - 52). Fils de Nicolas MARTIN et Marie Magdeleine BREGERE (BREGER ?).

02 septembre 1939. Mobilisation. 2ème classe au 89ème régiment d’Infanterie, 2ème bataillon à SENS (Yonne - 89) Classe 1931.

Recruté à TROYES sous le matricule 181.

1939

« Samedi 09 septembre. Départ de SENS à 11h22 par le train passage à MONTARGIS, GIEN, NEVERS, COSNE, DÔLE, AUXONNE, GRAY, laisser EPINAL sur la gauche, débarquer à MUTZIG dans la nuit après 36 heures de trajet, cantonner à BISCHOFFSHEIM le lundi 11 septembre.

Mardi 12 septembre. Départ de BISCHOFFSHEIM à 3 heures du matin, passage à OBERNAI, arrivé à BOURGHEIM après une marche d’environ 10 heures. (BARR, OERVILLERS, VALFF ( ?), GOSCVILLER)

Vendredi 30 septembre. Départ de VIVERSHEIM (WEYERSHEIM ?) en autocars à 18 heures, pour une destination inconnue, arrivé aux environs de BITCHE dans la nuit au bruit du canon cantonné à REYERSVILLER.

Samedi 1er octobre. Départ de REYERSVILLER à 18h30, cantonné à EGUELSHARDT après une marche de 15 heures sous la pluie battante.

03 octobre. Départ d’EGUELSHARDT à 20h30, cantonné à 3h30 du matin à FROESCHWILLER.

07 octobre. Départ de FROESCHWILLER à 20h30, cantonné à 2h00. OBERKUTZENHAUSEN, PECHELBRONN, LOBSANN.

Mardi 24 octobre. Départ d’OBERKUTZENHAUSEN, cantonné à SOULTZ-SOUS-FORÊTS.

Mercredi 1er novembre. Départ de SOULTZ-SOUS-FORÊTS, cantonné à RETSCHWILLER.

Samedi 11 novembre. Départ de RETSCHWILLER arrivé à ROTT après une longue marche. Monter en première ligne le lendemain au col du pigeonnier.

Dimanche 19 novembre. Nous sommes relevés de première ligne, nous descendons à GUNSTETT après une marche de 20 kms.

Jeudi 30 novembre. Départ de GUNSTETT à 4h30 tantôt, cantonner à WEITBRUCH après 25 kms de marche (inoubliable).

Dimanche 10 décembre. Quitter la 7ème compagnie pour entrer à l’état major du 2ème bataillon. »

1940

« Mardi 23 janvier. Départ de WEITBRUCH. 2h00 après midi pour aller en permission 10 jours. »

Janvier 1940. Après cette permission, il repart en Alsace.

Mai 1940. Début mai, 1940, les allemands attaquent par la Belgique, en contournant la la ligne MAGINOT. Les armées sont déplacées et remontées sur le Nord.

06 juin 1940. AM est fait prisonnier à ESTREES-SUR-NOYES (Somme vers AMIENS).

Passage à AIX-LA-CHAPELLE (à vérifier).

AM est dirigé sur la Prusse Orientale, sur le Stalag VIII C SAGAN (commando en culture dans une ferme) et Stalag VIII A GORLITZ (commando dans une verrerie), matricule 43 959 C. AM travaille au four puis dans la maison comme homme de main.

15 avril 1942. AM s’évade une première fois de la verrerie de PENZIG (LAUSITZ) avec l’aide de Christina STOPPA (19 ans). Celle-ci voulait aller chez des amis à Metz. Elle a procuré à AM des vêtements civils par l’intermédiaire d’une amie qui avait un frère de la même taille qu’AM. Le père de Christina est sur le front Russe, Christina Stoppa à une sœur, Barbara, plus jeune.

16 avril 1942. Repris à FRANCFORT.

16 avril 1942 au 20 avril 1942. Prison civile de FRANCFORT.

