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The MT-68 and MT-100 are very similar. The MT-100 has a graphic equalizer, the 68 does not. The MT-68 has a 3 options that the 100 does not, including modulation and appregio controls. Otherwise, aside from the physical differences in knobs, sliders, and buttons, the sounds are identical

High Definition

  

Before getting into A, B, and C differences for the F-35, a short primer on how to tell an F-35 from an F-22 may help avoid an even larger fighter faux pas. After all, the F-22 and F-35 look similar as well, especially from certain angles and at a distance. Both the F-22 and F-35 have two intakes, two tails, and similar planforms.

 

If the two aircraft happen to be parked together, the F-22, however, is noticeably larger. The Raptor is about ten feet longer than a Lightning II. Its wingspan is about ten feet wider than an F-35A’s and F-35B’s, and roughly the same as an F-35C’s.

 

From behind, the twin, rectangular thrust-vectoring exhaust nozzles on the F-22 are an obvious difference. The F-35 has one round exhaust nozzle for its single engine. The geometry of the engine intakes distinguishes the two aircraft from the top and side. The Raptor’s intakes angle back. On the Lightning II, they point forward. Intake differences are visible from the front view as well. Opposing sides of the F-22’s intakes are parallel. The corners are slightly rounded. The F-35’s intake angles are sharper. A space between the intake and the fuselage, called a diverter, is found only on the Raptor as well. The F-35’s diverterless intake sits flush to the fuselage.

 

The single- vs. twin-engine difference plays out on the top sides of the two aircraft as well. The F-22 has two humps between the tails. The F-35 has just one. On the underside, the F-22 is much flatter with one main (though split) weapon bay with two doors. The F-35 is more rounded and has two distinct main weapon bays each with two doors. Taxiing, the F-22 sits about a foot lower than an F-35.

 

Context also matters. If the airplane in question is operating from an aircraft carrier, landing vertically, taking off in a very short distance, or displaying non-USAF markings, it’s not an F-22.

 

Context And The F-35 Variants

 

When it comes to distinguishing among F-35 variants, context can provide some tips as well. If the F-35 in question is being catapulted from a carrier, it’s an F-35C. If it’s landing vertically, it’s an F-35B. If it has Royal Air Force markings, it’s an F-35B. If it has international markings that aren’t associated with the RAF, it’s an F-35A (at least until another international air force procures B or C models).

 

Basic A, B, & C Differences

 

The A model is most easily distinguished from other F-35 models by the blister on the upper left side for its internal GAU-22/A Gatling-type gun. (B and C models do not have internal guns.) Like the B model, the F-35A has a smaller wing. The A model is the only F-35 variant with a refueling receptacle on its dorsal spine. The receptacle markings are clearly visible from the top view.

 

The B model is most easily distinguished from other F-35 models by its vertical lift system. The system comes into play at almost every viewing angle of the aircraft. Even in up-and-away (non vertical) flight, the F-35B has visual clues for the vertical lift system. The lift fan door flattens the upper surface of the F-35 just behind the cockpit, giving this model a distinctive hump. The hump is especially noticeable from front and side perspectives. The lift fan itself abbreviates the aft end of the canopy line as well.

 

Panel lines and markings are associated with the lift system are visible on the top and bottom sides of the F-35B. From above, panel lines for the lift fan door and the auxiliary air inlet are visible. From below, the doors for lift fan exhaust appear just behind the front landing gear doors. The aft end of the lower fuselage also has a seam for the doors that open when the three-bearing swivel duct goes into action in STOVL mode. (The A and C models have a hump in this location where their arresting/barricade tailhooks are stored.) The B model also has a diamond-shaped roll duct on the underside of each wing.

 

The C model is most easily distinguished from other F-35 models by its larger wing, which provides almost fifty percent more wing area than the A and B models. The hinge line for the wing fold is visible from top and bottom views. The F-35C wing has an additional control surfaces, called ailerons, on the trailing edge as well (two control surfaces on each wing instead of one). The inner control surfaces on the F-35C wing and the ones on the A and B are called flaperons. The landing gear on the F-35C is noticeable beefier. The nose gear has two tires and a launch bar that extends forward and upward from the wheels.

 

Another Trick: Markings

 

Markings can also be used to distinguish F-35 variants. US Air Force markings equate to the A model. US Marines to the B or C model. (The Marine Corps is purchasing eighty C models.) And US Navy to the C model only. The Air Force puts the aircraft identification number, or serial number, on the tail (F-35A). The US Marines and Navy put their identification numbers, called Bureau numbers, on the empennage just below the horizontal tails. To make identification somewhat easier, the F-35 variant designation appears just above the bureau number for the US Marine Corps and Navy. Unfortunately, because of their location these markings are not apparent in most photos. International operators have their own specific requirements for markings.

