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India - West Bengal - Darjeeling - Streetlife - 46dd by Manfred Sommer

Darjeeling is a City and a Municipality in the Indian state of West Bengal. It is located in the Mahabharat Range or Lesser Himalaya at an elevation of 2,164.1 m. It is noted for its tea industry and the Darjeeling Himalayan Railway, a UNESCO World Heritage Site. Darjeeling is the headquarters of Darjeeling district which has a partially autonomous status within the state of West Bengal. The development of the town dates back to the mid-19th century, when the colonial British administration set up a sanatorium and a military depot. Subsequently, extensive tea plantations were established in the region, and tea growers developed hybrids of black tea and created new fermentation techniques. The resultant distinctive Darjeeling tea is internationally recognized and ranks among the most popular of the black teas.

The Darjeeling Himalayan Railway connects the town with the plains and has one of the few steam locomotives still in service in India.

Darjeeling has several British-style public schools, which attract students from India and neighbouring countries. The varied culture of the town reflects its diverse demographic milieu consisting of Nepalis, Bhutia, Lepcha and other mainland Indian ethno-linguistic groups. Darjeeling, with its neighboring town of Kalimpong, was a center of the Gorkhaland movement (Separate State demand within India) in the 1980s. The town's fragile ecology has been threatened by a rising demand for environmental resources, stemming from growing tourist traffic and poorly planned urbanization.

HISTORY

The history of Darjeeling is intertwined with that of Sikkim, Nepal, British India and Bhutan. Until the early 19th century, the hilly area around Darjeeling was controlled by the kingdom of Sikkim, while the plains around Siliguri were intermittently occupied by the Kingdom of Nepal, with settlement consisting of a few villages of Lepcha and Kirati people. The Chogyal of Sikkim had been engaged in unsuccessful warfare against the Gorkhas of Nepal. From 1780, the Gorkhas made several attempts to capture the entire region of Darjeeling. By the beginning of 19th century, they had overrun Sikkim as far eastward as the Teesta River and had conquered and annexed the Terai. In the meantime, the British were engaged in preventing the Gorkhas from overrunning the whole of the northern frontier. The Anglo-Gorkha war broke out in 1814, which resulted in the defeat of the Gorkhas and subsequently led to the signing of the Sugauli Treaty in 1815. According to the treaty, Nepal had to cede all those territories which the Gorkhas had annexed from the Chogyal of Sikkim to the British East India Company (i.e. the area between Mechi River and Teesta River). Later in 1817, through the Treaty of Titalia, the British East India Company reinstated the Chogyal of Sikkim, restored all the tracts of land between the Mechi River and the Teesta River to the Chogyal of Sikkim and guaranteed his sovereignty.In 1828, a delegation of the British East India Company (BEIC) officials on its way to the Nepal-Sikkim border stayed in Darjeeling and decided that the region was a suitable site for a sanatorium for British soldiers. The company negotiated a lease of the area west of the Mahananda River from the Chogyal of Sikkim in 1835. In 1849, the BEIC director Arthur Campbell and the explorer and botanist Joseph Dalton Hooker were imprisoned in the region by the Sikkim Chogyal. The BEIC sent a force to free them. Continued friction between the BEIC and the Sikkim authorities resulted in the annexation of 1,700 km2 of territory by the British in 1850. In 1864, the Bhutanese rulers and the British signed the Treaty of Sinchula that ceded the passes leading through the hills and Kalimpong to the British. Further discord between Sikkim and the British resulted in a war, culminating in the signing of a treaty and the annexation by the British of the area east of the Teesta River in 1865. By 1866, Darjeeling district had assumed its current shape and size, covering an area of 3,200 km2.

During the British Raj, Darjeeling's temperate climate led to its development as a hill station for British residents seeking to escape the summer heat of the plains. The development of Darjeeling as a sanatorium and health resort proceeded briskly. Arthur Campbell, a surgeon with the Company, and Lieutenant Robert Napier were responsible for establishing a hill station there. Campbell's efforts to develop the station, attract immigrants to cultivate the slopes and stimulate trade resulted in a hundredfold increase in the population of Darjeeling between 1835 and 1849. The first road connecting the town with the plains was constructed between 1839 and 1842. In 1848, a military depot was set up for British soldiers, and the town became a municipality in 1850. Commercial cultivation of tea in the district began in 1856, and induced a number of British planters to settle there. Darjeeling became the formal summer capital of the Bengal Presidency after 1864. Scottish missionaries undertook the construction of schools and welfare centres for the British residents, laying the foundation for Darjeeling's notability as a centre of education. The opening of the Darjeeling Himalayan Railway in 1881 further hastened the development of the region. In 1899, Darjeeling was rocked by major landslides that caused severe damage to the town and the native population.

Under British rule, the Darjeeling area was initially a "Non-Regulation District", a scheme of administration applicable to economically less advanced districts in the British Raj; acts and regulations of the British Raj did not automatically apply to the district in line with rest of the country. In 1919, the area was declared a "backward tract". During the Indian independence movement, the Non-cooperation Movement spread through the tea estates of Darjeeling. There was also a failed assassination attempt by revolutionaries on Sir John Anderson, the Governor of Bengal in 1934. Subsequently, during the 1940s, Communist activists continued the nationalist movement against the British by mobilising the plantation workers and the peasants of the district.

Socio-economic problems of the region that had not been addressed during British rule continued to linger and were reflected in a representation made to the Constituent Assembly of India in 1947, which highlighted the issues of regional autonomy and Nepali nationality in Darjeeling and adjacent areas. After the independence of India in 1947, Darjeeling was merged with the state of West Bengal. A separate district of Darjeeling was established consisting of the hill towns of Darjeeling, Kurseong, Kalimpong and some parts of the Terai region. While the hill population comprised mainly ethnic Nepalis, the plains harboured a large ethnic Bengali population who were refugees from the Partition of India. A cautious and non-receptive response by the West Bengal government to most demands of the ethnic Nepali population led to increased calls, in the 1950s and 1960s, for Darjeeling's autonomy and for the recognition of the Nepali language; the state government acceded to the latter demand in 1961.

The creation of a new state of Sikkim in 1975, along with the reluctance of the Government of India to recognise Nepali as an official language under the Constitution of India, brought the issue of a separate state of Gorkhaland to the forefront. Agitation for a separate state continued through the 1980s, included violent protests during the 1986–88 period. The agitation ceased only after an agreement between the government and the Gorkha National Liberation Front (GNLF), resulting in the establishment of an elected body in 1988 called the Darjeeling Gorkha Hill Council (DGHC), which received autonomy to govern the district. Though Darjeeling became peaceful, the issue of a separate state lingered, fuelled in part by the lack of comprehensive economic development in the region even after the formation of the DGHC. New protests erupted in 2008–09, but both the Union and State governments rejected Gorkha Janmukti Morcha's (GJM) demand for a separate state. In July 2011, a pact was signed between GJM, the Government of West Bengal and the Government of India which includes the formation of a new autonomous, elected Gorkhaland Territorial Administration (GTA), a hill council endowed with more powers than its predecessor Darjeeling Gorkha Hill Council.

GEOGRAPHY

Darjeeling is the main town of the Sadar subdivision and also the headquarters of the district. It is located at an elevation of 2,200 m in the Darjeeling Himalayan hill region on the Darjeeling-Jalapahar range that originates in the south from Ghum. The range is Y-shaped with the base resting at Katapahar and Jalapahar and two arms diverging north of the Observatory Hill. The north-eastern arm dips suddenly and ends in the Lebong spur, while the north-western arm passes through North Point and ends in the valley near Tukver Tea Estate. The hills are nestled within higher peaks and the snow-clad Himalayan ranges tower over the town in the distance. Kanchenjunga, the world's third-highest peak, 8,598 m high, is the most prominent mountain visible. In days clear of clouds, Nepal's Mount Everest, 8,850 m high, can be seen. The hills of Darjeeling are part of the Mahabharat Range or Lesser Himalaya. The soil is chiefly composed of sandstone and conglomerate formations, which are the solidified and upheaved detritus of the great range of Himalaya. However, the soil is often poorly consolidated (the permeable sediments of the region do not retain water between rains) and is not considered suitable for agriculture. The area has steep slopes and loose topsoil, leading to frequent landslides during the monsoons. According to the Bureau of Indian Standards, the town falls under seismic zone-IV, (on a scale of I to V, in order of increasing proneness to earthquakes) near the convergent boundary of the Indian and the Eurasian tectonic plates and is subject to frequent earthquakes.

FLORA AND FAUNA

Darjeeling is a part of the Eastern Himalayan zoo-geographic zone. Flora around Darjeeling comprises sal, oak, semi-evergreen, temperate and alpine forests. Dense evergreen forests of sal and oak lie around the town, where a wide variety of rare orchids are found. The Lloyd's Botanical Garden preserves common and rare species of plants, while the Padmaja Naidu Himalayan Zoological Park specialises in conserving and breeding endangered Himalayan species. The town of Darjeeling and surrounding region face deforestation due to increasing demand for wood fuel and timber, as well as air pollution from increasing vehicular traffic.Wildlife in the district is protected by the wildlife wing of the West Bengal Forest Department. The fauna found in Darjeeling includes several species of ducks, teals, plovers and gulls that pass Darjeeling while migrating to and from Tibet. Small mammals found in the region include civets, mongooses and badgers. The nearby Jaldapara National Park consists of semi-evergreen and sal forests. Animals found here include the one-horned rhinoceros, elephant, tiger, leopard and hog deer, while the main bird species include the Bengal florican and herons. As of 2009, work was in progress for setting up a conservation centre for red pandas in Darjeeling.

CLIMATE

Darjeeling has a temperate climate (Köppen: Cwb, subtropical highland climate) with wet summers caused by monsoon rains. The annual mean maximum temperature is 15.98 °C while the mean minimum temperature is 8.9 °C, with monthly mean temperatures range from 5 to 17 °C. The lowest temperature recorded was −24 °C on 11 February 1905. The average annual precipitation is 309.2 cm, with an average of 126 days of rain in a year. The highest rainfall occurs in July. The heavy and concentrated rainfall that is experienced in the region, aggravated by deforestation and haphazard planning, often causes devastating landslides, leading to loss of life and property.