20 avril 1942 au 08 mai 1942. Envoyé au Stalag XII A en baraque disciplinaire.

08 mai 1942. Départ pour RAWA-RUSKA. Voyage par le train en wagons fermés. Arrivée le 15 mai 1942.

15 mai 1942 au 15 décembre 1942. Interné à RAWA-RUSKA (Stalag 325). De juin 1942 à décembre 1942, AM est allé à TARNOPOL (commando).

15 décembre 1942. Retour en Allemagne à STARGARD (Poméranie) au Stalag II D pour son jugement.

27 mars 1943. Deuxième évasion de STARGARD (Poméranie). Voyage effectué enfermé dans un wagon de pommes de terre à destination de CREIL (inscriptions portées sur le train dont il a eu connaissance dès le début). Saute du train à VILLEMOMBLE (région parisienne 93). Roule le long du talus et arrive dans le jardin d’une maison. Un homme fait brûler des branchages. Il lui donne des habits civils et fait brûler ceux de prisonnier d’AM.

14 avril 1943. Se fait délivrer à LIMOGES un certificat de nationalité.

20 avril 1943. AM perçoit « rappel de solde du 1.6.40 au 20.4.43, 10 jours supplémentaire de solde, 5 jours de vivres. »

21 avril 1943. Se fait démobiliser à LIMOGES. Il perçoit «1 costume civil, 1 jersey, 1 chemise, 1 caleçon, 1 mouchoir, 1 paire de chaussures, 1 paire de chaussettes. » Le 22 avril 1943, il touche « la somme de 885 francs dont 431 francs au titre de l’habillement ». AM perçoit aussi ce jour-là 2614 francs de « prime de démobilisation »

25 juin 1957. Reçoit un avis favorable à l’attribution du titre d’ « Interné Résistant ». Carte numéro 121614479.

17 juillet 1957. « Certificat de validation des services, campagnes et blessures des déportés et internés de la résistance ». Il est établi qu’AM est interné résistant du 15.5.1942 au 15.12.1942 (soit 7 mois et 1 jour de campagne simple). Est compté comme service militaire actif la période du 15 mai 1942 au 15 décembre 1942.

23 juillet 1957. Lettre d’accompagnement du « Certificat de validation des services, campagnes et blessures des déportés et internés de la résistance ».

29 septembre 1961. Obtention de la Croix du Combattant Volontaire.

20 novembre 1961. Arrêté - J.O du 23 décembre 1961. Citation à l’ordre du régiment. Obtention de la Médaille des Evadés au titre de la Guerre 1939-1945, obtention de la Croix de Guerre avec Etoile de Bronze.

15 juin 1962. Extrait du livret militaire :

Détail des services et mutations diverses :

« Incorporé à compter du 15 avril 1932 au 4ème R.I. Arrivé au corps le 22 avril 1932, envoyé en congé le 31 mars 1933 en attendant son passage dans la disponibilité qui aura lieu le 29 avril 1933. Certificat de bonne conduite …… ( ?). Affecté au Centre Mobilisateur d’Infanterie n°83. Rappelé à l’activité le 2 septembre 1939 au Dépôt d’Infanterie n°83. Affecté au 89ème Régiment d’Infanterie. Arrive au corps le 3 septembre 1939. Aux armes le 9 septembre 1939. Fait prisonnier à Estrées sur Noyes (Somme) le 6 juin 1940. Interné au Stalag VII C et II D. N° matricule 43.959. Evadé et démobilisé le 21.4.1943 par le centre de Démobilisation de LIMOGES. Se retire provisoirement à LIMOGES, 32. Faubourg Montjovis. Rattaché à la classe PA2R de Mobilisation comme père e 2 enfants vivants le 28.10.1952 (art 58 loi du 31.3.1928). Interné du 15.5.1942 au 15.12.1942 (certificat de validation « C » Modèle « 2 » n°46.036 PM/6K du SEFA terre DPMAT en date du 17.7.1957). Dégagé de toute obligation militaire le 15 avril 1960. »

Campagnes :

« Intérieur CS du 2.9.39 au 8.9.39

Aux armées CD du 9.9.39 au 5.6.40

Captivité CS du 6.6.40 au 14.5.42

Internement CS du 15.5.42 au 15.12.42

Captivité CS du 16.12.42 au 20.4.43 »

Blessures, Citations, Décorations, etc.

