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I bought this navy blue dior dress from the boot sale in Battersea for £5. Not 100% sure if it's genuine but it is really heavy!
The shoes are Bally and were £6.99 from Oxfam in Hammersmith.
My Cute Model. I think she really knows how to make a pose. With her brown eyes and black hairs, she kills my camera.
Die Jahreszeiten im Schweizer Volksbrauch
Sammelalbum
Serie 43 / Märkte
Verlag: Nestlé Produkte (Vevey / Schweiz; 1954)
ex libris MTP
Remember when we saw Kris Jenner break down to Khloe Kardashian in the upcoming episode of Keeping Up With The Kardashians? Well, now we know how she got to that point.
Momager Kris is so worried about her son Rob Kardashian‘s health that she’ll do anything to help him get back to...
news.realitytv4u.com/2015/04/kris-jenner-says-she-worries...
Some photos of "Die zweite Natur. Artistic reflections on nature in the digital age". Group show @ HeK - Haus der elektronischen Künste Basel (CH). Artists: Jonas Baumann (Joachim Sputnik), Pier Giorgio De Pinto, Philipp Gasser, Susanna Hertrich, Stefan Karrer, Thomas Lasbouygues, LAYTBEUIS, Philippe Lepeut, Philipp Madörin, Tim Otto Roth, Lingjie Wang & Jingfang Hao.
On the occasion of Regionale 17
a trans-regional art festival – 27/11/2016 – 08/01/2017
Venues:
\ Accélérateur de Particules, Aedaen, HEAR – La Chaufferie, Artothèque, Strasbourg, (F) \ Ausstellungsraumklingental, Basel (CH) \ Cargo Bar, Basel (CH) \ CEAAC, Strasbourg (F) \ E-Werk, Freiburg (D) \ Fabrikculture, Hégenheim (F) \ HeK (Haus der elektronischen Künste, Münchenstein, Basel) (CH) \ Kunsthalle Basel (CH) \ Kunsthalle Palazzo, Liestal (CH) \ Kunsthaus Baselland, Muttenz (CH) \ Kunsthaus L6, Freiburg (D) \ Kunst Raum Riehen (CH) \ Kunstverein Freiburg (D) \ La Filature, Scène Nationale, Mulhouse (F) \ La Kunsthalle Mulhouse (F) \ Projektraum M54, Basel (CH) \ Städtische Galerie Stapflehus, Weil Am Rhein (D) \ Stimultania, Strasbourg (F) \ T66 Kulturwerk, Freiburg (D) \
27/11/2016 – 08/01/2017
All photos by Pier Giorgio De Pinto © Pro Litteris/Zurich
Die Ärzte (http://www.bademeister.com/) on the Open Flair Festival 2008 (http://www.open-flair.de) in Eschwege, Germany. (2008-08-09)
Oberpfalzbahn / Die Länderbahn 1648211 as train 79741 Weiden (Oberpfalz) - Regensburg Hbf.
The train is seen here at arrival in Wernberg (Köblitz).
An Evening With Die Antwoord at the Nerdist theater at Meltdown Comics.
11.13.12
© Atrossity Photography
Picture shows: Skip & Die performing live at Huize Maas during the Eurosonic festival in Groningen, The Netherlands, January 10th 2013.
Write up and full photo gallery: www.dennisstempher.nl/?p=3721
My photopage on facebook: www.facebook.com/dennisstempherphotography
Die Rektoren der österreichischen medizinischen Universitäten. V.l.n.r.: Prof. Dr. Hellmut Samonigg (Medizinische Universität Graz), Prof. Dr. Wolfgang Fleischhacker (Medizinische Universität Innsbruck), Prof. Dr. Herbert Resch (Paracelsus Medizinische Privatuniversität), Prof. Rudolf Mallinger (Karl Landsteiner Privatuniversität für Gesundheitswissenschaften) und Prof. Markus Müller (Medizinische Universität Wien); © PMU/wildbild
Bad Tölz
Ein Anziehungspunkt für viele Besucher ist das prachtvolle Ensemble der Marktstraße mit den breitgelagerten Häusern der Tölzer Kaufleutefamilien und Patrizier im barocken Stil, welche allesamt mit Fassadenmalereien (Lüftlmalerei) geschmückt sind. Besonders hervorzuheben sind dabei der Khanturm von 1353, die alte Posthalterei von 1600, das Sporerhaus, das Moralthaus und das Alte Rathaus mit dem Zwiebelturm aus dem 15. Jahrhundert, das ehemalige Mädchenschulhaus (1843 bis 1982) von 1588, der Marienstift, das Höckhenhaus und das Pflegerhaus Kaspar Winzerers des II. von 1485. Im Keller des heutigen Metzgerbräus (Burgkeller) unterhalb der Stadtpfarrkirche sind bis heute Gewölbeüberreste der ersten Tölzer Burg erhalten. Das letzte Tölzer Schloss stand, bis es 1770 wegen eines Unwetters zu weiten Teilen einstürzte, an der Stelle des heutigen Schlossplatzes und des neuen Rathauses, das 1772 erbaut wurde und ab 1779 als Sitz des Landrichters diente.
Die MOB GDe 4/4 6001-6004 sowie GDe 4/4 6005-6006, ehemals GFM GDe 4/4 101-102 sind tatsächlich arbeitslos geworden. Am 26 Juni 2023 waren gleich 3 Stück dieser einstigen SLM BBC "Paradepferde" mit Baujahr 1983 in Montreux und Chernex abgebügelt abgestellt.
Bei dieser Aufnahme von Montreux handelt es sich nur um einen Schnappschuss mit dem Handi aus dem SBB Zug ab Gleis 1.
