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As easy and effortless as it sounds, custom software development complex and requires you as the developer to juggle through various tasks simultaneously. From choosing the technology to understanding the user to studying the market and even the existing systems, the developers have to face tough situations while managing the custom solution. Read More
Photo Courtesy of the "Peace Plus One - World Sustainability Project"
and McMaster Institute for Sustainable Development in Commerce
SUBJECT:
北京能源网络 Beijing Energy Network
in partnership with the
Massachusetts Institute of Technology
presents
北耳 Beijing Energy & Environment Roundtable (BEER)
featuring
» Chivas Lam, Venture Partner, Qiming Venture Partners
» Mark Levine, Group Leader, China Energy Group, Lawrence Berkeley National Labs
» Sebastian Meyer, Director of Research & Advisory, Azure International
» Edward Steinfeld, Professor of Political Economy, Massachusetts Institute of Technology
发展未来能源技术：中美合作是答案吗？Developing Energy Technologies for the Future: Are U.S.-China Partnerships the Answer?
5:00pm - 6:15pm: Cocktail Session
6:15pm - 7:30pm: Panel Discussion
** About the Talk (报告内容) **
In the 20th century, we understood energy technology development to be something that took place within the confines of single national economies. The development phases were long, the capital requirements intense, and the levels of uncertainty and risk extremely high. When energy technologies found their way across borders, if they did at all, they did so as mature systems, ones that could be "transferred" from one place to another. Today, an entirely new pattern seems to be afoot. Overseas innovators are teaming with Chinese partners to co-develop energy technologies. Upstream innovations -- often pioneered in Europe, the U.S., and Japan -- are being translated into commercially-viable systems on Chinese soil and in conjunction with Chinese corporate partners and Chinese financing. Yet, as this process surges forward -- both because of the demand for such technologies in China, and the availability of Chinese financing -- significant questions remain. At the commercial level, which technologies are most suited for cross-border development, and which are not? Once financing is secured and cross-border partnerships are established, what is required to make joint technology development actually work? How should the process be organized, and by whom? At the policy level, to what extent can governments be relied upon over the long run to support co-development efforts? What are the risks of protectionist backlash? Under what circumstances might public financing be withdrawn? How do political risks differ across various types of energy technology? This panel will take an "inside-out" look at cross-border technology co-development, starting from the perspective of the commercial players themselves -- the most active drivers of the process -- and then drawing the broader ramifications for public policy and national interest.
** About the Speakers (报告人简历) **
Chivas Lam is a Venture Partner of Qiming Ventures focusing on the Cleantech Sector. Chivas brings over 25 years of operational experience in the General Industrial Manufacturing and Energy Sector. Prior to joining Qiming, Chivas was the President Asia Pacific of the Morgan Crucible Company. He successfully led reengineering and integration of multiple business units and was instrumental to operational enhancement and profit growth. Prior to Morgan Crucible, Chivas held various Senior Positions with GEC Alstom in Project Management and Business Development in China and Australia. Chivas started his career with Hong Kong Electric Company Limited.
Mark Levine is the Group Leader of the China Energy Group at Lawrence Berkeley National Laboratory (LBNL). Previously, he was director of the LBNL's Environmental Division, which is a leader in research on buildings energy efficiency, indoor air quality, and various clean energy technologies. His major passion in the past two decades has involved analyzing and promoting energy efficiency in China. Dr. Levine is a board member of five leading non-profits in the United States (American Council for an Energy Efficient Economy, Center for Clean Air Policy, Center for Resource Solutions, the US-China Green Energy Council, and California Clean Energy Fund, an innovative green venture capital fund) and one in Asia. He has also founded or co-founded two successful non-profits, including the acclaimed Beijing Energy Efficiency Center. Dr. Levine graduated summa cum laude from Princeton University, earned a PhD from the University of California.
Sebastian Meyer has covered the wind industry in China since 2004, and has built up a successful research and advisory practice focused on the alternative energy space. Sebastian came to China from London, where he specialized in due diligence supporting project finance and M&A transactions related to alternative energy. He also worked in the transition economies of Europe through the 90’s heading the Warsaw equity research team and covering industrial manufacturers and privatization programs for Creditanstalt Investmentbank - the leading western investment bank focused on the region at the time. Sebastian’s career spans debt and equity financing, project finance, equity research and valuation, mergers & acquisitions, and management consulting within the context of alternative energy and transition economies.