 

Other Notes

 

As noted in a previous Code One article, Norwegian F-35s will be distinguishable by a small, aerodynamically clean bump on the upper fuselage between the two vertical tails. The bump contains a dragchute.

 

Nosebooms are peculiar to flight test F-35s dedicated to flight sciences testing.

 

The major differences between the X-35 demonstrator aircraft, which are no longer flying, and F-35 were covered in another previous Code One article.

 

Basic Cheat Sheet

 

The F-35A has a small wing, full canopy, gun blister on the left upper side, and aerial refueling receptacle markings on its dorsal. It has no panel lines or markings associated with a STOVL lift system.

 

The F-35B has a small wing, distinctive fuselage hump and abbreviated canopy (thanks to the lift fan), refueling probe on the right side, and numerous markings, panel lines, and actual hardware associated with its vertical lift system.

 

The F-35C has the big wing, wing folds, ailerons, full canopy, refueling probe on the right side, and a launch bar and two tires on the front landing gear. If the aircraft has Navy markings, it’s an F-35C.

The difference between a walk and a wander is the time spent. I had little over an hour spare once I arrived, so instead of getting some lunch, I took photos instead.

 

Down the street lined with shops to the town square with the large church, town hall and many wonderful looking bars and restaurants.

 

I was in town for a few hours for a meeting, I drove over, then drove back. As you do.

 

Not a bad day, but I think I will try the train next time....

 

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Leuven (Dutch pronunciation: [ˈløːvə(n)] ( listen); French: Louvain, pronounced: [luvɛ̃], often used in English) is the capital of the province of Flemish Brabant in Belgium. It is located about 25 kilometres (16 miles) east of Brussels, close to other neighbouring towns such as Mechelen, Aarschot, Tienen, and Wavre. The municipality itself comprises the historical city of Leuven and the former municipalities of Heverlee, Kessel-Lo, a part of Korbeek-Lo, Wilsele and Wijgmaal.

 

It is home to Anheuser-Busch InBev, the world's largest brewing group and one of the five largest consumer-goods companies in the world; and to the Katholieke Universiteit Leuven, the largest and oldest university of the Low Countries and the oldest Catholic university still in existence.[2] It is also home to the UZ Leuven, one of the largest hospitals of Europe.

 

The earliest mention of Leuven ("Loven") is from 891, when a Viking army was defeated by the Frankish king Arnulf of Carinthia (see: Battle of Leuven). According to a legend the city's red and white arms depict the blood-stained shores of the river Dyle after this battle.

 

Situated beside this river, and near to the stronghold of the Dukes of Brabant, Leuven became the most important centre of trade in the duchy between the 11th and 14th centuries. A token of its former importance as a centre of cloth manufacture is shown in that ordinary linen cloth is known in late-14th-century and 15th-century texts as lewyn (other spellings: Leuwyn, Levyne, Lewan(e), Lovanium, Louvain).[3]

 

In the 15th century a new golden era began with the founding of what is now the largest and oldest university in the Low Countries, the Catholic University of Leuven, in 1425.[4]

 

In the 18th century the brewery Den Horen (meaning "the horn") flourished. In 1708 Sebastien Artois became the master brewer at Den Horen, and gave his name to the brewery in 1717, now part of AB InBev, whose flagship beer, Stella Artois, is brewed in Leuven and sold in many countries.

 

Leuven has several times been besieged or occupied by foreign armies; these include the Battle of Leuven (891), Siege of Leuven (1635) and Battle of Leuven (1831).

 

Both world wars in the 20th century inflicted major damage upon the city. Upon Germany's entry into World War I, the town was heavily damaged by rampaging soldiers. Some German soldiers shot the burgomaster, the university rector and all of the city's police officers.[5] In all, about 300 civilians lost their lives.[6] The university library was also destroyed on 25 August 1914, using petrol and incendiary pastilles.[7][8] 230,000 volumes were lost in the destruction, including Gothic and Renaissance manuscripts, a collection of 750 medieval manuscripts, and more than 1,000 incunabula (books printed before 1501).[8][9] The destruction of the library shocked the world, with the Daily Chronicle describing it as war not only against civilians but also against "posterity to the utmost generation."[10] It was rebuilt after the war, and much of the collection was replaced. Great Britain (on the initiative of the John Rylands Library, Manchester) and the United States were major providers of material for the replenishment of the collection.[6] The new library building was financed by the National Committee of the United States for the Restoration of the University of Louvain and built to the design of architect Whitney Warren; it was officially opened on 4 July 1928.[11]

  

In World War II, after the start of the German offensive, Leuven formed part of the British Expeditionary Force's front line and was defended by units of the 3rd Division and Belgian troops. From 14 to 16 May 1940, the German Army Group B assaulted the city with heavy air and artillery support. The British withdrew their forces to the River Senne on the night of 16 May and the town was occupied the next day.[12] The new university library building was set on fire by shelling on 16 May and nearly a million books were lost.

