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اللهم لا سهل إلا ما جعلته سهلا وأنت تجعل الحزن أذا شئت سهلا..
اللهم أرزقني قوة الحفظ وسرعه الفهم وجمييع المسلمييين
دعوآتكم
أجيب نسبه حلوه
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*
المودل:أشيـآء أخوي
~<
atelier ying, nyc.
In the 60s, during a banquet feast at the famed Port Arthur Restaurant on Mott Street in Chinatown, a very kindly salesman gave me a tie tack in the shape of a tiny golden lighthouse that lit brightly using a tiny battery.
These next two drawings show more or less one kind of process I use frequently. Cheap materials (xerox correction fluid, highlighters, ballpoints), a growing list of referents from anywhere in my mind that relate as I continue my design and a drawing style that complements this (I hope). The design is the drawing, text and references. In the Chinese style of funereal objects as Ming Qi, substitutes for objects and gifts for the dead abound.
Do these designs work? Only loosely. Are they functionally useful? Only loosely. Should they be built? Only abstractly, on paper and in thought. My fantasies are focused on the people and their lives for whom I am making these.
Here in this proposed design, the street photographer Vivian Maier inspires a remake of the Tessina for a watch camera dedicated to the late NY Times Architectural critic Ada Louise Huxtable whose book, "skyscraper-style" inspires in return a dedication to Maier's milieu. I like to work in doubles; if I could pick an iconic symbol for my own process, it would be a peanut in a shell.
The skyscraper cube detaches from it's wristband and extends to full-length before attaching onto an iPhone with a light tight seal of blu-tack that is originally stored in the skyscraper's base in a fresh plastic wrapper like a piece of gum. The top of the skyscraper is a dark slide that may have to be assembled and then inserted halfway in to use the viewfinder, the twin lens recalls Maier's Rolleiflex. Why did Leica never make a twins lens reflex design? When the subject is focused, pulling the dark slide all the way up allows the mirror inside to reflect the image towards the iPhone lens. By the time we all get to see this made in prototype, perhaps an iPhone app with an SLR function will have been invented to attach in this manner. Except for the iPhone attachment, this wrist camera function just like the legendary Tessina.
Please also view my design No. 52 of the Tintin Tessina Watch.
Design, text and drawing are copyright 2013 by David Lo.
Mi sento a metà del mio percorso di vita. Ho solo vent’anni e già il mio futuro è incerto, ma forse perché ho solo vent’anni. Il mio punto di riferimento adesso è l’aggregazione, sentire vivi gli ideali.
Il resto poi devo ancora viverlo
Camilla Dall’Arche, studentessa, collettivo ZTL Treviso Awake
Temo l’obiettivo come poche cose al mondo, perché odio il mio corpo nonostante cerchi ogni giorno di passare per la donna forte di turno. Donna perché mi rendo conto ogni giorno di più quanto sia fondamentale riconoscersi in quanto appartenente al genere femminile per avere consapevolezza di sé e del proprio conscio e così sapere aprire di più agli altri, al mondo.
Nonostante ciò non accetto la mia femminilità, affiorano problemi legati alla sessualità a all’esternazione della vera me.
Sono portavoce di questo gruppo, faccio politica da anni, ne ho 21, ma vorrei più che mai ritornare ad essere la bambina timida di una volta che tanto disprezzavo.
E invece mi nascondo tra gli altri, con una fame malata di amore che porta solo ad una scomposizione interna.
Lo scrivo qui, a lei e continuo a dividermi
Gaia Righetto, studentessa, collettivo ZTL Treviso Awake
E’ uno dei tanti momenti nella vita in cui pensi di aver sbagliato molto. Di aver investito così tanto in qualcosa in cui adesso forse non credi più.
Oppure senti il bisogno di cambiare, di cambiare tutto, e mai così tanti sogni e così tante fantasie e poi c’è la realtà: così, semplice, com’è.
Silvia, studentessa, collettivo ZTL Treviso Awake
I feel in the half of my life path. I only have twenty years and I feelthat my future is uncertain, but maybe because I only twenty years. My benchmark is now aggregating, feel alive the ideals.
The rest then I have yet to experience it
Camilla Dall'Arche show, student, collettivo ZTL Treviso Awake
I fear the camera as a few things in the world, because I hate my body despite I try every day to act as the strong woman of the situation. Woman because I realize every day that it is crucial to acknowledge to belong to the female gender for self-awareness and conscious and thus open to others, to the world.
Nevertheless, I do not accept my femininity, sexuality-related problems emerge in the outburst of the true me.
I am the spokesperson of this group, do politics for years, I'am 21, but I would go back to my childhood the girl shy once so disliked.
And instead I hide among others, with a hunger sick of love that leads only to an internal breakdown.
