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This one went all wrong, so i changed a few things :p
Hff and hope you all have a wonderful weekend :)
Trying something different. A bit insta of old.
3-shot HDR, shot with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, and combined in Photomatix before being processed in GIMP and Photoscape.
For those of you still working it out, it's an inverted reflection from the canal in Cromford, Derbyshire, on the edge of the Peak District.
Different background, I kept some of the light on the edges so it appears that the figure is coming through the light
“Différence entre l'esprit de géométrie et l'esprit de finesse. En l'un, les principes sont palpables, mais éloignés de l'usage commun... Mais dans l'esprit de finesse, les principes sont dans l'usage commun et devant les yeux de tout le monde.”
Blaise Pascal
Well, at least one of them is showing some interest. Shot at the Stedelijk Museum Alkmaar, definitely worth a visit !
Perspectiva con agua. (Viladrau - Cataluña).
Para poder verla con todo su esplendor, pulsar sobre la foto.
Perspective with water. (Viladrau - Catalonia).
In order to see it in all its splendor, click on the photo.
Español: Como se tomó la fotografía.
Una fotografía panorámica compuesta por cuatro fotografias verticales con la peculiaridad que la cuarta fotografía, están las rocas casi a mi derecha, pero al unirlas quedan delante de la cámara, por lo que da la sensación que estoy en la orilla cuando en realidad estoy casi en el centro del riachelo.
En esta realicé la medición de la distancia por hiperfocal.
El efectuar una panorámica si quieres que te quede perfecta, debes ponerla en "Manual" una vez has medido la luz que hay en el centro de la escena, dado que si la realizas en automático, como son cuatro fotos distintas y la luz varia en cada una de ellas, con lo que la cámara te ajusta las luces y entonces aparecen las típicas rayas en la unión de cada foto, por lo que se estropea la panorámica.
Bien una vez contado esto, a mi... se me olvidó ponerla en "Manual" por lo que me salieron las tipicas rayas verticales entre cada unión de la foto. Hay dos soluciones... una es tirarlas o la segunda, es ir retocando con mucha paciencia zona por zona, es una paciencia de chinos, pero la salvé y ahí la teneis.
Como tienes que estar un cierto tiempo dentro de la fria agua, en el que tienes que tener muy bien anclado el tripode para que no queden movidas, colocar la cámara, buscar la correcta horizontabilidad de la escena, ver cuantas fotos serán las necesarias por el encuadre elegido, al ser realizadas a larga exposición para conseguir un poco de sedas en el agua, colocar los filtros delante del objetivo y disparar con el intervalómetro... los piés te quedan que no los sientes, así de facil es hacerla. Espero os guste. Antoni Gallart.
Datos Tecnicos:
Cámara: Nikon D800
Objetivo: Nikon 60 mm.
Iso: 100
Velocidad : 6 segundos por disparo.
Diafragma: f/5 para reducir la profundidad de enfoque.
Soporte: Tripode.
Filtro: LucrOit de 10 Pasos (DN).
English: How the photo was taken.
A panoramic photograph composed of four vertical photographs with the peculiarity that the fourth photograph, the rocks are almost to my right, but when they are joined they are in front of the camera, so it gives the feeling that I am on the shore when in reality I am almost in the center of the riachelo.
In this I made the measurement of the distance by hyperfocal.
To make a panoramic if you want it to be perfect, you must put it in "Manual" once you have measured the light in the center of the scene, since if you do it in automatic, as there are four different photos and the light varies in each one of them, with which the camera adjusts the lights and then the typical stripes appear at the junction of each photo, so the panoramic view is spoiled.
Well once I told this, I ... I forgot to put it in "Manual" so I got the typical vertical stripes between each joint of the photo. There are two solutions ... one is to throw them away or the second is to retouch with great patience area by area, it is a Chinese patience, but I saved it and there you have it.
As you have to spend a certain time in the cold water, in which you have to have the tripod very well anchored so that they are not moved, place the camera, find the correct horizontability of the scene, see how many photos will be necessary for the chosen framing, being made at long exposure to get some silks in the water, place the filters in front of the lens and shoot with the intervalometer ... the feet are left that you do not feel, that is how easy it is to do it. I hope you like it. Antoni Gallart.
Technical data:
Camera: Nikon D800
Lens: Nikon 60mm.
Iso: 100
Speed: 6 seconds per shot.
Aperture: f / 5 to reduce the depth of focus.
Support: Tripod.
Filter: 10-Step LucrOit (DN).
I've seen these about before but mistook them as a weird looking nuthatch. Once I zoomed in, I realized that it was something quite different, Small in size with striped markings on the face, their eyes glow bright red in the sun light. Much like the warblers, they feed off of small bugs in this tree.
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These pretty golden yellow flowers have a maroon centre and as the flower gets older the flowers seem to evolve with different stages of opening, when the flowers first opens its pretty flat/level but as it ages it seems to push the maroon centre upwards displaying the maroon parts in greater detail. The stems are a shiny green colour and the buds of this plant are ball shaped in brown clusters. The plant like full sun for best results and are quite happy growing in poorly drained soil, if you leave some of the seed pods attached to the plant it will spill the seeds on to the soil and they will grow next year and it is one of many plants that gets many insect visitors. This is one of the plants that I grew from a mixed packet of wildflower seeds last year.
A different point of view of this famous waterfall in Iceland.
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courage means different things to different people. and its meaning can change with the situation. yet i think courage, too often, is associated with strength and armor. to me, courage means letting down my guard; being vulnerable and true; staying open to whatever arises. courage isn't about fighting; it’s about surrendering in a brave way—showing up with an open heart; cultivating compassion; sharing the raw places; letting love in.
tomorrow, mark and i leave for iowa. six days after my mom’s death, we celebrate her life within the framework of a funeral. part of my healing is to speak at her service—to speak from my unguarded heart.
thank you, flickr friends, for your love and support. next week, i’ll catch up with you all—with your beautiful, unique ways of seeing the world. until then, i rest in your good wishes. may we all find more moments of genuine courage.
[39:52, on the ground]