Edward Steinfeld is a professor of political economy in the MIT Department of Political Science and co-director of the China Energy Group in the MIT Industrial Performance Center. Steinfeld received his BA, MA, and PhD in political science from Harvard University. In addition to a variety of academic articles, Steinfeld is the author of Playing Our Game: Why China's Rise Doesn't Threaten the West and Forging Reform in China: The Fate of State-Owned Industry. Steinfeld is the author of numerous articles in both academic and non-academic journals, including Comparative Politics, Political Studies, World Development, The Far Eastern Economic Review, The Washington Post, The Wall Street Journal, and The South China Morning Post. Steinfeld is a member of the board of directors of the National Committee on US-China Relations, as well as a member of the academic committee of the Center for Industrial Development and Environmental Governance at Tsinghua University.
** About BEN & BEER (北京能源网路和北耳简介) **
The Beijing Energy Network (BEN) is a grassroots organization with a mission of promoting knowledge sharing, networking, and collaboration in understanding and tackling China’s energy and environmental challenges among individuals and organizations from diverse sectors such as government, finance, industry, media, advocacy, think tanks and academia. Our membership currently stands at over 1,900 strong.
The flagship activity of BEN is the Beijing Energy & Environmental Roundtable (BEER), an approximately twice-monthly happy hour/speaker series. BEER events are free and open to all with no RSVP necessary. We hope you will come early, stay late, listen and ask questions, catch up with old friends and make new ones.
Please note, we ask that our speaker's remarks remain off the record unless they otherwise grant permission. A listing of our past events can be found here.
If you would like to learn more, receive email updates from BEN, have a suggestion for an event, or are interested in possibly being a speaker yourself, please sign up to our Google Group, or if you can't access that link from China, send an email to beijing-energy-network+owner@googlegroups.com.
It's hardly a surprise that Liverpool's famous waterfront is at risk of losing its World Heritage Status when the local planners can't see the bigger picture (or the local bean counters can't get enough cash). The lift shaft of a high rise to match the smaller white towers to the right ruins the view of the cathedral from the river and will only get worse when the building is wrapped around it.
Scarlett Fondeur Gil, Economic Affairs Officer, ICT Analysis Section, UNCTAD, on behalf of the Partnership Steering Committee, speaking at the WTIS 2014, International Coordination of ICT Measurement, 10th Anniversary of the Partnership on Measuring ICT for Development, Tbilisi, Georgia.
©ITU/ R.Farrell
84th Geneva International Motor Show
Internationaler Auto-Salon Genf
Suisse - Schweiz - Switzerland
March 2014
Commonwealth education ministers working group on post-2015 development agenda for education.
Commonwealth Secretariat, Marlborough House, London, UK
13 December 2012
Copyright: Commonwealth Secretariat
At effortz.com we provide creative web design services, web development services and mobile application development services so Visit: effortz.com/effortz-services/web-design-development/ now.
A mass development undertaken by Singapore government. The SG government invest a lot of money in its own country's development unlike few other countries
My attempt at a quick character head-drawing exercise developed by @Shaun_Bryant (on Twitter). You can find him on You Tube under the channel name Shaun Bryant Art. My theme for this exercise was Fictional Characters' New Year's Resolutions. Basically, he gives you head shapes and you try to quickly draw characters using those shapes.
Developmental psychology is the logical learn of modify that occur in person being over the route of their life.
Made in Lland (Artist’s Statement)
My mind (Reason) says no, my Imagination screams “..and yes I said yes I will Yes."
Thus, I adopt the most famous utterance generated by my own race, the final words from James Joyce’s 'Ulysses', and pillage the masters of my adopted host (Vermeer, Van Gogh, and Rembrandt), hopefully combining Lyricism and Pragmatism, and generating an idea, and a plan, to reinvigorate the Silk Route between the City State of LLand and the People’s Republic of Ina.
By insinuating a note, written to himself in 1914, the Artist/Chess-master Marcel Duchamp, in a self-admonition, even - spawned a philosophy proffering the possibility of the Universal Equality of All Matter and Anti-Matter.
I am taken to a land of limitless possibilities and imaginative leaps, kaleidoscoping time and place, and choosing to ignore all boundaries. The note said simply:
“To use a Rembrandt as an ironing board”.
This pithy statement could lead to nihilistic despair or it could lead in the other direction entirely. I choose the latter.