Write it here, you keep me
Gaia Righetto, student, collettivo ZTL Treviso Awake
It is one of the many moments in life where you think you've missed a lot. Having invested so much into something that now maybe I don't believe anymore.
Or feel the need to change, to change everything, and never so many dreams and so many fantasies and then there's reality: so simple, it is.
Silvia, student, collettivo ZTL Treviso Awake
A little while back build myself a little lightbox and spent some time playing with a 50mm lens, wide open apertures, low ISOs and long shutter times. Enjoy!
Please note that, thus far, there are only two photos documenting spring. I just couldn't capture the snowflakes falling today. Brrrr - cold and windy!
Drawing while listening. Drawing complete when interview is over. Photograph and post. 31 day mindfulness summit.
via Instagram ift.tt/1L40oBD
Composer: John Ross
Publication details: London: printed and sold by L. Lavenu, ca.1807-9
Catalogue reference: 781.4 ROS
Full score available on IMSLP: imslp.org/wiki/Special:ReverseLookup/364380
It was late spring in the year 1832.
A guy named William Davis had dammed up a creek about fourteen miles north of Ottawa Illinois so that he could use water power to turn the wheels and the saw of his mill.
Davis had moved there from Kentucky about two years before with his wife and six children.
Tensions had been running high between the natives and the new Illinoisans.
Some dude named Blackhawk was stirring shit up a little north of there and a lot of the indians, having been pretty much pushed around for a number of years, they liked Blackhawk's attitude and the fact that him and a large force of indians had returned to Illinois from reservations they'd been forced onto out west.
Life really sucked back then and lots of people were looking for someone's ass to kick.
The local band of Potowatami were tryin' to stay out of the whole thing... what would later become known as 'The Blackhawk War.'
They told Blackhawk that they wouldn't help him.
But William Davis...
he wouldn't remove that dam and that was causing the Potowatami to go hungry.
They were dependent of the fish they would catch at their village on Indian Creek.
Davis puts up a dam and all of the sudden they're going hungry.
That wasn't real cool.
They asked Davis to take the dam down and Davis told 'em to bug off every time.
Then one day Davis caught one of the Potowatami dudes tryin' to tear the dam down and he beat him up with a stick.
Chief Shabbona tried to keep all of his Potowatami cool but tribal politics were pretty democratic and the people were hungry and the dude who got beat with the stick was pissed off too.
Shabbona went to Davis and told him he was about to get his ass kicked and maybe he should high tail it outta there until things cooled off.
A lot of the settlers decided to take a vacation and get out of town.
But not Davis.
In addition to being an asshole he was kinda stupid... and manipulative... because he convinced a few families that there was no danger and that they should stay.
He had interests to protect.
Namely the mill he'd built that had started all of this shit.
The fuse was lit on what might have been the biggest massacre of American civilians by the indians ever.
And the fuse was pretty short.
They say between forty and eighty Potowatami warriors headed out to Davis' mill and they were packin' heat and really pissed off.
It's not cool to take away people's food like that.
It's also not cool to kill innocent women and children...
which is what the Potowatami did.
They slaughtered Davis, a few other guys and a bunch of women and children.
The indians killed 15 people that day in May of 1832.
They mutilated the bodies in ways that contemporary writers refused to describe.
They took hostage a couple of sisters who were 19 and 17, one of whom fainted as they took her away on horseback when she recognized one of the scalps tied to the horse as her mother's.
People were pretty brutal back then.
Davis seems kinda like an asshole for not listening to the indians pleas that he remove the dam.
And his act of building that dam not only violated the indian treaty it also violated their water rights.
I'm sure they didn't like seeing their families go hungry because some new guy messed up the creek they'd been eating from for generations.
The indians shoudda stopped after they killed Davis and maybe the other adult males because killing innocent women and children isn't cool and never scores you PR points.
But then I wondered how the indians felt seeing their wives and children go hungry because of what Davis did.
The viciousness of the massacre was a propaganda victory for the US Government and it enraged the white population and led to popular support against Blackhawk and his crew up north even though they had nothing to do with the Indian Creek Massacre.
In the end, a whole bunch of people died and many indian women and children were massacred too.
I just wanted a good excuse to draw a map today and a little roadtrip to the site of the massacre would give me that excuse.
I love these lines - “But there's a story behind everything. How a picture got on a wall. How a scar got on your face. Sometimes the stories are simple, and sometimes they are hard and heartbreaking. But behind all your stories is always your mother's story, because hers is where yours begin.”
― Mitch Albom, For One More Day
i wish some would cuddle me when i take photos.
protests are ridiculous for cameras these days, it's almost as if a mob of police an protesters go on jessops shopping spree before the protest. everybody is document everyone else. my favourite camera i was as some who had a GoPro HD attached to a skateboarding helmet
you can see all my photos from the hour spent at the anti EDL protest in chronological order in this flickr set
atelier ying, nyc.
