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The month of October saw the conclusion of our annual Forty Hours' devotion as well as the anniversary Gala to close out our 125th parish anniversary!
Forty Hours' Devotion presented our parish family with a beautiful opportunity to adore our Eucharist King enthroned upon the high altar. Upon concluding Forty Hours with benediction, the celebration continued at the While Eagle with a fine meal in the company of over 300 guests.
In addition, several parishioners were recognized for their indispensable support for the parish throughout the years. Last but not least, the Canons were overjoyed to welcome their newest novice, Br. Mateusz Szymański!
St Mary (RC), Mulberry Street, Manchester, 1848.
By Weightman & Hadfield.
Grade ll listed.
John Grey Weightman (1801-1872).
Matthew Ellison Hadfield (1812-1885).
The Hidden Gem, officially St Mary's Catholic Church, on Mulberry Street, Manchester, England, was originally opened in 1794, with devotion to St Mary, Our Lady of the Assumption, then rebuilt in 1848.
Detail: Rose West Window.
Dedication of the Hidden Gem
The rector of St Chad's, Father Rowland Broomhead, purchased a plot of land near Deansgate in 1794. He quickly set about the task of building a new church. On 30 November 1794, the church was dedicated to St Mary. It was chosen as a symbol of the original parish church in Manchester.
Collapse of the roof
In 1833, the rector of the Hidden Gem, Father Henry Gillow, decided that the building was looking tired. He enlisted the help of some of the congregation to have the church re-roofed and re-decorated. It was to be tremendous folly not to have had the work overseen by a master builder.
At lunchtime on 8 August 1835, a strange breaking sound could be heard. On looking up people were alarmed to see a crack forming in the dome above the altar. The church was locked up and at 11 pm the whole dome and part of the roof collapsed, damaging much of the interior of the church. Services were moved to Lloyd Street, and the search started for a new site for the church.
Hidden Gem rebuilt
Father Gillow died in the Manchester typhus epidemic of 1837. Any plans for a new site were put on hold, and the decision was taken to rebuild St Mary's on the existing site. Two architects were consulted, Richard Lane, the architect of Salford Town Hall and the Friends Meeting House, and Augustus Pugin. Richard Lane's design was chosen at a cost of £265 17s 0d. (Pugin had been paid £138 3s 6d). The architect chosen to oversee the work was Matthew Ellison Hadfield, who later went on to build Salford Cathedral and the new St Chad's Church in Cheetham Hill. St Mary's Church was entirely demolished and the new St Mary's was formally opened in October 1848. The church's design is a blend of Norman, Gothic and Byzantine detail; Pugin himself said that the building 'shows to what depth of error even good men fall, when they go whoring after strange styles.'
Exterior and interior
Externally, the Hidden Gem is built of plain red brick, with an ornate bell tower, stone-dressed church windows, and an entrance marked out with a fine stone doorway, which is finely carved and depicts two Angelic Hosts bearing a medallion of Agnus Dei. A hand above forms the sign of the Ascension of Christ. The inscription is "Ascendamus in montem Domini. Et adoremus in loco Sancto eius" a construction of two bible verses: "Come, let us go up to the mountain of the Lord",(Isaiah 2:3) and "Praise Him in His Holy places". (Psalms 150:1)
Internally, the visitor will find majestic Victorian carving. The High Altar is made of marble, finely carved and life size images of Our Lady, St Stephen, St Patrick, St Peter, St John, St Hilda, St Augustine and St Joseph. Central to this above the tabernacle is Christ bearing the Sacred Heart. The Stations of the Cross were painted in 1994 by artist Norman Adams and are in a striking expressionist style.
Shiva Nataraja Temple - Chidambaram - Tamil Nadu - South India.
The religious devotion is everywhere in India; We particularly face it because the visit of the marvellous temples constitue one of the "must go" in a trip in this country, specialy in Tamil Nadu known as a temple state.
"India is a River of Colour" (Raghubir Singh)
Tucked amongst a trash can full of water, plastic chairs and a basketball, unexpected devotion bowed gracefully as the Divine Mother, wearing blue plastic flowers in her hair.
DSC_0397: I took this picture at the Riverfront park in downtown Moncton today at 8:15 AM on my way to work.
Its been an unusually mild winter so far with very little snow - especially compared to last year when it was near record breaking for accumulation here -- now the grass is almost bare.
The sunrises and sunsets for the past week or two have been really colourful on most days, and today was such a day.
I got a good look at the sun rising on my drive into work today and just so happened to have my camera and new tripod with me - for a video shoot I was doing at lunch time for an upcoming Krusty video.
I decided to nip over to the river and take this shot of the sun coming up behind the Celtic cross.
Since Valentine's Day is coming soon and Sue's been away this week, I decided to call this one "Love and Devotion". Our wedding had a Celtic theme; even though neither of us are of Scottish or Irish background really.