"..perhaps it will be the task of an artist as detached from aesthetic preoccupations and as intent on the energetic as Marcel Duchamp, to reconcile art and the people."
Guillaume Apollinaire , Les Peintre Cubistes (published 1913).
This exhibition is the beginning of a foray into that realm, the notion of, through the prism of Duchamp’s statement, initially introducing that most impressive manifestation of the collective consciousness, China, to three of the most venerated Individuals of the Western (Dutch) Canon, through the commonplace vehicle of Duchamp’s ironing board.
‘Maid in Lland’ represents the first phase of this endeavour; the journey of developing Pragma and the Rembrandt board itself. The show collapses time and visualises the painting of the boards in Dafen, a township on the Chinese mainland totally devoted to the copying of European masterpieces.
The second and third phases, the Vermeer and Van Gogh boards, have already been developed over six years, in 4,000 images on the Internet. This body of work presented here has been drawn from that same source.
The ‘story’ is interwoven with personal details, of self-love recovered after a history of abuse; these chart an individuation process which has proceeded to the point where I can say, with confidence, that anything is possible.
If a pinch of spice or a tulip bulb could generate a ‘Golden Age’, then anything can - even a Duchamp ironing board. It is simply a matter of determined people, who believe this is possible, coming together and focussing on pushing it through - with some humour and beauty.
All of these ideas and works generated are copyright free, so that anyone can use any of it, without fear of litigation. I would be more than pleased, indebted even, if anyone can take any of these ideas further.
---------------
Royal Irish Academy
Ireland’s Academy for the Sciences and Humanities
Catherine Marshall
5 Saint Kevin’s Road
Portobello
Dublin 8
Reference: Billy Quinn
23 June 2009
To Whom It May Concern
I came to know the artist Billy Quinn and his work in 1995/6 when he returned from New York to do a residency at the Irish Museum of Modern Art where I was Head of Collections. I was impressed then, both by his work and by his commitment to social engagement through his art practice. I was equally impressed, as were my colleagues, by his knowledge of art history, literature and philosophy, which, along with his social commitment, provides a deep well of sources from which the conceptual underpinnings of his work derive. Later I had the pleasure of working with him more closely when the Museum purchased some of his work, and several exhibitions in Ireland, the United States and Finland included it.
Quinn is an Irish artist but his vision has never been limited by the constraints of life on a small island. He has chosen to work in New York, London, Berlin and Amsterdam, but his gaze encompasses artistic, political and religious events as far away as China and Afghanistan. Much of his work in the past decade has been digital and is disseminated through the internet, using this contemporary medium to comment on outmoded traditions of art making and the artmarket, on connoisseurship and elitism. He has a particular preference for Flickr because it is an egalitarian platform, which excludes nobody. Appropriation is seminal to his practice, and so it is entirely consistent that he now wants the opportunity to make artwork based on his own digital work, which in turn references Rembrandt, Vermeer, Van Gogh and Marcel Duchamp. His new project refers also to the work of Jeff Koons and Andy Warhol, as he searches for a painter to paint an ‘original’ Quinn/Rembrandt painting. He intends to travel to Dafen in China, where paintings are mass-produced, tantalisingly hand painted but entirely devoid of the aura traditionally associated with the hand of the artist. The project questions authorship, connoisseurship and notions of the elite art collector, since the painting and multiple hand-painted reproductions of it will be offered for sale as mass produced objects for consumption in key tourist locations in Amsterdam. The universality and circularity of this process is reminiscent also of the Dutch history of trade with the east, while the hand-painted reproductive process derives, similarly, from good 17th century practice.
The value of this new body of work lies in its scale and ambition. It transcends time and place and breaks down divisions between east and west, between fine art and popular culture. It questions the privileged position of the traditional collector and empowers those previously excluded. Above all it acknowledges the continuity of time and space, hero and follower, matter and idea and does so in a way that is accessible without diminishing its complexity. Like Baudrillard’s simulacrum it obliges the viewer to commit to a position in relation to the ‘reality’ of the work on every level.
From my previous knowledge of his career, as a working artist and as a successful doctoral candidate in Fine Art Practice, I have had reason to respect Billy Quinn’s professionalism and to admire the courage and perseverance with which he tackles his self-imposed tasks. He is not motivated by financial reward but would like to present his art in a very democratic public arena. He holds all ideas to be universal property and does not copyright his work focussing instead on notions of universal equality in a manner that is both beautiful and humourous. I very much hope that this project, his most exciting and ambitious to date, will meet with the support, financial and artistic, that it deserves.
