View allAll Photos Tagged differences,
"Wrong Exhibition" - A 1-day exhibition held at the roof top of the Green Office Bussines Centre in Tbilisi, Georgia - Nov 2006.
I did say I wouldn't go back, but I had to do this comparison, if only to remind people what might happen if the Futurist is demolished.
Functionality of the Difference Layer Script.
Left is before, right after the script.
The top three layer together are the same image as the bottom layer. But you can switch the difference between the original and the modified layer on or off.
Kitten is from here:
GEORGE HARRISON: THE VIDEO COLLECTION VOL.1 1970-1985 BLU-RAY NEW 2017!
Another major upgraded title - and what a difference! Many clips from 2016 1080 HD souce, along with upgrades of previous material
and new finds! all video quality has been fixed (no flutter of the bottom of the videos) plus all song audio remastered and sound
better than ever! Plus audio adjusted so everything plays at the same volume! This is something you will play again and again!
Finally done right! Includes every promo video along with extras from TV specials & concerts! My Sweet Lord thru Save The World
plus a few from Carl Perkins Special! 40 chapters Approx 150 minutes!
01 711227 My Sweet Lord - Top of the Pops
02 710801 Deep Blue - Bangla Desh Rehearsal
03 711123 Two Faced Man - Gary Wright - Dick Cavett Show
04 711227 My Sweet Lord - Pan's Dancers - Top of the Pops
05 720324 Bangla Desh Movie Trailer
06 730507 Give Me Love - 8mm Color Film
07 730507 Miss O'Dell - 2006 Promo
08 730529 Sue Me Sue You Blues - 2006 Promo
09 730530 Living In The Material World - 2006 - 2016 HD
10 741000 Dark Horse Rehearsal
11 741206 What Is Life - Dark Horse - Maple Leaf Gardens, Toronto - LITMW
12 Dispute and Violence - George with Ravi Shankar - Maple Leaf Gardens, Toronto
13 741209 Ding Dong Ding Dong - Pan's Dancers - Top of the Pops
14 741223 Ding Dong Ding Dong #1
15 Ding Dong Ding Dong #2 2016 HD
751213 Christmas with Rutland TV
16 Introduction and Skits
17 The Pirate Song
18 761000 This Song #2 - 2016 HD
19 761000 Crackerbox Palace #2 - 2016 HD
20 761000 True Love
761120 Saturday Night Live
21 Introduction and Skits
22 Here Comes The Sun
23 Homeward Bound
24 Crackerbox Palace #1
25 This Song #1
26 770205 This Song - Disco '77
27 770220 Go Your Own Way - WB Promo Film
28 781207 Further On Up The Road - with Eric Clapton - Guilford, UK
29 790221 Blow Away
30 790730 Faster - 2016 HD
31 810528 All Those Years Ago - Top of the Pops
32 810620 All Those Years Ago
33 841213 Lucille - George with Deep Purple - Sydney Ent Centre
34 850125 Freedom - 4.3 Edit - Water
35 Freedom - 16.9 Edit - Water
36 85604 Save The World - Greenpeace
851021 Carl Perkins Special
37 Everybody's Trying To Be My Baby
38 Your True Love
39 Glad All Over
40 Blue Suede Shoes
Another example of truth in marketing, or is it just a bold, unsubstantiated claim? They don't promote any particular brand, they're just saying high quality makes a difference. Well, okay, it seems like a inarguable premise. I'm on board -- high quality sausages make a difference!
Snoopy and friends diptych.
8/365 in 2013 and
#16/113 in 113 pictures in 2013 , the topic is - Spot the difference (present two images as a diptych with one or more differences to see if others can spot the differences.)
I was inspired by a recent comment by finsbry on one of my uploads www.flickr.com/photos/50889628@N08/5319404990/
I live in beautiful Oregon and don't see much sunshine in winter; in fact, we Oregonians are known to abandon all and any indoor work to rush outside for a "sunbreak" , even if it's just for a few seconds! It's a good thing that I do love clouds and fog or I'd be in Mexico for the winter.
Credit to Wikipedia for the image of jumping girls commons.wikimedia.org/wiki/File:Bundesarchiv_Bild_183-480...
Cedit to David Nagy www.flickr.com/photos/ndave/2143957177/in/set-72157600198...
for the snow scene photograph.
Credit to Jerry Jones www.flickr.com/photos/skeletalmess/collections/7215761567...
for texture layers.
I used his texture Beneath The Surface 1 set on linear burn at 76%.