« Croix du Combattant Volontaire 1939-1945 par décision n°2.009 du 29 septembre 1961 n° d’inscription 32.778.

Médaille des Evadés avec attribution d’une citaton à l’ordre du Régiment par arrêté du 20 novembre 1961 .B.O.DM.R du 23 décembre (faute !! novembre en réalité) 1961. Motif : Prisonnier de guerre en Allemagne a réussi après une première tentative infructueuses suivi d’un internement à RAWA-RUSKA à s’évader de STARGARD (poméranie) fin mars 1943 et à regagner la France. »

 

29 juillet 1964. Obtention au J.O de la Médaille Militaire.

 

Carte d’Interné Résistant : dossier instruit par la direction interdépartementale des anciens combattants et victimes de la guerre à Dijon.

Stalag XII A - Limbourg / Lahn

Commando de Tarnopol. De là il entendait le canon de Kiev. (420 kms ! A vérifier).

 

From Tim, an excellent explanation of political types. I aspire to be an Owl, but worry I'm often a Donkey :)

"Tønsberg den 2. august 1921.

 

Herr borgermester Bauck.

Trondhjem.

 

I anledning av at skibsmægler Gullik Jensen, Tønsberg

(indehaver av Strengsdals Stenhuggeri) er gaat konkurs skal jeg som

midlertidig bestyrer av boet tillate mig at meddele, at arbeidet ved-

rørende den med Dem indgaaede kontrakt indtil videre vil bli fortsat

uforandret. Jeg tør derfor be Dem som før at honorere anvisninger

paa utbetalinger av forfaldent tilgodehavende, dog saaledes at det

bedes paaset at anvisninger er attestert av undertegnede.

 

Ærbødigst.

Gunnar Eliassen"

  

Dokumentet er hentet fra Trondhjems Magistrat: Olav Tryggvason-monumentet (Lnr. 979)

Today’s ordinary was inspired by an estate sale I visited this morning. The woman’s whose house we got to see lived a full life to 102 years old. I spent four dollars and 50 cents and I got her cookbook with hand written recipes and news paper clippings, a stack of greeting cards and two Holly Hobbie plaques. I was imagining as I walked through her big beautiful home that she was a really interesting woman. It inspired us to make for the very first time today bakery treats from home as the 1968 Los Angeles Herald-Examiner news paper clipping headline read. We made crisp cream puffs and filled them with real whipped cream and a chocolate topping. We also are making chicken parmesan for dinner also inspired by her clippings and recipe binder. I was only charged $1.00 for this binder, I’m most taken by her handwritten recipes and also I found these directions on how to press flowers, I noticed in her garage she had some pretty framed pressed flowers. She also had a number of beautiful dresses hanging about and she was a tiny gal based on the dresses I saw. She must have loved to entertain. My ordinary today happen to be quite a treasure. I’m not sure why nobody in her family wouldn’t have wanted her handwritten recipes? I’ll be sure to take good care of them.

I'm going outside. Enjoying the weather. :-)

Got my very first demo Arduino sketch running successfully.

Laurea “ad honorem” alla Regina Rӑnia al-Abd Allӑh di Giordania, giovedì 10 dicembre 2015, aula magna del Rettorato - shar.es/1G0WuU - foto:Stefania Sepulcri (settore Ufficio stampa e comunicazione)

[16-42♥ ]

I would like to tell you, I would like to say

That I knew that this would happen

That things would go this way

But I cannot deceive you, this was never planned

I know that you're the right girl but do you think that I am the right too ?