CIVIC ADMINISTRATION

The Darjeeling urban agglomeration consists of Darjeeling Municipality and the Pattabong Tea Garden.Established in 1850, the Darjeeling municipality maintains the civic administration of the town, covering an area of 10.57 km2. The municipality consists of a board of councillors elected from each of the 32 wards of Darjeeling town as well as a few members nominated by the state government. The board of councillors elects a chairman from among its elected members; the chairman is the executive head of the municipality. The Gorkha Janmukti Morcha (GJMM) holds power in the municipality As of 2011.From 1988 to 2012, the Gorkha-dominated hill areas of Darjeeling district was under the jurisdiction of the Darjeeling Gorkha Hill Council (DGHC). In 2012, the DGHC was replaced by the Gorkhaland Territorial Administration (GTA). The elected members of this body are authorised to manage certain affairs of the hills, including education, health and tourism. Law and order in Darjeeling town comes under the jurisdiction of the district police force, which is a part of the West Bengal Police; a Deputy Superintendent of Police oversees the town's security and law affairs. Darjeeling municipality area has two police stations at Darjeeling and Jorebungalow.

UTILITIES

Natural springs in the Senchal Range provide most of Darjeeling's water supply. Water collected is routed through stone conduits to two lakes that were constructed in 1910 and 1932, from where it is piped to the town after purification at the Jorebungalow filtration plant. During the dry season, when water supplied by springs is insufficient, water is pumped from Khong Khola, a nearby small perennial stream. There is a steadily widening gap between water supply and demand; just over 50% of the town's households are connected to the municipal water supply system. Various efforts made to augment the water supply, including the construction of a third storage reservoir in 1984, have failed to yield desired results. The town has an underground sewage system, covering about 40% of the town area, that collects domestic waste and conveys it to septic tanks for disposal. Solid waste is disposed of in a nearby dumping ground, which also houses the town's crematorium. Doorstep collection of garbage and segregation of biodegradable and non-biodegradable waste have been implemented since 2003. Vermicomposting of vegetable waste is carried out with the help of non-governmental organisations. In June 2009, in order to reduce waste, the municipality proposed the ban of plastic carry bags and sachets in the town.

Darjeeling got from 1897 up to the early 1990s hydroelectricity from the nearby Sidrapong Hydel Power Station, such being the first town in India supplied with hydropower. Today, electricity is supplied by the West Bengal State Electricity Board from other places. The town often suffers from power outages and the electrical supply voltage is unstable, making voltage stabilisers popular with many households. Almost all of the primary schools are now maintained by Darjeeling Gorkha Autonomous Hill Council. The total length of all types of roads within the municipal area is around 134 km. The West Bengal Fire Service provides emergency services for the town.

ECONOMY

The two most significant contributors to Darjeeling's economy are tourism and the tea industry. Darjeeling tea, due to the unique agro-climatic conditions of Darjeeling, has a distinctive natural flavour, is internationally reputed and recognised as a geographical indicator. Darjeeling produces 7% of India's tea output, approximately 9,000,000 kilograms every year. The tea industry has faced competition in recent years from tea produced in other parts of India as well as other countries like Nepal. Widespread concerns about labour disputes, worker layoffs and closing of estates have affected investment and production. Several tea estates are being run on a workers' cooperative model, while others are being planned for conversion into tourist resorts. More than 60% of workers in the tea gardens are women. Besides tea, the most widely cultivated crops include maize, millets, paddy, cardamom, potato and ginger. Darjeeling had become an important tourist destination as early as 1860. It is reported to be the only location in eastern India that witnesses large numbers of foreign tourists. It is also a popular filming destination for Bollywood and Bengali cinema. Satyajit Ray shot his film Kanchenjungha (1962) here, and his Feluda series story, Darjeeling Jomjomaat was also set in the town. Bollywood movies Aradhana (1969), Main Hoon Na (2004), and more recently Barfi! (2012) have been filmed here. Tourist inflow into Darjeeling has been affected by the political instability in the region, and agitations in the 1980s and 2000s have hit the tourism industry hard.

TRANSPORT

Darjeeling can be reached by the 88 km long Darjeeling Himalayan Railway from New Jalpaiguri, or by National Highway 55, from Siliguri, 77 km away.The Darjeeling Himalayan Railway is a 600 mm narrow-gauge railway that was declared a World Heritage Site by UNESCO in 1999 for being "an outstanding example of the influence of an innovative transportation system on the social and economic development of a multi-cultural region, which was to serve as a model for similar developments in many parts of the world", becoming only the second railway in the world to have this honour.Bus services and hired vehicles connect Darjeeling with Siliguri and Darjeeling has road connections with Bagdogra, Gangtok and Kathmandu and the neighbouring towns of Kurseong and Kalimpong. However, road and railway communications often get disrupted in the monsoons because of landslides. The nearest airport is Bagdogra Airport, located 90 km from Darjeeling. Within the town, people usually traverse by walking. Residents also use two-wheelers and hired taxis for travelling short distances. The Darjeeling Ropeway, functional since 1968, was closed in 2003 after an accident killed four tourists. It was proposed to be reopened in 2007, and finally opened in February 2012.

DEMOGRAPHICS

According to provisional results of 2011 census of India, Darjeeling urban agglomeration has a population of 132,016, out of which 65,839 were males and 66,177 were females. The sex ratio is 1005 females per 1,000 males. The 0–6 years population is 7,382. Effective literacy rate for the population older than 6 years is 93.17 per cent. According to the 2001 census, the Darjeeling urban agglomeration, with an area of 12.77 km2 had a population of 109,163, while the municipal area had a population of 107,530. The population density of the municipal area was 10,173 per km2. The sex ratio was 1,017 females per 1,000 males, which was higher than the national average of 933 females per 1000 males. The three largest religions were Hinduism, Buddhism and Christianity, in that order. The majority of the populace are Gorkhas of ethnic Nepali background. Indigenous ethnic groups include the Limbu, Rai, Magars, Gurung, Tamangs, Lepchas, Bhutias, Sherpas and Newars. Other communities that inhabit Darjeeling include the Marwaris, Anglo-Indians, Chinese, Biharis, Tibetans and Bengali. The most commonly spoken languages are Nepali, Hindi, Bengali and English. Darjeeling has seen a significant growth in its population, its decadal growth rate being 47% between 1991 and 2001. The colonial town had been designed for a population of only 10,000, and subsequent growth has created extensive infrastructural and environmental problems. The district's forests and other natural wealth have been adversely affected by an ever-growing population. Environmental degradation, including denudation of the surrounding hills has adversely affected Darjeeling's appeal as a tourist destination. The official language of West Bengal is Bengali, additional official languages in Darjeeling are English and Nepali.

CULTURE

Apart from the major religious festivals of Dashain (Durga puja), Tihar (Diwali) and Christmas the diverse ethnic populace of the town celebrates several local festivals. The Lepchas and Bhutias celebrate new year in January, while Tibetans celebrate their new year, Losar, in February–March. The birthday of the Buddha is celebrated in mid-June with processions. Darjeeling Carnival, initiated by a civil society movement known as The Darjeeling Initiative, is a ten-day carnival held every year during the winter with portrayal of the Darjeeling Hill's musical and cultural heritage as its central theme. A popular food in Darjeeling is the Nepalese and Tibetan momo, a steamed dumpling containing meat cooked in a doughy wrapping and served with clear soup and achar. A form of Tibetan noodle called thukpa, served in soup form is also popular. Other commonly eaten dishes include alu dum, a potato preparation, and shaphalay, Tibetan bread stuffed with meat. Fermented foods and beverages are consumed by a large percentage of the population. Fermented foods include preparations of soybean, bamboo shoots, milk and Sel roti, which is made from rice. Tea is the most popular beverage, the Tibetan version is also drunk.Alcoholic beverages include Tongba, Jnaard and Chhaang, variations of a local beer made from fermenting finger millet.

Colonial architecture characterises many buildings in Darjeeling, exemplified by several mock Tudor residences, Gothic churches, the Raj Bhawan, Planters' Club and various educational institutions. Buddhist monasteries showcase the pagoda style architecture. Darjeeling is regarded as a centre of music and a niche for musicians and music admirers. Singing and playing musical instruments is a common pastime among the resident population, who take pride in the traditions and role of music in cultural life. Darjeeling also has a Peace Pagoda built in 1992 by the Japanese Buddhist organisation Nipponzan Myohoji.

EDUCATION

There are 52 primary schools, 21 high schools and 4 colleges in the town. Darjeeling's schools are either run by the state government or by private and religious organisations. Schools mainly use English and Nepali as their media of instruction, although there is the option to learn the national language Hindi and the official state language Bengali. The schools are either affiliated with the ICSE, the CBSE, or the West Bengal Board of Secondary Education. Having been a summer retreat for the British in India, Darjeeling became the place of choice for the establishment of public schools on the model of Eton, Harrow and Rugby, allowing the children of British officials to obtain an exclusive education. Institutions such as Mount Hermon School, St. Robert's H.S. School, St. Joseph's College (School Dept.), Loreto Convent, and St. Paul's School are renowned as centres of educational excellence. Darjeeling has four colleges - St. Joseph's College, Southfield College (earlier known as Loreto College), Darjeeling Government College and Sri Ramakrishna B.T. College - all affiliated to the University of North Bengal in Siliguri.

TOURIST ATTRACTIONS

Tiger Hill is located in Darjeeling, in the Indian State of West Bengal, and is the summit of Ghoom, the highest railway station in the Darjeeling Himalayan Railway - a UNESCO World Heritage Site.

Padmaja Naidu Himalayan Zoological Park is a 67.56-acre zoo in the town of Darjeeling in the Indian state of West Bengal. The zoo was opened in 1958, and an average elevation of 7,000 feet, is the largest high altitude zoo in India.

The Darjeeling Himalayan Railway, also known as the "Toy Train", is a 2 ft (610 mm) narrow gauge railway that runs between New Jalpaiguri and Darjeeling in the Indian state of West Bengal, India.

The Batasia Loop is a spiral railway created to lower the gradient of ascent of the Darjeeling Himalayan Railway in Darjeeling district of West Bengal, India. At this point, the track spirals around over itself through a tunnel and over a hilltop.

