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My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
Developer:
500ml water
Instant Coffee 8 Tsp
Washing Soda 4 Tsp
Ascorbic Acid 2/3rd Tsp
6ish mins at room temp.
Fix:
Tetenal C-41 Blix solution
2ish mins, warmed.
Results: Bad! Rescued somewhat via Photoshop.
Rockland tintype plate
Liquid light emulsion
Old, expired dektol + indeterminate amount of fixer (ammonium sulfate)
Negative image is due to the negative loaded in the enlarger used for quick exposure. The process works, but the exposed regions are not nearly white enough. Will need to try fresh developer.
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Ted Arnold and Charles Freedman take a power meeting at the Spawn. Sunday, March 16, 2008 - developer.ribbit.com
A collection of photos taken on June 3rd, 2009 (7 days before WWDC). Showcasing banners, iPhone app icons and signage.
More photos and WWDC Coverage at macworldbound.com OR blog.adam-jackson.net
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Floriade, Commonwealth Park, as seen from the ferris wheel.
Mamiya C220 TLR camera, Mamiya-Sekor 65mm f/3.5 lens, Fomapan 100 black-and-white negative film, Tiffen yellow 12 filter, Adox Adonal developer at 1:50 for 8 minutes.
Blog | Twitter | TAP-Photography | Formspring
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Tobias Ellinghaus hands... but once he saw me, he start taking pics :P
Day 2 at Vienna
02 May 2012
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.
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self-made stickers.
tribute for the box art of Google Developer Day 2009.
some photos are at keropuni.blogspot.com/2011/03/developer-2009.html
( update : white eyes )
The Khronos held their fall Face to Face in San Antonio this year. The F2F is a Khonos member event that happens 3 times a year. It gives all members a chance to meet and discuss the future roadmap, bugs and development of Khronos technology. Oh, and to have a little fun as well!
This is the "film d'essai" (test film) of my newly-arrived Zorki 1 type D (year 1955), Lyon, France, January 12, 2023, in almost the same photo walk made a week before (see "Les bateaux du Rhone" flic.kr/s/aHBqjAn62z).
After blank mechanical tests and inspection the day before, the Zorki was loaded with a 36-exposure Fomapan Action 400 film exposed for 250 ISO. Fomapan 400 is a regular panchromatic film sensitized in the red to 690 nm, a bit more than the common panchromatic films as Kodak Tri-X or Ilford HP5 with a cutoff around 650 nm. The 35mm perforated Foma film is coated on a regular cellulose acetate base tinted in grey-blue to avoid halation. Technical Foma data indicate that the nominal sensitivity is more around 250 than 400 ISO.
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. Typically, 1/200s, then 1/100s, were used at f/3.5 to f/5.6 during this cloudy and gloomy afternoon of January in Lyon, France.
Les Berges du Rhône, January 12, 2023
69006 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 7 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
The detailed inspection of focusing indicates that the range finder needed a small adjustment from horizontal coincidence at infinite. This adjustment was done after the test film.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 just arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
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born East Islip, NY, 3 Dec 1892
golfer, golf course developer, horsewoman
In 1920 she was traveling to England to participate in the "English Women's Golf Championship". In 1921 she won the US Women's Championship.
"Marion Hollins was born on December 3, 1892, to a socially prominent and wealthy family in Gatsby country – East Islip, Long Island. She was the consummate athlete, and was proficient in all sporting endeavors she undertook, including; golf, anything equestrian, tennis, marksmanship, swimming, and car racing. Although we at Pasatiempo mostly recognize her golf accolades, to many Marion was considered the greatest horsewoman of the century.
At age twenty Marion emerged into the competitive landscape of amateur golf as runner up in the Metropolitan Golf Association Championships. In 1913 Marion made her first bid for the U.S. Women’s Amateur Championship, and in 1921, she defeated Alexa Stirling to become the reigning U.S. Womens Amateur Champion. In addition to the Amateur, Marion’s golf legacy includes three Metropolitan Golf Championships, two Long Island Championships, and an unequaled eight Pebble Beach Championships. In 1932, Marion was chosen team captain in the inaugural Curtis Cup matches played in Wentworth, England, pitting the best U.S. women amateur team against the best British/Irish women amateur team. It was noted by many players that Marion’s strategy led the U.S. to an upset victory over Joyce Wetherd’s British/Irish team.
