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Voldemort, in the last movie, when Harry sacrificed himself. And Voldemort tried to kill him with the killing curse. Harry went to the in between place, where he spoke to the head master for the last time. There was this THING under a bench. This is that piece of soul from Voldemort that was ripped out of Harry. Pod 2015 design
Designed by North 1998
The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.
Things I've come to know or stories I've heard:
— 250 copies were produced
— Printed four colour process with six spot colours and two varnishes
— The guidelines took one year to design and produce
— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:
— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference
— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions
Designed by North 1998
The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.
Things I've come to know or stories I've heard:
— 250 copies were produced
— Printed four colour process with six spot colours and two varnishes
— The guidelines took one year to design and produce
— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:
— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference
— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions
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Nowadays, we continually share data: a message via WhatsApp, a picture on Instagram, an update on Facebook or an e-mail through Gmail. With whom do we really share this data? And how can we make sure that our personal data stay strictly personal?
This exhibition addresses issues of online privacy and digital surveillance. Next to several historical examples of encrypting, ‘Design my Privacy’ also shows some surprising contemporary strategies by more than 35 young designers and artists to maintain control over our data.
With work by Roel Roscam Abbing, Zineb Benassarou & Jorick De Quaasteniet, Josh Begley, Dennis de Bel, Caitlin Berner & Jana Blom, Heath Bunting, F.A.T., Giada Fiorindi, Front 404, Roos Groothuizen, Arantxa Gonlag & Eva Maria Martinez Rey, Monika Grūzīte, Rafaël Henneberke, Jan Huijben, Daniel C. Howe & Helen Nissenbaum & Vincent Toubiana, Rosa Menkman, Owen Mundy, Naomi Naus, Joyce Overheul, Ruben Pater, Wim Popelier, Freek Rutkens, Vera van de Seyp, Mark Sheppard, Dimitri Tokmetzis & Yuri Veerman, Janne Van Hooff & Christina Yarashevich, Michaele Lakova, Jasper van Loenen, Jeroen van Loon, Esther Weltevrede & Sabine Niederer, Leanne Wijnsma & Froukje Tan, Joeri Woudstra, Sander Veenhof and Simone Niquille.
An exhibition by MOTI, Museum of the Image in Breda (NL)
27.03 to 29.05.2016
Photo: Kristof Vrancken / Z33
Surrey Hotel
20 East 76th Street,
New York City, NY 10021
The Surrey Hotel - Blends in to the neighborhood - 76th Street between Fifth Avenue and Madison.
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The Surrey hotel was built pre-war in Beaux Arts architectural design. The Surrey opened in 1926 as a residence hotel, The Surrey was once home to the likes of JFK and Bette Davis.
In the 1950’s George Kaufman assumed leadership of the Kaufman Organization. Under his guidance, the Kaufman Organization acquired several key properties including the Columbia Pictures building, the McGraw Hill building and the Surrey Hotel.
In August, 2008 Denihan spent $65 million to buy out its majority partner in the 132-suite Surrey Hotel on New York's Upper East Side. The deal was financed by the Canadian bank CIBC.
DHG determined what sort of ambience the hotel should have, which was determined to be “Considered Moments.” That framework helped set the renovation program of the hotel, along with food and beverage and design.
Denihan wanted to add to the residential feel of the hotel. It enlisted Lauren Rottet, of Rottet Studio to employ works by significant artists to improve ambiance and cultural buzz. Rottet slected works by rising stars in the contemporary art world, as well as commissioning artisanry for “feature walls” and other areas of focus.
Rottet chose a Chuck Close wall-sized tapestry portrait of Kate Moss for the Surrey Hotel’s lobby. The Surrey Hotel was listed among the 15 hottest hotel lobbies in New York City by The Huffington Post.
After 12 months and a $60-plus million dollar investment, the privately held Denihan Hospitality Group reopened The Surrey Hotel on November 1, 2009. With the addition of 58 keys to the property, The Surrey now offers 190 guest rooms, including 30 one-bedroom suites, a new 1,150 square-foot Penthouse Suite and the 4,500 sq ft Presidential Suite.
Co-CEO Patrick Denihan commented in the Denihan press release, "DHG's reinvestment in The Surrey is a part of our continued drive for growth through reinvestment in our existing hotels.