Peace Pagoda, Darjeeling or Darjeeling Peace Pagoda is one of the Peace Pagodas designed to provide a focus for people of all races and creeds to help unite them in their search for world peace.

Windamere Hotel, built in the 1930s, is a heritage hotel situated on Observatory Hill, in Darjeeling, India.

Mirik is a picturesque tourist spot nestled in the serene hills of Darjeeling district in West Bengal, India. The name Mirik comes from the Lepcha words Mir-Yok meaning "place burnt by fire".

Samsing is a small hill village and tourist spot in the Malbazar subdivision of Jalpaiguri district of West Bengal situated at an elevation of 3000 ft in the foothills of Jalpaiguri and Darjeeling districts border.

Suntalekhola or Suntaley Khola is a small village and a tourist spot in the Darjeeling District of West Bengal. The altitude of the place ranges from 650 to 950 m. It gets it name from a small stream: Suntaley Khola.

Bhutia Busty monastery or Karmaa Dorjee Chyoling monastery is a Buddhist monastery located in Tongsong, Darjeeling, India. It belongs to the Red Sect of Buddhist Lamas.

DARJEELING CARNIVAL

Darjeeling Carnival is a ten-day carnival arranged in the town of Darjeeling, West Bengal, India.The carnival consists of several functions like poetry-reading sessions, painting and photo exhibitions, tea-drinking ceremonies, a Land Rover rally, music concerts and ethnic food festivals.

WIKIPEDIA

Development Committee Meeting by World Bank Photo Collection

April 12, 2014 - WASHINGTON DC. 2014 IMF / World Bank Group Spring Meetings. Development Committee Meeting. Development Committee Chair Marek Belka; World Bank Group President Jim Yong Kim; IMF Managing Director Christine Lagarde. Photo: Eugenio Salazar / World Bank

New developments by gordontour

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Central Business District in Tripoli, Libya. With major new developments being constructed.

Development, Jessica Field by UMHS Events

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4/27/22 Women's Health Luncheon and Donor Event at the Daxton Hotel, Birmingham, MI.

Development Hotspots_41 by NLA London

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Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

MANMADE WATERFALLS STO DOMINGO PHILIPPINES by JHON DSAINT

1

oktavdsaint.wordpress.com/

www.youtube.com/oktavdsaint

www.youtube.com/sjhon87

www.youtube.com/TAVIE100

IF YOU LOVE THE FIRST LOOK OF MY CRAFTS

YOU WILL LOVE MOST OFMY COLLECTIONS

FEEL FREE TO EXPLORE MORE ON MY PHOTOSTREAM IN THIS WAY

CRAFT REVOLUTION / MOSAIC APPLICATION IN A PATCHWORK APPROACH, A TRULLY NEW LINE IN A ROW

Doing things like no other before is like walking in another line, why we need to do being different from them, how do we see things in another side? Is this possible to have a new line in a row?

I attend seminars about Quality Control, this seminars tackles the main cause of the real problem is in the organization itself, yes, and is true no need to attend seminar for this, if we know ourselves is our best enemy, but how we need to know more ourselves, our environment dictates us to be being with them, and our mind action accordingly in this way of thinking.

Working in an Export Company for long years as a research and product development officer is not a good job, but paying you a lot sometimes per project, and your Boss saying you always; “our sale will get high after this project out of the market! You can go to vacation after this! Yes vacation after finish the particular project, hmm sound nice, as I said this is not a good job after all. Vacation is also not good in this kind of works. Why I say this. How you can say you are free after your kids out in school and you are watching American idol and praying for the artist you want to be declared as a real winner,

How can we say we are free and in vacation with family and thinking what you can do to be more careful for the kids if all with you, or even if you alone and feel bored and open your pc for something else just to get out of your mind, how?

Being free is acceptance just live with them walk with them and feel with them, my master in this seminar put this thing in our mind , the second things he share to us is everybody need a free space for our self, as a person and different from the other person.

He share to us a line in a bible , I forgot the pages and the verses, but something like this I am not particular in the bible things and thoughts but the messages is clear, you are so special from the other person in your words ,in your thought , in your actions too,

And he shouting to all of us saying hey get out of the box his face look like red and I feel he is angry for what ever reason,

Then he put here things in the bag and walking outside the hall never turn back and go to small coffee table and put some head set on his ear, we all get shock we feel confuse, me I am thinking he get mad to someone , that time the seminar is running up to more hours and this person sitting , look like relax and we are thinking what s wrong , the company paying much for him, and the 2 long hours to wait him , feel more confusing , I see also he snap a bit and his eyes is close for almost 15 minute , and we are so silent , and no body want to talk , hey what’s wrong , I go to the other side of the room and I fall asleep, somebody doing that things and fall asleep too, but the only thing I notice no one get out of the room , we are all waiting for something, boring and everybody no one to talk just the eyes talking that time and our lips add some smile,

Time running and one of the participant decide to talk to all of us and saying we don’t need him in this kind of seminar , he never say anything to us just sip his coffee for long hours and we left nothing to do. and one of my colleagues saying , how can we say it in a nice way, everybody saying something ,suggesting , and one off the participant crumble the papers and want to throw to the master , that moment we are all smile and saying yes do it if you can! But after that no one, want to do that kind of things to his master after all,

Or maybe being polite much better that throwing things as our action for that particular situation and the message is clear , everybody even they have a good actions they don’t want to go out of the box,

New line in a row is a fresh and clear action ,as an artist , as a creator of this particular crafts , I love to share what I have after my long journey , this world is so fast in many particular , technology ,development, high-rise building new phone , everything that we can consider as our home outside our home or a chips on our big pockets , weight less but full of everything what we put inside that chips for our own purposes,

This new craft was born in this particular world of arts but I found out, this craft is out of the line , the material is there , the colors is in there, the meaning is there , the message is there , everything is there , and still I cannot fine the right line for this particular crafts,

I start doing craft on my early age, I still remembering cutting pages of full colored magazine cut in a small piece and paste it, collect all the colored papers and cut and paste it just my start, I love to draw plant animals flowers birds everything about nature, and this track considering of my actions whom I am now, in my own world,

I never finish college, as my root, but I take a fine arts courses in one best school in Philippines (U.S.T. University Of Santo Tomas) Manila the oldest School in Asia the school for Architecture and Fine Arts, that time I feel bless, it because I never dream to get enter in that school, I walk barefooted in my young age, I never dream one day I was in one of the room in there. In my teenage days I was always in a church I am a member of a choir group, but my voice is not good at that time, but I feel important when I am part of this group , our master telling me you are part of this group and your voice is to important to us, I joint also a theater club my master told me , here in our company money is hard to find and the only things I can share to you is how they praise you after the production is done, this group is a community base just for a public information and services, and that’s true I feel different from other person when I joint in this group I have many friends , they all like me as a devil in my characters I always portray , this group give ME more opportunity to explore my space more on the way I never do and think before, or maybe I get out of that box I never notice in this way, or I walk in a new line in a row ,

This group also sent me to college, and I walk out in this group and stop my study up to 2nd years in colleges of course the main reason is money, yes this is my hard times at that moment I need to decide which way I need to walk, to finish or make another way like a new line in a row, I need to force my self to work hard for my daily bread.

New line in a row is a formation of things on how we see and need to act patiently specially in our materials that surround us. Or a CALL on how we make a line in a way we can move perfectly, and this is what I want to share to you,

New line in a row is my greatest achievement, after searching and looking for arts and crafts, i look more books, searching more artist, looking for the master, site in the internet, regarding arts and crafts, and still I never see anything that need to compare on my crafts, but this crafts more on mosaic, patchwork, color pixel in our computer and idea coming from cross stitching, and how it make it different from them,?

Mosaic is a form of arts more on glass and stone or anything that form pattern and pastes it,

Patchwork is a form of arts too start from our old clothes recycled it and form pattern too.

Cross stitching is also form of arts that need to count and have pattern too.

Color pixel normally found in our computer if we want to see or using magnifying glass to see thing clear.

I never research much on this particular meaning (mosaic, patchwork, cross stitching, pixels,) suggestion is always welcome or comment to this particular is will help much,

This kind of words build my composition and remind me, where I start thinking and looking in different way, how can I called my crafts , or where can I place it , I thinking is there a room for me, the answer is YES , I can place it in a galleries of mosaic,

In a patchwork, in pixel room, but not in a wall that hangs cross stitching arts,

But more on more that way, my experiment get more wild and run, colored pixel is always many colors in his single square form, I decide to get out in this category,

I try more research about patchwork , and I see more clear things in this room , the next things I open my mind to the mosaic room and get involved more on more , and I notice a clear picture and help me to categories my craft more in this way.

I draw another line, a new line in a row

After fifteen years searching for the soul of my arts, I try to make room for them, I want to be different from them, I want to be more careful and I want to have a free form from them,

Arts is copying nature I thought, and maybe I think in this way, but copying is like doing things you admire and seeing things that guide us, copying is the only easy way to make us more competitive or maybe more to be exact, new line in a row starting in this way collect the things that have a connection on me make a clear picture and transform in a way I do now,

New line in a row is a form of arts with the relationship to the crafts world,

Arts is different from the crafts, arts is unique form and creation of human no same things have in common with out copying using special tools we have..

Crafts are more on copying have pattern to create more precise and get to perfectly conclusion.

New line in a row is my first step to get out of the box, I never notice for long way before.

New line in a row is a form of CRAFTS after all!

I called this crafts MOSAIC CLOTH IN A PATCHWORK APPROACH

A truly NEW LINE IN A RAW

Only the dead man can make his canvass clear and white

I choice freedom that make my life to be complicated and open for more restriction after all

Oktavdsaint

The author

Development Committee Meeting by World Bank Photo Collection

1

April 13, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings.Development Committee Meeting. Photo: World Bank / Franz Mahr

Photo ID: 041319_Development Committee_FM_116

Design Development by Anya Jane Magee

A Level Textiles Flower project. Design and print development. Range of dresses based on the process of decay in flowers, and the process of creating textile print

WTIS 2014 - International Coordination of ICT Measurement - 10th Anniversary of the Partnership on Measuring ICT for Development by ITU Pictures

David Souter, Managing Director, ICT Development Associates moderating the WTIS 2014, International Coordination of ICT Measurement, 10th Anniversary of the Partnership on Measuring ICT for Development, Tbilisi, Georgia.