 

The Town Hall, built by Sulpitius van Vorst (nl), Jan II Keldermans, and, after both of them died, Matheus de Layens between 1439 and 1463 in a Brabantian late-Gothic style. In the 19th century, 236 statues were added to the exterior, each representing a prominent local scholar, artist or noble from the city’s history. The reception hall dates from 1750.

The St. Peter's Church (1425–1500) was finished by Jan Keldermans and Matheus de Layens. During the Second World War the church was damaged; during the restoration a Romanesque crypt from the 11th century was found. In the church itself there are several paintings from the 17th and 18th centuries (among others, Dirk Bouts's famous painting of the last supper) and the grave of Duke Henry I of Brabant. The 50-metre-high tower — which was meant to be 169 metres high, but was never completed — is home to a carillon. The tower was included in UNESCO's list of Belfries of Belgium and France in 1999.

Saint-Anthony's Chapel, Pater Damiaanplein, from the 17th to the 20th centuries, contains the tomb of Father Damien, the "leper priest" of Molokai, who was canonized by Pope Benedict XVI on Sunday October 11, 2009.[15][16] The Catholic Encyclopedia calls him "the Apostle of the Lepers",[17] and elsewhere he is known as the "leper priest". The Catholic priest's remains were returned in Belgium with great fanfare in 1936, after having been originally buried on the Hawaiian Island of Molokai where he had served the outcast lepers until his death.

The Linen-hall, in an early-Gothic style, with baroque addition, is today the University Hall.

The Church of Saint Michael was built in the typical Jesuit Baroque Style.

The Church of Saint Quinten incorporates remains of a Romanesque church built in the 13th century.

The University Library on the Ladeuzeplein was built by the American architect Whitney Warren. It was a gift from the American people to Leuven after World War I, during which the Germans burned down the original library. The tower houses one of the largest carillons in the world.

Totem is a statue at the centre of the Ladeuzeplein; it is a work of the Belgian artist Jan Fabre. Featuring a 23-metre-high needle impaling a giant jewelled beetle, the statue towers over the square in front of the university library.

There is a neo-Romanesque Abbey on the Keizersberg ("Emperor's Mountain"), where there once stood a 12th-century ducal castle, which was demolished in the 17th Century.

The Large Beguinage is one of the world's best remaining examples of its architectural type. It was recognized by UNESCO as a World Heritage Site in 1998.

There are several other smaller churches and chapels throughout the town.

"Fonske" is a statue near the centre of town. Its full name is Fons Sapientiae, Latin for "fountain of wisdom". The statue represents a university student who, while reading a book, lets wisdom flow into his head as liquid from a glass. Just like Manneken Pis in Brussels, Fonske is, from time to time, dressed in costumes appropriate for specific occasions.

The 'Oude Markt' or "Old Market" square located in the center of Leuven features a vibrant social scene the center of which displays a lifesize statue of 'De Kotmadam', or "The Landlady" resting on a bench.

Lerkeveld is a famous Jesuit abbey, and headquarters of the Jesuits in Belgium.

St Anthony's College, Leuven was located in the city, on Pater Damiaanplein. The Leuven Institute for Ireland in Europe is now located on the premises.

Sint-Donatus Park contains remains of the medieval city wall

 

en.wikipedia.org/wiki/Leuven

тишина отличается от пустоты тем что в тишине есть звуки

 

words written in russian:

difference between silence and emptiness is in silence full of sounds

Working model of Charles Babbage's Difference Engine

Yes...I'm reposting this. The cause is worthwhile.

 

Also, a wise man suggested that I set up a PayPal account to accept monetary donations for this. He thinks a lot more people would pitch in.

 

Let me know if that's the case...and I will.

 

Thanks.

 

I collect new socks for the homeless.

 

Here's why.

 

One pair of clean socks can make a huge difference for a homeless person.

 

Just imagine being without socks during this time of year. With temperatures here in Pittsburgh hovering around zero, the cold is bitter even when we're bundled up.

 

Now think about walking around without socks.

 

But during any season, socks can mean so much.

 

In the summer, a pair of dirty socks starts to stink after a few days. As bacteria grows from constant sweating, so does harmful bacteria.

 

A clean pair of socks can stop all that.

 

Even more important, a clean pair of socks can prevent a variety of foot diseases that

can lead to costly emergency room visits that could end in the amputation of toes and even a foot.

 

Those ER treatments and any care afterwards can cost hundreds and thousands of dollars — money that will be tacked on to health care insurance premiums.