Jerry also has a blog: shadowhousecreations.blogspot.com/
Same time, same place. In both 'miting de avance' of the UNIDO-led government of Corazon Aquino and re-electionist President Marcos, these pictures taken at the same time (5:30pm) and the same place (rooftop of the Manila Hotel) show the difference in "people power." While opposition supporters came on their own to hear Cory Aquino, KBL supporters were reportedly trucked, bused, paid and ferried to Luneta.
(Photo by Ricky Beltran, Philippine Daily Inquirer, February 6, 1986.)
1958 Interior.
The differences: Gold anodized side trim in '57, silver in '58. The side trim had three horizontal ridges at the back where it meets the tailfin, none in '58. Dual headlights with inboard turn signals in '57, quads in '58. Six vertical under-bumper intake slots in '57 (changed to 12 narrower ones in mid '57 after buyer complaints), a continuation of the upper grille in '58. Sailing-ship emblem on the grille in '57, a "V" (denoting a V8 car) in '58. "PLYMOUTH" spelled out in chrome letters on the front of the hood in '57, and spelled out in black on a much smaller winged front mediallion in '58. Deep-dish "coolie hat" wheelcovers in '57, shallower ones in '58. A "V" (denoting a V8 car) ahead of the front wheelwells in '57, none in '58.
At the rear: Triangle-shaped taillight lenses (following the contour of the tailfin) with round back-up lights below in '57, a chrome strip where the '57 taillight was and a round taillight where the '57 backup light was in '58.
The reason I'm such a geek about '57 and '58 Plymouths is that my dad had a midnight blue '57 Belvedere with a white side streak and roof. I grew up standing up in the back seat, back before the nanny state decided that every child under 4' 9" should be strapped into a baby seat.
He bought it used in '59 and totaled it in November of '64, when he went the wrong way down an exit ramp on the Outer Drive in Chicago and took out three other cars. He thought car insurance was a scam; didn't believe in it. As a result, we spent 3 years paying off claims from the people he hit.
Every time I go to a Chrysler or any other car show, I look for a car just like it, or any '57 Belvedere 4-door sedan, just to see it and (if the owner lets me) sit in it, and relive a little bit of my lost youth.
I'm still looking.
Devotees of the www.flickr.com/photos/nlireland/ photosream might think that this picture by Waterford photographer A.H. Poole looks familiar. But this one, from the UK National Archives at Kew, differs in several ways (I spent a considerable time yesterday wearing white cotton gloves squinting through a magnifying glass at the 1910 print).
Simliarities;
- Poole was in the same position for both photos (the lamppost aligns with the T of Waterford on both photos),
- and both photos were subject to the same 'photoshopping' (the ends of the shafts removed and the W of Waterford restored)
Differences
- The Kew picture has the van in the centre, rather than to the left
- The people (other than the tea ladies) and cattle are different (or not obviously the same as far as I could judge)
- the NLI photo has some liquid manure (I presume) trickling towards the van, suggesting it was taken after the Kew one.
- The board advertising Lipton's tea looks as if it is leaning against the steps. and barely visible.
- the printer of the Kew photo has de-emphasised the buildings in the background.
The difference between a walk and a wander is the time spent. I had little over an hour spare once I arrived, so instead of getting some lunch, I took photos instead.
Down the street lined with shops to the town square with the large church, town hall and many wonderful looking bars and restaurants.
I was in town for a few hours for a meeting, I drove over, then drove back. As you do.
Not a bad day, but I think I will try the train next time....
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Leuven (Dutch pronunciation: [ˈløːvə(n)] ( listen); French: Louvain, pronounced: [luvɛ̃], often used in English) is the capital of the province of Flemish Brabant in Belgium. It is located about 25 kilometres (16 miles) east of Brussels, close to other neighbouring towns such as Mechelen, Aarschot, Tienen, and Wavre. The municipality itself comprises the historical city of Leuven and the former municipalities of Heverlee, Kessel-Lo, a part of Korbeek-Lo, Wilsele and Wijgmaal.
It is home to Anheuser-Busch InBev, the world's largest brewing group and one of the five largest consumer-goods companies in the world; and to the Katholieke Universiteit Leuven, the largest and oldest university of the Low Countries and the oldest Catholic university still in existence.[2] It is also home to the UZ Leuven, one of the largest hospitals of Europe.
The earliest mention of Leuven ("Loven") is from 891, when a Viking army was defeated by the Frankish king Arnulf of Carinthia (see: Battle of Leuven). According to a legend the city's red and white arms depict the blood-stained shores of the river Dyle after this battle.