Catherine Marshall
Co-Editor Vol V
Art and Architecture of Ireland
Royal Irish Academy
On secondment from the Irish Museum of Modern Art
----------------
Billy Quinn
william.quinn11@btinternet.com
Mobile Phone: 06 2734 6635
Education
1997-2000Professional Doctorate in Studio Practice, University of East London.
1980-82 B.A. Hons. Fine Art (Film), University of East London.
1973-74National College of Art and Design, Dublin. Foundation Course.
Solo Exhibitions
October 2007 Artist in Residence Studio Exhibition at M4 Gastatelier, Amsterdam
2002 March/April
Postcards From the Wedge (The Thick End),
The Fridge Gallery, London.
2000 More Life : Minor Wounds, The East London Gallery, London E13.
1999 Work in Progress, The East London Gallery, London E 13.
1998The Diet of Worms, The East London Gallery, London.13.
1998 Denial of Burial and Other External Crosses, Ko Raw Gallery, London
1998 Quinn's Da, The Temple Bar Gallery, Dublin.
1997 Traditional Family Values, Goldstrom Gallery, New York City.
1997The Icon Series, WWW.plexus.org/quinn/plague.
1996Traditional Family Values The Temple Bar Gallery, Dublin.
1994Traditional Family Values , Mindy Oh Gallery, Chicago IL
1994A Show of Hands, Andre Zarre Gallery, New York City.
1993A Plague of Angels, Mindy Oh Gallery, Chicago IL.
Group Exhibitions
Feb 2010 Bittersweet- Expressions of Love and Hate,
The Doswell gallery, West Cork
June30
-Aug 25, 06 Selfportraitr A Virtual show of images from Flickr.com
The Pace/MacGill Gallery, NYC
June 2005 Incantations. Nun’s Chapel, Douglas Street, Cork
June 2004 Mediators. Fordham Gallery, Princlet Street, London
Sept 2002-May 2003
Something Else. Touring group show, opening in Turku travelling
To Helsinki, Oulu, and Joensuu in Finland
April 2002-May 2002
Ierse Kunst Uit de Collectie van het Museum of Modern Art te Dublin
Stedelijk Museum, Aalst, Belgium
Nov 14 –April 2002.
Irish art Now: From the Poetic to the Political.
Touring show of American Institutions from The Irish Museum of
Modern Art (I.M.M.A.), curated by Declan Mc Gonagle.
Irish Museum of Modern Art, Dublin.
July 14-Sept 23, 2001.
Irish art Now , Chicago Cultural Centre, Chicago.
May 6-June 25, 2000.
Irish art Now, Pittsburg Centre for the Arts, Pittsburg.
Jan 3 - April 9, 2000.
Irish art Now , Art Gallery of Newfoundland and Labrador, St Johns.
Oct 3- Dec 12, 1999
Irish art Now , The Mc Mullan Museum of Art, Boston.
1999 4 Irish Artists, The Irish Club, Eaton Square, London.
1998Künstler für die Insel IV, Frankfurt am Main, Germany.
1998 Documenta USA, The Museum of Contemporary Art, Pontiac,
Michigan.
1997Recent Acquisitions: work in Focus, I.M.M.A., Dublin.
1997Juno Moneta: For Your Eyes Only, Mindy OH Gallery, New York City.
1996Out Art, City Arts Centre, Dublin.
1995Summer Group Show, Foster Goldstrom Gallery, New York City.
1994 Cultured Pearl, Mindy Oh Gallery, Chicago, IL.
1994 The Annex Show, Mindy Oh Gallery, The Chicago Art Fair, IL.
1994Animal, Mineral, Vegetable, Andre Zarre Gallery, New York City.
1994Homage to Camus, Mindy Oh Gallery, Chicago IL.
1994 Healing Before Art, Mary Ryan Gallery, New York City
1993 Saints and Survivors in a Time of Plague, Three person show Lowinsky
Gallery, New York City.
1992New Acquisitions Show, Lightworks, Syracuse, New York City.
Related Work
2000-2003Lecturing in Dublin, Cork and Galway (Ireland) and Turku (Finland) and Winchester College of Art on the PhD course.
