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I've been searching the last two years a way to turn digital raw into pastel like Fujifilm 400H Pro colors.

 

I've failed a million times and thought that it's impossible since film reacts to light differently each time vs. digital sensor.

 

I've come close, but the results vary between lighting situations from bad to excellent. But now I've really cracked something cool.

 

This particular preset + method editing 8bit jpg (now raw) has been revolutionary discovery. I've gotten excellent results every time and the pictures are always blooming with bright pastel like colors.

 

I'm about to write this to my blog and release this updated 400H preset in the next few days.

Photo: Susan Allen/ Stockton University

aerial view of the construction of the Mill View Orbit development in Dereham - Norfolk UK aerial image

A brief tutorial on how to do color development with a JOBO ATL-1500 processor:

 

1. mix the chemicals by the manufacturers instructions. i store my mixed chemicals either in PET-bottles or in Hama-bellow-bottles. I try to not store any mixed chemicals for any long period of time (max; 2-3 weeks), since they will go bad pretty quckly (which I've learned the hard way). This is even more true if you re-use chemicals.

 

2. Fire up the JOBO and attach it to you water supply. The first thing I always do is to run a full clean 1-6 program to get water running through the whole system. This is also a good time to start get the rinse water temperature to a correct 38 degrees C. I usually think it is enough when I get it above 37.5 and it doesn't go over 38.5. So the +- 0.5 range will do. At least for me.

 

3. Fill the bottles in the JOBO with your chemicals. I use a measuring glass to get the correct amount when I run E6. More to that later.

 

4. Verify that the program is correctly setup.

 

5. Just insert the loaded drum into the machine. Start the machine. Close the lid. Wait for it to finish. At least if you're running single-use chemicals.

 

6. When done, I open up the drum and remove the film from the reel. I try to run the final rinse in a separate container, to not get any stab chemicals on my reels.

I leave the chemicals in the stab for at least a minute. Sometimes longer. Not sure if it is good or bad :)

 

Then I simply hang the film try dry. Either in my drying cabin (for C41) or just in plain air (E6).

 

If I use the drying cabin I normally set a timer for 20 minutes when I start it and when it fires I go to check and see if the film is dry. If you leave it too long it will curl like crazy.

  

Tetenal C41:

 

The tetenal chemicals can be reused and you will still get decent results.

 

I normally mix up 1L chemicals and store them in bottles (PET normally, so I can squize out air). When it is time to do some development I start the JOBO, run a clean program, make sure the water temperature is correct, and then start to pour chemicals into the bottles. I normally fill them with something like 500ml.

 

Here's when it gets a bit tricky: to re-use the chemicals you need to gather them in a small container. Plus you do not want to get any cross-contamination between the chemicals.

 

I got the following at hand: containers for the used chemicals and a jug of water. When the program starts I set one of the containers under the hose of the chemical outlet. Once the processor pours out the chemicals I'm quick to tap the hose a bit (to get those few extra drops out) and the remove the container. Before I put the new container in place, I pour a bit of water on the hose. I also try to get some water _inside_ of the hose. This way I get rid of most of the chemicals. I wait until it's something like 30 seconds left until it will spit out the next batch of chemicals, I then put the new container in place. This way I know I've gotten as little developer as possible in the blix.

 

When I'm done I pour back the used chemicals into the 1L bottles.

 

Recently I've started to use a simple stop bath to even save more of the blix. I use this as a single-use chemical.

 

Tetenal E6:

 

I've found that these are easier to re-use than the C41 chemicals. I just mix up 0.5L and then gather it after each run and re-use them a few times, until I feel it is probably best to mix a new batch.

 

I use no stop bath of anything.

 

I've never failed a single roll using Tetenal's E6 kit. But I've lost quite a few C41 rolls :/ Mostly because of exhausted chemicals and the lack of stop-bath.

  

Kodak E6:

 

I use these as single-use chemicals (as they are intended to be). It's quite straight forward, except that it is a PITA to mix six baths.