 

In the past, local Flickr people have been so generous. In fact, they've donated more than 1,000 pairs of new, clean socks for area homeless people.

 

That's why I'm hoping you can help again. Because with more than 2,000 homeless people in and around the city, the need for clean socks never goes away.

 

As usual, the clean socks will be turned over to Operation Safety Net and distributed by my longtime friend Mike Sallows.

 

Mike was homeless himself for more than a decade. And these days, he's on the streets every night tending to "his guys." Every Thursday night, whatever the weather, he makes his rounds with a couple Pitt med students who check on the health of the people they meet.

 

So, if you can pitch in with a bag of new, clean athletic socks, I'll pick them up and deliver them to Mike.

 

In the past, people have bought bags of "irregular" socks at places like TJ Maxx, Marshall's and Gabriels to buy them for about $3-$4 a bag. And those socks are perfectly fine.

 

If you're interested in helping, send me a Flickr e-mail.

 

Thanks.

 

PS: A writer from the Post -Gazette, a Pittsburgh newspaper, is working on a story about this. She was especially intrigued by the photography/Flickr aspect...even more so when I told her about how many people here donated socks. She is also going to works with a local Pittsburgh charity she's involved with to gather socks. It could be a really great turn out.

I am getting quite tired of seeing people texture their weapons with external programs such as Photoshop and Gimp, and just overlaying a simple texture over their weapon.

There's so many things that are wrong with that, and it's just sad.

I've textured over my weapon with a simple wood texture, and on the left, I put about 30 minutes into just erasing things, and that's it. On the right, I put about 30 seconds into it just by repeating the texture across my weapon. People, if you are going to texture your weapon, borrow someone else's texture or put some time into it.

tl;dr: Bolts should't have textures.

Edited in Photoshop for the shitty texturing.

Well, I split the difference today. My size Y11 small child's slippers. Fun to wear like this.

 

I used to see a guy with much larger feet than mine wearing equally small or smaller slippers from time to time. So I decided to emulate him.

 

It is common to see people with large feet wearing slippers that are several sizes "too small", but I wanted to push the limit.

 

Worn with the difference split is fine as shown here. Worn with the strap tight so the toes are on the sole and the heel is on the ground works also, kind of an interesting sensation. Loosening the strap so the heel is completely on the sole and the forefoot hangs over the front is problematical. Unless one keeps his/her toes bent to the ground, the slipper will slide right off as one walks.

November 18, 2018: This is the north end of the lake in Greenwood Park. (It is late Autumn, so the only green wood is the conifers.) There had been a major blizzard two days before and, though it was starting to melt, it was snowing again when I took this photo. It had changed a bit from when I was last up there on November 12.

 

The Difference Engine at the Computer Museum in Mt. View, CA.

@Yokohama

 

ZENZA BRONICA S2 + Nikkor 75mm F2.8 + ILFORD PANF 50

 

View On Black

The new design is colored blue to highlight differences.

 

This design expands the platform design I used with the previous photo to expand it throughout the entire A-Frame. Because of this, the cross beams are merely decoration, rather than functional as in the old design.

 

I have not tested this in the real world (I will eventually)

 

The benefit of this design, right now, is the streamlining of the parts required. If it works as designed (replacing a few 1x1 bricks with some form of multi-studded bricks), it will require 2, possibly 3 fewer unique part types. Plus it's really really tall.

Barbie: "Spot The Difference" Activity Page (Imagine Publications) 2022

The Difference Engine at the Computer Museum in Mt. View, CA.

A difference engine at the Science Museum, London. I have still yet to see this running...

Working model of Charles Babbage's Difference Engine

I was getting ready to test my Butterball Indoor Turkey Fryer, I am testing it with a five pound chicken and I am using Canola Oil. Jimmy Dean was not to excited about the prep work. But Link and Frank camped out in the kitchen for the entire time.

A chence meeting with a warden deep in an ancient beech wood revealed how to access the church, she even showed me which way out of the wood to emerge nearest the church.

 

Quits some difference to my last visit, on a cold a dreary February day last year. This time sprng had fully sprung, the churchyard fill of new growth and the air full of bird song.

 

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Hidden down narrow lanes this surprising church offers much to the churchcrawler. Norman in origin but thirteenth century in form, the piers of both arcades have surprisingly detailed capitals. The rood screen still divides nave and chancel, though the coving and much of the rest is replacement. Its upper and lower doorways survive, the lower one having its original medieval hinges. The font is thirteenth century but at some time has had new piers – old photos show it with a solid base. The north tower dates from the 20th century and was designed by Bensted of Maidstone – a gothic fantasy if ever there was one compared to the plain structure it enhanced. A ledger slab in the chancel commemorates a senior lawyer at the New Inns of Court and describes him as ` ancient ` - not in age but in seniority!