Situated beside this river, and near to the stronghold of the Dukes of Brabant, Leuven became the most important centre of trade in the duchy between the 11th and 14th centuries. A token of its former importance as a centre of cloth manufacture is shown in that ordinary linen cloth is known in late-14th-century and 15th-century texts as lewyn (other spellings: Leuwyn, Levyne, Lewan(e), Lovanium, Louvain).[3]
In the 15th century a new golden era began with the founding of what is now the largest and oldest university in the Low Countries, the Catholic University of Leuven, in 1425.[4]
In the 18th century the brewery Den Horen (meaning "the horn") flourished. In 1708 Sebastien Artois became the master brewer at Den Horen, and gave his name to the brewery in 1717, now part of AB InBev, whose flagship beer, Stella Artois, is brewed in Leuven and sold in many countries.
Leuven has several times been besieged or occupied by foreign armies; these include the Battle of Leuven (891), Siege of Leuven (1635) and Battle of Leuven (1831).
Both world wars in the 20th century inflicted major damage upon the city. Upon Germany's entry into World War I, the town was heavily damaged by rampaging soldiers. Some German soldiers shot the burgomaster, the university rector and all of the city's police officers.[5] In all, about 300 civilians lost their lives.[6] The university library was also destroyed on 25 August 1914, using petrol and incendiary pastilles.[7][8] 230,000 volumes were lost in the destruction, including Gothic and Renaissance manuscripts, a collection of 750 medieval manuscripts, and more than 1,000 incunabula (books printed before 1501).[8][9] The destruction of the library shocked the world, with the Daily Chronicle describing it as war not only against civilians but also against "posterity to the utmost generation."[10] It was rebuilt after the war, and much of the collection was replaced. Great Britain (on the initiative of the John Rylands Library, Manchester) and the United States were major providers of material for the replenishment of the collection.[6] The new library building was financed by the National Committee of the United States for the Restoration of the University of Louvain and built to the design of architect Whitney Warren; it was officially opened on 4 July 1928.[11]
In World War II, after the start of the German offensive, Leuven formed part of the British Expeditionary Force's front line and was defended by units of the 3rd Division and Belgian troops. From 14 to 16 May 1940, the German Army Group B assaulted the city with heavy air and artillery support. The British withdrew their forces to the River Senne on the night of 16 May and the town was occupied the next day.[12] The new university library building was set on fire by shelling on 16 May and nearly a million books were lost.
The Town Hall, built by Sulpitius van Vorst (nl), Jan II Keldermans, and, after both of them died, Matheus de Layens between 1439 and 1463 in a Brabantian late-Gothic style. In the 19th century, 236 statues were added to the exterior, each representing a prominent local scholar, artist or noble from the city’s history. The reception hall dates from 1750.
The St. Peter's Church (1425–1500) was finished by Jan Keldermans and Matheus de Layens. During the Second World War the church was damaged; during the restoration a Romanesque crypt from the 11th century was found. In the church itself there are several paintings from the 17th and 18th centuries (among others, Dirk Bouts's famous painting of the last supper) and the grave of Duke Henry I of Brabant. The 50-metre-high tower — which was meant to be 169 metres high, but was never completed — is home to a carillon. The tower was included in UNESCO's list of Belfries of Belgium and France in 1999.
Saint-Anthony's Chapel, Pater Damiaanplein, from the 17th to the 20th centuries, contains the tomb of Father Damien, the "leper priest" of Molokai, who was canonized by Pope Benedict XVI on Sunday October 11, 2009.[15][16] The Catholic Encyclopedia calls him "the Apostle of the Lepers",[17] and elsewhere he is known as the "leper priest". The Catholic priest's remains were returned in Belgium with great fanfare in 1936, after having been originally buried on the Hawaiian Island of Molokai where he had served the outcast lepers until his death.
The Linen-hall, in an early-Gothic style, with baroque addition, is today the University Hall.
The Church of Saint Michael was built in the typical Jesuit Baroque Style.
The Church of Saint Quinten incorporates remains of a Romanesque church built in the 13th century.
The University Library on the Ladeuzeplein was built by the American architect Whitney Warren. It was a gift from the American people to Leuven after World War I, during which the Germans burned down the original library. The tower houses one of the largest carillons in the world.
Totem is a statue at the centre of the Ladeuzeplein; it is a work of the Belgian artist Jan Fabre. Featuring a 23-metre-high needle impaling a giant jewelled beetle, the statue towers over the square in front of the university library.
There is a neo-Romanesque Abbey on the Keizersberg ("Emperor's Mountain"), where there once stood a 12th-century ducal castle, which was demolished in the 17th Century.
The Large Beguinage is one of the world's best remaining examples of its architectural type. It was recognized by UNESCO as a World Heritage Site in 1998.
There are several other smaller churches and chapels throughout the town.
"Fonske" is a statue near the centre of town. Its full name is Fons Sapientiae, Latin for "fountain of wisdom". The statue represents a university student who, while reading a book, lets wisdom flow into his head as liquid from a glass. Just like Manneken Pis in Brussels, Fonske is, from time to time, dressed in costumes appropriate for specific occasions.