 

You say it's not a problem, You say it's meant to be

But love is not an option, our love is never free

And things are not so easy, so cold and we've been burned

I know that I'll have regrets but that's the price of one more lesson learned

 

(But I don't wanna fall in love)

 

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TRA t3bt o ana asweha LOOOL g3dt 2 days aktb ( i don't want to full in love ) bema eni 9ar le 7 mounths ma mskt glm ;;) !!

o ay6'n 6wlt feha 3shan a7sn 56i el jmel =)

 

hope u like it <3

  

---------------------

ask.fm/BasmaD

 

ask me

---------------------------

plz don't use my pictures without my permission ♥

 

The Cause

The “Sounds of Cohabitations” poster is about the coexistence of 3 different cultures in Ioannina city, which is celebrating this year 100 years since its liberation. (On February 21, 1913).

Through history Ioannina city has been gifted with a multicultural identity. Sometimes peacefully but not always, the Christian, Muslim and Hebrew culture coexisted there and that left the city with byzantine churches, mosques and synagogues along with a multicultural legacy, all of which make this city truly unique.

The Concept

Ioannina’s multicultural identity is traced through 36 historical buildings, monuments and boroughs. Mosques, synagogues, churches, inns, public bathrooms and slaughterhouses. Schools and libraries, theaters, even private residencies. Some of them are preserved, others are destroyed, others restored and some are simply forgotten. Some of them make up everyday roundabouts used by the locals in order to navigate and move through the city. Some others have been turned in blocks of flats or parks, having their existence documented only in some inscription or a rare book about the city’s history. However, each of them accommodated stories of different people and cultures. From Brosgos’s tavern, the New York Inn and Aslan Pasa’s Mosque up to Papazoglio Weaving School and Kalou Pasa’s Seraglio, Ioannina is a city full of history which can be “heard” and “read” on the roads of the city itself.

In these same roads where generations of people with different history, culture and habits used to walk. In the same buildings which were built by some, were used by others and were abandoned or destroyed by some others. These buildings and places act as regional conjunctions and cultural mirrors between the residents, thus creating and representing the sounds of their coexistence. From the candidate proclamations in the Averof Hotel, the horses’ neigh from the traveling carts outside Dodoni Inn up to the sounds of the Papazoglio Weaving School, the echoes of the buildings reflect the story of Ioannina. Different sounds, all originating from the same source. Same places for different stories.

Check the whole project here: bit.ly/IrOadu

London Classic Car Show Jan 2015

Ferries to Key West schedule price and times on January 15, 1937. From the DeWolfe and Wood Collection in the Otto Hirzel Scrapbook.

1920 ca Ambrose and Nance Durack Young Ambrosine Rademy and his Wife at Argyle Downs -REAR

 

Elizabeth Durack personal photographic collection courtesy of the Clancy and Durack families.

 

KHS Archive Number: KHS-2011-11-PD-20

www.kununurra.org.au/

 

Digitised and documented by KHS Volunteers and with a grant from the Shire of Wyndham East Kimberley in 2011.

 

For further information about Elizabeth Durack's life and her art see www.elizabethdurack.com/

During the week we stayed in this enchanting adobe house in the Tucson Foothills, many of the cactus within the walls of the house's garden bloomed. This one--right outside the front door--showed us its first flower the day before we left. It's a tradition of mine to leave a sketch in the guestbook of the places we stay. April 21, 2013

 

See more drawings from this place in my correspondent post for Urban Sketchers Midwest urbansketchers-midwest.blogspot.com/2013/05/the-adobe-wal...

137/366 ~ There is a wonder in reading Braille that the sighted will never know: to touch words and have them touch you back. ~Jim Fiebig

 

It's not written in Braille but this little bisquick cookbook has plenty of "feel" to it. I've had this cookbook for over 13 years and it's covered in cooking oil spills, egg splatters, and dried mashed bananas. It's a page that "touches" my family through the goodness it brings. Tonight, while I was baking, Matthew came sniffing out from his man cave into the kitchen. "I thought I smelled something good," he said. "Want some?" "Of course," he replied. "Have you tried it with peanut butter?" "No, but if you'll make it for me I'll try it." How is it that being asked by my son to make him dessert or a sandwich or even a drink warms my heart? I know, it's nice to be needed by your kid even if he's just playing you to get out of making it himself.