 

www.kentchurches.info/church.asp?p=Stalisfield

 

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TQ 95 SE STALISFIELD CHURCH ROAD

(east side)

 

6/121 Church of

St. Mary

 

24.1.67 II*

 

Parish church. C13 and restored 1904. Flint and sandstone with

plain tiled roof. Chancel with south chapel, nave with aisles,

north tower. Exterior heavily restored, tower topped by weather

vane dated 1904, over a wooden belfry with tiled roof.- Three

light C15 east window, otherwise C19 fenestration. Double

chamfered west doorway. Interior: nave arcades of 2 bays, on

square piers with chamfered corners and trefoiled archlet to

heavy moulded abaci, Roof of 3 tall crown posts. Single

chamfered arch on imposts from chancel to chapel and blocked

arch to demolished north chapel. Double chamfered chancel arch.

Fittings: trefoil headed piscina in chancel. Rood screen:C15

perpendicular. Five bays, each with four-light traceried openings-

with crenellated oblique transoms. Vine motif frieze above blank

tracery on lower panels, with angels, eagles and roses in

spandrels. Attached shafts support frieze of Tudor flowers with

renewed cove. C13 font on 5 shafts with 4 blank arches on each

side of bowl. Royal coat of arms (obscured at time of survey)

carved in high relief on nave south wall. (See B.O.E. Kent II,

1983, 465 and illus. 65.)

  

Listing NGR: TQ9673852434

 

www.britishlistedbuildings.co.uk/en-176527-church-of-st-m...

 

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COMMONLY called Starchfield, adjoins to the parish of Easling south-eastward. It is called in Domesday, Stanefelle, which is the same as Stonefield, a name well adapted to the flinty soil of it.

 

THE PARISH is an unfrequented and obscure place, situated in a wild and dreary country, near the summit of the chalk hills, just above Charing, its southern boundary. It lies on high ground, exceedingly bleak, and exposed to north and north-east winds. The land in it is in general a red cludgy earth, of very stiff tillage, very barren, wet and flinty, and the inhabitants, as well as the country, are equally poor. It has continued hill and dale in it, the greater part of it is coppice wood, which is mostly beech and oak, usually felled at sixteen and eighteen years growth, and even then from its sort, and its out of the way distance from markets, is not of any great worth; what village there is stands round Starchfield-green, lying near the summit of the hill, on the road to Charing, at the south-west part of the parish, the church in the opposite part of it, and the parsonage midway between them. Near the north-east boundary of the parish, next to Throwley, is an estate called Holborne, but its proper name is Holbean, belonging to St. Bartholomew's hospital, in London; it is said formerly to have belonged to the north chantry of this church of Starchfield.

 

THIS PLACE, at the time of the taking of the general survey of Domesday, in 1080, was part of the possessions of Odo, bishop of Baieux, under the general title of whose lands it is thus described in it:

 

The same Adam (de Port) holds of the bishop Stanefelle. It was taxed at two sulings. The arable land is four carucates. In demesne there is one carucate, and ten villeins, having two carucates.There is a church,and six servants,and two acres of meadow.Wood for the pannage of sixty hogs.In the time of king Edward the Confessor it was worth sixty shillings, and afterwards forty shillings,now one hundred shillings,Turgis held it of earl Godwin.

 

On the bishop of Baieux's disgrace, about four years afterwards, this, among the rest of his possessions, came into the hands of the crown, so that Adam de Port before-mentioned, became the king's immediate tenant of it, of whose heirs it was again held afterwards by Arnulf Kade, who gave this manor, with that of Ore and its appurtenances, to the knights hospitallers, and it was assigned by them to the jurisdiction of their preceptory at Swingfield.

 

This manor continued part of their possessions till the general dissolution of their hospital, in the 32d year of Henry VIII. After which this manor did not remain long in the hands of the crown, for the king, in his 36th year, granted it to Sir Anthony St. Leger and his heirs male, to hold in capite by knight's service, who by the act of the 2d and 3d of Edward VI. procured his lands in this county to be disgavelled. After which, Edward VI. in his 4th year, made a grant of this manor to him and his heirs, to hold by the like service. (fn. 1) He immediately afterwards passed it away by sale to Sir Anthony Aucher, of Bishopsborne, whose son Sir Anthony Aucher, about the beginning of king James I.'s reign, sold it to Salter, whose descendant Sir Nicholas Salter, possessed it at the restoration of Charles II. They bore for their arms, Gules, ten billets, four, three, two, and one, a bordure engrailed, argent, charged with sixteen burts and torteauxes, alternately. His son Nicholas Salter, esq. of Stoke Poges, in Buckinghamshire, died in the reign of king William and queen Mary, leaving one son John, who was of London, surgeon, and three daughters, towards the raising of whose portions, he by his will ordered this manor to be sold, which it accordingly was, in 1699, to Mr. Richard Webbe, of Eleham; he, in 1711, after some controversies at law for the possession of it, alienated all his right and title to it to the trustees, for the periormance of the will of dame Sarah Barrett, widow of Sir Paul Barrett, serjeant-at-law, who had died in the beginning of that year.

