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Shutter : 1/2500s
Aperture : f/2.8 @11mm
Aperture Priority
Tone Mapping using PhotomatixPro 3.0 (3 exposures)
Horizontal alignment using GIMP2
Final process, framing and watermark using CS4
#AbFav_MONTH_of_DECEMBER_🎀
that year it was mostly red, it depends on what I find first in the shop, and here it was an early Poinsettia.
Another was Victorian...
This year is still a surprise.
Had a great time, just sharing a private moment with you.
Wishing you a very good day and thank you for visiting Magda, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
tree, decoration, lights, December, Christmas, interior, colours, ambiance, home, living, red, candles, warmth, Nikon, "Magda indigo"
A roller derby bout to benefit young Xena Gay, a little girl in need of a heart transplant.
Hosted by Birmingham's Tragic City Rollers, the event drew skaters from several southeastern leagues.
12/16/2007
Birmingham, Alabama
Actually this is the view from my window. Luckely if I would have zoomed out you see a lot more :-)
Makes you wonder who lives behind all these windows.
DC Different Drummers Marching Band Monu-morial Tour at Dupont Circle in NW Washington DC on Monday evening, 8 July 2013 by Elvert Barnes Photography
DC Different Drummers / Marching Band
The Anatomy of Prejudice
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
"The Anatomy of Prejudice"
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
#anatomyofprejudice #thereisnobut #typiskdem #fordommer
#ikmmuseum#interkultureltmuseum #thierrygeoffroy #utstilling #strongpeopledontfearothers #whoistheotherinyou #artformat
#formatart #ultracontemporary #interculture #multiculture
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dkThe exhibition also presents several new videos produced in Oslo this winter together with Jella Bethman and Åsmund Boye Kverneland. The videos express the artist’s meeting with the city and its inhabitants through performative interventions.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dk
I think of myself as a very adaptable person in general. I use humor whenever possible, but I can “adapt” to different situations. I have been an Irish Dancer for 13 years, and because of performing for so many years I strive to entertain people from day to day. I am very focused on school as well; it is what keeps me balanced between fun and focus. Friends and family are very important to me as well, I feel all of these aspects of my life shape me as a photographer, I feel that my photos are unique by the way that I control my light, many of my photos have a very “home-y” feel to them, they have warm colors usually, and are objects that my family has had. Each photo tells a little bit about me.
My philosophy in photography is to be in control of your subject matter and try to get the feel you want out of your photos. As I said before, almost every picture I’ve taken shows a little bit of who I am. I really enjoy myself when I am actually taking photos for a project. Once the setup is done and the real photographs are taken is when I really enjoy myself. I feel that photography is meant to be a fun way for people to express themselves, and I try to create photos that make people feel emotions, or at the very least that are visually interesting and that people enjoy looking at. I am inspired by anything that I think will look good on camera. Especially if I have the right settings for a specific look that I want. That is another part of my photography, my photo styles adapt with me, I can create dark looks, and futuristic looks, if I think it fits with the project better. I always try to make my projects entertaining and relatable.
For my final project I wanted to show how much I’ve grown as a photographer by recreating past projects we have done throughout the semester while having a central theme tying all those photos together. I chose Irish Dance to be my theme because it has always been a part of my life. I felt that I knew it well enough to be able to adapt it to each photo. I decided to have several of my photos represent the motion project because motion, in itself, is the most important aspect of any type of dance. The set of photos also includes a take of the “Traditional/Alter Ego Self Portrait” project, a “Lighting a Still Life” photo, a “Macro/Minutiae” photo, as well as a “Different Types of Lighting” photo. I feel that this project lets the viewers into my world. I strived to show what Irish Dance is really about, and what goes into preparing for competitions, and what is really behind the glitter, wigs, and dresses. There was however, an aspect of difficulty. I had a limited number of action shots that I could really take based solely on the fact that it becomes tiring for whoever you are photographing, when they are constantly moving, jumping especially. Because of this I made sure to use my burst settings whenever possible.
A different context for seeing the sunken ship at Cape May Point. Note the people hunkered over to the left looking for Cape May diamonds, I imagine?
Back here we wrenched broken studs and bolts out of the engine blocks, welded and brazed cracks when feasible, poured babbitt bearings, and used a huge radial drill for replacing injector liners and stellite valve seats in the diesel cylinder heads. Much of the room was filled with old crankshafts and engine blocks (mostly Cummins) standing on end, without which the new customers would wonder if we knew what we were doing. Now someone is making furniture and other small items from wood. Livermore, CA. April, 2014.
Cross-view stereophoto.
My wonderful companion guiding me about Tavistock made an observation that records such as census enumerations didn't always correlate well with modern street numbering. She's right, of course. I already knew that. What I also know is that sometimes an immovable landmark fixes things geographically no matter what the schedule or street number shows.
That's the case here. On that side of the road the low wall is the boundary of a longstanding estate. My granny lived adjacent. On the side where I'm standing was where her future husband grew up. With the number of upstairs, downstairs, front and back combinations of properties inevitably rented and no fixed reference I cannot be sure where he lived.
It's different here. What was a quaint village has been subsumed by a bloated Plymouth. From here to the right is substantially unchanged apart from the replacement of thatch with slate and so on. That's where he lived. Over there? This is different. This jarring, frankly ugly block is in utter discord with everything else of this ancient place. Nevertheless, this physical location is where she lived with her parents, with her sisters and her short-lived brother.
I'm back to talking with dead relatives.
non mi sono
innamorato di te
perché mi hai preso il cuore
mi sono innamorato di te
perché
senza pensarci
mi hai dato il tuo.
Gio Evan