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Dream House Studios, in Annapolis Maryland, brings blank spaces to life by building every room from layers that form a singular tapestry. For interior design consultation, visit www.dreamhousestudios.net Read our blog at dreamhousestudios.net/blog.
Client: Specacular Aquariums
Brief: To design a three fold leaflet for an aquatics solutions company
Year: 2004
Web Portfolio: www.dejongedesign.com
Here's a card made using my Handfast Poem rubber stamp design. A friend wanted to make cards for her handfasting so I wrote the poem and designed the stamp.
Designed and folded by Arseniy K.
Made out of questionable quality paper
These are late 2018 and 2019 works, some of them were laying forgotten until I found out that I dont have a picture of them.
Opus names as per camera indexing
designed and folded by me
35cm square green biotope paper
created for the december 2017 design challenge on origami forum-insects and dragons
The last time I made a dragon design, one of the original ideas was to have riders on their backs. However, as I worked on the design, this idea fell by the wayside. So, I decided to revisit it when the monthly challenge was to create an insect or dragon, and this is the result. It was originally intended to have legs. Maybe that will come in a future design.
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Was available for purchase on a t-shirt at: ropeadope to benefit the Health Alliance for Austin Musicians.
Love it on Tumblr
DESCRIPTION
A stunning vintage 1930s, Swiss Bauhaus era design, studio pottery teapot with natural ceramic tone.
It was designed and made by the Fritz and Helen Haussmann Atelier in Uster Switzerland (1928-1961).
Its downwardly pointing spout design has been invented, maybe even patented, by the Haussmann atelier.
The simple form mirrors the influences of the Bauhaus movement.
The teapot is sleek, practical and easy to use.
But it is above all a wonderfull and very rare decorative piece!
Context and History:
Completely in keeping with the art and craft-related endeavours of the 20th century, the young ceramicist couple Fritz (1900 – 1968) and Helen (1905 – 1989) Haussmann opened a "ceramic workshop" in Uster in 1928. Items produced there included tableware and ceramic art. The company evolved rapidly. The everyday pottery conformed with the contemporary and modern sense of form.
In the ceramic art we see simplicity of forms and experimentation with glazes from the outset. The fact that this endeavour had an unforeseeable outcome is demonstrated by three small bowls from the very early period. The vases created somewhat later and the bowls with yellow crackle glaze are indicative of growing security and unbridled joy in experimenting however.
The early forties saw the first attempts with stoneware and with the so-called china firing, a reduction firing technique. Glazes were produced with obvious East Asian influences. The forms and examples with running glaze are also reminiscent of the Far East. This reflects a renewed interest in Eastern Asian ceramics appearing in Western ceramics following the Second World War. With a whole range of high quality products in the forties and fifties, the Haussmann workshop created a pioneering role for Switzerland in this area. A little later, Mario Mascarin (1901 – 1966) and next generation representatives such as Philippe Lambercy (1919 – 2006) and Edouard Chappalaz (*1921) would go on to develop this style further.
(Reference: Swiss National Museum, Zunfthaus zur Meisen Zürich, Zurich)
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The 2 models inside Envelope J show the development of a 5 Daisy Motif design. This is quite similar to the model inside Envelope B but the orientation of the Daisy motifs is different.
The Daisy motif is Prof. Yoshihide Momotani's creation. The model is the same as the Andrea Rose which JC Nolan discovered later.
This was my way of recording my works before I started diagramming. I think it was done in the 80's. So please, do not ask for diagrams, CP or tips.
Permaculture Design Certificate
With Nick Ritar + special guests
Alexandria, Sydney Australia
May-August 2010
New premises in what used to be the Commonwealth Center. I wrote about it here: medium.com/@fjordaan/londons-new-design-museum-b9f9d1b5c17d
Design-thinking workshops presented by Puget Sound SIGCHI and IxDA Seattle for the 2012 Seattle Design Festival.
Featuring presenters:
Nikki Pfarr with Waste Not!
Ming-li Chai with Designing for the Future
Joyce Chou with Sensory Deprivation for Breakthrough Innovation
Sponsored by POP