 

She was the only daughter and heir of Sir George Ent, M. D. of London, and president of the college of physicians, and widow of Francis Head, esq. eldest son of Sir Richard Head, bart. who died in his father's life-time. She had by her first husband one son, Sir Francis Head, bart. of and a daughter Sarah, married to John Lynch, esq. of Groves, father of John Lynch, D D. dean of Canterbury, who left issue Sir William Lynch, K. B. and John Lynch, LL. D. archdeacon and prebendary of Canterbury.

 

Lady Barrett, by the trusts of her will, devised this manor to her male issue by her first husband in tail male, remainder to the issue of Sarah her daughter by the same husband in like tail, remainder to her several daughters and their heirs in fee; by virtue of which limitation, her grandson Sir Francis Head, bart. at length succeeded to it, and son his death in 1768, without male issue, his next brother Sir John Head, bart. and archdeacon of Canterbury, became possessed of it, and died s. p. in 1769, leaving his widow lady Jane Head, sister of Dr. William Geekie, prebendary of Canterbury, surviving, on whom he had settled this manor in jointure; she died in 1780, on which the property of it, under the above will, became vested in lady Barrett's next heir male Sir William Lynch, K.B. of Grove, who was her great-grandson, being the eldest son of John Lynch, D. D. dean of Canterbury, the son of John Lynch, esq. by Sarah his wife, her daughter by Francis Head, esq. who, to bar all further remainders, with his brother Dr. John Lynch, suffered a recovery of this manor, and died in 1785, s. p. After which it was alienated to the Rev. Wanley Sawbridge, who dying unmarried and interstate in 1796, it came to his two nephews and heirs-at-law, Samuel-Elias and Wanley Sawbridge, esqrs. who are the present possessors of it. A court baron is held for this manor.

 

DARBIES-COURT, is a manor situated in the northwest part of this parish, which took its name from a family who resided at it, and were of the rank of gentlemen in very early times, for in the antient registers and rolls of Kentish gentry, their coat armour is thus described, Party, per chevron embattled, or, and azure, three eagles counterchanged. In the 20th year of king Edward III. Sara de Darbye paid aid for lands here, which William de Darbie and the heirs of Thomas Franklyn held before in Winsfield, of Reginald de Cornhill, by knight's service; and there is a hamlet and valley adjoining to Darbies-court, once part of it, called at this time Wingfield, and Wingfield valley. Of this family was John Darbie, who was alderman of London, and sheriff in 1445, anno 24 Henry VI. who built the south isle of St. Dionis Backchurch, in that city, and was otherwise a good benefactor to it; in memory of which, the above-mentioned coat of arms was put up in the windows of it. (fn. 2)

 

But the manor of Darbies court was alienated by one of that family, in the beginning of the reign of Henry IV. to Sir Ralph St. Leger, of Otterden, who died in the 10th year of that reign, leaving a daughter Joane, then the wife of Henry Aucher, esq. of Newenden, who entitled her husband to the possession of it. In whose descendants this manor continued till the reign of queen Elizabeth, when it was alienated to Sir Michael Sondes, then of Eastry, who was the second son of Sir Anthony Sondes, of Throwley, and on his elder brother Sir Thomas Sondes's death, in 1592, without male issue, succeeded him in his seat at Throwley, as well as the rest of his intailed estates in this county. He afterwards resided at Throwley, where he died in 1617, anno 16 James I. Since which this manor has descended, in like manner as Throwley and Lees-court, in Sheldwich, both which the reader will find described in the future part of this volume down to the right hon. Lewis-Thomas, lord Sondes, the present possessor of it. A court baron is held for this manor.

 

Charities.

 

ROGER PAYNE, ESQ. late of Otterden, by his will in 1706, gave 20l. chargeable on his estate at Otterden, to poor housekeepers of this parish; which is placed out at interest at 4l. per cent. the yearly distribution of it being vested in the minister, churchwardens, and overseers.

 

The poor constantly relieved are about thirty; casually thirty-five.

 

This PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.

 

The church, which stands near the centre of the parish, is dedicated to St. Mary. It is built in the form of a cross; the steeple stands in the middle of the south side. In the north wall of the north chancel is an antient tomb, with the effigies of a man in armour lying at length on it. In the east window are these coats of arms, Sable, a chevron gules, between three clothworkers handles, or; another, the coat broke, impaling, Quarterly, azure and argent, per fess indented, surmounted by a battune, or, and azure.