 

I normally mix 1L at a time and try to use it over the next weeks.

 

I use 250ml for two rolls of 135 or 120. I also use 250ml for a sheet of 8x10".

 

My plan is to try if I get just use 125ml for a single sheet of 8x10". That would save me a lot of chemicals.

  

The 1st step of the upper door is a doozey

trying some macro...

old beroflex AF 35-70mm lens from an old minolta dynax 3ix cam. as i don't have any adapter on my e-mount, i used some piece of toilette paper roll :).

proceed in darktable

ominous and beautiful by turns

Nearly 3 acres of display gardens are currently under development at Roraima Nursery. Combining a unique terrain with innovative landscaping concepts using rocks and industrial artifacts, the gardens will showcase how cacti and succulents can be combined with other plants such as palms and pines to create a beautiful and dramatic garden that is both low in maintenance and requires little water..

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The gardens will be open to the public from Saturday 29th of April 2017..

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History.

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Roraima Nursery was formerly known as Lara Plant Farm. Established in the 1960s, Lara Plant Farm was well known throughout Geelong and many people have fond memories of visiting the Farm with their parents, playing on the trampolines in the then carpark playground, and visiting the birds in the large aviaries built throughout the retail area..

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flower sculpture.

A fauna park was established in the early 1990s. However, the recession that soon followed took a heavy toll and by the time new owners Lyle and Cheryl Filippe took over in 2001 the fauna park had closed and the Nursery was in need of a major overhaul. Removing the old aviaries and creating a more open shop area surrounded by garden beds, the new Nursery is now vibrant and beautiful, once again delighting all who visit..

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Mount Roraima.

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Situated on the borders of Venezuela, Guyana and Brazil, Mount Roraima is a famous example of tepui, or table-top mountain. Separated from the surrounding plateau by nearly vertical cliffs, the flat top of Mount Roraima remained a mystery to explorers from the time of the discovery of the mountain by Sir Walter Raleigh in the 16th Century until the cliffs were finally scaled in the 1880s. The mountain inspired the famous novel "The Lost World" by Sir Arthur Conan Doyle, in which explorers reached the flat top to discover a haven of dinosaurs still living..

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When Nursery owner Lyle Filippe climbed Mount Roraima in 1998, there were no dinosaurs to be seen! but he was delighted to see many plants that are unique to the mountain top, and beautiful outcroppings of rock and crystal. Returning to Australia Lyle was inspired to name his nursery after the beautiful mountain..

Roraima Nursery has the widest variety of cacti and succulents in the Geelong region. Some of the more popular genera of cacti we stock are: Mammillaria, Notocactus, Oreocereus, Gymnocalycium, and Lobivia. Among our succulent range we have Aloe, Agave, Crassula, Gasteria, Haworthia, Echeveria, Sedum, Faucaria, Yucca, Cotyledon, and Aeonium. .

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Some of the more unusual plants among our range include Dioscorea elephantipes (Elephants foot), Dracaena draco (Dragon Tree), and Furcraeas. We also stock Brachychiton rupestris (Queensland Bottle Tree).

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We are currently building an extensive collection of cacti and succulents (not open for public viewing) from which an even larger variety of plants will soon be available for purchase. These will be of particular interest to collectors and will be available through mail order or online, or from the Nursery directly.

The Los Angeles Theatre's crowd, 1944.

Another angle

Bonham, TX

Super Ikonta A (1934) w. +1 filter (focus ring set to min)

Measured distance with string

PanF rated @50

f16 @ 1/100

Rodinal 5ml +500ml water

Semi Stand 1.5hr, one inversion at 0.5 hr.

 

Conceptual Photoshop rendering for mixed-use development

A7s Zeiss Milvus 50mm Distagon @F/1.4

All of the images are "tracings" and hail from various sources. The entry covers at least two or three days from last week and more or less reads from top to bottom.