St Mary and St Peter, Barham, Suffolk
The large, combined village of Barham and Claydon sits to the north of Ipswich, as near to being a suburb as can be without actually joining on. It has two hilltop churches, half a mile apart at each end of the village, above the high street. St Peter, Claydon, the more southerly of the two, sits by bungalows, new housing and Claydon High School. But it was declared redundant in the 1970s, and Barham church, out on the western edge on the way to Hemingstone, serves the whole community alone. Its dedication of St Mary has been extended to include that of Claydon church.
The hilltop setting here is quite different to that of the church that formerly served the Claydon part of the parish. Here, the church is above the houses, above the village, in a vast open graveyard, one of the biggest in Suffolk. You climb the narrow lane up the hill, and then cross from the corner of the graveyard to the big church. There is a comfortable bulkiness to the church, the massive south tower forming a porch as many do in the Ipswich area. The southern face of it has been generously decorated with flushwork, the first indication of the thorough yet restrained 1860s restoration by Edward Hakewill. Curiously, the nave has a clerestory on the south side, but no aisle. The view from the west is singular, the tower/porch balanced across the stark western face of the nave by the modern meeting room on the highest point to the north. The early 16th Century terracotta window on the north side of the vestry was probably made at the same time as those of the original Shrublands Hall - there is another one in the church at Henley nearby. The reason for its location will be revealed inside.
At one time, Barham church was kept locked, and there was a very good reason for this, as we shall see. But CCTV has been installed, and since the end of July 2019 the church has been open every day. You step beneath the tower down into a richly coloured interior. Hakewill's restoration has been softened by the feel of the ritualism of the early part of the 20th century. The western end of the nave is raised and carpeted to form a baptistry, the font a 19th Century reimagining of the kind of wide fonts of the early 14th Century that you more commonly find outside of East Anglia, in areas where no 15th century wealth could provide a replacement.
As mentioned earlier, there is no south aisle, but the Middleton chapel forms a raised aisle on the north side of the church. The aisle was built by the custodians of Shrublands Hall, and what is now the vestry at the eastern end of the aisle was their chantry chapel, hence the placing of the terracotta window. The western end of the aisle has been enclosed by part of the 15th Century roodscreen, and between the two sits one of the most striking objects in any Suffolk church. This is the Claydon war memorial, a sculpture of the Madonna and Child, by Henry Moore. It was moved here under Moore's direction when Claydon church closed and the two parishes combined. It must have been quite something, getting it in and out the churches, up and down the hills. Mary sits patiently, quietly, her arms relaxed but encircling her son protectively, pondering things in her heart.
The chancel was largely rebuilt in the 19th century, and obviously designed for shadowy, ritualist worship. However, it still contains a tall mid-17th Century memorial with the recumbent figures of John and Margaret Southwell. If moving Henry Moore's work from one end of the village to the other in the 1970s seems an extraordinary feat, then consider the inscription on the Southwell monument, which reveals that this memorial is sente over from the cittie of Limrick Ireland by Sir Richard Southwell K second sonne of John Southwell of Barham Esq and Margrett his wife as a pious remembrance of them to be left to their posteri(tie) An Do 1640. She raises herself on one elbow, looking into the face of her husband who stares heavenward, holding a small skull in the left hand.
Enclosing the sanctuary, the communion rails are striking and memorable. They are richly carved with angels, sea creatures, flowers and fruit, and one panel is dated 1700. Mortlock thought they were probably Italian. Do they perhaps show another connection with Shrublands Hall? The glass is largely by Ward & Hughes for Hakewill's restoration, and if it is not exciting it contributes to a harmonious whole. The exception is a rather good window set high in the clerestory. The vinework suggests it is by Powell & Sons. It depicts Christ with his hand on the head of a small child, and remembers Henry Pye Phillips who died at the age of ten in 1895. Oddly, the glass is not glazed into the clerestory as you might expect, but set in front if it.
Barham church provides a stark contrast with the church at Claydon, now in the care of the Churches Conservation Trust, looked after but no longer home to a community. And half a mile to the south of Claydon church is a third church, St Mary Akenham, also now redundant and in the care of the Churches Conservation Trust. In contrast with its neighbours Akenham is a lost and lonely place, half a mile from the nearest road with only an abandoned farmhouse and a couple of cottages for company. As the survivor of the three, Barham church now serves a community of not far short of 4,000 people, and it is obvious to any visitor that is well-used and well-loved, a happy eventuality.
My attic/bedroom is a Man-Den and i have been sorting out display shelves etc for my die cast models.
you can't remember who i once was, all you can recall is who i am now.
it's been a rough past 3 days... it hasn't been like this in a while. i can't even figure out what to do to make myself happy. a few weeks ago a girl told me she felt as if she had a connection with me. it turns out it's a girl who lives in my neighborhood. it feels good to talk to her sometimes because she knows exactly what's going on. but sometimes it's best to talk to someone with no idea whatsoever. i hate talking about feelings.
listen. makes me want to cry.
[june 29, 2010]
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Musikalische Leitung Kent Nagano
Inszenierung Andreas Kriegenburg
Bühne Harald B. Thor
Kostüme Andrea Schraad
Licht Stefan Bolliger
Choreographie Zenta Haerter
Dramaturgie Marion Tiedtke - Miron Hakenbeck
Siegmund Klaus Florian Vogt
Hunding Ain Anger
Wotan Thomas J. Mayer
Sieglinde Anja Kampe
Brünnhilde Katarina Dalayman
Fricka Sophie Koch
Helmwige Barbara Morihien
Gerhilde Danielle Halbwachs
Ortlinde Golda Schultz
Waltraute Heike Grötzinger
Siegrune Roswitha C. Müller
Roßweiße Alexandra Petersamer
Grimgerde Okka von der Damerau
Schwertleite Anaïk Morel
Bayerisches Staatsorchester