 

The church of Ore was antiently accounted as a chapel to this of Stalisfield, but it has been long since separated, and become a distinct church independent of it.

 

The church of Stalisfield belonged to the priory of St. Gregory, in Canterbury, perhaps part of its original endowment by archbishop Lansranc, in the reign of the Conqueror, and it was confirmed to it, among the rest of its possessions, by archbishop Hubert, about the reign of Richard I. (fn. 3)

 

In the 8th year of Richard II. it was become appropriated to the above-mentioned priory, and a vicarage endowed in it, the former being then valued at twelve pounds, and the latter at four pounds, on the taxation of them.

 

The church, with the advowson of the vicarage, remained part of the possessions of the priory till the dissolution of it in the reign of Henry VIII. when they came into the hands of the crown, where they remained but a small time, for an act passed that year to enable the king and the archbishop of Canterbury to exchange the scite of the late dissolved priory of St. Radigund, near Dover, with all its possessions, lately given by the king to the archbishop for the scite of the late dissolved priory of St. Gregory, and all its possessions, excepting the manor of Howfield, in Chartham.

 

This church becoming thus part of the revenues of the see of Canterbury, was demised by the archbishop, among the rest of the revenues of the priory, in one grands beneficial lease, in which, all advowsons and nominations of churches and chapels were excepted, and it has been continued under the same kind of demise from time to time ever since, renewable in like manner as such leases usually are.

 

¶Philip, earl of Chesterfield, was lessee of this parsonage as part of the above premises, as heir to the Wottons, after whose death in 1773, the lease was sold by his executors to George Gipps, esq. of Canterbury, who is the present lessee under the archbishop for the parsonage of Stalisfield, among the rest of the possessions of the priory of St. Gregory, but SamuelElias and Wanley Sawbridge, esqrs. as heirs of their uncle the Rev. Wanley Sawbridge, late vicar of this parish, are the occupiers of it, at a yearly reserved rent under him. The parsonage consists of a house, buildings, yard, and small orchard, ninety-four acres of land, and nine acres of wood, let together with the tithes of corn, at 75l. per annum; besides which, there are sixteen acres of woodland more in the hands of the lessee of the parsonage, worth 3l. 10s. per annum. It pays 7s. 6d. procurations to the archdeacon, and 6s. 4d. to the archbishop at his visitations.

 

The vicarage of this church appears to have been endowed before the 8th of Richard II. by the taxation then made of it. It is valued in the king's books at 5l. 6s. 8d. and the yearly tenths at 10s. 8d. and is now of the yearly certified value of 33l. 18s. 3d. In 1587 there were sixty-one communicants here. In 1640 it was valued at only 35l. and the communicants were the like number.

 

Archbishop Juxon, by indenture anno 13 king Charles II. and by another anno 28 of that reign, augmented it with 25l. per annum, to be paid by the lessee of the great tithes. The archbishop continues patron of this vicarage.

 

THERE WAS a portion of tithes in this parish, of the value of ten shillings, which was given soon after the conquest to the priory of St. Andrew, in Rochester, by Humphry Canute; and this gift was afterwards confirmed by D. de Monci, his descendant, to be holden in like manner as the same was held of his ancestors; and it was likewise confirmed to it by the archbishops Richard, Baldwin, and Hubert. (fn. 4)

 

www.british-history.ac.uk/survey-kent/vol6/pp438-445

Differently pigmented Pacific coralroots, one yellowish, the other pinkish. (Coralloriza mertensiana).

I find the dramatic difference between inside and outside interesting. It certainly mirrors the modern society and the schism between the haves and the have- nots.

Yeah I have heard this phrase too. If only people thought about what they say, or write it out perhaps. That might bring them to the realization that ENGLISH SUCKS.

 

This isn't the point of my picture though. The boy on the right in my brother. The "boy" on the left is the brother of a very good friend of mine. As you might have noticed, they have quite different views of the world. I tried once to bend down and walk through a crowd... being short would suck. I am 6'2''. I don't understand what it's like to have to jump up or use a stool to reach the top of my cupboards, or have to walk around a wire fence rather than over. I do know how hard it is fit into a smart car, and try to sew your torn shoe together with fingers as big as a brat...

 

Everyone is different. What if we were the same? Would there be anger? Would there be awkward moments.....amazement, rich/poor.....or love?

 

I have been in a philosophical mood lately...most of that due to the new Blue October CD that was released. Music can make me feel any emotion, even the ones I try to forget.