The Pearl development under construction reflecting in the sea surrounding the man made island

Reykjavik, Iceland

A view of the large Exeter GWR Depot development site from St Davids station at dusk on Bank Holiday Monday 26th August 2019.

Working the Jasper housing development here in Prescott Valley along the Iron King Trail. PV is growing by leaps and bounds.

 

Prescott Valley, Arizona

January 3, 2018

this land used to be an informal settlement now reclaimed by the national government for development

Design with love: An Ethereum Classic (ETC) HODL Wallpaper 4 u !

 

Feel free to use it also for Facebook, Reddit, Twitter and other Social Media & Ethereum Classic Blog News

 

Based on official Ethereum Classic Logo: Ethereum Classic Logo

 

P.S.: Share & download our Ethereum Classic Album Gallery :)

 

License: Creative Commons Zero (CC0) - 100% FREE

 

Ethereum Classic - Cant Beat The Real Thing. <3

Nikon D4s in development (image by Nikon)

Read more here

www.kentyuphotography.com/blog/2014/01/nikon-d4s-is-here/

 

-----------------------------------------------------

Kent Yu Photography

Wellington Wedding Photographer

www.kentyuphotography.com

  

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Every journey begins with the first step! If you don't take that first step you will never leave where you are now to get to where you are dreaming of - take the step now!

ok maybe not.

But it does keep occurring to me.

  

The end of Arachtober happens to coincide with Webnesday, Something good about that - what year will that next happen?

 

The west side of the island, near to Playa Blanca in Lanzarote. Much development stopped during the 2008 financial crash.

2012

エクトプラズム成長過程。手は途中で生える。

"No, not really. Just that Jaz and I are crazy in love, and playing sex games that get a little out of control sometimes."

 

~Juicy

by: Noelle Mack

Dream! You were created with unlimited potential. You can achieve anything you can dream; it is your God designed heritage. Dream...Big!

hdr

 

- s.hithadhoo 2010

(1838), (LD 536), London Brick Land Development Ltd, (Photo courtesy of AM LBC archivist).

Fujifilm Neopan 100 ACROS

Rodinal 1:100 / 60 min stand development

  

visualized software development process

Paper: Southworth Parchment Deed (old stock)

 

Iodiser: Le Gray / Pelegry (no whey, just lactose)

 

Sensitiser: Le Gray. 7% Silver, 7% Acetic

 

Washed for five minutes, dried, then exposed.

 

Exposure: 10.5 minutes @ f/3.7, EV 9 (dark, overcast, indoors)

 

Development: immersed for ~ 40 seconds in Ferrous Sulphate developer.

 

Ferrous Sulphate__ 6.8g

Glacial acetic acid__ 12ml

Distilled water ____ 200ml

 

washed for ten minutes, then fixed in a 9% solution of anhydrous hypo.

 

Observations: Iron development was rapid, but produced a weak image. The negative was floated image side down, then flipped and rocked to immerse. All details were out by 30 seconds, then nothing seemed to change, so I removed the paper for fear of fogging. Of the the three papers tested, this was the strongest. Mars Vellum and Canson Marker developed in under a minute, but the details were barely discernible. I made an attempt at intensification by adding aceto-nitrate to the developer, but this was a mistake. Within about a minute, the silver had precipitated out of the developer, resulting in a fogged negative (canson).

For my next test, I will reduce the wash time to two minutes after sensitising. I will also test an unwashed sheet.

  

April 09, 2019 - WASHINGTON DC - 2019 World Bank/ IMF Spring Meetings. World Bank Group CEO Kristalina Georgieva, IFC VP for Latin America & the Caribbean and Europe and Central Asia Georgina Baker, and the Sexual Violence Research Initiative founder Claudia Garcia-Moreno, 11 winners from around the world were awarded prize money to design, implement, and capture results of new solutions, including the first-ever private sector winner. Photo: World Bank / Grant Ellis

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