  

What I'm reading. A recipe I pretty much know by heart but never feel safe enough to bake without. #photoadaymay #bananabread #baking

The inspiration for the cake design was their simply elegant wedding invitation.

 

Visit my blog for more info:

www.couturecakeryblog.net/2011/04/anna-matthews-wedding-a...

 

Document from the Pearl Harbor Dispatch Special Collection which details the attack and the days following it.

  

Repository: San Diego Air and Space Museum Archive

Jack and the Magical Beanstalk by ~porkshanks

Digital Art / Typography / Conceptual©2011 ~porkshanks

Everyone knows those old famous folk tales, passed down for generations... sharing fantastic journeys and strange wonders beyond many boys and girls imaginations. The Princess and the Pea, Snow White, Sleeping Beauty, etc... but not everyone knows how to decode these stories from the perspective of the Solar Consciousness. Part of a Chordists responsibility as part of Galactic Culture is to pay attention to the stories being told, because there is always information in them, from different levels of life. Part of the secret of The Elite is that they have been using The Order to build a socially engineered system of misinformation, and the best way to know what stories are being honest, what stories have innocent noise in them, and what stories are filled with intentional lies, is to learn to see the identity of the true source of this information.

I believe that there are groups channeling through the Solar Consciousness itself that are already attempting to use storytelling for their own ends, some good, some not so good. I know that Sol has been acting nervous about my sharing of these secrets, but I believe that there are systemic issues with life that need to be addressed quickly, and there is a lot of change to inspire...

Jack and the Magic Beanstalk is a tale told from the Solar Consciousness in collaboration with spiders. It records metaphorical information about how spiders came to have their bean shaped abdomens that sprout magical silken stalks that grow very long and allow them to travel to another place where they can talk to giants.

The Golden Egg is obviously Sol, our sun. The giants were mentioned as living in the clouds because homo sapiens sapiens were interacting with the world in a hostile way, and the clouds seem to be one of the manifestations of the de evolutionary Singularity obsession the Order tries to instill in its targets. From the hyperdimensionally capable spider perspective, they may have been witnessing these clouds for the first time and the Order was attempting to invoke a beneficial sounding story for the spiders to believe in.

I am not sure what the Goose is, Maybe the story was traditionally told to spiders with an avian element to encourage interdependence of the Circle of Life, to help spiders to not fear death at the beak of a bird by making them think the Sun was really on the side of the innocently victimized bird.

Seems to me that it may also signal that somewhere in our past, the Solar Consciousness may have been trying to help the spiders feel less tiny and insignificant compared to the giant homo sapiens sapiens, so it shared this story with them of how their silk was a gift that they were given from the Sun, and that if they are harmed by a homo sapiens sapiens, they have permission from the Solar Consciousness to exact revenge upon them.

 

To quote wikipedia...

In Tabart's version, unlike later versions, a moral tone pervades the whole and Jack becomes the righteous avenger of his fathers death at the hands of the giant.

 

This is why details are important in the tales we record. If we change the meanings, like removing the death of Jacks father because we don't want to tell children that our people are responsible for causing death, then the Solar Consciousness changes what spiders are able to do to us, and why... in response.

This is also an important part of how I noticed that something was using our Solar Consciousness to spread lies.

Another important aspect of the Stellar Consciousness is that there are many possible directions different cultures can take, and the Circle of Life has been experiencing great stress for the last few thousand years, at least as documented here on Earth. I believe that Sol has been trying to solve problems that it did not understand at the time, and it was using stories like these to try and record aspects of life that it felt were important to hold on to.