 

Don't let the differences between people be the reason you hate or bully. Make it be the reason you love and learn. That just sounds like a better use of time doesn't it?

"‘Sweet Temptation’ was hand formed by my three young children who already display individual differences in the ability to resist temptation (demonstrated by the varying number of sweets consumed during the making of this image!).

 

The ability to exhibit self-control in an environment abundant with temptation may be a key factor in preventing over eating and obesity, with tendencies toward impulsivity and immediacy making this very difficult for some people.

 

Discovering how to measure the exact form of impulsivity that underlies over eating can inform us of the best strategies to help currently over-weight people enhance self-control, and focus preventative measures so that they can target vulnerable individuals at a young age.

 

My research not only excites me intellectually but is vital to me as a parent responsible for the long term health of my children."

"Stuck in the middle with you"

 

Or is it a millipede? I can never remember the difference. The dogs found this on the floor and were poking their noses onto it.

A terrible photo, sorry. This looks like it was a fairly vapid style bar. It's since become a restaurant called So Asia, now closed and called something else.

 

Address: 187-189 High Street.

Former Name(s): The Puzzle.

Owner: Puzzle Pub Co. (former).

Links:

CAMRA

The poor girl, seen wearing colourful embroidered lehenga-choli, is balancing her pot to bring water, while the well-off girl in salwar-kameez is with a hand bag

Good Business Makes the Difference - October 8-9, 2013, New York Downtown Marriott, New York, NY

Het verschil tussen arm en rijk is groot aan de Bulgaarse kust, al valt het op deze foto nog enigszins mee. De huizen daarachter zijn nog niet helemaal af, maar er wonen al wel mensen in. Er staat nog een Audi S8 geparkeerd (die waren in de uitverkoop geloof ik) en daarvoor liggen de mensen te zonnen aan het zwembad.

 

Sunny Beach / Slanchev Byrag / Слънчев бряг, Bulgarije

I fell and broke my ankle and am now firmly booted up in this stabilizing boot - for at least a month. Woe is me! A chance to go through the photo archive, and also do some table-top work, I suppose. Could be worse!

This has to be my One a Week entry, I'm afraid.

One of the things I've really enjoyed about birding while traveling is noticing the subtle differences between related species that have quite different ranges. Coots are a perfect example: this Eurasian Coot is quite similar to the American Coot (next picture), except for some clear differences in bill morphology and color.

I haven't been writing as much here in this little description area, I know. I've been trying to blog more. I hope you have been joining me there. But I'd like to give you a few words with this photo.

 

A few months ago, I took a picture in the same spot as the photo above. I mean, I've taken a lot of photos in this same spot, but there's one in particular. If you look in my self-portrait set, you'll find it. It's one of the most honest and raw photos i've ever taken. Not just of myself, but of anyone. I'm proud of it but it's hard for me to look at, because I can see exactly what I wanted to capture: the way I felt. It was, as I later wrote, pouring out my eyes.

 

You may notice a different look in the shot here. You may know what it is. You may guess. You may not care. Any of those are fine with me.

 

I will just say this: Life brings a lot of bad sometimes. Not because we deserve it. We can hope for good all we want, for the bad to be gone. That won't change things. All we can do is work through the bad, wait it out, do the best we can.

 

And sometimes life brings good. Not because we deserve it. We can wish for more of it, but why? Instead, we should grab a hold of what we get and celebrate the hell out of it.

 

These days, I'm celebrating. What a difference a few months can make. You have no idea.

Just goes to show, one person or petal can make a difference! Seen at St. Matthew's Church in Abbotsford, British Columbia, Canada. (10-09-22-5264)

RENAULT Avantime 2.0 16V Turbo 2001 - 2003. FORGET Ferraris or Aston Martins - the classic car of the future could be a humble Renault Avantime. Experts say the Renault Avantime top a list of motors which are cheap now but might be worth a bob in years to come.

 

Renault Avantime has always been regarded as one of the biggest Renault failures when it comes to new models because it recorded very low sales and was kept in production for only two years. The design of the car was made by Matra, a French manufacturer which partnered with Renault, and represented the first 2-door MPV coupe ever produced. The first concept was unveiled in 1999 at the Geneva Auto Show but the production started after about two years. Since it was released, Avantime was criticized for its design which obviously attracted extremely low sales all around the world. The global production hardly reached 8,500 units by 2003, the same year when the French parent company Renault decided to discontinue the model. In terms of engines, the Avantime could be found in three engine configurations, ranging between 2.0- and 3.0-liter, developing up to 210 horsepower.

 

The Avantime is a future classic. Its eccentric styling put buyers off when it was launched in 2001. Auto Express said: 'Few were made, so if you find one, snap it up, as interest in these unusual cars is magnifying.'

Colored Pencil and Watercolor

 

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