©ITU/ R.Farrell

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Empowering Women in Development by Community of Democracies

The high-level event “Empowering Women in Development: Challenges Beyond 2015” took place in Vilnius on October 8-10. Organized by the Ministry of Foreign Affairs of Lithuania, the Lithuanian Development Cooperation and the Eastern Europe Studies Center in partnership with the Community of Democracies Working Group on Women and Democracy, the event brought together leading figures from governments and civil society, including the President of Lithuania, Dalia Grybauskaitė.

The Secretary General of the Community of Democracies, Ambassador Maria Leissner, participated in the event as a panelist in a panel titled “Women’s Leadership for Democratic Development”. Secretary General Leissner also held a series of advisory meetings with four delegates attending through the Community’s LEND Network, all of whom are involved in promoting women’s political participation in Moldova and Tunisia. One of them, Olga Melniciuc, economic adviser to the Prime Minister’s Economic Council in Moldova, spoke on a conference panel, “Women’s Economic Empowerment: Overcoming Barriers.”

Arrested Development by Tony Hoffarth

2

"There's always money in the banana stand."

Not Balboa Island, Orange County. Rather, Marina Del Rey which is about 50 miles North of Balboa. The patio of this landmark snack shack used for the filming of Arrested Development is in the Fisherman's Village that is located about 10 minutes North of LAX, for you travelers.

Graduation Spring 2017 by Penn State Beaver

Kaitlynn Jordan, associate of science in Human Development and Family Studies; bachelor of arts in Psychology graduates Heather Zusinas and Tara Kubik

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno. Center: John Graham. 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

NUMEN DEVELOPMENT by JESSE C SMITH JR

5

Container Home In Houston, Texas

Muscular Development Magazine by Craig Monson

3

Muscular Development article about me from August, 1985. I was approached by the magazine after my appearance in the 1983 amateur Mr. World contest, where I won people's choice, first place and judge's choice, fifth place. The photos for the article were shot at the old City Gym owned by Diego in DTLA, now the present location of Staples Center. Diego hung photos of me on the walls of the City Gym as well.

Nepal - Pokhara - World Peace Pagoda - 5 by Manfred Sommer

Pokhara Shanti Stupa is a Buddhist pagoda-style monument on a hilltop in Ananda hill of Pumdi Bhumdi Village Development Committee, in the district of Kaski, Nepal. Shanti Stupa in Pokhara was built by Nipponzan-Myōhōji monk Morioka Sonin with local supporters under the guidance of Nichidatsu Fujii, a Buddhist monk and the founder of Nipponzan-Myōhōji. Shanti is a Sanskrit word meaning peace, also widely used in Nepali and Hindi language, and Shanti Stupa means Peace Pagoda. Shanti Stupa is the shrine build as symbol of peace. The spot situated at the height of 1100 meters on the Ananda Hill was chosen by Nichidatsu Fujii and he laid the foundation stone as well with the relics of Buddha on the hilltop on 12 September 1973. Nepal has two of the eighty peace pagodas in the world: Shanti Stupa in Lumbini, the birthplace of Buddha and Shanti Stupa in Pokhara. Shanti Stupa in Pokhara has also become a tourist attraction. It provides a panoramic view of the Annapurna range, Pokhara city and the Fewa Lake.

CONSTRUCTION

Nichidatsu Fujii planned to construct Peace Pagodas in 1947, in many locations around the world as a symbol of world peace. Nipponzan-Myōhōji and locals of Pokhara built Shanti Stupa. Morioka Sonin, Dharmashilla Guruma (nun) and Min Bahadur Gurung were the key people in constructing the pagoda. During the construction of Shanti Stupa, Nepal government had arrested them several time with false accusations. Morioka Sonin took the initiative of building the Shanti Stupa in Pokhara. Dharmashilla Guruma of Dhamashilla Buddha Bihar, Pokhara was very positive about the proposal from Nipponzan-Myōhōji and was involved in creating active participation from the locals in Pokhara. The statue of first elected deputy defense minister Min Bahadur Gurung,congress party member is placed in front of the Shanti Stupa to honor his role in building the hilltop monument by donating the land. On 28 November 1973, the prayer hall with the statue of Buddha and the Guest House was set up. When the construction of the pagoda had reached 35 feet, Panchayati and Royal Nepal government requested to the concerned party to destroy the pagoda and the buildings showing town-planning and security reasons. The building was not officially "passed" by the local government. Even though building the pagoda was off-limits, with the continuous support from Nipponzan-Myōhōji, the supporters and the monks were constantly working to rebuild the pagoda. Nichidatsu Fujii had prophesized that one day the Shanti Stupa would be rebuilt. On 21 May 1992, after 18 years of uphill battle, Honorable late Girija Prasad Koirala by his own interest came to the Anadu hill and re-laid the foundation stone. Then construction work was completed without obstruction and inaugural ceremony was conducted in the presence of Chairman of Nepali Congress Party and the former Prime Minister Girija Prasad Koirala on 30 October 1999.

DESCRIPTION AND SIGNIFICANCE

Shanti Stupa in Pokhara is the first World Peace Pagoda in Nepal and seventy-first pagoda built by Nipponzan-Myōhōji in the world. The pagoda is 115 feet tall and 344 feet in diameter. The white pagoda has two tiers for tourist and religious people to circumambulate. Second tier displays the four statues of Buddha presented as a souvenirs from different countries: ‘Dharmacakra Mudra’ from Japan, ‘Bodh Gaya’ from Sri Lanka, ‘Kushinagar’ from Thailand and 'Lumbini’ from Nepal. Each statues represents the important events related to Buddha and named according to the place where it took place. Dharmachakra is placed below gajur (pinnacle) which signifies wheel of life, dharma and Buddha’s teaching. Top of the golden gajur holds the crystal stone from Sri Lanka which symbolizes intellect and grace. Dhamma hall with Buddha statue is located nearby the peace pagoda where Buddhist rituals take place daily and big ceremonies pujas are performed on the important dates according to Lunar calendar, such as on full moon day.

TOURIST ATTRACTION

Standing on top of the Ananda hill, Shanti Stupa adds more beauty to Pokhara Valley. It is a perfect holiday place providing a clear view of the Himalayan range, Fewa Lake and Pokhara city. The hilltop provides a splendid view of sunrise and sunset. TripAdvisor has ranked Shanti Stupa as top second attraction in Pokhara. The pagoda is 7 kilometers from Mahendrapool, the major business spot in Pokhara. There are several ways to reach the peace pagoda. There are hiking trails, cycling tracks and the blacked topped road to the Stupa. There are many trails for hiking. One of the popular and adventurous hiking trails is by crossing the Fewa Lake by a local boat and climb uphill through the local villages that takes about an hour to reach the hilltop. There have been cases of mugging in the hiking trails in previous years. The partial black-topped road from Chorepatan to the Stupa takes about 25 minutes, which can be reached by taxi or private cars. There is no public transports yet available to the foothill of the Stupa.

WIKIPEDIA

IPD 2016 - 200 by Tauber Institute for Global Operations

Event: 2016 Integrated Product Development Trade Show

Location: Ross School of Business

Photographer: Philip Dattilo

(734) 647-0308. Tauber.umich.edu

Development Marketplace 2019 by World Bank Photo Collection

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Software Development by Fabio Bruna

3 5

Een antiek maar leuk(insider) grapje. En nog steeds erg waar allemaal.

Development Marketplace 2019 by World Bank Photo Collection

1

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

Michael Harris Chancellor, Award of Excellence Finalist 2012, UEDA, IU Kokomo, פרופסור מייקל הריס by Michael Harris PhD פרופ. מייקל הריס

2

Michael Harris Chancellor, Award of Excellence Finalist 2012, UEDA, IU Kokomo, פרופסור מייקל הריס

Chancellor Michael Harris Convenes Summit of Mayors of North Central Indiana, 11 mayors discuss Regional Transformation and Economic Development of North Central Indiana (triple Helix), July of 2011. פרופסור וצנסלור מייקל הריס

universityeda.org/value-to-members/best-practice-sharing/...

www.flickr.com/photos/michaelharrisphd/9356803010/in/phot...

Michael Harris - "A viking with a heart of a mother and an indomitable spirit."

A vision that came a reality.

"It is better to deserve honors and not have them than to have them and not deserve them."

Mark Twain www.insideindianabusiness.com/newsitem.asp?id=48583 www.insideindianabusiness.com/newsitem.asp?id=48583

universityeda.org/value-to-members/best-practice-sharing/...

www.quotesdaddy.com/find/tag/eva%20white/1

innovate.indiana.edu/blog/2012/09/iu-kokomo-named-finalis...

homepages.indiana.edu/web/page/normal/20569.html

kokomoperspective.com/news/iu-kokomo-finalist-for-nationa...

www.kokomoherald.com/Content/News/Local-News/Article/IU-K...

innovate.indiana.edu/blog/2012/05/indiana-university-koko...

kokomoperspective.com/joe-biden-michael-harris-barack-oba...

indianapublicmedia.org/news/iukokomo-inaugurates-chancell...

www.youtube.com/watch?v=uD3exIJ-hGs

ceremonies.iu.edu/iuk/biography.shtml

en.wikipedia.org/wiki/Michael_Harris_%28academic%29

articles.washingtonpost.com/2008-11-02/news/36841810_1_bi...

en.wikipedia.org/wiki/Michael_Harris_%28academic%29

www.kokomoherald.com/Content/News/Local-News/Article/Regi...

kokomoperspective.com/news/local_news/text-and-audio-of-k...

kokomotribune.com/local/x1526182114/Alliance-highlights-K...

newsinfo.iu.edu/news/page/normal/19216.html

www.youtube.com/watch?v=uD3exIJ-hGs

articles.washingtonpost.com/2008-11-02/news/36841810_1_bi...

universityeda.org/value-to-members/best-practice-sharing/...

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innovate.indiana.edu/blog/2012/05/indiana-university-koko...

newsroom.iuk.edu/chancellor/chancellor-archive/113-indian...