Absolutely no post processing at all on this shot.
A few months ago I read a post about this ancient monument, I was unaware of its existence.
I logged into my Google Maps and recorded it as one of my desired places to visit.
Today Thursday 15th November 2018 Scotland basked in a beautiful Autumn sunshine, my favoured shooting conditions, I packed my Nikon and drove the 25 miles to the site.
Historic Environment Scotland maintain the monument , thankfully they have done a magnificent job, I truly believe it is important to preserve history for the generations to come.
I had a magnificent two hours recording my experience, I never fail to feel overwhelmed by the wealth of history that surrounds Aberdeen and the shire.
Thank's to Historic Environment Scotland for their detailed information on this site.
Ancient Monument - Kinkell Church - Inverurie Aberdeen Scotland.
Kinkell Church, built in the 1200s, is a classic medieval Highland church: simply designed and rectangular in shape. But the liturgical features installed in the 1520s are anything but plain. The stone sacrament house in the north of the church is an especially fine fixture.
Kinkell was refitted for Presbyterian worship following the Protestant Reformation of 1560, and declared redundant in 1771. Much of the building was dismantled and building materials recycled for use in a new kirk.
KINKELL CHURCH
• Kinkell Church, dedicated to St Michael, consist of the remains of a simple rectangular medieval parish church, of which only the N, W and part of the E
wall are upstanding.
The church was partly remodelled, perhaps on more than one occasion,
including in the early 16th century, when an elaborately carved Sacrament
House was built into the E end of the N wall.
Within the church is the monument of Gilbert de Greenlaw, killed at the battle
of Harlaw in 1411; the stone was re-used for a Forbes burial in 1592
CHARACTER OF THE MONUMENT
The church appears to have come on record in the early 13th century. Kinkell
was a mother church, or plebanus, and had dependent chapels at Dyce,
Drumblade, Kemnay, Kinnellar, Kintore and Skene.
This connection, which
was of long standing, may have arisen if Kinkell’s origins was that of an ecclesiastical foundation, rather like a minster, with an extensive parochia.
This would push back its origins considerably.
From the 14th century, certain revenues of the church evidently pertained to the Knights Hospitallers, although it is also recorded as an independent parsonage during the 14th century.
Any connection with the Hospitallers came to an end in 1420, when the church
and its annexes were erected into a prebend of Aberdeen Cathedral.
From a date and a set of initials on the sacrament house, it is apparent that in 1524 Alexander Galloway, rector of Kinkell and canon of Aberdeen Cathedral,
paid for the splendid sacrament house built into the E end of the N wall.
He appears to have been paying for further work the following year as a carved stone panel depicting the crucifixion, dated 1525, and with Alexander’s initials (three times), is built into the N wall (only a bronze replica survives; the original
was removed to Aberdeen Museum in 1934 and subsequently lost).
The church was abandoned in 1771 when the parish was amalgamated with
Keithhall. It was partially demolished to provide building materials for the new
parish church.
Archaeological Overview
There have been no recorded archaeological investigations at Kinkell.
The archaeological potential of the monument is extremely high and any excavation is very like to come across human remains, and perhaps also earlier church
buildings on the site.
Artistic/Architectural Overview
The church is fragmentary and devoid of features apart for the sacrament
house, the crucifixion panel and a single jamb of what must have been a large,
traceried E window. The simple oblong plan of the church suggests that the
basic form of the church dates from the early 13th century, with much late
medieval remodelling.
2/3
• The sacrament house is a particularly fine, and unique, example of this type of
medieval church fixture. It was an aumbry, or wall cupboard, designed to
reserve the host in appropriate reverential surroundings.
• The sacrament house at Kinkell shares several features with others found in
the NE, associated with Galloway, but is unique due to its cross shape. The
aumbry is flanked by two buttresses with crocketed finials. Between these is a
panel, which although badly defaced, appears to have been ornamented with a
monstrance supported by two angels (a very common motif found on other
sacrament houses associated with Alexander Galloway). Above this panel is a
corbelled and battlemented cornice, and above this is an oblong panel, which
probably contained a crucifixion scene, but is now empty. Flanking the
pinnacles are two panels, each filled with scrolls, which are of different forms
although the inscriptions on the scrolls were meant to be read as one and
state: ‘Here is preserved that body which was born of a virgin’.
• The crucifixion panel has a representation of St Michael, the archangel (to
whom the church was dedicated) to the right of the crucified, the Virgin on the
left and under her a priest, perhaps representing Galloway himself as donor,
standing beside an altar on which are Galloway’s initials.
