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The T-Pylon Design shortlisted as part of the Pylon Design Competition.
Bystrup - architecture, design and engineering
The Integrated Touchless System is designed to create touchless versions of new or existing digital exhibits in museums and other public institutions. The system uses a combination of software and hardware that allows visitors to easily understand how to interact with touchless technology even if they are completely unfamiliar with this type of interaction. The system uses a color-coded approach and combines software and hardware to provide realtime feedback.
The software system was developed using the Leap Motion SDK, Unity3D, and other software packages. Custom cursors help provide feedback on the main screen of the kiosk. An Integrated touchless hardware system which includes a Leap Motion device, a 3.5” display, and LED lights provides additional feedback to visitors as they interact. The current hardware system works with Ideum Drafting tables but could be modified to be used with virtually any system.
The Integrated Touchless System is designed to allow developers to quickly retrofit existing applications without having to make major changes to the underlying exhibits. It could also be used to author new exhibits that would be touchless.
The project’s goal is to help museums in the US and throughout the world that have been impacted by the COVID-19 pandemic. This software and future versions will be available as part of an open-source initiative entitled Touchless.Design. In addition to the software, research findings, DIY instructions for building integrated touchless hardware systems, and other information will be available through Touchless.Design. The full release will be available in fall 2020.
Rubbermaid Design Series bottles! This BPA-free bottle is made of Tritan which is stain and odor resistant. Plus, the finger loop makes traveling on the go a breeze and these bottles are dishwasher and freezer safe.
- BPA Free
- Made of Tritan material that resists stains and odors
- Bottles and designs are dishwasher safe
- Chug cap is interchangeable on all Rubbermaid water bottles
- Finger loop for easy carrying
- Freezer safe
For additional information please visit our website at: www.rubbermaid.com/Category/Pages/SubCategoryLanding.aspx...
Designed and folded by me.
Regular colored paper, 120 g/m2
A variation of previos piece Moire Hexagram which is not much more complex, but they're both make a pretty curious effect when rotated under light.
BT ArtBox project celebrating 25 years of Childline
ArtBox Title: Ted’s Ding a Bling Box
Artist: Ted Baker
Location: Covent Garden
Open-air art exhibition across London - Summer 2012
• BT marked 25th anniversary of ChildLine with launch of open-air art exhibition in London
• BT ArtBox project saw leading artists, designers and creatives transform full-size replicas of iconic Gilbert Scott–designed red telephone box into stunning artworks
• Throughout June and July 2012, BT ArtBoxes were on display in high-profile locations across the capital
• The National Portrait Gallery hosted a gala auction on July 18 where the ArtBoxes were auctioned to raise money for ChildLine
To celebrate the 25th anniversary of ChildLine, BT announced the launch of the BT ArtBox project – a new public art exhibition set to take over the capital Summer 2012.
Leading artists, designers and creatives from around the world were invited to apply their individual talents to re-style that much-loved icon of British design, the traditional red telephone box.
Each artist or designer took delivery of a full-size, fibre-glass replica of the Sir Giles Gilbert Scott-designed original K6 telephone kiosk, which was introduced in 1936 to commemorate the Silver Jubilee of the coronation of King George V.
Participating artists included 2002 Turner prize winner Keith Tyson, Romero Britto and Royal Academician Professor of Sculpture David Mach, along with fashion designers Giles Deacon and Zandra Rhodes.
The BT ArtBoxes were on display in high-profile locations around the capital between June 18 and July 16 before being auctioned off at a VIP Gala Auction at the National Portrait Gallery on July 18 to raise funds for BT’s long-time partner ChildLine.
Esther Rantzen OBE, founder of ChildLine and patron of the BT ArtBox project, said: “I’m thrilled that ChildLine’s 25th birthday is to be celebrated by such a unique and inspiring project as BT Artbox.
“The red phone box is a much loved symbol of British culture and I’m keen to see how the artists involved will create new masterpieces from such an iconic canvas. It’s fantastic that the proceeds from the sale of the boxes will raise vital funds to support the work of ChildLine, enabling us to help many more children and young people to get comfort, advice and protection when they need it most.”
Sandy Nairne, director of the National Portrait Gallery and patron of the BT ArtBox project, said: “The Gilbert Scott telephone box is a truly iconic British design, and I’m looking forwards to seeing how artists and designers transform the replica boxes into works of art on London’s streets.”
David Mach, said: “It’s great to be involved with the ArtBox Exhibition. I get to kill more than two birds with one stone...work with a great charity (hopefully make money for it) and a classic British design. I love all things Gilbert Scott. Anything that encourages us to get his design back on our streets does it for me”.
Suzi Williams, director of BT Group Marketing and Brand, said: “BT has a history of supporting British cultural initiatives and 2012 is no exception. What better way to celebrate ChildLine's 25th anniversary than transforming replicas of the classic red phone box into a public art exhibition that can be enjoyed by all in the build-up to the Games this summer."