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The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:

www.youtube.com/watch?v=mJIe0t6aDEU

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Chancellor Michael Harris IUK - On the Move

www.youtube.com/watch?v=uD3exIJ-hGs

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www.prnewswire.com/news-releases/indiana-university-kokom...

kokomoperspective.com/kp/perspective-s-people-of-the-year...

www.deseretnews.com/article/700084585/Auto-industry-bailo...

kokomoperspective.com/xtra/education/iu-kokomo-prepares-h...

kokomoperspective.com/local_sports/cougar-women-s-volleyb...

www.businesswire.com/news/home/20100602005505/en/Ketterin...

whotalking.com/flickr/Chancellor

m.kokomoperspective.com/joe-biden-michael-harris-barack-o...

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kokomoperspective.com/search/?t=article&q=michael+harris

www.scribd.com/doc/63591416/Kokomo-Perspective-August-31-...

en.wikipedia.org/wiki/Michael_Harris_%28academic%29

homepages.indiana.edu/web/page/normal/20830.html

nciia.org/network/conference/2010/presenters/michael_harris

www.departmentchairs.org/Author/michael-harris.aspx

www.in.gov/che/files/All_Bios.pdf

www.departmentchairs.org/Author/michael-harris.aspx

kokomoperspective.com/indiana-university-kokomo-chancello...

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www.spokeo.com/Michael+Harris+10

www.departmentchairs.org/Authors.aspx

mydigimag.rrd.com/article/Up_Front/706709/67528/article.html

Chancellor Michael Harris IUK - On the Move

www.youtube.com/watch?v=uD3exIJ-hGs

homepages.indiana.edu/web/page/normal/22030.html

www.ncslcollege.com/bio/39/

www.utsandiego.com/news/2010/Nov/22/auto-industry-bailout...

articles.southbendtribune.com/2011-10-02/news/30236848_1_...

kokomoperspective.com/news/kokomo-wins-indiana-associatio...

prezi.com/mqmsmgcgni1u/iu-kokomomoving-forward/

articles.southbendtribune.com/2011-10-02/news/30236848_1_...

tackk.com/michaelharrischancellor

www.facultyfocus.com/articles/academic-leadership/academi...

blogs.forbes.com/people/michaelharrischancellor/

www.mlive.com/news/flint/index.ssf/2010/02/post_92.html

avoyership13.moxai.com/chan-7603525/all_p2.html

www.mlive.com/news/index.ssf/2008/08/swedish_king_to_visi...

The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:

www.youtube.com/watch?v=mJIe0t6aDEU

homepages.indiana.edu/web/page/normal/22373.html

homepages.indiana.edu/web/page/normal/17736.html

mydigimag.rrd.com/article/Up_Front/706709/67528/article.html

Michael Harris - "A viking with a heart of a mother and an Incandescent spirit."

www.youtube.com/watch?v=uD3exIJ-hGs

www.deseretnews.com/article/700084585/Auto-industry-bailo...

Notable Alumni of Tel Aviv University: en.wikipedia.org/wiki/Tel_Aviv_University#Notable_alumni

splashkokomo.com/2012/01/23/third-house-remained-hospitab...

kokomoperspective.com/sports/iuk/naia-approves-indiana-un...

Wikipedia: Michael Harris (Academic) (born January 6, 1956) is an academic scholar with dual American and Israeli citizenship

en.wikipedia.org/wiki/Michael_Harris_%28academic%29

Notable Alumni of Tel Aviv University: en.wikipedia.org/wiki/Tel_Aviv_University#Notable_alumni

Notable Alumni, Bar Ilan University

en.wikipedia.org/wiki/Bar-Ilan_University#Notable_alumni

Notable Alumni, Indiana University

en.wikipedia.org/wiki/List_of_Indiana_University_%28Bloom...

www.flickr.com/photos/michaelharrisphd/

tackk.com/michaelharrischancellor

Development by dpurb .com

Development

Escena portuaria by Fernando Arias

4 4

Ushuaia harbour.

(Leica M6; Kodak Portra 400; C-41 Home develop & scan)

31-07 Douglas Road by Emilio Guerra

1

Douglaston Historic District, Douglaston, Queens, New York City, New York, United States

Type: Freestanding house with attached garage (on lot 93) Style: Vernacular cottage Stories: 1

Structure/material: Frame with stucco facing

Notable building features: Intersecting gable roofs, flared over front porch; round-arched, batten door; brick chimney; brick stoop with non-original wrought-iron railings; some brick veneer; windows with historic multi-pane sash and casements.

Notable site features: Mature trees; flagstone walkway; gravel driveway; perimeter hedge; storage shed; cobblestone curb.

INTRODUCTION

The Douglaston Historic District contains more than 600 houses set along landscaped streets on a mile-long peninsula extending into Little Neck Bay, at the northeastern edge of Queens adjoining Nassau County.

Its history over the past four centuries ranges from a native American settlement to an eighteenth-century farm, a nineteenth-century estate called Douglas Manor, and an early twentieth-century planned suburb, also called Douglas Manor.

The Douglaston Historic District encompasses the entire Douglas Manor suburban development, plus several contiguous blocks. Most of the houses in the proposed district date from the early- to mid-twentieth century, while a few survive from the nineteenth century, and one from the eighteenth century.

The landscape includes many impressive and exotic specimen trees planted on the mid-nineteenth-century estate, as well as a great white oak, located at 233 Arleigh Road, believed to be 600 years old.

Douglaston's location on a peninsula jutting into Flushing Bay at the eastern border of Queens County is an important factor in establishing the character of the district. The very early buildings surviving in the district include the c.1735 Van Wyck House, the c. 1819 Van Zandt manor house (expanded in the early twentieth century for use as the Douglaston Club), and the Greek Revival style c. 1848-50 Benjamin Allen House.

Much of the landscaping, including the specimen trees, survives from the estate of Douglas Manor, established by George Douglas and maintained by his son William Douglas.

Most of the houses in the historic district were built as part of the planned suburb of Douglas Manor, developed by the Rickert-Finlay Company, that was part of the residential redevelopment of the Borough of Queens following its creation and annexation to the City of Greater New York in 1898.

A set of covenants devised by the Rickert-Finlay Company helped assure a carefully planned environment, including a shorefront held in common, winding streets following the topography of the peninsula, and single-family houses ranging in size from substantial mansions along Shore Road on the west to more modest cottages closer to Udalls Cove on the east.

The houses of the historic district, which are representative of twentieth-century residential architecture, were designed in a variety of styles including the many variants of the Colonial Revival, many houses in the English manner incorporating Tudor Revival, English cottage, and Arts and Crafts motifs, as well as the Mediterranean Revival. In most cases, they were designed by local Queens architects, including over a dozen who lived in Douglaston itself.

The district includes three houses of the Craftsman type pioneered by Gustav Stickley. Eight of the houses in the district were designed by Josephine Wright Chapman, one of America's earliest successful women architects, and they constitute an important body of her work.

The Douglaston Historic District survives today as an important example of an early twentieth-century planned suburb adapted to the site of a nineteenth-century estate. The stylistically varied suburban residences, the distinctive topography, the landscaped setting, and the winding streets create a distinct sense of place and give the district its special character.

HISTORICAL AND ARCHITECTURAL BACKGROUND OF THE DOUGLASTON HISTORIC DISTRICT

Native American and Colonial antecedents

The Native American presence on the Little Neck peninsula today known as Douglaston included the Matinecoc,1 one of a group on western Long Island linked by culture and language to others in the area surrounding Manhattan Island (including the Nayack, Marechkawieck, Canarsee, Rockaway, and Massapequa). A number of finds from those settlements have been identified at various sites on the peninsula.2 The Matinecoc, who fanned the peninsula and apparently also produced wampum, were summarily evicted in the 1660s by Thomas Hicks, later Judge Hicks, in what has been described as the only such seizure of property recorded in Flushing town records. In the 1930s, according to local histories, a Matinecoc burial ground was destroyed to make way for a widening of Northern Boulevard, and the remains reinterred in the cemetery of Zion Church.3

The property seized by Thomas Hicks in the 1660s passed through the hands of several of his family members, and several subsequent sales to other families, before being acquired in 1813 by Wynant Van Zandt. In 1819 Van Zandt bought an adjoining farm from the Van Wyck family. Both tracts had been farmed during the eighteenth century. The Van Wycks built and lived in a shorefront house which still stands (the Cornelius Van Wyck House, at 126 West Drive aka 37-04 Douglaston Parkway, a designated New York City landmark).

Nineteenth-century country seat: Wynant Van Zandt. George and William Douglas, and Douglas Manor

Wynant Van Zandt (1767-1831) kept his property in agricultural use. Unlike his predecessors, mostly local formers, Van Zandt was a prominent New York City merchant, active in New York civic affairs. As a city alderman, Van Zandt served as chairman, starting in 1803, of the building committee for City Hall, and in 1804 as chairman of a committee on water supply, among other duties. Van Zandt established his Queens County property as a country estate, and built himself a manor, or country seat, in 1819; the building survives, with additions, as the Douglaston Club.

In May 1835, following Wynant Van Zandt's death, George Douglas acquired the estate from Robert B. Van Zandt; the deed identifies Van Zandt as a "farmer" and Douglas as a "gentleman."5 One obituary, in the Flushing Journal Weekly, described Douglas as "what the world would call an eccentric man."6 Another, in the New York Evening Post, described him as a wealthy young man from Scotland, who during a fifteen-year stay in Europe "collected some very valuable pictures," and later turned to philanthropy.7

Douglas's son, William Proctor Douglas, inherited the property after his father's death in 1862. The younger Douglas served as vice-commodore of the New York Yacht Club in 1871-74. During his tenure, Douglas Manor became a center for New York society yachting and polo. In later years, Douglas rented out the estate house to a variety of well-connected tenants, including European royalty.8

In 1869, Douglas hired landscape architect William McMillen to, in the words of McMillen's daughter, "superintend the Estate, improve driveways, and lay out plantings and trees and ornamental shrubs."9 McMillen was later associated with Frederick Law Olmsted and his work on the park system in Buffalo, New York.10 Although McMillen spent six years working on the estate, it is not known exactly what he undertook for Douglas. From turn-of-the-century photographs and other records analyzed in a landscape history undertaken in 1994, it appears that under Douglas's

ownership the landscape was characterized by "an informal 'English' look...with English ivy, winterberry, Boston ivy and wisteria."11

It was also during Douglas's tenure that a number of exotic specimen trees were planted on the property. Local histories suggest a connection with Samuel Parsons (1819-1906), a pioneer horticulturist with a nursery in Flushing; Parsons owned land near the Douglas Estate. The trees have been a distinguishing characteristic of Douglas Manor since William Douglas's day.12

Early suburban subdivision

Although the suburban development called Douglas Manor dates from 1906, William Douglas apparently attempted a suburban subdivision half a century earlier south of Douglas Manor. The dominant force propelling development was the gradual extension of the Long Island Railroad, which ran as far as Flushing until 1866 (with stage coach connections for points east), when its extension to Great Neck opened. Even in the 1850s, anticipating the railroad's extension to the Little Neck peninsula, William Douglas had subdivided part of his property (the area today known as "the Hill").