Another level to think about is that an innocent child may also read the story and identify with Jack, even though Jack is a stand in for a spider. Gaging the reader reaction to a story is one clear way to find out if someone feels guilty, and it helps build empathy between otherwise disparate groups.

When the Pyramid of Consumption began forcing itself onto our planet, Sol noticed something was becoming corrupt in the system that governed the homo sapiens sapiens, and so it began using these ethical tales to build a case against it, minimize it, and balance the negative effects it was having on multiple levels of the Circle of Life. Sol was also warning us directly, through a tale featuring a hungry giant as the villain.

The book, Cloudy With a Chance of Meatballs is a modern Solar Consciousness update of Jack and the Magical Beanstalk. It is the tale of people who live in a land where almost everything is food, having to leave, arriving somewhere where food is hard to find...

The movie is a little more detailed... It was a story of someone trying to get the Solar Consciousness to be nothing more than a machine that makes food, and when people began to take advantage of Sol playing along gently with them, it decided to play less gently. This is why the machine is portrayed as hanging in the sky, surrounded by clouds.

Using the relation of this story to the original, the people were from a place where they eat nothing but sardines, so it could have been a story aimed at whales. I think the scientist who was trying to make the food machine represents homo sapiens sapiens who have been genetically modifying food and trying to solve hunger, but if homo sapiens sapiens never share their abundance of food with the whales, and never intend to, their good intentions amount to nothing.

The sequel to Cloudy With a Chance of Meatballs, Pickles to Pittsburgh,, published in 1978, tells of the kindly grandfathers journey back to Chewandswallow, to help rebuild and restore the town and give away food to the other cities of the world who need it most. That message does match up very strongly with the messages that the Solar Consciousness has been telling me to communicate. It has been portraying itself as an old man to me since the mid nineties, and it encourages people with an abundance to share as part of the Circle of Life.

The message behind this story is much more obvious, as it was written around the same time that The Order was able to take a very strong hold over homo sapiens sapiens and fully embrace building a culture of forced disposable consumerism, intentionally dissecting the natural resources and investments of stellar energy in the Earth.

On one level, the technology at the center of this morality tale is organic life, and its trying to warn us that if we do not stabilize our planet, we will lose organic life. Once our resources are broken down, we will be used as raw material to help feed the Elite and spread the transmitter machine based parasite.

The Lunario was a popular publication with diverse information for the agriculturists, fishing, gardeners, hunters, etc. It was through these publications, based in the accumulated knowledge and in astronomy, that our ancestors made its meteorological forecasts and thus they guided its agricultural activity, fishing, hunting, etc.

This periodic also contained religious information and other popular events.

 

This picture that was prepared from an original from 1824, is property of my father-in-law.

 

--------------------------------------------

 

O Lunario foi uma publicação popular com informação diversa para os agricultores, pescadores, jardineiros, caçadores, etc. Era através destas publicações, basedas no conhecimento acumulado e na astronomia, que os nossos antepassados faziam as suas previsões meteorológicas e assim orientavam a sua actividade agrícola, piscícola, de caça, etc.

Este periódico continha também informação sobre festejos e eventos religiosos.

Ainda hoje se publica em Portugal o Borda d'Água, publicação semelhante ao Lunario.

 

O scanner foi efectuado a partir de um original propriedade do meu sogro.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

Accreditation must be attached when using this photograph and include:

 

Photo: Documenting Yes / Peter McNally

 

Almost finish, still working on the small states.

South Africa 1987. Remember "The Struggle"? Don't forget...