The 'Oude Markt' or "Old Market" square located in the center of Leuven features a vibrant social scene the center of which displays a lifesize statue of 'De Kotmadam', or "The Landlady" resting on a bench.
Lerkeveld is a famous Jesuit abbey, and headquarters of the Jesuits in Belgium.
St Anthony's College, Leuven was located in the city, on Pater Damiaanplein. The Leuven Institute for Ireland in Europe is now located on the premises.
Sint-Donatus Park contains remains of the medieval city wall
Girl Scout Troop #41280 from Bethel, Ohio
Title - "Reduce, Reuse, Recycle....Make a difference one piece at a time."
Dream Theme - Conservation
Who Participated?
Alex Fridel, Alyson Bauer, Brook Jones, Cara Bowen, Destanie Haney, Fiona Leahr, Hannah Davis, Julia Bowen, Lauren Abner, Libby Richards, Lovely Michel, Summer Fields, Deborah Davis, Denae Bowen, & Sharee Manning
Techniques Used & Materials Used: Plastic canvas & yarn
Tell us the story behind your panel:
Our Girl Scout Troop has been learning about the Great Pacific Garbage
Patch and how long it takes various materials to break down.
Through this visible reminder, we will learn ways that we can make a
difference in our community one piece at a time. We hope this will make a difference in how our community
thinks about the containers they use everyday.
-------------------------------------------
★What IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/
★★★SIGN UP AT WWW.THEDREAMROCKET.COM
1. Up Close, 2. Connie Orton
Created with fd's Flickr Toys.
Uploaded for a flickr challenge. What a difference 1 year can make
By Lee, Seung-bin
DAEGU GARRISON — With the first quarter of 2012 almost behind us, we thought it would be a good time to sit down with the Garrison Commander and take a quick look at where we are, where we’re going, and what might be in store for the rest of the year; and while there, here about what goes into “Making A Difference.”
U.S. Army Garrison Daegu Commander Col. Kathleen Gavle, shared her thoughts about what the Garrison can expect in terms of change and challenges in the coming months, as well as how a good attitude can help each person to make a difference.
“Overall, I believe we are doing okay,” Gavle began. “The Garrison continues to build its partnership with the 19th ESC (Expeditionary Sustainment Command), and together we are working very hard to support 19th ESC’s new missions. Not only that, we are working hard to understand our customers and the direction our footprint is going, to make USAG Daegu the best place to live, work and play in South Korea.
“We are looking at near-term progress, as well as long-term; and how to take care of the alliance.”
Gavle explained that the Southeast Enduring Hub of Area IV faces many challenges.
“We still have many missions to challenge ourselves,” she said. “Right now our biggest challenge is the decision the Army is making in terms of the overall infrastructure investment in overseas. Our community is supposed to be an enduring hub, and we have not had the same level of investment for manpower, equipment and infrastructure (as the other enduring hub). So, we are really fighting for those resources to set the condition for the long-term success in USAG Daegu.”
The Commander strongly supports taking care for the Family members of the Soldiers, Sailors, Airmen, Marines and Civilians serving throughout the Army and the Southeast Enduring Hub.
“The Army cannot accomplish its goals without the family’s support,” Gavel explained. “That is why the USAG Daegu command is unwavering in its support for the Army family. As you can see, we have an important job, and one not just within buildings.”
Gavle underlined “changing attitude” and Making A Difference (her “trademark” as MAD-6) as one of biggest goals in 2012. The Commander said this process is about our attitude at the beginning of a difficult task which, more than anything else, will affect its successful outcome.
“Attitude is first,” Gavle explained in conclusion. “Understanding why we are here as a part of the U.S. Army and the alliance, and giving 100 percent in all that we do every day. We want USAG Daegu to be the best community in Korea, and we start that by having a good attitude.”
This vehicle found its way to the South West after being one of a batch of three to transfer over from First Hants & Dorset. It's also seen service in London. The black paint around the windows and smaller destination displays make the three of them stand out against the other ALX400's in Bristol.
Operator: First Bristol
Vehicle: Volvo B7TL / Transbus ALX400
Reg: LT52 WVO
Fleet No.: 32251
Location: Broad Weir, Bristol
Route: 6: Kingswood - Centre
Date: July 16, 2014
This is a shot of both an Aphrodite Fritillary and a Great Spangled fritillary. On the left the aphrodite- speyeria aphrodite and on the right the great spangled-speyeria cybele.
(confirmed by bugguide.net)
This is what makes butterfly watching just as much fun as bird watching.
The main differences that you can see on this shot are on the undersides of the forewings.