Douglas donated land for the railroad's right of way, and later, according to local histories, relocated one of his farm buildings to be used as a railroad station, asking in exchange that the new village be called "Douglaston" (instead of Marathon, a competing name).13 He named a number of new streets after the abundant trees on his property (Pine, Poplar, Willow, Cherry).

The Rickert-Finlav Realty Company

Besides the three early surviving houses already mentioned (the Van Wyck House, the Douglaston Club, and the Allen House), almost all the rest of the houses in the historic district were built as part of the early twentieth-century planned suburb of Douglas Manor, named for Douglas's estate, laid out by the Rickert-Finlay Realty Company. The redevelopment of Douglas Manor was part of the vast transformation of much of the newly created Borough of Queens into new residential neighborhoods. In 1906, the year Rickert-Finlay bought Douglas Manor, several major transportation projects to speed connections between Manhattan and Queens were underway: the Pennsylvania Railroad and Long Island Railroad tunnels under the East River, and the Queensborough Bridge at 59th Street.14 According to the Real Estate Record and Guide of that year:

The development of numerous farms into building lots and the erection of hundreds of new buildings have necessarily advanced the value of real estate in that section of Greater New York. It is said that more than 8,000 new apportionments have been made in the Borough of Queens during 1906, and that considerably more than 10,000 acres of land have been cut up into lots....

Chief among the new developments cited:

Title has just been taken to the Douglass [sic] homestead of about 180 acres by the Douglass Manor Co. This will probably be the highest class development on the island. It has a mile of water front and most magnificent shade trees. This property will be subdivided immediately.16

The Rickert-Finlay Realty Company, which bought Douglas Manor, was active in real-estate development in Queens and Nassau Counties in the early years of the century, buying up large farms and estates on the north shore of Long Island, preferably those with attractive topographical features, and subdividing them into new suburban communities. Their projects included Norwood in Long Island City, Broadway-Flushing in Flushing, Bellcourt in Bayside, Douglas Manor in Douglaston, and Westmoreland in Little Neck.17 By 1908, the company, with offices at 45 West 34th Street in Manhattan,18 was advertising itself as "The Largest Developers of Real Estate in Queens Borough ~ over 10,000 lots within the limits of New York City."19

The company's typical strategy for selecting development sites was described by E.J. Rickert in a 1914 article in Architecture and Building: "It was selected because it was on high ground, with a splendid outlook . . . and only four blocks from a railway station. It was . . . noted for the magnificent row of maples and lindens, nearly a mile long, extending through the entire property."20 The company then developed each tract according to a formula based on past successes. E.J. Rickert described the progression of the firm's ideas:

The first property developed was Bellcourt in Bayside, which was improved along the same lines as had heretofore prevailed on Long Island — that is, gravel sidewalks were laid, streets were graded and shade trees were set out, no other improvements being made. In the sale of Bellcourt, however, it was found that there was a demand for better improvements, and, consequently, when Douglas Manor was developed, cement sidewalks were laid, macadam roads were built and trees and hedges were set out. Broadway-Flushing and Westmoreland, which came next, were developed to about the same extent as Douglas Manor, all then being considered the best improved properties on Long Island.

The next development, Kensington, saw the addition of complete "sanitary sewer system, water mains and underground conduit for street lighting."

The new suburb of Douglas Manor

The qualities of the nineteenth-century Douglas Manor on which the Rickert-Finlay development capitalized included its hilly topography, its mile-long waterfront accessible to the entire narrow peninsula, and its lush plantings, especially the specimen trees planted during Douglas's tenure. The development also based its new road system on the major farm roads already in place, which became West, East, and Centre [Center] Drives.23

The company then established a series of protective covenants to guarantee a certain manner of development and density within the new suburb. In an era pre-dating the adoption of zoning regulations,24 the character of a new development could be guaranteed in no other way.

The covenants affected the architectural character of the houses only peripherally — by prohibiting flat roofs, thereby encouraging a more romantic roofline. Instead, they focused on the kind and size of houses and the nature of the landscaping of the new development. They required all houses to be single-family residences, with the sole exception of the Douglaston Club (commercial uses and two-family buildings and flats were specifically prohibited). They encouraged an economically mixed development, with a boulevard of substantial mansions along the Shore Road waterfront, while smaller, less expensive houses would predominate on the peninsula's east. (Such conditions were guaranteed by requiring houses of a certain cost and lots of a certain size). A verdant landscape was ensured by requiring houses to be set back 20 feet, leaving room for greenery, and by prohibiting fences and encouraging hedges, creating vistas not of individual, fenced-off gardens, but rather of a continuous, green, park-like, landscaped environment.

Rickert-Finlay went even further, taking steps to protect that environment and shape the community's social character by creating, in 1906, the Douglas Manor Association. Its stated objectives were the creation and maintenance of a club house to promote "social intercourse" among the residents, and to preserve and protect the development's physical amenities, including the roads, parks, shorefront, and plantings.26

Selling Douglas Manor

Promotional brochures prepared by Rickert-Finlay characterized the new neighborhood as a private community of houses, nestled in a landscape similar to Central Park, surrounded with a mile of shorefront, just blocks from each home.27

Douglas Manor's convenience to Midtown Manhattan via the Long Island Railroad was compared favorably to subway commutation to new Bronx neighborhoods. The commute was touted at "only 33 Minutes to Manhattan, 52 Trains a Day," and predicted to become "20 Minutes to Herald Square, when Pennsylvania-Long Island Tunnels are completed." The neighborhood was just three blocks from the Douglaston station, itself very near the Long Island Sound, "being the only station on the line near enough to the Sound to bring the shore front within easy walking distance. "28 The history and character of the old Douglas estate were emphasized, especially the trees planted by Douglas: "Scotch Holly, Magnolia, Japanese Maidenhair, Chinese Cypress, European Beech, Scarlet Maple, Horse Chestnut, Tulip, Lime, evergreens... Even Central Park does not possess a greater variety of rare trees....

" This park-like effect would be "preserved and increased by setting out hedges along winding roads, following the natural contour of the land as much as possible.... The shore drive, curving along the bay for over a mile, will be made the finest boulevard on Long Island." To all these suburban advantages, Douglas Manor also boasted the services provided by the City of New York: "city water, stone sidewalks, macadamized streets" and the "full benefit of all departments of the city government, including schools, water, police and fire protection."

From 1906 through the Depression, several hundred houses were erected in Douglas Manor, following the plan suggested by the Rickert-Finlay covenants. In general, the lots along Shore Road on the west were developed first, with larger, more substantial houses, followed by the more modest

homes to the east towards Udalls Cove. Property owners often acquired lots adjacent to those on which their houses were built to accommodate more generous lawns or gardens. The mile-long waterfront remained undeveloped, held in common by the Douglas Manor Association. The large caliper specimen trees planted in Douglas's day remained in place. The grounds of the various houses were separated by perimeter hedges only — no fences. Two smaller lots formed by irregular street intersections were planted as small parks, maintained by the Association. Together, the parks, commonly held shorefront, specimen trees, and hedged gardens created something close to Rickert-Finlay's version of Central Park, surrounded by water, with several hundred houses nestled in the landscape.

The Architecture of the Douglaston Historic District

The architectural styles of the over 600 houses and some 150 related structures (mostly garages) in the historic district reflect three centuries of Douglaston's built history. From the eighteenth-century colonial Van Wyck House, to the early nineteenth-century Van Zandt House and mid-nineteenth-century Allen House, to the twentiethth-century suburban houses of the Rickert-Finlay development, to the additions of the post-World War II period, they tell the story of the development of this part of eastern Queens, part of the larger developmental story of New York City and the country as a whole.

The Cornelius Van Wyck House, at 126 West Drive, survives as the oldest extant house in the district, and one of the oldest in New York City (it is a designated New York City landmark). Built c.1735 for an early Dutch settler as a farmstead, the house reflects eighteenth-century New York colonial styles. Douglas, who transformed the farm to Douglas Manor, is said to have used the house as an "entrance lodge to his estate.w29 In 1907, one year after the acquisition of the Manor by the Rickert-Finlay Company, the Douglaston Country Club enlarged the building for use as a clubhouse. In 1921, the Van Wyck House passed back into use as a single-family residence, and its owner, E.N. Wicht, hired Frank J. Forster, designer of Colonial Revival and Tudor Revival style houses in the new Douglas Manor development, to restore it to its original Dutch Colonial appearance.

The Wynant Van Zandt House, at 600 West Drive, reflects both the older and the newer history of Douglaston. Built in 1819 as a home for Wynant Van Zandt, it was significantly altered after 1906 for use as the Douglaston Club, but still reflects some of the character of Van Zandt's original two-story Greek Revival manor house.

The Benjamin P. Allen House (a/k/a the Allen-Beville House, a designated New York City landmark) at 29 Center Drive, built c. 1848-50, is another rare Queens farm house. Predominately Greek Revival in style, it also shows the influence of the newly fashionable Italianate style, especially in its cornices and brackets.

Almost all the other buildings in the district date from the twentieth century, and the greater number of them from its first three decades, when Douglas Manor was developed by the Rickert-Finlay Company. Douglas Manor is a contemporary of several other planned communities in New York City, notably Fieldston in the Bronx and Forest Hill Gardens in Queens, all three of which began as subdivisions in the first decade of die century, and blossomed in the late teens and twenties. Like them, Douglas Manor was developed with houses based on historic styles of the past.