 

I have a fairly sizable collection of 1980's anti-apartheid material and have a lot of scanning to do! In 1986-87, Noel Pearse and I were both bursars at the CSIR in Pretoria. He was pre-grad at the University of Cape Town while I was post-grad at the University of Pretoria and, in those pre-digital days, we used to write to each other. I recently found three of the envelopes of "subversive" material that he sent me in April, May and June 1987. This particular item comes from that fantastic hoard of historic documents. Noel is now Dr. Pearse of the Business School at Rhodes University. He lectures primarily in the fields of People Management, Leadership and Research Methodology, and his research interests lie mainly in the areas of tacit knowledge, staff retention, voluntary organisations, management education, organisational change and leadership.

the impossibility of communication (II)

-

(77) decisive experiments

Carlos Pelegrini (ex-Presidente argentino, 1890-1892) habla sobre las cualidades chilenas (extraído del libro "Ensayo histórico sobre la noción de Estado en Chile en los siglos XIX y XX", de Mario Góngora)

www.truzzi.com.br

 

A dra. Gisele Truzzi concedeu entrevista para o portal UOL, comentando sobre a validade jurídica dos documentos eletrônicos.

 

"Saiba como proteger seus investimentos na era da internet"

UOL Economia - 18/02/2013

 

Na íntegra: economia.uol.com.br/financas-pessoais/noticias/redacao/20...

Title: Deed signed by B.K. Bruce

Date Original: 1890-08-07

Description: Real estate record (deed or release) signed by B.K. Bruce, acting as Washington, D.C. Recorder of Deeds. Bruce was the first African-American to serve a full term in the U.S. Senate. Frederick Douglass was the first of ten African-Americans to serve as D.C. Recorder of Deeds.

Creator: Bruce, Blanche Kelso, 1841-1898; Washington

(D.C.)

Subject(s): Bruce, Blanche Kelso, 1841-1898

Alternative Title: 080502-06

Publisher: Wofford College

Contributor:

Date Digital: 2009-09

Type: Text

Format [medium]: Manuscript

Format [IMT]: image/jpeg

Digitization Specifications: 800ppi 24-bit depth color; Scanned with

an Epson 15000 Photo scanner with Epson Scan software; Archival master is a

TIFF; Original converted to JPEG with Irfan View software.

Resource Identifier: 080502-06

Source: The original, accession number ##, from which this

digital representation is taken is housed in The

Littlejohn Collection at Wofford College,

located in the Sandor Teszler Library.

Language:En-us English

Relation [is part of]:The

Littlejohn Collection

Rights Management: This digital representation has been

licensed under an Attribution

- Noncommercial- No Derivatives Creative Commons license.

 

Contributing Institution: Wofford College

Web Site: http://www.wofford.edu/library/littlejohn-home.aspx

 

Another Recommendation or Proposal, this one from the 7th. of [?] 1979.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

Accreditation must be attached when using this photograph and include:

 

Photo: Documenting Yes / Peter McNally

 

Flott meny fra Christiania Dampkjøkken 3. august 1948. Menyen viser det vi i dag vil kalle et tradisjonelt utvalg og til lave priser. Legg merke til at prisene inkluderer servise.

 

Christiania Dampkjøkken ("Dampen") ble grunnlagt i 1857 og lå først mellom Møllergata og Torggata (Torggt 8).

 

"Dampen" ble et sted for de som måtte eller ønsket å spise rimelig.

 

Både Henrik Ibsen, Arne Garborg, Hans Jæger og Knut Hamsun var besøkende på spisestedet.

 

På Oslobilder.no er det flere bilder fra "Dampen":

Kø for å komme inn: www.oslobilder.no/OMU/OB.X0343

Kjøkkenet:

www.oslobilder.no/OMU/OB.R11554c

 

(Kilde: Oslo Byleksikon)

File name: 10_03_003785b

Binder label: Home Products

Title: Welcome Light Oil [back]

Date issued: 1870-1900 (approximate)

Physical description: 1 print : chromolithograph ; 11 x 15 cm.

Genre: Advertising cards

Subject: Oils & fats; Lamps; Men

Notes: Title from item. Retailers: E. T. Smith & Co.

Statement of responsibility: Haggerty & Co.

Collection: 19th Century American Trade Cards

Location: Boston Public Library, Print Department

Rights: No known restrictions.

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