Marion was a pioneer in the field of golf course development, and is considered by some to be the only woman to be a golf course developer. In her life she developed three world class golf courses: The Womens National Golf and Tennis Club, Cypress Point, and Pasatiempo.
Marion’s pioneering spirit created the impetus to develop a golf and tennis club exclusively for women, and hence the genesis of the Women’s National Golf and Tennis Club. To succeed in this endeavor she would go to Britain and study the great courses to gain an appreciation of golf architecture. There, she would also meet Ernest Jones, legendary golf instructor, and secure his commitment to be the Women’s National head professional. Ernest would subsequently become the first head pro at Pasatiempo.
In 1926 Marion was introduced to S.F.B. Morse, the developer of the Monterey Peninsula. This introduction would lead to Marion’s second golf course development, Cypress Point, a course considered by many to be the greatest golf course in the world. It was at Cypress that Marion developed her life-long friendship and professional relationship with the World Golf Hall of Fame architect, Alister MacKenzie."
-http://www.pasatiempo.com/web/history_hollins.php
"Bobby Jones was the odds-on favorite in the 1929 U.S. Amateur at Pebble Beach. On the night before the first round of match play, when rich men bet their bankrolls in the usual Calcutta pool, a Boston millionaire paid $23,000 to get Jones. That sum — worth more than $250,000 today — was the most anyone had ever paid for him in a Calcutta. And it made Jones nervous.
In the first round he faced Johnny Goodman, a young, snaggletoothed golfer from Nebraska who had hitched a ride from Omaha in a railroad car full of cattle. Goodman managed to pull off a huge upset by beating Jones, 1-up. The great Jones could have marched home to Georgia in a huff. Instead, he stuck around to referee a third-round match and knock a ball around a brand-new course nearby called Cypress Point. He had the usual reaction to the heroic 16th hole there: His jaw dropped.
Cypress Point, of course, was the work of Dr. Alister MacKenzie, a crusty cuss who liked whisky ("Being a Scotsman," he said, "I am naturally opposed to water in its undiluted state") and golf. MacKenzie, who gave up practicing medicine to devote himself to the game, fought the yips. He proved better at designing courses. He made his name at Cypress, a site that Jones' biographer O.B. Keeler once called "so bewilderingly picturesque that it seems the crystallization of the dream of an artist who has been drinking gin and sobering up on absinthe."
Marion Hollins was a true American original, a dark-haired millionairess who could shoot 66 in a skirt and bonnet. She hosted movie stars at her estates in New York and northern California, marched for women's suffrage, and floored the iron gas pedal of an early race car. Her biographer, David Outerbridge, described her as a party girl who drank, smoked, and wouldn't hesitate to climb through her friends' bedroom windows at 6 am, champagne bottle in hand. She had boyfriends, and people whispered about her links to women, but she never married. Golf was her life. Hollins won the 1921 Women's Amateur and teed it up over the years with the likes of Jones, Walter Hagen and Babe Didrikson. A founder of the Women's National Golf and Tennis Club on Long Island, she designed the course there in 1923. In 1928, she hired MacKenzie to sculpt a spur of land she owned near Pebble Beach.
MacKenzie's plans for Cypress Point left out the now-famous 16th hole. Dr. Mac was dying to create the killer par-3 that now adorns golf calendars around the world, but he thought that the tee shot, which called for a long, brutal carry over the roiling Pacific, would be too hard. It would have to be a par-4.
The owner disagreed. Miss Hollins wanted MacKenzie to build the hole he had imagined. Walking the seaside bluffs one day, she dropped a ball. She swung her brassie — a hickory-shafted 2-wood — and smacked the ball 230 yards over the sea to the current site of the green.