Unlike the 40th Anniversary Bond film "Die Another Day", this "Vanquish" camera does not require any CGI to inflate its production costs. Its highly reflective, mirrored surfaces provides a cloak of near-invisibility (or "adaptive camouflage", as Q says) for the street documentary photographer (his ultimate fantasy). When this camera, a stylized "Giant Brownie" is fully set up with its two side panels opened, it resembles a mirrored wall so care must be taken to watch out for flying birds, absent-minded texting pedestrians (although in Paris they don't walk and text like in Manhattan) and cars, hence the mandatory ear 'speakers' and reflective patches to be worn while shooting. As an added bonus, the reflected city views from the camera blending subtly into the background make it a piece of sculpture or mobile architectural folly.
Linking the Bond mystique to the masters, this is the perfect daytime camera for Eugene Atget if he chooses to compose the scene in an unobtrusive way. With an Aero Ektar lens he will need time and patience (with only a Telex rangefinder to help him). He'll probably be shooting street details with the dof of this lens. At night, this camera converts on the site to a serene Asian-styled beacon and functions in the opposite way in the dark. It doesn't shoot night scenes, recalling Atget's era. It doesn't vanquish the night, it reveals it.
A Giant-sized Brownie only helps to inflate its own iconic presence, invisibility and effect. A full Parisian outdoor cafe is inside the ample housing with live bistro views from the two hidden viewfinders. A tiny built-in espresso machine (from Nespresso) and bar which only serves a signature drink, a Perrier Menthe, recalling that Atget frequently shot his "Documents pour Artistes" in the early morning and probably would have liked a refreshing drink and cafe after the shoot.
The Giant Brownie "Vanquish" assembles quickly with powerful magnets attached to the mirrored acrylic panels. A very modern flash unit has been machined to look like a vintage powder flash of Atget's era, yet it holds the portable Telex rangefinder, cable shutter release, ear buds and reflective patches all hidden inside attached to the camera with a winding coil. Using a pull-out unit like this is part of the theatre of a Bond film, something that would excite its user. The stripped down Speed Graphic has a lead enclosure to protect the film.
A "Little Nellie" case (from "You Only Live Twice") holds the entire kit compactly.
Of course this camera isn't a sports car with projection cameras but it is almost as thrilling a spectacle on Atget's turn-of-the-century Parisian streets.
Electricity for both the beacon lamp and espresso machine is to be provided from any local store utility via a simple cord to an outlet.
Design drawing and writing is copyright 2013 by David Lo
"Anh à, mình chĩ có thể làm người tình của nhau thôi a nhé vì mình chỉ đơn thuần là có tình cảm với nhau, đơn thuần là thích nhau và mến nhau. Trên mức tình bạn và dưới mức tình yêu một tí. Em và anh đều ngán cảnh yêu nhau là phải quan tâm lo lắng hờn ghen đối phương, ngán cảnh phải thể hiện những điều đó bằng lời nói, em và anh có được xếp vào thể loại đểu giả trong tình yêu k khi quen chỉ dăm bữa nữa tháng lại chán nản chia tay. Cả 2 cũng chẳng thích phải gò bó trong 1 giới hạn nào đó. Em thích nhiều người nhưng e thích anh đặc biệt hơn 1 tí đôi khi lại nhiều hơn tí nữa nhưng đôi khi cũng chẳng cảm nhận đc gì nên em và anh không thể yêu nhau. Vì nếu yêu nhau thì cũng sẽ có lúc chia tay. Em k cần gì hết, chỉ cần 1 người luôn bên cạnh e khi e cô đơn, mệt mỏi, 1 người có thể nghe em nói và cho e vài lời khuyên, người hiểu e hơn cả 1 người bạn. Chỉ cần vậy thôi.^^ Nếu như anh có để ý hoặc yêu ai khác thì e vẫn hoàn toàn chấp nhận và chúc mừng anh vì đó là hạnh phúc thật sự của anh còn e chỉ là người để anh suy nghĩ và nhớ đến trong 1 khoảnh khắc nào đó thôi "
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Eu passei muito mal mesmo desde quinta-feira x.x Cheguei a ficar com 39,7º de febre! Hoje eu não fui à escola por outros motivos dispensáveis para redes sociais... Minha febre já ta quase indo embora mas eu ainda continuo com uma leve infecção na garganta -\ Diz minha vó que isso é ansiedade por causa do vestibular que é no domingo, e eu to começando a acreditar que é verdade. Eu fico ansioso por qualquer coisinha, por mínima que seja. Vou pra BH no sábado cedo, fazer vestibular na UEMG (Universidade Estadual de Minas Gerais) pra Design Gráfico :D Depois é torcer pra passar! Essa semana vou "comer" os livros hehe
Torçam por mim (yn) beijão!
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♪ Firework - Katy Perry ♪