The first few decades of the century constituted a period of ferment and development in the design of American single-family houses. The epoch has been characterized as "a resurgence of individualism and an indulgence in residential architecture, a reaction to the standardization of the previous two decades. Fanciful cottages in fairy-tale styles were part of that image."30 In some ways, that approach is a logical continuation of late nineteenth-century architectural eclecticism, characterized in the 1890s as "rampant eclecticism in all fields of life and taste, of triumphant individualism, when authority sits so lightly on men's interests and lives; in this age of archaeology, when the different periods of history are made to live again in our imagination. "31 At the same time, residential architecture was affected by notions of progress and efficiency, and a drive toward simplicity and sanitary conveniences in home design.

Rickert-Finlay's protective covenants left the architectural character of the buildings almost entirely in the hands of owners and architects, requiring only that building roofs not be flat.32 The result was a collection of early twentieth-century eclectic residential styles, ranging from grand Colonial Revival mansions on the Shore Road waterfront, to picturesque Tudor Revival or Mediterranean Revival houses or houses in the English cottage manner or Colonial Revival houses on the blocks between West and East Drives, to modest cottages near Udalls Cove. Houses were sited in harmony with the topography, which tends to get hillier in the southeastern section of the peninsula.

One Douglas Manor architect, Alfred Scheffer, expressed his point of view in an article published in 1929. He described the Tudor Revival house he designed for himself at 216 Beverly-Road — a particularly useful indication of both the architect's and the client's point of view. Tellingly, the very first observation he makes is about the siting of the house, overlooking Long Island Sound: "The water is only a stone's throw — of a conservative marksman — from our front door and the second floor bay window has a certain suggestion of the forecastle deck of a ship, for the intervening land and highway are quite lost to sight and I can get a fine sense of sailing the seas, when I stand there." Only then does he turn to the formal style of the design, and sums up in a sentence the attitude of his day towards historically-inspired styles: "The construction is quite definitely in the English manner although / was not concerned with making it exact or authentic [emphasis added]

Scheffer then lists the elements that make his house "English": "stucco and halftimber walls with slate roof . . . The substantial chimney of common brick is typical of many English country houses. . . . The main entrance doorway of the house, at the end of a narrow flagstone walk, forms a Gothic arch of oak timber, framing a paneled oak door with iron straps and two small leaded glass windows, the effect completed by a semi-circular stone stoop. Beside the door is a lantern of pierced wrought-iron in the shape of an inverted tunnel, with wrought-iron bracket." Clearly it is details like the paneled oak door and leaded glass windows which give the house the English "effect" Scheffer wanted. But when he turns to describing the interior, practical matters take precedence: "The interior of the house was designed to take full advantage of our gorgeous outlook over the water."

Historical details are listed — "The walls are of rough English hand finished plaster" - but so are the "built-in bookshelves," "built-in comer cabinets," and "convenient and numerous closets and the very large closet and bathroom which join the master bedroom and add much to its convenience." "The interior of the house," concludes Scheffer," will probably grow from year to year. Things will be taken out and others put in until eventually, it comes near to realizing my mental image of what it ought to be. Already, I think, it has the liveable quality which is most essential of all."33

The majority of houses in the historic district reflect a variety of styles, loosely adapted by architects like Frank Scheffer, typical of suburban residential architecture across the country. The predominant style is the Colonial Revival in several variants, ranging in date from c.1910 to the present. Most are of frame construction with shingle and/or clapboard siding. Besides a generic Colonial Revival style, the district has such distinctive variations as the Dutch Colonial Revival, New England Colonial Revival, and Cape Cod Colonial Revival. Colonial Revival houses of brick, or frame with brick facing, often have a more formal neo-Georgian appearance. The English manner, the other major stylistic mode, is expressed with Tudor Revival, English cottage, or Arts and Crafts details. These houses, too, are often of frame construction with stucco facing and brick and/or stone trim. The Mediterranean Revival style was also popular.

These houses usually have stucco facing and tile roofs. The district also has a handful of houses of the Craftsman type pioneered by Gustav Stickley. Suburban houses of the type found in the district were judged by their picturesque qualities. The Architectural Forum, for instance, featured a Douglas Manor house by Frank Forster, the same architect who restored the Van Wyck House to something approaching its original Dutch colonial appearance. The writer praised Forster's "excellent use of half-timber in connection with brick or stucco," but more importantly his "rare skill in grouping, which creates a picturesque and architectural composition, wholly unaffected or exaggerated and involving no sacrifice in the matter of interior planning to secure this effect."

An additional group of houses in the historic district, on the south side of Bay Street, predates the Douglas Manor development by several years. Designed c.1900, they are excellent examples of the Colonial Revival and Queen Anne styles popular at the end of the nineteenth century.

Playing an important role in the historic district are the many related garage structures, often designed in architectural styles compatible with the houses they serve. Some were constructed originally as carriage houses and stables, often with residential accommodations, and later converted for garage use. By about 1920, the automobile had supplanted the horse, and garages were built as freestanding structures, some with chauffeur's quarters at the second story, usually situated close to a side or rear lot line. By the late 1920s, some houses were constructed with attached garages, or garages were constructed later, atttached to earlier houses. After World War II, many houses were built with basement garages, while other earlier houses were modified to provide basement garages.

The Douglas Manor Architects

A few prominent New York City architects with Manhattan offices received commissions in the new neighborhood; however, the vast majority of Douglas Manor houses were designed by local Queens and Brooklyn architects, and a surprisingly large number by architects who themselves lived in Douglas Manor or had offices nearby.35

Among the better known firms from outside the neighborhood who worked in the historic district, Buchman & Fox, architects of many Manhattan office buildings, designed 1008 Shore Road, a substantial Colonial Revival mansion overlooking the Bay. George Keister, whose practice included churches, hotels and Broadway theaters, designed 24 Knollwood Avenue, an Arts and Crafts style house, and 104 Hollywood Avenue, a Colonial Revival house. Diego DeSuarez, who planned villa gardens at both La Pietra, outside Florence, and Vizcaya, outside Miami, designed a one-story Mediterranean fantasy at 231 Beverly Road. Lionel Moses, of the firm of McKim, Mead & White, designed a house in the English cottage manner at 1102 Shore Road overlooking Little Neck Bay. The architectural firm of McKim, Mead & White is credited with the formal French Renaissance Revival style house at 4 Ardsley Road. Dating from 1919, it is constructed of hollow terra-cotta block, a form of fireproof construction, and faced with stucco.36

Architects from Brooklyn and Queens represented in the historic district include Arthur H. Allen, an architect very active in Forest Hills (a Colonial Revival house at 217 Ridge Road); Philip Resnyk (Tudor Revival, English cottage manner, and Colonial Revival houses on Warwick, Beverly, Grosvenor, Hollywood, Knollwood, Richmond, Kenmore, Richmond and Manor); Benjamin Dreisler (an Arts and Crafts/Colonial Revival house at 243 Forest Road); Louis Feldman (English cottage type houses at 211 and 217 Forest Road); J. Sarsfield Kennedy (a Tudor Revival house at 369 Beverly Road and a grand English bungalow/Arts and Crafts house at 1114 Shore Road), and Shampan & Shampan (a Colonial Revival house at 110 Arleigh).

Almost 60 of the over 600 houses in the historic district, built in the first decades of the century, are known to be the work of fourteen Douglaston architects.37 Alfred Scheffer, whose views are quoted above, designed at least ten, most in the Colonial Revival style or English cottage manner with Tudor Revival or Arts and Crafts detail.

John C.W. Cadoo designed at least sixteen houses, mostly Colonial Revival in style. Frank Forster designed at least three houses, one Colonial Revival, the others in the English cottage manner, as well as overseeing the restoration of the eighteenth-century Van Wyck House. Albert Humble designed at least ten houses, most in the Colonial Revival style.

Josephine Wright Chapman

Eight houses in the historic district are known to have been designed in the 1910s and 1920s by one of America's earliest successful women architects, Josephine Wright Chapman (1867-?). Chapman was professionally active from 1892 to 1927, but little is known about her education or commissions.

She pursued her interest in a career in architecture over opposition from her family, working from 1892 to 1897 as a draftsman in the office of Boston architect Clarence H. Blackall. Very few academically trained women became architects in the last two decades of the nineteenth century, and Chapman may have entered the profession as an apprentice.

By 1898 she was listed in the Boston City Directory as an architect, and developed a successful practice, despite the rejection of her application for membership in the American Institute of Architects.

Chapman's first major project was the New England Building at the Pan-American Exposition in Buffalo in 1901. Other known work includes the Craigie Arms Apartments (1897) in Cambridge, Mass., the Episcopal Church in Leominster, Mass., and the Women's Clubs in Worcester and Lynn, Mass.

In 1905, Chapman began to devote herself to the design of houses. She preferred the "English type," long, low and rambling, with gables and timber and plaster detailing. In 1907 she moved to New York, where she was listed in directories as an architect until 1925. Among her few published works was a sixteen-story apartment building on Park Avenue, described as demonstrating "the feminine idea of correct planning . . .and many innovations were to be introduced."

While in New York, she also received the commission for Hillandale, an Italian Renaissance style villa in Washington, D.C., built 1922-25. In the words of historian Gwendolyn Wright: "Neither Chapman's early public success in Boston nor her conversion to professional pursuit more appropriate for a woman qualified her for coverage in the architectural press.

But her career was remarkable, for few women had the financial independence to experiment with their own offices."

Chapman's known Douglaston houses, which date from 1909 to 1917, are in the historic district's two prevalent stylistic modes — five Colonial Revival and three in the English cottage manner.

They share picturesque silhouetttes with rooflines that feature gambrel or gabled roofs with hipped or shed dormers, and exposed brick chimneys; and distinctive entry and porch details, including one with Tuscan columns, one with a pointed-arch batten door, and one with a panelled entrance with side-lights and transom.

The Craftsman style houses

Several Craftsman style houses, including No. 122 Arleigh Road, 140 Prospect Avenue, and 111 Hollywood Avenue, may be one of the largest such collections in any New York City neighborhood.

Furniture designer Gustav Stickley of Rochester, New York, created the Craftsman architectural movement and disseminated it throughout the country via his Craftsman magazine.