There's no record of what she said as the first tee shot ever struck at Cypress's 16th hung in the air. (Maybe, "Hunt, you rubber-coated dog!") What we know is that MacKenzie was convinced. He built a tee box on the spot.
"(E)xcept for minor details of construction, I was in no way responsible for the hole," he wrote. "It was largely due to the vision of Miss Marion Hollins."
Two years after Hollins' bold brassie shot, Bobby Jones, remembering his round at Cypress Point — and especially impressed by the ambitious and beautiful 16th — hired MacKenzie to help him build a new course on rolling woodland in Augusta, Georgia. A year after that, Jones and MacKenzie paced the scrubby turf that would soon be known as Augusta National. Bobby slapped approach shots to MacKenzie's roughed-out greens, suggesting tweaks. He slammed his best drives to show Dr. Mac how far the pros would be hitting the ball. (Jones favored a high draw, which may be one reason why Augusta National features so many right-to-left doglegs.)
When the Augusta layout was nearing completion, MacKenzie invited Hollins to walk the course. On the subject of golf-course design, he said, "I do not know any man who has sounder ideas."
She liked what she saw. Miss Hollins told her favorite golf architect that he had built a course that might rival Cypress Point. The year was 1931. The job was done. Now Augusta National belonged to Jones and his business partner, Clifford Roberts. By the time they hosted the first Masters in March (not April) of 1934, the 63-year-old MacKenzie was gone, dead of a heart attack two months earlier, and Miss Hollins' contribution was history."
- www.golf.com/golf/tours_news/article/0,28136,1720027,00.html
So great to have the Chattanooga Developers Lunch happening on the 4th Floor this week! #cha #dev #geeks
Developer: M’akola development services GC: Scansa Development . Installer: Frenette Exteriors. Dealer: Convoy
UC Townhomes residents and supporters disrupted a meeting of developers on Feb 8 to demand city leaders stop prioritizing billionaire developers over the housing needs of Black and working class residents.
The look inspector with almost all ios developer Malaysia components is following a Sketch version.
Zoom out and in keyboard shortcut is much more like Sketch than other Adobe software Option mouse scroll for XD, and command mouse scroll for Sketch.
The astonishing color picker magnifier that will get the colour associated with a pixel everywhere in your screen.
Dynamic Boolean operations for shapes that preserves the initial shapes despite adding them together or subtracting them, etc.
Why Choose Sketch?
Through its last couple of updates, Sketch has fixed and enhanced many facets of its very own consumer experience. Listed here are stuff that XD should atone for:
Layers. I have to begin with Layers. For many odd reason, Adobe made the decision to opt out layers panel around the launch of XD. It’s probably the most wanted feature that users requested in the XD team. Sketch layers are clever, making it simpler to export and take care of your elements of design.
Plugins. Probably the most effective features in Sketch may be the plugins, that is complemented by Sketch Toolbox. ios developer Malaysia
dramatically expands the abilities from the program itself and links it to every other software/platform. Zeplin.io may be used to automate styleguides and export assets from Sketch files, for instance.
Invision Craft. This can be a full tools carefully crafted by Invision for Sketch users. From duplicating happy to creating styles, these power tools take Sketch one stage further, specifically for prototyping and managing changes.
Sketch_collaborations
Invision Sync. Simply export your sketch artboards straight to Invision Sync. It'll seamlessly echo any changes done on Sketch for your live prototype. Can’t become more convenient.
Symbols. Relocating to design workflow, Sketch’s Symbol option saves considerable time and energy particularly if you’ve tried on the extender for a while now and begin to possess a library of your.Toolbar. Customizing choice for the very best banner toolbar is extremely handy. I question why XD does not have such like. It’s just intuitive.
Fill options. Another small but well-thought-out detail in Sketch may be the multiple fill/border/shadow effect. ios developer Malaysia
available in handy if you have a lower condition to have an asset, or just in the beginning when you're still tinkering with colors and effects.
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