Martine Ainsworth-Wells, London & Partners, Marketing and Communications director, said:
“London & Partners is excited to support BT ArtBox in the run up to London 2012. BT ArtBox will bring some of the UK’s finest artistic talents to London’s streets, adding a new creative dimension to the capital at such an important time in its history.”
Artists and creatives who were interested in designing an ArtBox visited btartbox.com for more information about how to get involved.
The BT ArtBox project was supported by the Mayor of London, Professor Malcolm Garrett RDI, London & Partners, The May Fair Hotel, Harvey Nichols, The Times and The Sunday Times and borough councils across the capital.
Images of Malcolm Garrett, Interaction Designer, Sandy Nairne, Director of the National Portrait Gallery, David Mach RA, Sculptor, Esther Rantzen, founder of ChildLine and Lauren O'Farrell, Artist at the launch of the BT ArtBox project at the St Pancras Renaissance Hotel, central London today are available at:
imagelibrary.btplc.com/assetbank-btplc/action/browseItems...
Top 10 facts about the K6 red phone box
1. Kiosk number 6 or “Jubilee Kiosk” commemorates the Silver Jubilee of the coronation of King George V.
2. Sir Giles Gilbert Scott also designed Liverpool’s Anglican Cathedral, Battersea Power Station and Bankside Power Station now Tate Modern.
3. More than 1,600 decommissioned red phone boxes, mostly K6s, have been sold to local communities for just a £1 under BT’s Adopt a Kiosk scheme. Uses include being fitted with lifesaving defibrillation machines, turned into art galleries and public libraries.
4. The K6 was the first kiosk installed nationwide and the standard kiosk across the UK until the introduction of the K8 in 1968.
5. The K6 kiosk is made from cast iron with a teak door. It is 8’3” tall (2.4 metres) and weighs three quarters of a ton (762 kilograms).
6. The K6 design was approved by the Post Office and the Royal Fine Arts Commission, which endorsed “Post Office red” as the standard colour.
7. Although Scott agreed to the use of “Post Office red” he was never a supporter of the colour and initially suggested the outside of the kiosk be painted silver and the inside greenish-blue. He strongly urged rural kiosks be painted dove-grey.
8. Two K6 kiosks were installed in France during 1995, for the 50th anniversary of the D-Day landings.
9. Several red K6’s have been transformed into combined payphones and cash machines.
10.There are 11,000 red phone boxes in use in the UK.
About ChildLine
ChildLine on 0800 1111 and www.childline.org.uk is the UK’s only free, 24-hour helpline for children in danger or distress. Trained volunteer counsellors comfort, advice and protect children and young people. ChildLine is a service within the NSPCC. In Scotland it is delivered by CHILDREN 1ST on behalf of the NSPCC. Calls to ChildLine on 0800 1111 are confidential, but if a child is in immediate danger the counsellor will let the caller know if they have to break confidentially and contact the emergency services to save the child’s life.
Every £20 raised could help ChildLine answer another five calls from children who dial our helpline. If you are worried about a child or would like to make a donation, please visit the NSPCC website www.nspcc.org.uk
III Edizione
08 03 2017. Presentazioni finali e consegna Diplomi. Corso di Alta Formazione dedicato al design della maglieria.
modular furniture design by Agata Lubarska for Colorato
galeria-colorato.blogspot.com/2013/04/nasze-realizacje-ko...
Logo Designed by Litmus, India's Advertising & Branding Agency. We also offer Logo Design services to clients, across the globe.
Home theater interior design concept by Cinema Design Group, International.
This is our affordable home theater interior solution; the Silver Screen Collection
All theaters designed, manufactured and installed by Cinema Design Group, Int'l (CDGi) of Boca Raton, FL
3D interior renderings by Andrew Trask. See rendering details and tutorials at silkypixel.com
This Design For Mo3tadela CBA :)
it's NOTE
© Ahmed AlShuaib
Copyright for this gallery photo belongs solely to Ahmed Alshuaib . Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
The branding process of “Fertico” company also consisted of: label design, package and box design. Since the “Fertico” company has a variety of products which will be packed differently we modified the design and adapted it to fit to all package variations perfectly. One of the more inspirational modifications was to find the suitable colors, materials and paper quality. We relied heavily on the modern printing technology.
The goal was for the brand to reach the targeted audience (customers who were already using different gardening products) in the right way. With carefully planned branding campaign and excellent marketing plan we reached our goal. Catalog design, brochures, flyers, business cards and other promo material for the advertising purposes represent a part of total design process and each and every one of these items was designed and developed with a lot of patience, effort and professionalism.
We have managed to create new visual esthetics of the clients company, corporative design, a brand.
This new visual identity of “Fertico” company has high and very strict standards which made the targeted audience easier to inform and win over thus making the “Fertico” brand unique and more visible to the market. Every potential user of “Fertico” product receives all of the necessary information regarding a product, service and other details on a unique and interesting way which is the very essence of branding process.