1999-2000 Extensive lecturing on development of work practice relative to Doctoral
research.
Guest lecturer at Goldsmiths, Leeds, Exeter, Central St. Martins,
The Royal Academy of Stockholm, and Winchester College of Art
1998Part-time lecturer in Fine Art at the University of East London.
1996CURSAI, R.T.E. Irish national television programme.
Guest lecturer, University of Belfast.
1995 Black Box, R.T.E. Television arts programme.
Guest lecturer, National College of Art and Design, Dublin.
Guest lecturer, The Dublin Institute of Technology.
1993Guest lecturer, The Illinois Institute of Technology and The Art Institute
of Chicago.
Selected publications
Eroticism and Art. Alyce Mahon, Lecturer in the History of Art at the University of Cambridge and Fellow of Trinity College. Oxford University Press 2005
The Irish Museum of Modern Art: The Permanent Collection. Catherine Marshall 2005
Something Else: Irish Contemporary Art. Valerie Connor, Maija Koskinen and Declan Mc Gonagle, Turku Art Museum 2002
Irish Art Now: From the Poetic to the Political.. Declan Mc Gonagle, Fintan O’ Toole and Kim Levin, Merrell Holberton Publishers.
The Art of Aids, Robert Barker, Continuum Publishing, New York City.
CIRCA. The Magazine of the Irish Arts. An 8 page insert "work in progress" with Catherine Harper. The Spring issue 1997.
Residencies
November 2007- January 2008: Artist Residency at Foundation B.A.D. Rotterdam
August - October 2007: Artist Residency at M4 Gastatelier, Amsterdam
1997 Helsinki International Artist’s Project (HIAP), Finland
2 month residency Nov-Dec.
1995-96 Artist's Work Programme. Irish Museum Of Modern Art.
1992Lightwork, Artist-in-Residence program, Syracuse, New York State.
Grants
New Work Award 2006. The Irish Arts Council: €35,000
Collections
Irish Museum of Modern Art, Dublin.
The Jonathan Stiles Collection, Helsinki.
Steven F Foster Collection, London.
Peter Kabcenell Collection, New York City.
Mindy Oh Collection, Chicago.
Monique Goldstrom Collection, New York City.
Tim Peterson and Richard Gerrig Collection, New York City.
Carl Miller Collection, Boston.
City of Galveston Collection, Texas.
Lightwork Collection, Syracuse.
Bela Majoros Collection, Budapest.
Chantal Boisgontier Collection, Paris.
John McBratney Collection, Dublin.
Alexander Tinti Collection, Vienna.
The Taveta weaver (Ploceus castaneiceps) is a striking bird species native to East Africa, particularly found in areas of southern Kenya and northern Tanzania. It is known for its vibrant chestnut-colored head and yellow body, with males displaying more vivid plumage during the breeding season to attract mates. This social species is often seen in large flocks, building intricate, hanging nests in trees, and primarily feeds on seeds and insects, typically in grasslands and savanna habitats.
#WordPress the Most Advantageous Platform for #Ecommerce_Web_Development :- onlineorion.com/wordpress-advantageous-platform-ecommerce...
October 12, 2012 - Tokyo, Japan: Ministerial Dialogue on Sustainable Development. World Bank Group President Jim Yong Kim and IMF Deputy Managing Director Min Zhu will lead a discussion with over 20 Finance Ministers and Vice-Ministers of Finance and International Development focused on green fiscal poliies and the reforms needed to achive inclusive green growth. Photo: Simone D. McCourtie / World Bank
Photo ID: 101212-AM2012-MinSustainDevlpmnt054F
Meeting of the Education 4.0 Alliance
Asheesh Advani, President and Chief Executive Officer, JA Worldwide, USA; Saadia Zahidi, Managing Director, World Economic Forum
Copyright: World Economic Forum/Jeffery Jones
Sustainable Development Impact Meetings, New York, USA 19 - 23 September
April 16, 2016 - WASHINGTON DC., 2016 World Bank / IMF Spring Meetings. Development Committee. Photo: Grant Ellis / Word Bank
Photo ID: 041616-DEV COM-228_F
The UK's International Development Minister Alan Duncan meets with the Head of the United Nations' humanitarian agency OCHA, Baroness Valerie Amos (London, 16 May 2013)
The two met following Britain's pledge of emergency food, drinking water and shelter to help people in Rakhine State in western Burma, who have been displaced by ethnic violence and now face additional threats of approaching tropical storms.