Among the Surrey’s assets is its long term relationship with Daniel Boulud.
DHG expanded its relationship with Caf'e Boulud to include a new 1,200 square-foot lobby-level bar, Bar Pleiades, with seating for approximately 75 people as well as private dining options. The hotel has a private rooftop garden available to guests only.
Boulud set out on his own and opened his restaurant Daniel in leased space at the Surrey Hotel, in 1993. Boulud relocated the restaurant Daniel to a new home in 1998 - the lobby of the former Regent Mayfair Hotel which had once housed Le Cirque ( Daniel Boulud was the chef of Le Cirque's four-star kitchen for six years). At the Surrey the original Daniel was re-launched as the Café Boulud.
The Denihan Back Story
Denihan Hospitality Group has been owned and operated since 1962 by members of the Denihan family, who in the last 50 years have built the company from one hotel, the 129-suite Affinia Gardens, to a collection of highly-rated, highly profitable hotels in New York City, Chicago, Washington, D.C. and Miami.
The family‘s first venture in New York was an exclusive laundry and dry cleaning business, which opened in the early 1900s. The business was hugely successful, thanks in part to devoted celebrity customers who appreciated the outstanding personal service they received. The Denihan‘s client list reads like a who‘s who of New York: Marilyn Monroe, the Vanderbilt family, and Hattie Carnegie, among many others. It was known The Cleaners to the Stars.
In 1962, Benjamin 'Bud‘ Denihan Sr. entered into the lucrative world of New York City real estate. He built New York‘s first suite hotel, Affinia Gardens, on the East 64th Street site of his laundry and dry cleaning establishment.
By 2011, the company had grown to 13 properties with plans for expansion into additional markets, using proceeds from an equity partnership agreement with Pebblebrook Hotel Trust, which was announced in June 2011. Once the transaction closes, Pebblebrook will have a 49% equity investment in a six-hotel subset of Denihan properties in Manhattan.
Designed by North 1998
The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.
Things I've come to know or stories I've heard:
— 250 copies were produced
— Printed four colour process with six spot colours and two varnishes
— The guidelines took one year to design and produce
— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:
— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference
— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions
Art & Design Private Tutor Tailored projects to build professional portfolios 🌈🌈🌈🌈🌈🌈🌈🌈#colour #texture #pattern #proportion #composition #obsession #orange #freelancedesign #digitalportfolios #artclasses #artcourses #tutor www.susannakenworthy.com
Bildung designed by Beate Kamecke 2001.
Image from Gunter Rambow Schule der Plakate. [Staatliche Hochschule für Gestaltung Karlsruhe].
Concept & Design by Michael J. Hildebrand of www.harvestcreative.com
Special Thanks to:
www.designworklife.com/2012/06/20/michael-hildebrand-for-... for posting about this on June 20th, 2012
Alumno: Facundo Cúnsolo
Diseño de una colección de fascículos "Vida de vivos" basados en entrevistas de María Moreno a personajes de la cultura, deporte o espectáculo argentino. Fotos: Agustina Zato y Emmanuel Prado.
Monotype
Plakat - Poster designed by Karl-Heinz Fischer 1997.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag (I think).
architectural staircases, Contemporary Staircases, Inspiration, inspirational, interior design ideas, Modern Staircases, stairs, beautiful stairs, beautiful staircases
1969. Ettore Sottsass designs, for the world company Olivetti, a glaring red provocation made from plastics, which makes him sudden world famous. The “Valentine” is a transportable typewriter for sure, but also a jovial, subversive, mod and emotional statement for a radical new wise of designing products. Bejond the so called good form Sottsass, with ”Valentine” and his design ideas for the legendary Memphis group, had opend the doors for a radical new design understanding, that made him to one of the most significant designers of the second half of 20th century. The E. Sottsass for Olivetti ”Valentine” transportable typewriter a true style icon of 1960s product design.
2011-09-18
model: Katie
hair by: Kyle Brit
make up by: Megan Porter
wardrobe on sale at: Design Archives
location: downtown Greensboro, NC
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Kodak Portra 160 120 film
Design for speakers based on the Zaph ZDT 3.5 design. Modeled with "caramel" bamboo veneer. Transparent to show internal bracing.