Designed by North 1998
The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.
Things I've come to know or stories I've heard:
— 250 copies were produced
— Printed four colour process with six spot colours and two varnishes
— The guidelines took one year to design and produce
— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:
— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference
— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions
The Lowell, New York
28 East 63rd Street (between Madison and Park Avenues)
New York, NY 10021
The Lowell's elegant lobby.
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Architect Henry S. Churchill is best known for his work in city planning, but he also took the time to design the Lowell, a luxury apartment. The Lowell was built by Leo Wise and opened in 1926. It was built as a seventeen-story apartment hotel, with a first floor restaurant and lobby, and upper floors divided into one and two bedroom suites. Its Art Deco / Modern facade is a distinguished design in brick and glazed terra cotta, which integrates the ground floor entrance with a flat, subtly detailed center section of the building and topping with a series of terraced setbacks on the upper floors.
The Upper East Side Historic District Designation Report from the 1980s described the 17-story building as utilitarian in overall conception but is enlivened by a handsome entry motif and variegated brick bonding patterns on the upper floors.
From the architecture to the service, this hotel today reflects discreet aristocratic and understated European elegance. With its significant 1920's exterior architecture, The Lowell Hotel is integral to the character of the Upper East Side Historic District.
Fouad Chartouni and his brother Nabil own the Lowell. They are Lebanese real estate investors and developers. Fouad Chartouni is president of Kensico Properties, a real-estate holding company in New York. He graduated from the American University of Beirut and received a master's degree in business from the Massachusetts Institute of Technology and a doctorate in economics from Columbia University. His father is a real-estate developer in Beirut.
The Chartouni's bought the 130-room Lowell in 1982 for $6 million. They spent 30 months and $25 million transforming it into an Art Deco extravaganza, taking their cue from its original look. The original name was kept in recognition of its rich history.
With understated European elegance and an intimate ambience, The Lowell New York is a boutique hotel offering 47 suites and 25 deluxe rooms. Each room features traditional architectural details, original art and antiques, opulent fabrics, and communication and entertainment state-of-the-art technology. Many of the suites feature private terraces as well as wood burning fireplaces.
In a 1986 New York Times article it mentions the hotels room rates were averaging $220 for a double room and $360 for a one-bedroom suite. The owner Fouad Chartouni indicated the hotel attracts a lot of elite film industry executives and CEOs from the major fashion design, publishing and financial worlds.
Celebrities like to hide out in the hotel. Madonna at one time lived in the hotel’s 1,000 square foot Manhattan Suite.
He said the hotel's occupancy has been over 80% since opening.
In 1975 the Grand Café opened at the Lowell Hotel. Its interior had Deco elegance and crystal chandeliers from Loews State theatre. By 1979 the restaurant was known as Christophers.
The Lobby is contiguous to the Post House Restaurant, the entrance of which is separated by an original 1920's door.
It was Alan Stillman With $5,000 of his own money and $5,000 borrowed from his mother, bought a bar he often visited, The Good Tavern at the corner of 63rd Street and First Avenue, and renamed it T.G.I. Friday. He sold his interest in the TGIF Fridays chain for $1 million to the Carlson Cos. in 1976. In 1977 Stillman opened the first Smith & Wollensky. In 1980 Stillman opened the Post House at the Lowell Hotel. Stillman still operates The Post House.
In 1993 Fouad Chartouni acquired the 114-room L’Ermitage Hotel in Beverly Hills, California for an estimated $12 million. Chartouni’s investment group, La Hotel Properties Inc., purchased the foreclosed property from Mission Viejo-based Independence One Bank of California. La Hotel Properties would invest $20 million in renovating and at one time considered changing its name to the Lowell – but did not.
In 2010 it was reported Nabil Chartouni, the Lowell Hotel owner was looking to refinance a $60 million mortgage on the 72-room hotel. RBS Greenwich Capital originated the existing 5-year $60 million mortgage in August 2005 for Chartouni’s Kensico Properties. In November 2010 HVS Capital served as exclusive financial advisor and assisted with the restructure and extension of a $60 million first mortgage for The Lowell New York.
Design: Philippe Saint-Laurent/Matthieu Desjardins
Programmation: Matthieu Desjardins
Php, JQuery, Css, HTML
Younger Boy Tribal Shoulder Tattoo Design 2011 By www.pieway.com
Resolution: 491 x 430 · 15 kB · jpeg
Size: 491 x 430 · 15 kB · jpeg
Once a tribal rite of passage, a signifier of dangerous associations, or a mark of freakish deviance, the tattoo is the arm from the shoulder to the wrist, cou...
A book dedicate to women's role in 1800.
[Adobe Indesign]
2003
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Design, Impaginazione e testi per un piccolo compedio dedicato al ruolo della donna nel 1800, dall'album "Elle" di Toulouse Lautrec fino alla figura letteraria di Emma Bovary.