Mr Duncan welcomed the United Nations' role in helping the country's government and partners to prepare for the storm season, and called on the UN to continue to work with the Burmese authorities to ensure effective humanitarian support for the Rohingya people in the area.
Minister of State for International Development Alan Duncan said:
“Thousands of people displaced by violence in Rakhine State are currently extremely vulnerable. With the first tropical storm of the cyclone season due to hit the area this week, it is imperative that we respond to the unfolding humanitarian crisis.
“British support will not only meet the immediate food, water and medical needs of the displaced, but give people protection from the elements for the future. The plight of the people of Rakhine State must not be ignored.”
Britain’s £4.4m package of emergency assistance for Rakhine State will provide:
• nearly 80,000 people with access to safe drinking water and improved sanitation facilities
• malnourished children aged 0-59 months with treatment for acute malnutrition in rural camps
• and hygiene kits to nearly 40,000 people.
Find out more about the UK's support at: www.gov.uk/government/news/support-for-burmas-displaced-a...
Terms of use
This image is posted under a Creative Commons - Attribution Licence, in accordance with the Open Government Licence. You are free to embed, download or otherwise re-use it, as long as you credit the source as Simon Davis/Department for International Development'.
The Land Development Scheme of the Fitzroy Basin. A portion of the first burn viewed from the Eastern side.
December 1962.
Item: 436408
Neg: C2-4333
From my earlier research, I learnt that a major part of any propaganda poster is the main figurehead/character. This is the main visual element of the piece and gives an insight into the countries culture, religion and race. Due to my countries religion behind Buddhist, I had to research and portray traditional buddhist garments and clothing on my characters, to ensure that it was obvious to the viewer of my propaganda poster what religion my fictional country was.
Listed 3/19/2018
Atlanta, Georgia
Reference number: 100002207
Listed in the National Register on March 19, 2018, the Peachtree Center Historic District, Fulton Co., Georgia is significant at the national level under architecture and community planning and development for the work of architect and developer, John C. Portman, Jr.
Portman is nationally known for his innovative ideas and approaches to design and planning as both architect and developer. His design concepts involved interior-focused architecture as seen in his use of atrium forms and his development of the “coordinate unit,” the interconnection of pedestrian-oriented city blocks. The district is also significant under social history for its association with the civil rights movement. The period of significance is 1961-1988.
National Register of Historic Places Homepage
Guests take photos as U.S. President Barack Obama shakes hands after a keynote speech at the White House Summit on Global Development in Washington, DC on July 20, 2016.
Development leaders, public and private sector partners, civil society, diplomats, and entrepreneurs gathered to celebrate shared contributions that have led to dramatic progress in global health, energy, food security, good governance, partnership, and youth engagement.
Photo by Kendra Helmer/USAID
February 7, 2017
Lomo LC-A+ 32mm f2.8
Kodak Tmax 100
Rodinal 1:100 Stand Development 1hr
Pakon F135 scan(cool mode)
Black and White
Roll 312
USC Annenberg School for Communication and Journalism students and alumni took part in a Internship and Job Fair at the Ronald Tutor Campus Ballroom on Tuesday, March 22, 2016. The students had direct access to company recruiters such as Southern California Public Radio, shown here. ©USC Annenberg/Brett Van Ort
Heights record the change in distance to an MRT station from current system to proposed expansion, Large differences identify underdeveloped areas which will soon be more accessible.
A train rests on the new track built from the border of Uzbekistan to just beyond Mazar-e-Sharif, Afghanistan Dec. 5. The new track is more than 75 kms long and provides Afghan traders the means of importing and exporting goods.
(Photo by Army Sgt. Michael Reinsch, IJC Public Affairs)
CARE Chefs' Table Program hef, Spike Mendelsohn shares a recipe for Coconut Chicken Curry during the summit lunch break. Spike Mendelsohn is a “Top Chef” alum and owner of Good Stuff Eatery.
Hundreds of development leaders, public and private sector partners, civil society, diplomats, and entrepreneurs gathered to celebrate shared contributions that have led to dramatic progress in global health, energy, food security, good governance, partnership, and youth engagement during the White House Summit on Global Development in Washington, DC hosted by President Obama.
Photo by Ellie Van Houtte/USAID