• The sacrament house and the Crucifixion panel appear to have been part of a
liturgical revival in the diocese of Aberdeen during the early decade on the 16th
century. Alexander Galloway appear to have been a central figure in the move
to ensure parish churches had the fittings for the proper worship of God, and in
particular devotion to the Blessed Sacrament. He erected several sacrament
houses in churches he was involved in; Kinkell and its dependents at Dyce and
Kintore, and at King College, Aberdeen and may have been influential in the
decision of his colleagues, Alexander Spittal of Auchindoir and Alexander Lyon
of Turiff, to erect those in their respective churches. Galloway also donated a
font to Kinkell, which now is now in St John’s Episcopal Church, Aberdeen.
• The construction of the sacrament house may have been part of a wider
reorganisation of the chancel area of the church, and it is tempting to suggest
that the great E window may have been a part of this re-organisation, although
details of this moulding may be more consistent with a 14th or 15th century
date.
Social Overview
• The church is currently used as a recreational attraction. It receives little other
community use.
Spiritual Overview
• As a parish church in use for some six centuries, the site has the potential to
inform our understanding of medieval Christianity, the aspirations of the
rectors, vicars and ministers who served the church and the congregations
who worshipped in it.
• The burial ground was in use until fairly recently, and may still be in use for
occasional burials. People still visit family graves and memorials.
Aesthetic Overview
• The church and burial ground are located in the haughs of the River Don,
amongst arable farmland which adds to the appreciation of this monument.
The church has been pointed with a hard cement mortar that give the walls the impression of crazy paving.
The sacrament house, the replica crucifixion panel,
3/3 the window jamb are fine architectural details which are aesthetically very striking, and provide some idea of the glories of this once very fine church.
• The graveslab of Gilbert de Greenlaw, killed at the Battle of Harlaw, which would originally have been a ledger slab, is a particularly detailed carving of an armed knight.
What are the major gaps in understanding of the property?
• Do further historical sources or references survive.
• Nothing is known about the archaeology and earlier history of this site.
The church is an example, although much ruined, of a church which was remodelled in the 16th century.
The sacrament house is a particularly fine example of this type of church
furnishing, and the only example which takes the form of a cross.
Sacrament houses are physical manifestation of an important aspect of late medieval
Christianity; the veneration and adoration of the Body of Christ in the form of the consecrated host.
The church is closely associated with Canon Alexander Galloway, who encouraged a liturgical revival in the diocese in the early 16th century.
The site has high archaeological potential, but as a place of burial over centuries so the scope for research-led invasive excavation is not high.
Associated Properties
St Fergus’, Dyce, Auchindoir Church, St Machars Cathedral, Kintore Church,
Holy Week in La Antigua Guatemala
Galería Fundación Ancalmo
San Salvador, El Salvador
March 13 - April 10, 2015
The 2020 Holi Adventure with Paramahamsa Vishwananda was infused with devotion as it took place in Vrindavan, India, and the ashram of the Shree Giridhar Dham. Fortunately, it was held just before the onset of big changes in the world due to the Coronavirus, so a large number of devotees from all over the world were able to experience the joyous festival of colours known as ‘Holi’ and visit many of the sacred sites where Lord Krishna’s lilas took place.
During this time, new deities were installed at the ashram, too: Panduranga, Rukmini, and a unique Hanuman/Garuda.
A truly memorable trip for everyone in so many ways!
paramahamsavishwananda.com
bhaktimarga.org
Semana Santa en La Antigua Guatemala
Galería Fundación Ancalmo
San Salvador, El Salvador
13 marzo - 10 abril, 2015
This is a two week assignment. The goal is to create a beautiful “still life” image that stands alone outside of this assignment. Hopefully, at the end of this assignment, we will all print our images and hang them on the wall! I chose this topic because I have never tried a still life, and now it is time. It’s time for everyone to create a work of art! Be creative and good luck!
WIT: Camera flash set to 1/16 or 1/32. fast shutter speed and small aperture to blacken out everything else. Amazing to me because this is with all of the lights in the room on. I held a flash over my wifes hands while triggering the camera with an IR remote.
New arrivals. I'm finally getting around to photographing all the dolls that arrived while I was in the middle of my move.
Man Mo Temple, HK
"Dedicate some of your life to others. Your dedication will not be a sacrifice. It will be an exhilarating experience because it is an intense effort applied toward a meaningful end."
-- Dr. Thomas Dooley
This pocket-size Flemish Book of Hours was created in Bruges between 1460 and 1470. A heavy contingent of South Netherlandish and North French saints in the litany helps localize its production. The Italianate script and later Italian provenance suggest that the manuscript may have been created for a member of the Italian community in Bruges. It contains twelve full-page miniatures produced by a single artist working in the style of the prolific mid-fifteenth-century Flemish illuminator Willem Vrelant. Several other Books of Hours in the Walters' collection are similar in style to this manuscript, exhibiting the characteristics of the Vrelant circle, notably W.179, W.180, and W.183.