The Craftsman aesthetic drew on the English Arts and Crafts movement, California Mission design, Japanese architecture, and Native American design, and was supported by an ideology influenced by concepts of socialism, the nobility of work, and the value of manual training.

Stickley developed his interest in architecture in the years 1902-05, initially as a way of creating the proper environment for his furniture. He hired architect Harvey Ellis to help develop a Craftsman architecture, and the Craftsman magazine began publishing prototype houses initially designed by Ellis, encouraging the public to take them as models for their own homes.

The published houses included floor plans, sketches, renderings of room schemes, elevations, and descriptions of appropriate rugs, fabrics, furniture, and color schemes. Stickley then encouraged his readers to alter the plans to suit local conditions.

In 1909, Stickley became involved in the actual construction of houses when he organized the Craftsman Building Company, which constructed houses in New Jersey and on Long Island.

The company was active for just under a year; the exact number of houses built is unknown. Most "Craftsman" houses were built by contractors using Craftsman plans.

The Craftsman house embodies a number of characteristics in its exterior. It is generally designed to take advantage of its site and views. Picturesque in its composition, it incorporates an "honest" expression of its materials and structure.

It makes use of exposed or emphasized structural elements, especially a broad, overhanging roof, often supported by large, open rafters extending beyond the eaves.

There may be wooden elements including curved roofs, or exotic piled capitals. Often such houses include pergolas, porches, balconies or verandas. Windows are grouped together to create large openings.

Craftsman houses use a variety of materials, preferably local. Stonework is often textured and ornamental, with variegated colors and shapes. Other common materials include clinker brick, and stucco, often mixed with rough sand or bits of glass.

Historical and Architectural Introduction

No. 111 Hollywood Road was designed by the Craftsman architects in 1914.55 The interior follows the Craftsman aesthetic, while the exterior borrows the distinctive eyebrow window and brick Tudor arched entrance from neighboring houses.

No. 122 Arleigh Road corresponds to Craftsman plan number 70, a "Ten-Room House for Town or Country Life" published originally in the Craftsman in July 1909 and again in More Craftsman Homes. Its horizontal orientation, large living porch, emphasis on structural elements including low, spreading, overhanging eaves and extended rafters, and central entrance and symmetrical facade with grouped windows, all reflect the Craftsman mold.

No. 140 Prospect Road correspond to Craftsman plan number 85, a "Small Two-Story Cement House with Recessed Porch and Balcony," published originally in the Craftsman in March 1910 and again in More Craftsman Homes. Its low-pitched roof revealing the rafters, porch and balcony, decorative use of structural elements, and grouping of windows and openings, all fit the Craftsman aesthetic.

A number of other houses in the historic district reflect the Craftsman aesthetic, even though they do not follow published Craftsman plans.

Prominent residents and later history

The first residents to move into the new Douglas Manor development, in 1907, were "the Misses Butler, of Flushing." They were followed by a number of newspapermen including "Mr. Mayer, World cartoonist, on Shore Road and Knollwood Ave.," "George C. Minor, of the New York Herald" on West Drive and Knollwood, and "Arthur Greaves, city editor of the New York Times" on West Drive, as well as a Mr. Slater of Manhattan and a Mr. Burtis, "manager of the Brooklyn branch of Swift & Co."56 Country Life in America the following year showed houses for sale in Douglas Manor priced at $8500 and $10,000.

Over the years, the historic district has attracted many famous residents, including a number of people in theater and the arts. Besides the above mentioned Herbert Mayer, cartoonist for The World, and architect Elbert McGran Jackson, who also illustrated covers for the Saturday Evening Post, artists included Percy Crosby, author of the "Skippy" comic strip; Robbie Robinson, another

illustrator for the Saturday Evening Post, Norwegian born sculptor Trygve Hammer, whose house is at 329 Forest Road,59 and satirist George Grosz.

Douglaston's location on the Long Island Rail Road, which made it convenient to the Astoria Studios in Long Island City, an early movie center, attracted many actors in the days before the ascendancy of Hollywood.

Residents have included Ginger Rogers, Hedda Hopper, Richard Dix, Ward Bond, Bonita Granville, Clifton Webb, Arthur Treacher, Jack Donahue, and William Collier Sr., as well as Ziegfeld Follies star Margaret Corry.

Other notable residents have included author Ring Lardner, as well as Olympic swimmer Annette Kellerman, tennis pro John McEnroe, Jr., and pianist Claudio Arrau.

Douglaston resident Anne E. Hayes was one of the first women to attend Cornell University's medical school, and later became a clothing designer.

In the half century since the end of World War II, the Douglaston Historic District has seen numerous houses altered or demolished, and much new construction. Some of the new houses have maintained the scale and repeated the materials and styles of earlier houses; others have not.

They have ranged in style from ranch houses to modern versions of the Colonial Revival. Overall, however, the Douglaston Historic District survives, maintaining much of its original architectural character as a planned suburban community, as well as rare surviving reminders of the eighteenth and nineteenth centuries, and significant landscape features including the commonly-held waterfront, specimen trees, and generous landscaping.

All create a distinct sense of place, recalling a significant period in the history of Queens.

- From the 1997 NYCLPC Historic District Designation Report

Development Committee Meeting by World Bank Photo Collection

April 12, 2014 - WASHINGTON DC. 2014 IMF / World Bank Group Spring Meetings. Development Committee Meeting. Development Committee Chair Marek Belka; World Bank Group President Jim Yong Kim; IMF Managing Director Christine Lagarde. Photo: Eugenio Salazar / World Bank

Development Committee Meeting by World Bank Photo Collection

April 13, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings.Development Committee Meeting. Photo: World Bank / Franz Mahr

Photo ID: 041319_Development Committee_FM_038

Siltation in Pearl Harbor comes from housing development above the harbor, October 1973 by U.S. National Archives

Original Caption: Siltation in Pearl Harbor comes from housing development above the harbor, October 1973

U.S. National Archives’ Local Identifier: 412-DA-11333

Photographer: O'Rear, Charles, 1941-

Subjects:

Pearl City (Oahu, Honolulu County)

Environmental Protection Agency

Project DOCUMERICA

Persistent URL: research.archives.gov/description/553792

Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html

Access Restrictions: Unrestricted

Use Restrictions: Unrestricted

by takayoshi takeuchi

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HASSELBLAD 503CXi

Carl Zeiss Planar F2.8/80mm T*

Kodak T-MAX400

Self development

WTIS 2014 - International Coordination of ICT Measurement - 10th Anniversary of the Partnership on Measuring ICT for Development by ITU Pictures

José Luis Cervera, Director, DevStat, Spain, speaking at the WTIS 2014, International Coordination of ICT Measurement, 10th Anniversary of the Partnership on Measuring ICT for Development, Tbilisi, Georgia.

Development Committee Meeting by World Bank Photo Collection

October 12, 2013 - Washington Dc., 2013 World Bank / IMF Annual Meetings. Development Committee Meeting. Photo: Simone D. McCourtie / World Bank

Development Committee Meeting by World Bank Photo Collection

April 12, 2014 - WASHINGTON DC. 2014 IMF / World Bank Group Spring Meetings. Development Committee Meeting. Development Committee Chair Marek Belka; World Bank Group President Jim Yong Kim; IMF Managing Director Christine Lagarde. Photo: Eugenio Salazar / World Bank

WTIS 2014 - International Coordination of ICT Measurement - 10th Anniversary of the Partnership on Measuring ICT for Development by ITU Pictures

Vladimir Minkin, Chairman, WSIS+10 Multistakeholder Preparatory Platform and ITU Council Working Group on WSIS, speaking at the WTIS 2014, International Coordination of ICT Measurement, 10th Anniversary of the Partnership on Measuring ICT for Development, Tbilisi, Georgia.

Development Committee Meeting by World Bank Photo Collection

April 13, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings.Development Committee Meeting. Photo: World Bank

Photo ID: 041319-Dev-Com-073-F

Development Committee Meeting by World Bank Photo Collection

April 12, 2014 - WASHINGTON DC. 2014 IMF / World Bank Group Spring Meetings. Development Committee Meeting. Development Committee Chair Marek Belka; World Bank Group President Jim Yong Kim; IMF Managing Director Christine Lagarde. Photo: Eugenio Salazar / World Bank

KSC-2015-2425 by NASA Kennedy

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Center Director Bob Cabana speaks to special guests and members of the media during a ribbon cutting ceremony at the new Small Class Vehicle Launch Pad, designated 39C, at NASA's Kennedy Space Center in Florida. The new launch pad, located in the southeast area of the Launch Pad 39B perimeter, is designed to attract smaller aerospace companies and enable them to develop and launch their vehicles from Kennedy. The Ground Systems Development and Operations Program oversaw construction of the new pad and is working with Center Planning and Development to grow commercial space efforts at Kennedy. Photo credit: NASA/Dimitri Gerondidakis

Fiumicino dawn_0081lq by Aidan Williamson

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New port development at Fiumicino. This is probably part of a bigger scheme in which a cruise liner port will be built just to the south at the mouth of the Tiber.

RPG Maker Project by Alexandre Silvestre

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I've been working into a game about Dark Elves, and at certain point, during an undercover mission, you are allowed to input fake names... and these are what I chose to test.

Take this program away from me!

(Their actual names are Dilshalee and Amalfein, respectively)

Ministerial Dialogue on Sustainable Development by World Bank Photo Collection

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October 12, 2012 - Tokyo, Japan: Ministerial Dialogue on Sustainable Development. World Bank GRoup President Jim Yong Kim and IMF Deputy Managing Director Min Zhu will lead a discussion with over 20 Finance Ministers and Vice-Ministers of Finance and International Development focused on green fiscal poliies and the reforms needed to achive inclusive green growth. Photo: Simone D. McCourtie / World Bank

Photo ID: 101212-AM2012-MinSustainDevlpmnt023F

Hornchurch Court, c.1992 by Manchester Archives+

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A117

Development dig by Tony Tomlin

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The former muffler shop is gone, seafront condos are coming, that's progress.

Development Committee Meeting by World Bank Photo Collection

2013 World Bank Group / Fund Annual Meetings. 2013 Development Committee. Photos By: Eugene Salazar / World Bank

Photo ID: 101213_AM_DEVCOM_048_F

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